Gretchen: Let the record reflect that I’m currently breastfeeding on my left boob.
Riese: How’s that going for you?
Gretchen: Right now, flawlessly.
Riese: That’s great. So on a scale of 1 to 10, how would you rank your breastfeeding journey so far?
Gretchen: First of all, I want to say that everybody has to call it a “journey.”
Riese: Nobody should ask, “How’s breastfeeding going?” They should say, “How’s your breastfeeding journey going?”
Gretchen: Exactly.
Riese: It’s like a gender journey! Well, I mean — in a way, it is a gender journey.
Gretchen: Yeah, it kind of is! Because now I don’t want boobs anymore. I never thought about my boobs before and now I want to get rid of them. But if I could rank it — some days it’s like “Hell, yeah!” when I do it successfully. I feel pretty powerful. But overall, I would say it’s a negative a billion, as an experience. But then sometimes I’m like, “It’s a 10,” because of convenience and because it does feel like I am bonding with him when it’s going well.
Riese: How do you feel when it’s not going well?
Gretchen: I feel like we are enemies at war in a hostile state.
Riese: But his only weapon is like… well, throwing up all over you.
Gretchen: But that happens every day anyway.
Riese: So from the start, one thing that people kept saying to me when I told them about you being pregnant was, “Make sure Gretchen doesn’t feel pressured to breastfeed.” So I told you all the time, Gretchen, don’t feel pressured to breastfeed.
Gretchen: Right. But you know my personality.
Riese: Which is you want to be number one.
Gretchen: Yes, in all things, including breastfeeding.
Riese: You’ve said to me that you feel, even though I’m not giving you any pressure to breastfeed, that you feel pressure from society.
Gretchen: You can’t be online as a Mom and not feel pressure. I thought, as somebody that works in social media, that I would be immune to influence.
Riese: Right. Because you understand it on a macro level.
Gretchen: Yeah. I’m like, I know what’s happening!
Riese: You should be able to intellectualize yourself out of it.
Gretchen: Before I got pregnant, besides an occasional, “Oh, I want to want to buy that clothing item,” I wasn’t influenced because I get it, and I know the traps. But when you have zero sleep and your hormones are off the charts, you’re in the most susceptible state to be influenced, I think.
Riese: That’s true! And no-one is influenced too more aggressively than moms.
Gretchen: A mother who’s up at 3:00 a.m., breastfeeding on the newborn struggle bus. That’s when they get you.
Riese: That’s when they worm their way into your brain and scream: “Breast is best.”
Gretchen: Breast is best!
Riese: And you say, “Well, one thing about me is, I’m going to be the best.”
Gretchen: Exactly. Anyhow, I had a lot of lofty dreams about how breastfeeding was going to go, as many mothers do.
Riese: Well, not your mother.
Gretchen: Yeah, besides my own mother who said, “Yeah, that’s that,” one day into it and put me on formula.
Riese: But look at you now!
Gretchen: To her credit, I’m perfect.
Riese: That’s the thing! It’s like really? What will breastfeeding really do for your kid?
Gretchen: Right. Like I wanted to do it to save money, but also wanted to do it because allegedly, it’s better for the baby. But who knows? Does anyone really know?
Riese: We did watch the Netflix documentary about guys buying breastmilk to help them with bodybuilding. So it’s good for them. Allegedly.
Gretchen: Can I prove that it’s better for the baby?
Riese: Well he is walking, talking and reading already.
Gretchen: Yes, he is headed to the LA Olympics. They’ve already contacted him.
Riese: He’ll be doing shot put.
Gretchen: It’s all been worth it. Just to get him to get that gold medal!
Riese: Just kidding everybody — actually he can’t even roll over yet. [update July 3rd 2025: Jude can roll over!]
Gretchen: I asked so many Moms how long they breastfed and was like, “Okay, I’ve got to beat that.” Anyway, like all things motherhood, I’ve been humbled.
Riese: But also, you are straight-up exclusively breastfeeding. We don’t even do bottles, really. You rarely pump. So I feel like you’re on the high end in terms of percentage of times he’s eating directly from your breast.
Gretchen: Yes. But I think that’s a lot of privilege — I’m not working so I have the opportunity to do this. Then that’s even more pressure, honestly, because I’m like, “What else am I doing?”
Riese: But that’ll change when you go back to work.
Gretchen: Definitely. But I thought that this was the best route. I went in thinking that my friends who breastfeed, tend to do it for about a year. So that’s my goal.
Riese: Still?
Gretchen: Well, ask me again in a month if I’m still breastfeeding.
Riese: You’ve had some struggles though, you would say?
Gretchen: Yeah, I would say.
Riese: Beginning with a bleb. I knew about some breastfeeding problems, like undersupply, and also failure to latch, because that’s what happened on The Office with Pam, her baby wasn’t latching. So right away Jude latched and we were like, “Amazing. Score.”
Gretchen: At the beginning, it felt like Jude rocked at this. I had a great nurse at Cedars who walked me through it, and it was easy. And I thought, in my stupor, “I’m crushing this.”
Riese: He is good at breastfeeding! He’s just not good at swallowing and digesting.
Gretchen: Right. The problems started about a week in. First was blebs. Which, when I’ve talked to other mothers, weirdly, not a lot of people knew about it!
Riese: I guess it’s one of those many things you don’t know about until it happens to you.
Gretchen: They’re blisters on your boob, and it makes it feel like every time your baby is latching that you’re getting a nipple piercing. And because I was exclusively breastfeeding and he ate eight or nine times a day, it was like getting my nipple pierced eight or nine times a day.
Riese: This is where another woman would’ve given up.
Gretchen: And this is where I dug in.
Riese: You said, “Oh, it hurts? Good.”
Gretchen: No pain, no gain.
Riese: Life does hurt.
Gretchen: He was underweight at first also, so we had to get the gains! I was determined.
Riese: If there’s anyone who can grit their teeth through the pain—
Gretchen: It’s going to be me. I’m going to embrace the pain. So, I had those for the first three months, on and off.
Riese: That was rough on the home because you kept soaking them in vinegar, so everything smelled like vinegar.
Gretchen: Yeah I was like, “Am I making salad dressing or am I making a cure?”
Riese: That was when I went to CVS three times in two hours ‘cause you kept changing your mind about the cure. The third time I was like, “I’m going to wear a different hat this time.” They’re probably like, “What is going on with you?”
Gretchen: I think when you have a baby, going to CVS three times within an hour is pretty much par for the course. They’re like, “That’s fine. She must have a baby.”
Riese: They’re like, “Did you already eat the Nerd Clusters you had the first time?” And I’m like, “No, I just think we might need more for later.” So we had ice pads, heating pads, cooling pads. The third trip to CVS was when you said to get you a sewing needle and a Zippo.
Gretchen: Okay. I want to caveat that I’m not a doctor and that everything here is not medical advice.
Riese: Nobody should ever do what you did.
Gretchen: But I did get desperate enough and it was painful enough that I did use a sterilized needle to pierce my own boob, and it went away. I mean, other ones came.
Riese: Sometimes I’m like, “If I was a husband, would I have been like, ‘No, you can’t do that’?”
Gretchen: No. Would you?
Riese: I mean, I know it’s not recommended. But as a person who once penetrated my own sty that was millimeters away from my actual eyeball with a needle at home…
Gretchen: That is so dangerous.
Riese: But, Gretchen!
Gretchen: It worked?
Riese: It worked. So who was I to stand here and judge you for what you were doing? What ground did I have to stand on? What glass house was I in?
Gretchen: I talked to actual doctors. I tried sunflower lectin. The whole time I spent on Reddit looking up people’s solutions for blebs is… I’ll never get those days back. Those were rough days. Then I got a clogged duct that immediately turned into Mastitis.
Riese: Which was very bad it seemed.
Gretchen: I woke up feeling like someone had run me over with a truck and I thought, “I guess this is motherhood.” And probably would’ve died thinking that. When I was researching more about the blebs, Mastitis came up and I was like, “Oh, that’s what I have.” It felt like mono. It felt like exhaustion, flu, all the things.
Riese: You’re taking antibiotics for that.
Gretchen: Luckily, my doctor believes women and just called in the prescription. They also tell you to breastfeed through it. So what I figured out for blebs is that eventually it will resolve itself.
Riese: I hate it when they say that. I’m like, “There’s got to be a cure.”
Gretchen: Same, but there was no speeding it along for me. You just leave it. Mastitis, you can sense it, basically feel like it’s coming — the medical advice is outdated. It’s changed, starting in 2022.
Riese: You know this now because you found it in a medical journal article, printed it out, and read it.
Gretchen: I highlighted sections of it. I took notes.
Riese: At some point, our doctor lanced your bleb, right?
Gretchen: Yeah, but it came back. I dreaded Jude eating on my right boob, and no-one should be sitting there dreading their son eating that many times a day. It was awful, but so was pumping.
Riese: But at this time, you’re free of infections.
Gretchen: Yes, I feel like a new person. The other day I played pickleball with my friends. Life-changing.
Riese: It was really brave of you to fight through all of that pain. You have a very strong constitution.
Gretchen: I think that’s just being a mother now. Is you really just have to just suck it up if you want something for your kid. And I really wanted to breastfeed him. I mean, for reasons other than ego. Because it’s affordable.
Riese: At a time when nothing else is affordable.
Gretchen: Exactly. I wanted to breastfeed because I think it is bonding. When I pump, it’s like I am a robot and I’m plugged into a wall. A friend of mine pumped exclusively, and I was like, “How?” I mean, now they have portable pumps and there’s wearables and all these other contraptions. But when she was breastfeeding, there wasn’t anything portable so she was truly stuck. And it’s like eight times a day. A newborn has to eat every two hours.
Riese: He still eats every two hours.
Gretchen: He does. I don’t know what that’s about.
Riese: It could be because every time he eats, he throws up half of what he just ate.
Gretchen: It very well could be! Every morning we’ll wake up. He smiles, it’s very adorable. He does this little hello smile. And then I breastfeed him for 20 minutes, and then he pukes pretty much all over me. I’m usually drenched, the bed’s drenched. Then he smiles, and then we start our day, and that’s just a little christening of the new day.
Riese: Just a little preview of what’s to come as the day continues.
Gretchen: Our doctors say that he’s eventually going to grow out of it. Our pediatrician has him on Pepcid and Prevacid now, temporarily, which hasn’t stopped the spit up, but does make him a lot happier. Then we went to a GI.
Riese: The GI told us to do a soy-free, dairy-free diet. So that’s what we’re doing right now. We’d done dairy-free before, but nothing changed. He said that’s ’cause we didn’t also cut out soy. He said we should’ve done that before doing medicine, “Because giving up soy and dairy, there’s no downside to that, but the medicine, there could be.”
Gretchen: I looked at this man and I thought, “Sir, what have you ever in your life given up? Ever?” He just said it with such a nonchalant, “Just give up dairy and soy.” Like I’m not sleep-deprived, exhausted, just doing my best with my three-month-old. I could simply go home and bake my own bread in a soy-free facility.
Riese: I do all the grocery shopping, meal planning and cooking and everything like that, so I was like, “This will be a lot.” A lot of work but also a LOT of money. And it has been!
Gretchen: You kind of took it on like I took breastfeeding on.
Riese: Well, a much smaller scale. Breastfeeding is much harder!
Gretchen: Right, but you wanted to do a good job.
Riese: I do meal prep all day Sundays now. So that we won’t be desperate during the week.
Gretchen: You’ve been wonderful about it.
Riese: I’ve labeled all the foods.
Gretchen: Everybody in my ‘Mommy and Me’ class thinks you’re just the best.
Riese: It’s because they’re married to men.
Gretchen: Well, that might be so.
Riese: But everyone at home needs to know, you might think, “Soy, okay, give up soy sauce. That’s not a big deal.” The problem with soy is, soy lectin is in everything.
Gretchen: Whatever you’re eating right now, it has soy in it.
Riese: Unless it’s an apple you’ve just plucked off a tree.
Gretchen: And even then, you can’t know.
Riese: And even then somebody may have sprayed it with soy lectin. Somebody might process it in a facility with tree nuts, milk, and soy lectin.
Gretchen: The other day Riese brings me walnuts and was like, “How do these have milk in them?”
Riese: They’re processed in the same facility that has milk. I’m like, “Well, I mean, aren’t we all?” Anyhow, how would you say the diet has gone so far?
Gretchen: I would say my happiness has gone significantly down, and I would say we’ve seen no change with Jude.
Gretchen: I eat them every day. That’s my little treat.
Riese: It’s really difficult to actually find store-bought cookies that are soy lectin-free.
Gretchen: The thing is, when you’re a breastfeeding mom, all you really want is a little treat. You want want your little dairy treat. You want a piece of pizza!
Riese: I feel like Gwyneth Paltrow doesn’t eat soy and her idea is that we’d all be better off if we didn’t eat soy either, but it’s been three weeks and I don’t feel better off at all.
Gretchen: I feel pressed.
Riese: I feel cold-pressed, honestly, if I could. But the GI was so nonchalant about it, and then Gretchen was like, “At what point should I just give up and switch to hypoallergenic formula?” And he’s like, “Oh, I would never tell a mother not to breastfeed.” And I’m like, “Of course you wouldn’t.”
Gretchen: I felt so judged in that moment. He laughed. He said, “Weren’t you just saying your mom gave up after one day?”
Riese: Which you only told him because you were telling him that you’d had allergies as a kid.
Gretchen: Right, I was asking if that’s a possibility with my son. Instead, he was laughing at me and handing me a flyer about how to bake my own bread?
Riese: One of the harder things about a soy-free dairy-free diet is that if a product or a recipe is free of something, they want you to be free of everything. I can’t find dairy-free soy-free mac and cheese mix that isn’t also gluten-free. And lord I’m giving up dairy and soy, so I’m gonna need a little gluten! I’m gonna need an egg, or a slab of meat!
Gretchen: We are desperate for meat. We are desperate for gluten.
Riese: We asked him, “What if there’s no change in a month?” And he says, “Give up eggs.”
Gretchen: “If you can,” and I don’t know that we can.
[Editor’s Note: we gave up the soy-free dairy-free diet because there was zero change in Jude’s spit-up journey. We are still eating eggs and mad at the GI.]
Gretchen: I don’t know. I’m sure eggs are in everything too, right?
Riese: For the record, a month ago we did say we would never give up soy.
Gretchen: Yeah. We’re always saying, “We’re not going to give this up.” And then we give it up. We surrender. We throw our hands up and say, “What else can we give up?”
Riese: So in general, on your breastfeeding journey, if you think about a journey across the ocean… What kind of journey would you most compare it to? Of all the different kinds of journeys that exist?
Gretchen: I would say, in a life raft in the North Sea.
Riese: Difficult for me to ask you this because my geography knowledge is extensive and I am very proud of that but also that knowledge is very linked to the land specifically and not bodies of water — where’s the North Sea?
Gretchen: It’s really scary. I’ve seen it on TikTok.
Riese: You have?
Gretchen: Yeah. Everyone check out North Sea TikTok. It’s pretty intense. The waves do not look survivable. That’s how I would describe my journey. I think I’m humbled. I think that going into it thinking that I was going to do this for a year was ambitious, and that every day I reevaluate where I am with it. Now we’re four months in. No blebs, no mastitis. He’s still latching well. I have plenty of supply. But he does keep throwing up.
Riese: And you’re overproducing a little because he eats twice as much as he needs since he throws up so much of it. Really, we could be selling half of that milk to—
Gretchen: To a bodybuilder. Or Facebook Marketplace.
Riese: “Anyone want the rest of this?” since he’s going to throw it up.
Gretchen: Do you want to spike your smoothie? Here you go.
Riese: That’s probably how we’re going to pay for childcare.
Gretchen: Selling my breast milk?
Riese: Soy-free, dairy-free breast milk. That’s got to be top dollar.
Gretchen: That’s got to be at least a dollar an ounce. Take this straight to Goop.
Riese: I did buy the hypoallergenic formula!
Gretchen: To see if it worked for him?
Riese: No! So that, if at any moment in time, you ever felt like you can’t do this anymore, that it’s there.
Gretchen: It’s sitting there, it’s like, “If you give up, here you go.”
Riese: But it wasn’t me saying, “If you give up,” it was me saying-
Gretchen: No, no, this isn’t you. This is how my brain works, which is messed up. But it’s like, “If you want to throw in the towel…” It’s like, “You made it this far in the marathon, think you want to just give up?” Of course I didn’t give up. I powered through and was deeply ill for weeks afterwards.
Riese: The harder thing was really that our friend brought over donuts yesterday and you couldn’t eat those.
Gretchen: Oh, a wonderful friend brought over donuts and I couldn’t eat them, because they probably have soy and dairy and all of the things. You wouldn’t even trust me with them. You put them immediately in the freezer.
Riese: I was going to the store and I didn’t want to leave you at home with the donuts. We have not eaten this much vegan mayonnaise for you to stop and have a powdered donut right now.
Gretchen: I want one so bad.
On the day we gave up on the diet Gretchen immediately had a donut. It was delicious.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Riese is the 43-year-old Co-Founder of Autostraddle.com as well as an award-winning writer, video-maker, LGBTQ+ Marketing consultant and aspiring cyber-performance artist who grew up in Michigan, lost her mind in New York and now lives in Los Angeles. Her work has appeared in nine books, magazines including Marie Claire and Curve, and all over the web including Nylon, Queerty, Nerve, Bitch, Emily Books and Jezebel. She had a very popular personal blog once upon a time, and then she recapped The L Word, and then she had the idea to make this place, and now here we all are! In 2016, she was nominated for a GLAAD Award for Outstanding Digital Journalism. She's Jewish. Follow her on twitter and instagram.
Until its final episode, the second season of Lena Dunham’s HBO series Girls was one of the best seasons of television I’d ever seen. After poorly addressing some outside critiques, it relaxed into being a remarkable balance of drama and comedy, realism and fantasy. Episodes like “It’s a Shame About Ray” and “One Man’s Trash” remain series highs and even less beloved chapters like “Video Games” are severely underrated. It would never be the universal portrait of delayed girlhood/floundering adulthood the internet desired, but it was an undeniable portrait of the people it knew so well.
And then that last episode.
The finale “Together” has two baffling choices that confused me in 2013 and confuse me still — two romantic reunions that give the episode its title. The first is Marnie and Charlie and the suggestion that them getting back together — especially with Marnie’s “little brown babies” speech — is meant to be anything but misguided. And the second, a sweeping romcom moment for Hannah and Adam, felt counter to everything the show had achieved thus far. Was Adam’s uncomfortable treatment of his new girlfriend in the previous episode an opportunity to explore the grey area between bad sex and assault? Or was it just an excuse to break them up so he could get back with Hannah? To misquote another excellent Girls episode, weirdos need grand romantic gestures too. But, at its best, the show was so much more complicated than two people finding all the answers in another fucked up soulmate. Alas the saccharine score as Adam runs through the city to rescue Hannah from an OCD spiral suggested otherwise — a suggestion reinforced when the credits roll and a romantic song written for the show by Dunham’s then partner Jack Antonoff begins to play.
I bring up this frustrating moment because after nearly a decade Lena Dunham has returned to our TVs and this time she’s doubled down on making a romcom. Too Much, loosely based on Dunham’s breakup with Antonoff, move to London, and romance with her now-husband Luis Felber begins with fantasy. Jessica (Megan Stalter) has arrived in London and she describes the various women she can become now that she’s in England based on BBC shows. With episode titles like “Nonsense and Sensibility” and “Notting Kill” the show is overt in its messaging that this will be a grand British love story or, at least, Jessica will think this is a grand British love story.
The reality is more complicated. Jessica isn’t monologuing in her Bridget Jones’ diary. She’s recording private vlogs directed at Wendy Jones (Emily Ratajkowski), the new fiancée of her ex-boyfriend Zev (Michael Zegen) whose shared home she broke into drunk one night prompting this move across the Atlantic. Jessica is not okay and falling into a romance with struggling musician Felix (Will Sharpe) will not make her okay.
The series is at its best when it’s celebrating this relationship while understanding its limits. The third — and shortest — episode follows Jessica and Felix as they stay up all night in Jessica’s apartment. Their burgeoning connection feels grounded in reality and the chemistry of Stalter and Sharpe. The work still required within each individual and for the pair isn’t ignored — it’s just secondary to the talking and sex of a relationship’s early days and nights.
Even when the show is in this more grounded place, its tone is still closer to Dunham’s film Sharp Stick than the realism of Girls. This heightened quality can feel disorienting, but it works for the genre. The problem is when the series leans even more into being Dunham’s take on Love, Actually. (Something Dunham nods to in an episode title and in Jessica’s job line producing a Christmas-themed commercial.) Like in that second season finale of Girls, the big romcom moments don’t feel earned. The tonal balancing act of the series comes crashing to the ground and it takes its characters’ complexities with it.
With episodes that hover around 40 minutes each, there’s plenty of time to explore the worlds of Jessica and Felix, and some of these side characters and subplots work better than others. Wendy Jones is best in fantasy and Zev best in small doses. Maybe Antonoff really was this insufferable, but the more time we get with Zev and the worse the character appears, the more it feels like Jessica’s problems are being blamed on one shitty man. Even if this was true in life, it makes for a far less interesting narrative choice. More effective is Jessica’s family with her mom played by Rita Wilson, her grandma played by Rhea Perlman, and her sister played by Dunham herself. Their scenes together are some of the show’s funniest and most endearing. (I’m sure people will have things to say about Dunham casting Andrew Rannells as her estranged pansexual husband but I loved it… until the end.)
Other standouts are Andrew Scott as the commercial’s director, Adèle Exarchopolous as Felix’s ex-lover/current friend, Janicza Bravo as Jessica’s newly lesbian coworker, and Felix’s family played by Stephen Fry, Kaori Momoi, and Emily Piggford. Richard E. Grant and Naomi Watts — who I usually love! — as Jessica’s boss and boss’ wife feel like two characters too many and are big in a way the show doesn’t need. Some of Felix’s other exes not played by Adèle Exarchopoulos also didn’t quite work for me.
Even Girls was full of kooky side characters, but its story was grounded by its leads. Stalter is a very different performer from Dunham and it results in a show that, true to its title, can feel like too much. Often, the writing — and Sharpe’s wonderful, understated performance — balances this out allowing Stalter to be herself in a way that really works. Other times the writing leans in and it does not.
I just wish Dunham and her writing team had trusted the quieter moments and not always felt the need to make the biggest choice. Everything doesn’t need to be resolved, everyone doesn’t have to get back together, each character doesn’t have to be neatly slotted into hero or villain. Even in romcom fantasyland that’s often not the most effective choice. At the very least, save something for season two.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Drew is a Brooklyn-based writer, filmmaker, and theatremaker. She is a Senior Editor at Autostraddle with a focus in film and television, sex and dating, and politics. Her writing can also be found at Bright Wall/Dark Room, Cosmopolitan UK, Refinery29, Into, them, and Knock LA. She was a 2022 Outfest Screenwriting Lab Notable Writer and a 2023 Lambda Literary Screenwriting Fellow. She is currently working on a million film and TV projects mostly about queer trans women. Find her on Twitter and Instagram.
If you’re a queer Marvel fan like me and you’ve already devoured all of Ironheart (and read Nic’s amazing piece about the show), you are probably also geeking about how queer it is, especially compared to other Marvel properties. With Runaways scrubbed from the face of the internet (:sob:), Agatha All Along currently stands as the queerest entry in the MCU canon, but Ironheart almost gave it a run for its money with the very queer “be gay, do crime” crew we met in the first batch of three episodes. Between Slug, the nonbinary hacker played by Shea Couleé and trans Blood Sibling Jeri played by Zoe Terakes, plus hints here and there that Riri herself could be queer (e.g. her not correcting her mother when she asked if Riri was hiding a boy or girl in her room, and a sticker I spotted on her door that I thiiiiink is a rainbow helmet), Ironheart was off to the queer races from the jump.
In the second batch of episodes, we meet Zelma, a witch Riri goes to for help solving her little Hood problem. As we know, from real life, general pop culture, and Agatha All Along, all witches are inherently queer. However, it’s always a delight to have it confirmed. Zelma is played by Regan Aliyah, who you might know from XO, Kitty, and who is queer herself. While the dialogue and plot don’t allude to Zelma’s queerness explicitly, it’s still pretty obvious to anyone paying attention. For one, a shirt that says “you’re too good for him,” which isn’t necessarily queer but isn’t NOT, and the inarguable proof: a shirt that says “I <3 BX” where the heart has a rainbow. Plus, of course, Regan herself has confirmed it in an interview, saying that Zelma is “too cool not to be” queer. She adds, “if I’m playing the character, there’s something they’re seeing that’s a little queer in the character. That’s why they hired me, you know?”
There were hints within Ironheart that this might not be the last we see of Zelma, so here’s hoping we get more witchy queerness in the MCU years to come.
Double, Double, Let More News Bubble
+ Chappell Roan let her hair down for a photo shoot in NYC that has fans theorizing
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Valerie Anne (she/they) a TV-loving, video-game-playing nerd who loves reading, watching, and writing about stories in all forms. While having a penchant for sci-fi, Valerie will watch anything that promises a good story, and especially if that good story is queer.
The only thing that I needed to see to know that Zelma was queer was how she looked at Riri when she came in the shop.
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1) I feel like everything I learn about jojo siwa is against my will and yet I still cannot escape learning things?!???
2) I’m SO grateful that my early life was (and continues to be) blissfully un-observed by anyone besides a handful of family members and my fbi agent
1. The boys’ platonic intimacy is very queer coded. It’s gay in the best ways.
2. The least triggering part of the whole show is all the crossover. Yes I dated you two days ago and today my villa mate wants to explore the connection and that’s a-ogay!
3. As a lesbian, I find the lack of breakfast options to be infuriating!!
4. Taylor + Clarke being kicked off the villa is the lesbian blueprint. We get partnered and disappear from everyone and everything.
5. Maybe it’s none of what the internet is saying. What if Huda were simply a repressed queer person?
6. Chris’s sperm should be available for lesbians globally who’d like to have babies.
7. What if Meg The Stallion’s debut, Austin Austining, and Chelley the verified bi baddie were planted soft launches hinting at a queer Love Island???? A gay can dream!!
8. You know when you run into your ex and their new boo sooner than you wanted? I’d like to start calling that a “bombshell entering the villa”
9. Nic + Olandria are a representation of you + the best friend you should actually be dating. Take that person out the friend zone
10. ‘Eat that kitty in the hideaway’ is not only a hit but a great reminder to set in your apple cal for meals and for sexy time
11. “I consider myself a circle, and people need to stop putting me in a square”– Amaya Papaya. That’s it. That’s the quote.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Mal Wright is currently making moves in her role in Partnerships & HR at Autostraddle/ForThem, where she channels her expertise in people and connection-building into meaningful collaborations. But if she looks familiar, it might be because you saw her navigating emotional curveballs on Netflix’s The Ultimatum: Queer Love with sharp wit, charm, and a well-placed reality TV moment (or two).
Previously working in HR, Mal has always been someone who understands relationships whether in the workplace or on-screen. When she’s not fostering partnerships, she’s out rock climbing, hiking and gathering with queer community in Brooklyn NY. You can follow her on Instagram
feature image by Aeon / Contributor via Getty Images
Hello and welcome back to No Filter! This is the place where I tell you all about the best things that queer celebrities have posted on Instagram! Let’s rock and roll!
Question for the team: Is this the stickiest song in Chappell’s discography? I can hear one single second of it and I KNOW it will be stuck in here all damn day!
Divorce is sad, though these two seem like they will be fine and there is still a lot of love there, which is good! Mostly because I want to think about what went into selecting that photo — did they take it for this purpose? Did they have it already and thought “Oh it looks like Gigi is leaving, so that’s perfect.” I’m sorry, this is just what my mind is like!
Ohooo Tommy in this green with that hair color? HELL yes, to me!
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
i had the same thought wondering about that break up picture 🤔🤨🧐
some real “chicken or the egg” type jawn on that one!
came here for the erivo + thong song mash up, stayed for the celeb gossip, 90% of them i dont know & 100% hated the usa pride but *shrug* what’s a girl to do while procrastinating on the clock?!
feature image photo by Stephanie Keith / Contributor via Getty Images
This is Trans News Tracker, a biweekly Autostraddle roundup and analysis of the biggest trans news stories.
Although the world is certainly burning in a million other ways, the last couple of weeks actually felt a little quieter in the trans news sector. That doesn’t necessarily mean nothing’s happening, but it feels like the attacks are slowing down. I would never venture to assert this means the far right and the various other villains we have to deal with are realizing anti-trans actions are a losing strategy, but it does appear their mainstream attention is shifting slowly. At least for now.
Senate Removes Provision Banning Medicaid-Supported Gender-Affirming Care From the GOP’s Tax Bill
The passing of the GOP’s “Big Beautiful Bill” has taken up a lot of space in the news and on media commentary shows for good reason. The bill, now law as of July 4, includes absolutely gut-wrenching cuts to Medicaid, increases the spending for Immigrations and Customs Enforcement (ICE), and restricts SNAP and food stamp benefits, along with a litany of other terrifying reprecussions. But one thing that seems to be consistently glossed over is, technically, big news for trans people whose gender-affirming healthcare was threatened in earlier versions of the bill.
Before the bill was brought to the Senate for a vote, the bill included provisions on Medicaid payments for trans people of all ages who received gender-affirming healthcare through their Medicaid benefits. Rolling Stone reports, “On June 26, the Senate parliamentarian concluded that the ban of the use of Medicaid funds for gender affirming medical care for transgender minors and adults violated the Byrd Rule, which prohibits the inclusion of ‘extraneous’ measures in budget reconciliation bills.” As the Senate debated what should and should not be included in the bill, these provisions were dropped from the final version before the bill made its way to the House for approval. This means, the final version of the bill that was signed into law by President Trump didn’t include these provisions, which means people who were receiving those benefits will be able to continue to do so.
However, that doesn’t mean other challenges aren’t ahead for many trans and queer people who receive gender-affirming care through organizations like Planned Parenthood or receive their HIV treatment through Medicaid, which both face major cuts due to the bill’s passing into law. These provisions can and will be detrimental for people who receive treatment through these means.
As David Stacy, the Human Rights Campaign’s vice president for government affairs, said in a report by The Advocate, “The fact remains that this bill belongs in the trash. It continues to include devastating cuts to health care programs – including Medicaid – that would disproportionately harm the LGBTQ+ community, all so the already rich can receive huge tax cuts.”
Some Good News For Once
California refuses to comply with Trump administration demand to bar women trans-athletes. Despite the Trump administration’s attempts to stop trans inclusion in almost every area of our lives, California rejected the administration’s resolution agreement to exclude trans women and girls from playing on the sports teams that correspond with their gender. According to this report, “Legal challenges to these actions, including more than two dozen lawsuits involving California are ongoing. In some cases, the Trump administration has successfully held back or canceled certain funds. In other instances, judges have blocked the administration or ordered a restoration of dollars,” which makes their defiance of the administration’s orders even more important and powerful.
ACLU urges trans people who need passport updates to apply “as soon as possible.” As we reported here last month, a District Court in Massachusetts placed a preliminary injunction on the Trump administration’s State Department’s issuing of passports with the appropriate gender markers for trans people. Now that the State Department has started to comply with the injunction, the ACLU has issued some important notifications about how to handle getting passports changed to the appropriate gender marker and when to request these changes.
North Carolina governor vetoes ‘mean-spirited’ anti-trans and DEI bills. This headline is pretty straight-forward, so I want to highlight what Governor Josh Stein said as he was vetoing these ridiculous bills: “At a time when teachers, law enforcement, and state employees need pay raises and people need shorter lines at the DMV, the legislature failed to pass a budget and, instead, wants to distract us by stoking culture wars that further divide us. These mean-spirited bills would marginalize vulnerable people and also undermine the quality of public services and public education. Therefore, I am vetoing them. I stand ready to work with the legislature when it gets serious about protecting people and addressing North Carolinians’ pressing concerns.” You know what? That’s about as perfect a response we’re going to get from a politician regarding these issues.
NYC mayoral candidate Zohran Mamdani vows to ‘expand and protect’ trans healthcare. Yes, he’s a politician, which you all know I inherently distrust. However, I do think his campaign is a good example in the face of many other Democrats who are leaving trans people in the dust to keep their grips on power. And it doesn’t hurt that he’s vowing $65 million of the state budget to go towards trans healthcare should he be voted in as mayor in November.
News I Wish I Didn’t Have to Report
Penn erasing Lia Thomas’ records signals more erasure of trans athletes is coming. In some of the more devastating news coming out of the sports world, officials at UPenn have decided to strip Lia Thomas of her medals and records as a competitive swimmer. Apparently, the losers on the board also agreed to send a “letter of apology” to all of the other athletes Thomas competed against during her tenure on the women’s swim team.
Supreme Court will hear challenges to bans on athletic participation by transgender students. Relatedly, more trans sports bans cases are being brought to the Supreme Court. Given how the Supreme Court has been ruling in all of the cases regarding trans youth and trans people in general, this could bring additional challenges to states who are refusing to enforce the Trump administration’s trans sports ban. I will be keeping a close eye on this as these cases unfold.
Transgender rights cases reopened after Supreme Court ruling—even ones it didn’t touch. Following their decision in the United States v. Skrmetti case that solidified bans on gender-affirming care for trans youth, the Supreme Court is taking aim at other cases that it never even heard in the first place. According to Erin Reed’s report, “The three rulings that SCOTUS vacated and remanded are as follows: Kadel v. Folwell, a ruling that North Carolina state health plan’s categorical exclusion of gender-affirming care was unconstitutional, Anderson v. Crouch, which similarly ruled West Virginia’s exclusions were unconstitutional, and Fowler v. Stitt, a decision in the 10th Circuit which ruled that transgender people could correct their birth certificates in Oklahoma. Immediately following the remands, the 7th Circuit Court of Appeals reopened D.P. v. Mukwonago, a decision that allowed a transgender girl to continue using a girls bathroom in Wisconsin.” What happens in these remanded cases could have more wide-reaching, harmful effects on trans youth in the immediate future.
Teachers face new burdens after Supreme Court LGBTQ+ opt-out ruling. As of the Supreme Court’s June 27 ruling that parents could opt their children out of lessons that include discussions of LGBTQ life on religious grounds, teacher advocates are concerned about the way this might change the dynamics of their classrooms and their ability to provide important lessons to their students.
Trans teacher can be made to keep pronouns quiet, 11th Circuit says. In more disappointing education-related news out of my home state of Florida, a trans teacher who has been fighting the courts to protect her ability to use her appropriate pronouns and honorifics in her classroom is not protected under the First Amendment and cannot challenge state law that says people must be referred to by the titles that “correspond with his or her sex.” This is something that hasn’t been widely reported on and it feels like we should be yelling loudly about it.
From the international news desk: Over 100 trans inmates presumed dead after an Israeli airstrike “flattened” an Iranian prison. Everything I want to say about this is filled with expletives we can’t really publish here. Alongside the Zionist government’s genocide of Palestinian people and their other crimes against humanity, this feels like yet another unshakeably devastating blow that is difficult to comprehend fully.
Last Bits
As companies stop sponsoring Pride, this NYC brewery is giving money directly to trans people. Brooklyn Brewery “decided to forgo its paid advertisements for Pride and instead use the money to provide direct financial assistance to transgender, nonbinary, and two-spirit New Yorkers. The Brooklyn Brewery Supports fund will distribute $25,000 in direct support to 25 individuals — $1,000 each, no strings attached — to help cover basic needs.” Some direct aid to trans people from a corporation? Seems almost unreal.
From across the pond: Award-winning CBBC trans series gets free UK re-release – here’s how to watch it. The ground-breaking children’s drama series, First Day, which follows a 12-year-old trans as she navigates her first year of middle school, is now available for free on UK YouTube in response to the British government’s attacks on trans women and youth.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Stef Rubino is a writer, community organizer, competitive powerlifter, and former educator from Ft. Lauderdale, FL. They're currently working on book of essays and preparing for their next powerlifting meet. They’re the fat half of the arts and culture podcast Fat Guy, Jacked Guy, and you can read some of their other writing in Change Wire and in Catapult. You can also find them on Twitter (unfortunately).
im crying, i’m fuming, i’m numb, i’m hugging my loved ones, and Stef i started working with a personal trainer for STRENGTH TRAINING and i thought about you!! your articles inspire and inform me, mahalo nui thank you very much.
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God damn it’s wild to hear from countries where I’d be a hot-button political issue. I’m not even on the government’s radar here in South Africa.
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Powerful and essential—thank you for this deeply informed, compassionate reporting that centers trans voices, exposes injustice, and highlights both the struggles and resilience of the community. Moreover, to stay ahead of deadlines and reduce filing stress, pre-file Form 2290 with TaxZerone. Their secure platform allows you to submit your heavy vehicle tax return before the season begins. Prepare early and ensure timely filing with TaxZerone’s fast and accurate e-filing service. Visit: https://www.taxzerone.com/excise-tax/pre-file-form-2290/.
This is The Parlour, a place for intimate conversation, a real-time archive, a shared diary passed between a rotating cast of queer characters every week in an attempt to capture a kaleidoscopic view of what it’s like to be a queer person right here, right now.
I spent last month living in Portland, Oregon for a writing residency. I have a lot of friends, most of them writers, in Portland, a city I’ve never lived in but visit often. Among its many selling points is the fact that the city experiences its best weather when back home, in Orlando, we’re stuck in our worst. Every time I visited Portland in the past, I met friends of friends who then became my friends. It’s a small city with a big arts and culture scene. This last Portland trip, my longest, people kept saying things along the lines of I wish you lived here.
I kept responding: me too.
It was a fanciful fantasy wish, not in any way real or concrete. For many reasons, Orlando is my home for the foreseeable future. And I love Orlando. I love my life there. I love my wife, who is bound to her hometown in a way I often envy. She has a solid sense of home I’ve never had. I feel lucky that Orlando gets to be my home now. But it’s a simple fact my social life is technically more robust in Portland, a city three thousand miles from where I live. Many of the friends I have there are ones I made on my own rather than through my wife. I know I could do this in Orlando, too, but, and I’m sorry to sound like This: I don’t need more friends. I have plenty. They’re just so far away.
This has always been true for me. Long distance friendships have been a staple of my life since I joined tumblr in my mid-teens. Thanks to over a decade of internet friendships, I can visit most major cities in the U.S. and know someone I can text to meet up for coffee or drinks, someone to crash or catch up with. It’s a beautiful thing, to have so many people in so many places. It has made up for the fact that I’ve never had a strong attachment to any one place as Home. If I lived in Portland, I’d live ever farther away from a lot of my best friends — who are mostly in NYC, Philadelphia, and Chicago — than I already do down in Florida. I would maybe gain something, but I would also lose a lot. It’s not that I wish I lived in Portland; I just wish I could pop over whenever I wanted. Or carry the people who live there around with me. Distance is difficult in any kind of relationship. I’m lucky, at least, to have reasons to keep returning to the pacific northwest.
My time in Portland also came with a healthy dose of FOMO for my life back in Orlando, not just because I missed my wife and my very vocal cat Timmy Tomato, but because the dyke social scene has been truly popping off back home in a way that reminds me why I love the city I currently live in so steadfastly. Queer events were happening in Portland just about every night of the week when I was there (it was June, after all, though PDX celebrates Pride locally in July). But it’s not…the same. Doing gay shit in Orlando hits different.
In Orlando, there are no official dyke bars, but that hasn’t stopped the local lesbians from providing year-round nightlife and social options throughout the city. And the scene is only getting bigger. We’ve got Les Vixens, a sapphic burlesque group with a standing residency at Orlando’s long-running dyke night every Saturday at LGBTQ+ bar Southern Nights. The Vixens are also a large part of the Sapphic Saddles edition of BOOTS, a temporary but wildly popular country-themed dance and party night running all summer. Dyke Nite Orlando — an offshoot of other Dyke Nite collectives around Florida — is an incredible new DIY group organizing events from chill lesbian movie nights to themed dance parties to higher concept events, like a strip spelling bee my wife and I attended shortly before I left town for a month.
When I was away, I looked on longingly as Dyke Nite sold out a special midnight screening of 1971’s Vampyros Lesbos at our incredible single-screen arthouse movie theater Enzian. I also missed out on a gay pool competition where lesbians took over a billiards bar in town that’s usually brimming with heterosexuals on awkward first dates. It was organized by yet another grassroots events collective that has popped up in town. Lesbian billiards night will be back in August, and you better believe I’ll be there.
I also recently wrote a story about my big gay Florida wedding for a new RISO-printed monthly local paper called The Sapphic Sun, operated out of St. Pete but with lots of involvement from folks throughout the greater central Florida area. I don’t really write for places for free anymore at this point in my career, but I didn’t hesitate to do so for this scrappy but beautifully made publication. I can tell you right now: I wouldn’t do that in Portland. I wouldn’t do it in New York or Chicago or Los Angeles or any of the other places I’ve lived. I’d only do it in Florida. Do it for Florida. Because being a part of queer scenes and organizations down here just does feel different.
Connecting and dancing and partying and playing and talking and watching movies with other queer and trans people in a place so often at the center of the current culture wars, in a place used as the testing grounds for anti-LGBTQ+ legislation to spread throughout the country, it does feel like a call toward something more than just sweaty, silly fun.
Florida is in the national news for awful reasons once again and rightfully so. Alligator Alcatraz is one of the worst nightmares to come to life in our country’s fascist hellscape I can imagine. And still, there are people who seem to believe the majority of Floridians wanted this, that it is somehow Florida’s fault. Alligator Alcatraz will overwhelmingly harm Floridians and the natural lands of Florida. The immigrants and citizens who have made a home here will suffer. It is Floridians — many queer, Indigenous, and Black and brown — showing up at the site of Alligator Alcatraz trying to stop it. Share their photos, not the ones of people posing with the prison’s sign like it’s a tourist destination. Alligator Alcatraz will bring death and destruction and terror to the Everglades, a place typically teeming with life and beautiful biodiversity. I understand why people — especially queer and trans people — are leaving. I understand why people like my wife want so desperately to stay, to fight.
There are horrors here, the way there are in this whole graveyard of a country. But I’ve never been part of a queer community more alive, more loud, more willing to take over spaces that were not designed to include us.
I called it FOMO a few paragraphs back, but I think what I mean is, for one of the first times in my life, I was homesick.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Kayla Kumari Upadhyaya is the managing editor of Autostraddle and a lesbian writer of essays, fiction, and pop culture criticism living in Orlando. She is the former managing editor of TriQuarterly, and her short stories appear in McSweeney's Quarterly Concern, Joyland, Catapult, The Offing, The Rumpus, Cake Zine, and more. Some of her pop culture writing can be found at The A.V. Club, Vulture, The Cut, and others. When she is not writing, editing, or reading, she is probably playing tennis. You can follow her on Twitter or Instagram and learn more about her work on her website.
ok i canNOT be reading this article and getting homesick for florida!!! i grew up in Port A John, Floreeda, aka Port St John, and now live in PDX & wow, SO TRUE it does not hit here the way it hits elsewhere.
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Thank you for reading 💗
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This is just wonderful.
I think that my sympatico for Florida started with the episodic story of D.R. Davenport in The Last Whole Earth Catalog. Florida is, in the gently simmering gumbo of my memories, a mythic destination.
Not the snowbird destination of my friends and neighbours but something much richer and also elusive.
But still beyond that, it’s the description of the connection you describe between yourself and others, and others and others, that just growls like deep thunder. What we’re capable of sometimes, an almost mycellic? connection between us, through the land we’re living on. Ugh I’m not high enough to express this.
You and Stef both manifest this fantastic visceral connection to Florida, queer for sure but organically so ? It’s so awesome.
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wow this is such a beautiful comment, i love it so much. “growls like deep thunder” resonates sooooo much. even the way Stef and I came into each other’s lives really speaks to the organic queerness of Florida i think
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Asexual lesbian with a nearly nonexistant sex drive here. All I hear is that the expected norm in lesbian relationships is hours and hours of sex at a time. PLEASE tell me this is true for only 9/10 non-ace lesbians (or less). I’m willing to compromise for a partner but sorry not sorry that I cannot imagine doing so for hours at a time as an adult with very limited free time who could probably only enjoy sex for a few minutes at the most before being bored to death (and inherently has no desire to have sex, it’d be a favor for a loved one). Considering the asexual spectrum dating pool is actually a kiddie pool, unless I can make it work with a non-ace I doubt I can ever find a partner… And yes I’ve heard and done it all when it comes to meeting ace spectrum women, there just aren’t enough out there.
A:
Hi, non-ace lesbian here, and I do not necessarily expect hours and hours of sex every time I have it. First of all, I’m busy! Second of all, there’s a time and place for a sex marathon, but it doesn’t have to be all the time and it doesn’t have to be the norm.
I think as with a lot of lesbian stereotypes and cliches, there’s some truth to it and also some myth to it. I think the commonly held mantra that lesbian sex is long and multi-orgasmic was born as a reaction to the reality that heterosexual sex often has a fixed start and end point that hinges entirely on the man’s pleasure, often satisfied swiftly. Since queer sex often decentralizes orgasm, the amount of “time” sex takes is more fluid.
And yes, some people love to go at it for very long amounts of time, but I do not think this is the norm across the board, just like how I’m pretty sure it isn’t actually the norm for the majority of lesbians to U-Haul with their partners. There’s a whole range of realities when it comes to lesbian dating and relationships, regardless of what the jokes and stereotypes reinforce.
So I wouldn’t get too worried about this, especially if you’re able to make your own expectations about sex and your asexuality clear upfront with a potential partner. Toys can make sex super…efficient. There are plenty of allosexual lesbians out there who enjoy or even prefer quickies. There are also plenty of allosexual lesbians with low sex drives, which I think we should also normalize! Talk to potential partners to see where they fall.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Kayla Kumari Upadhyaya is the managing editor of Autostraddle and a lesbian writer of essays, fiction, and pop culture criticism living in Orlando. She is the former managing editor of TriQuarterly, and her short stories appear in McSweeney's Quarterly Concern, Joyland, Catapult, The Offing, The Rumpus, Cake Zine, and more. Some of her pop culture writing can be found at The A.V. Club, Vulture, The Cut, and others. When she is not writing, editing, or reading, she is probably playing tennis. You can follow her on Twitter or Instagram and learn more about her work on her website.
As an allosexual but completely exhausted human with chronic illness and disability, can confirm: I do not want long sex! My solo sex is usually 2-5 minutes, tops (hello “efficient” toys). My nb partner prefers long sex, but will begin our sessions by asking for a time limit because they know my needs and desires will vary. When they really need longer engagement, I offer to watch rather than have my whole body involved. Compromise is out there!
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Chronically ill/disabled with chronic fatigue and I completely agree with these replies. Spending hours and hours in bed would er… leave me unable to leave bed for even more hours and hours, and definitely not in a good way! Talk and compromise should be the foundation of any good relationship, and that includes sex drive. If it is particularly important to either you or a partner that is a compatibility issue no different from any major lifestyle difference. And there will definitely be people out there with different expectations, levels of sex drive, and levels of compromise. And if they expect anything that you are unwilling or unable to give then that’s on them, not you!
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Grey ace lesbian here with a low sex drive and an allo wife with a high sex drive — we make it work!! We are, in fact, the lesbians who do marathon sex. Obviously everyone is different, but it turns out for me I can really enjoy being present and/or helping while she gets off, even if I don’t want to be touched at all. That said, this works cause we only fuck like that every few months, and we always schedule it so I have time to get myself in the correct headspace.
Wife does solo way way more, and sometimes I’ll join in if the elusive desire strikes. Also sometimes I’m like jfc why is this taking you so long you’re making the bed move, and I have to tap her shoulder and ask her to hurry up, which is awkward af! But at the end of the day we’re life partners, and that is so much more important than sex for us.
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i love the comments on this! So many great pointers and diverse perspectives.
Me (afab nb/lesbian) and my partner (ftm trans) used to fuck like rabbits at the beginning of our relationship but as we age, learn to accommodate our neurodivergence’s, and our lives mature with us we’ve transitioned to 45min-1.5hours, 1-2 times a month. Sometimes it’s more, sometimes it’s less. On the days where we crave physical connection but lack the capacity, we stick to shorter, lower maintenance forms like giving each other head. The stress of being adults impacts our sex lives a lot, as i’m sure it does for others.
My wife Kristen and I have had conversations throughout our relationship about our relationships to femmeness and butchness. Prior to our relationship, I felt fledgling in my femmeness, but once we started dating, I gradually began harnessing an over-the-top femininity that felt like the real me. A huge part of that was Kristen’s almost precognitive perception of what I feel and look good in: from jewelry, to makeup, to clothes. This has led to us joking through the years that I’m like a Barbie doll for her to dress up and play with.
I was going to write an essay about this, but I thought an interview between the two of us would be even more revelatory — and I was right! Below, find our conversation about the “sliding scale” of gender expression, the masc urge to style femmes, the many services Kristen offers at “Daddy’s Salon,” and more.
Kayla: Okay, this is the interview where you’re going to talk about treating your wife like a Barbie doll, and then you’re going to get canceled.
Kristen: Hopefully, yeah, in that order.
Kayla: What would you get canceled for before?
Kristen: Who’s to say!
photo by Maria Rada, from Kayla and Kristen’s engagement shoot
Kayla: So I figured to start, I feel like you have a decent amount of Barbie lore. So before we even get into gender and sexuality and that kind of stuff, what is your history with Barbie?
Kristen: I wrote an essay about this for BuzzFeed, but I was obsessed with Barbies. I loved dolls growing up. I thought baby dolls were fine — I liked them, but they weren’t my favorite. I loved Barbies. I liked how they moved. I liked all the different outfits and themes they had. I liked the accessories. I liked the idea that you could spend a literal hour putting together a scenario, setting up a scene between two Barbies and put together what that bedroom would look like, or a kitchen or something. Sometimes I would do that and that would take me two hours, and then I’d be exhausted and I’d be like, well, I can’t even act the scene out now because I’m tired from setting up the scene.
So maybe that’s the writer in me, early writing brain being like, and here’s what’s going to happen in the scene. But we didn’t have any money either, so it’s like the dolls I had, I collected from different people on birthdays and Christmas. But I would use a shoebox as a bed and I would be like, oh, look, I can use the shoebox lid as a wall inside the place. I didn’t have stuff, using a Kleenex wadded up as a pillow and another Kleenex for a blanket, so it’d be trying to set stuff up with the things I had. It was very fun. The accessory stuff felt very creative, but I also liked the Barbies just because I thought that they were pretty. They were always older seeming than me, because when I had them, they were fully fleshed out in form.
Kayla: Boobs.
Kristen: They had boobs and asses, and they looked like adults. I liked that they looked like adults.
“i wanted to have a barbie that represented the babysitter’s club”
Kayla: Did you have favorite ones?
Kristen: Yes, but especially when I was in the fifth grade, I was obsessed with The Babysitter’s Club, and so I wanted to have a Barbie that represented what I thought was each member of the Babysitters Club. I’d set up the room where they would be at somebody’s house, at Claudia Kishi’s house, taking the meeting. She’s the only one with the phone line.
Kayla: Yeah. I said yeah, but I actually know very little about The Babysitter’s Club.
Kristen: Come on, Kayla.
feat. various sunglasses Kristen has given Kayla through the years
Kristen: So I had different Barbies that represented each of those members of The Babysitter’s Club. I thought I did a great job with them. My California Fun Barbie was Dawn because she was from California. So I’m like, aha, perfect. Because Ann M. Martin’s always writing her as dressing like she’s from California, whatever the fuck that means.
There were these dolls that weren’t Barbies, but were popular for a period of time called Maxie Dolls, and they were like Barbies, except I think at the time they were proto-feminist, so the boobs were a more normal size, the waist was—
Kayla: Smaller boobed Barbies?
Kristen: Yes.
Kayla: Like flat-chested Barbie?
Kristen: Not flat-chested, but a reasonable sized proportion. Her feet were flat.
Kayla: Oh, she didn’t have the perpetual heel.
Kristen: She wore a flat shoe, but she, to me, looked really sophisticated, so I made her Stacey, who was from New York.
Kayla: Got you.
Kristen: And then, I mean, Kristy, who was the tomboy, I made her Skipper.
Kayla: So she was the tomboy? I mean, that’s what I was going to get into.
Kristen: Skipper’s also a little kid, kind of.
Kayla: I think when I was playing with Barbies, Skipper went through a few rebrands and they aged her up eventually. She was still a teen. I had a skateboard Skipper that I think was supposed to be a little older.
Kristen: Then they came out with Kelly, who was supposed to be in elementary school.
Kayla: Yes, Kelly was the little one. With the exception of that one Skipper — which is also funny because Skipper was not that much of a tomboy.
Kristen: I think my brain chose her as that, because I was like…
Kayla: You were mostly playing with very high femme, classic Barbie dolls.
Kristen: Right. I had outfits for all of them. I wasn’t as interested in the gowns on Barbie. Don’t get me wrong. I had some, but it was like whatever people gave me, I kept. I had a shit ton of clothes, but my favorites were little slutty outfits.
Kayla: Like Club Barbie.
Kristen: Club Barbie. I had this white leather mini skirt with a purple velvet belt with glitter in it, and I thought that was a hot look. I loved crop tops, little tank tops or a little shrug, leotard, any aerobics clothes. I’d like them to look sexy. Somebody gave me a wedding with accessories, but those were not as fun to me. The fun stuff was more like, Rocker Chick Barbie.
“tomboy barbies were a subconsciously accessible form of queer expression”
Kayla: Well, that’s funny to me because I feel like Barbies are for us, like they are for a lot of queer people, part of our original queer lore, but in these interesting ways where you were playing with super, super femme Barbies, but now you’re more butch, more masc. I was playing with the “tomboy” barbies, which weren’t like,MascBarbie, but I was playing with Skipper—
Kristen: There was Ken, Kayla.
Kayla: There was Ken. I did not like Ken. I was like, that was too masc. But I liked Skipper. There was a line called The Generation Girls, something like that, and I had one who was a tomboy. She skateboarded and had these baggy metallic pants and a boombox. And also, I had a Mary Kate [of the Olsen Twins] Barbie, which was the tomboy one. She had a horse-riding outfit — khakis and a blazer, pretty masc for Barbie.Equestrian attire, basically masc.
So I was very drawn to that. And now I’m so femme and high-femme myself, but it also took me a while to get to that high-femme place. I think that those tomboy Barbies were almost like a subconsciously accessible form of queer expression or queer gender expression for me at a super young age, before I ever would’ve put words to that or really understood it. But then I think for you, it was the opposite. This idea of being able to dress up and manipulate these slutty, femme Barbies.
feat. a bathing suit Kristen got for Kayla
Kristen: I would’ve spent all day playing with Barbies, and I played with my Barbies way longer than other people I knew.
Kayla: Me too. We both have younger sisters, I will say.
Kristen: I used that quite often as an excuse to be able to play with them. But I didn’t like playing with my sister with them. I liked that my sister got stuff, and then I got to play with it myself. Because my sister’s eight and a half years younger than me. And my closest sibling was my brother, and he and I were less than two years apart, and he was not wanting to play with Barbies. There was a period of time when I had a friend from church who’d sometimes want to play Barbies, but mostly I’d play Barbies by myself. Just for hours, alone, putting together my scenarios. I was very specific about my Barbies and didn’t want people touching them or messing with them. I got very angry if my sister tried to do things to them ’cause I didn’t trust other people to take care of them the way I wanted to.
Kayla: Because those were your girlfriends.
Kristen: Those were my girlfriends.
Kayla: Those were literally your girlfriends. And if anybody was mistreating them, you were going to fight them.
Kristen: Well, I think because too, I was so careful how I put their clothes on, keeping all their stuff together, their hair. I wanted their hair to look like it had when they were in the box. You couldn’t have paid me money to cut off my Barbie’s hair, which I know some people did. I loved their hair! It was the most beautiful, long, gorgeous hair, and I was like, I really want to keep it looking nice.
Kayla: Did you ever have any of the brunette dolls, though, because you don’t love a blonde?
Kristen: I did have some, yeah. I had—
Kayla: Teresa, mayhaps? Was she around?
Kristen: Yes, I think she was my Mary Anne.
Kayla: I love Teresa.
Kristen: She was my Mary Anne in my situation. And my Claudia doll was Asian American, and she had beautiful hair. And I just wanted them to stay looking pristine and perfect. And the jewelry — like sometimes they came with earrings you could put on them.
Kayla: Yeah, I remember because I ripped some out of mine.
Kristen: Oh my God. Oh, that was a thing that happened too. I had an unholy fit once because it was either my brother or my sister chewed on the hands and feet of my Barbies and ruined them.
Kayla: A lot of people have oral fixation with Barbie limbs.
Kristen: I get it, but it ruined them — their hands were all crimped up! I wanted to maintain how they looked, which wasn’t something I felt for myself. I didn’t even brush my own hair most of the time. I was always dirty, my clothes never fit right. Dressing for church made me deeply physically uncomfortable.Not even like, oh, I feel uncomfortable with gender. I did feel uncomfortable about clothes. Most of the time, I just wore them. I had to start wearing heels and pantyhose and lipstick to church by the time I was in sixth grade, and I didn’t like that, but I knew that I had to. But I loved that stuff on Barbies.
“i like things that are shiny”
Kristen and Kayla at Orlando Pride
Kayla: So, from even very early on in our relationship, you bought me a lot of jewelry and clothes.
Kristen: Well, okay, for myself — the things I wear jewelry-wise are just the things I’ve worn for basically my whole life.
Kayla: Yeah. It’s very permanent. And It’s very masculine of center, I would say.
Kristen: It’s pretty minimal, and I don’t take it off ever, except my watch that I put on and take off every day. I don’t take any of it off.
Kayla: Yeah. Even in the shower.
Kristen: Even in the shower, to sleep.
Kayla: But you like femme jewelry. You just like it on me.
Kristen: I like to look at it. A huge part of what I liked about Barbie was that I could look at Barbie and be like, what do I think looks good on her? What do I think makes her look good? And so you could look at her and be like, she has this color hair. She looks this way. She comes with this makeup on. You could see what coloring that was, and then choose something to go with it.
I was also limited, because we didn’t have any money. My mom would sew clothes or I had some clothes that were hers from when she was young from her Barbie. So it’s these retro 1960s, 1970s stuff, which was really pretty fun. But yeah, buying clothes and jewelry for you felt actually so much easier than buying it for myself. Because when I was wearing stuff like skirts or jewelry, wearing makeup, I could buy it, but I’d never know what would fit on me or look right.
Kayla: Meanwhile, pretty much literally since the second we got together, you’ve bought me jewelry, at least one piece of jewelry for every single gift giving holiday that we’ve ever celebrated together — Christmas, my birthday, our anniversary, whatever. It’s very rarely something I would’ve picked for myself. It’s one of those things where you know what looks good on me better than I do. You’re also not going off of trends or anything. You’re not buying me the thing that you see that every girl is wearing on Instagram or something like that. You buy me something that’s so perfect on me. And my mom, early on, was always very shocked by that. She would compliment me on something I was wearing, like jewelry or clothes, and I was like, “Yeah, Kristen got that for me.” And she was like, “What?!”
Kristen: Well, some of it is that I feel like, in buying jewelry for you, what I usually try and think about is, because you do wear a lot of jewelry…
Kayla: I do. I love jewelry and I love to change it out too.
Kristen: You mix and match and wear a lot of different things. So usually I think about what things you are interested in, and I also think about the stuff you’ve been into…because you go through, I feel like, spurts of wearing more rings at one time or wearing more necklaces.
Kayla: More silver sometimes, more gold.
Kristen: Yeah. And so I go based off of that, but also I like to see if I can find something that you don’t have already. Is it something that looks like something that you would wear with the clothes and fashion you’re into right now?
Kayla: I always get compliments on pretty much all the jewelry I wear from you.
Kristen: I think jewelry — It has to have a personality. I try and get you something that looks like it has its own personality. But it’s fun to buy you jewelry because then you wear it, and then I get to look at you wear it. And that is better than if I put it on myself because, I used to get jewelry for myself but never wore it.
Kayla: You just liked looking at it.
Kristen: I like things that are shiny.
feat. shiny dresses Kristen has bought for Kayla
Kayla: You love things that are glittery, shiny, all of that. Which I think people don’t always associate first with butchness or masculinity or whatever.
Kristen: I love shimmer and glitter and sequins. Something shiny will catch my eye. I’m like a crow.
Kayla: You are. It can be the tackiest dress I’ve ever seen, but if it’s sparkly, you’re like, “That’s so cute.” Not that you’ve ever bought me something tacky. That’s not what I mean. I mean on reality television or something like that.
Kristen: Well, I know that I like looking at things that are shiny, but also, and I’ve bought you some things that are shiny, but I only try and buy you things that I think are something you will actually wear, first of all.
“this is the last time I’m wearing a dress”
Kayla: You also buy me clothes. And I think you approach buying me clothes in a similar way to how you’re dressing those Barbies, which is you are drawn to how these cuts of clothes look, but obviously you just don’t want to wear them. You want to admire them in proximity to you.
Kristen: Especially when I was working in libraries, I’d have to be dressed for work all the time — heels, pencil skirts, dresses or rights or whatever. I had a closet full of clothes ’cause I was interested in the idea of different patterns and looking at things. I had so many floral dresses and I’d just be looking at myself thinking okay, this is wearing me, instead of I was wearing that thing. And there were certain things I found that I liked better. Things that were more tailored, that had a certain something that made me wear them longer.
Kayla: Yeah, I mean, I think that anyone who knows you or is even a little bit familiar with you would be surprised to hear that one of the last times you wore a dress was as recently as earlier in our relationship. We went to a wedding together, and you wore a dress.
Kristen: And I remember being there, being like this is the last time I’m wearing a dress.
Kayla: And it was! Well, when you decide you’re done with something, it’s very definitive.
Kristen: Yeah, that is absolutely true. But I was looking around and I was like I’m at a gay wedding right now. Why am I in this outfit that I don’t want to be wearing?
Kayla: I think when you were working in libraries, you felt like you had to perform for the workplace, but at in a space like a queer wedding, that bubble was suddenly popped.
Kristen: I was really unhappy. I was unhappy that I had worn it, honestly. So I was like, that’s just the last time I’m doing that.
Kayla: I wore a full sequin dress because I knew you would love it.
Kristen: It was shiny. You looked like a mermaid.
“you’re holding it down for the long-haired butches”
Kayla: By the point of that wedding, you had been out as queer, as gay for a long time, but I think close to that wedding and the beginning of our relationship — even when we were just fucking around or whatever — you were still coming into butchness a little bit.
Kristen: Well, some of it is that I’ve always been really particular about what I like for myself, and when I do find something I like, I really keep that. I’ve had the same haircut since 100 years ago.
Kayla: You’re holding it down for the long-haired butches.
Kristen: I like long hair.
Kayla: You’re holding it down for the butches who sometimes wear lipstick, too.
Kristen: The lipstick I wear happens to be red, but it’s actually this balm that’s more of a chapstick-lipstick that’s minty. But I just like my hair long.
Kayla: I don’t think that changes my perception of you as butch or anything. I know that we have actually written or done these interviews for Autostraddle before, where we’ll get the weird response of “Kristen Arnett, she’s not a butch.” There’s been random troll-y comments like that, and I’m like, what are you talking about? Because she has long hair, because she wears lipstick? That just doesn’t click for me, but I think there’s still people even within our community that are so biased in the way that they perceive masc identity or butch identity.
Kristen and Kayla in North Carolina, Key West, New York City, Miami, and Maine
Kristen: I also think too, everything is so much on a sliding scale and whatever. There’s been times recently where I’m like, “I don’t really want to wear lipstick right now.” But then there’s still days I get up and then I’m like, I really want to wear a lot of it. And I think that’s just how you change how you think about yourself.
Kayla: Yeah, I mean you were wearing blush for a while when you were still very much already expressing butch-ness.
Kristen: There’s noprogrammed guide to be like, here’s how you perform any of this stuff.
Kayla: I think for either side of it, femme, butch, any of it.
Kristen: It’s all just movable on a scale, I think. I mean, some of it is here’s what I like right now, and that can include any number of things. I own the same pair of shorts in five different colors because I was like, I like these shorts because I like how they fit.
Kayla: You like what you like.
Kristen: I like what I like.
Kayla: But there’s a difference for you about what you like on you versus what you like to admire on me.
Kristen: I’m so particular and have such a narrow set of things I like for myself. But for you, it’s so expansive.
It’s like how I was for those Barbies, where I view it as an open palette. So it’s like, are we dressing you for summer? Are we going to New York for the weekend? What do those clothes look like, or that makeup? Are we going to the beach? Are we going on vacation? Are we going to the mountains?
“i got your femme hand-me-downs”
Kayla: When we moved in together, I always say, I got your femme hand-me-downs. You were getting rid of a bunch of stuff when we were moving and you were like,let me go through all my dresses and my heels. Tell me what you want. And I took a lot of it.
Kristen: You did.
Kayla: And I still wear a lot of it, like the pencil skirts from librarian days. And it’s interesting because people like my family, they really got to know you once you were a little more butch and more comfortable in that space too, so that’s how they know you. So every time my mom compliments me on a skirt and I say that it used to be yours, her mind is blown.
Kristen: I mean, some of that too is as soon as I got to leave the day work of library work to become a writer full-time, I got torelease a certain way of behaving or moving through the world.
Kayla: I think a lot of people who have worked service jobs can probably relate to that, having to perform.
Kristen: It basically was like, here’s all this uniform that I don’t need anymore. Because the only place I wore that stuff was at work. If I’m not doing this job anymore, I don’t have to wear this kind of “uniform” anymore. Jewelry, makeup, dresses, skirts, shoes, I just let it all go. It was very freeing. But then when you were trying it on, I was like, “oh that looks great on you!” Like those platforms I had that were getting older, and not gonna last much longer, I gave to you.
Kayla: Oh yeah. I wore those wedges to that Ilana Glazer show and the heel completely broke off.
Kristen: Yeah.
Kayla: I’m just walking around on mismatched heels at Gramps in Miami.
Kristen: But I liked them so much on you and you liked them so much, I just got you new ones.
Kayla and Kristen from casual to dressy
Kayla: Do you think it was solely the job that kept you holding onto those high femme parts of your clothing and wardrobe and stuff? Or was it also that when you were in your twenties, you hadn’t quite figured out that really liking that stuff actually meant you would like it on somebody else? Do you think you held onto it a little bit for that reason, before figuring that out?
Kristen: In my twenties, absolutely yes. But once I was in my thirties, and … some of it too was having a child and having to be in front of people who were judging me because of my age and because of my sexuality. I dressed up in those situations too, because it was basically also a uniform. I need you to take me seriously as a parent.
Kayla: Because those other parents were already biased against you.
Kristen: Yes.
Kayla: So to be too butch in that space would make that worse.
Kristen: Or just not even look serious. I couldn’t be wearing shorts or a t-shirt. I had to look so put together, at the very least like I was business-oriented, like I’m coming from a job, I’m serious. But in my thirties I only wore that stuff at work. Then I’d come home, and especially when I got divorced and I was dating and stuff, I only wore the same pair of ripped jeans and the same pair of Docs I’ve had since forever. Oxfords, like button-ups or tank tops or t-shirts, like V-necks and things.
My best friend Maria came to my Halloween party at the house, and I thought she’d just not worn a costume, but I thought she looked so hot. She was dressed as me! She was wearing those same stupid loafers I own and my ripped jeans and a white V-neck and the necklace that I wear every single day and my same glasses, holding a beer. And I was like, she looks amazing.
Kayla: And she was literally dressed as you.
Kristen: She was dressed like me. There’s just a way in which I like to look. And I knew that, kind of. I know I like to look like that. I still like to look like that. My fashion sense hasn’t changed. But dressing you is fun. I don’t do your makeup or anything, but I love when you sit down and put on a full face of makeup.
Kayla: And you have opinions, when I ask for them.
Kristen: When you ask. I would never try and tell you my opinion about how you should do your makeup.
“when we first started dating, we were on different gender expression journeys that ended up complementing each other really well.”
Kayla: I do think it’s really interesting because I feel like when we first started dating, you and I were both on very different gender expression journeys that then ended up complementing each other really well. We were both able to get to the point where we are now, I think, a lot faster than if we had not had that, not charged off of each other. Because for me, our first date, I showed up in a very … not masc outfit, but I was doing David Rose from Schitt’s Creek. drag. I was in a long black T-shirt.
Kristen: It was more like androgynous.
Kayla: Yeah, with these black cargo pants, really, oversized cargo pants, the long black shirt, some chains and some rings, sure, but I was definitely doing David Rose.
Kristen: It was just a lot of black eye makeup too, and not really anything else.
Kayla: Yeah. Not what has become my signature look now, I would say.
Kristen: Your New York era.
Kayla: That’s my New York era. No, but what it was, I mean, even when you and I started dating and that first date, I was coming off of at least a year, maybe longer, of not wearing dresses or skirts.And I think part of that was just my gender expression within dykeness, within being a lesbian, has really gone all over the place a lot. I had the awkward baby butch era, when I was first coming out and got an undercut. I still really liked makeup though, so it was heavy makeup, but a lot of button-downs and very fitted outfits that I thought lesbians wore.
And then I got a little comfortable with my queerness, went back to my wardrobe and fashion sense from before of long skirts and things like that, pretty femme or whatever. And then something that happened in my long-term relationship before our relationship just really threw me off. I became very insecure about a lot of things. I started wearing very baggy clothes, wearing the same things all the time. And then after that bad breakup, I was like, yeah, I don’t even know, going through something. I mean, even before the breakup, I got the Timothée Chalamet haircut.
I was almost back to square one with the confused baby butchness, a lot of eye makeup, oversized Calvin Klein t-shirts I’d buy from thrifts, big pants. It had been at least a year since I’d worn a skirt or dress when we went on our first date.
I think it was around that time of just getting out of that last relationship and then especially when I moved out of that apartment with that person, I was rediscovering myself and really realizing how much I love to be a femme. And then the fact that that was something too that you really enjoyed and you also were buying me these things, maybe buying me things that I wouldn’t have been buying for myself at the time — but wanted. It’s like you knew.
Kristen: Sure, yeah.
Kayla: Especially clothes. Yeah, sparkly clothes and things like that.
Kristen: I feel like it does sound the way I’m describing it. I buy things like toddler clothes for you.
Kayla: Not toddler! But they are something that a toddler would love. When I wear a dress that you bought me, I get so many compliments from my five-year-old niece.
Kristen: Oh my god.
Kayla wearing shoes that formerly belonged to Kristen
Kayla: But yeah, it was interesting because I think it was this dual thing happening for both of us at the same time, and I think that helped both of us too with that journey. When I bought that dress for that wedding, I knew you were really gonna like it. Itwas emerald green, head to toe, long sequined gown, super low cut. I loved it But I remember buying it because I was like, oh yeah, Kristen would really like this too. It was not the type of thing I would’ve bought myself for a long time, and I felt amazing in it, so good. So then the fact that you were at that wedding too in an outfit that you did not feel good in—
Kristen: I felt deeply uncomfortable in what I was wearing, but it was good for me because—
Kayla: I think we both had really good realizations at that wedding.
Kristen: After the wedding was over, our friends Ryan and Chelsea were there and they were like, “Do you guys want to go get drinks afterwards?” And I was like, “Yes, but we’ve got to go back to the hotel.”
Kayla: And change, that’s right.
Kristen: I was like, “I need to change clothes.”
Kayla: That’s right.
Kayla and Kristen at a wedding five years after the wedding mentioned in this interview, both wearing outfits that felt true to them
Kristen: So I got to put on normal clothes, and it was a relief, first of all. That physical relief I’ve always felt with getting to take off stuff like that. But then, because I also was wearing a dress that required a strapless bra.
Kayla: That’s crazy to think about, too.
Kristen: And I was like, why did I do this to myself? It was very funny to me because I feel like it was the last hurrah of trying that out, where I knew going into the situation I was going to be wearing a lot of things that made me really uncomfortable. The shoes I had were really pointy toe, black, almost stiletto heels.
Kayla: Yeah. You changed into your Docs for the bar.
Kristen: I changed into my Docs. And I was like, this is great. I’m never going to need to do this again. And I was like, if I’m going to go to another event, it’s going to be not in a dress anymore. And that was very helpful to me.
Kayla: Meanwhile, I left the floor-length sequin dress on for the dive bar. I only changed my shoes. But I was likeI’m leaving the dress on!
“you treat me like a Barbie doll because you do my hair”
Kayla: So I mean, I think we used to joke about you treating me like a Barbie with the jewelry and clothes and all of that, but recently it has become even more apparent that you treat me like a Barbie doll because you do my hair.
Kristen: Yes. I mean, I don’t do very intricate hairstyles or anything because I think a lot of times when people hear “do a person’s hair,” they’re thinking about some braiding or updo or—
Kayla: Blowout or something.
Kristen: And that’s not what’s happening. It’s more like hair care.
Kayla: Yeah, you’re doing my hair the way you did Barbie’s. In the way that you wanted to preserve how Barbie’s hair looked out of the box, you’re doing mine just as it’s naturally worn,which is honestly what I like, I mean, except for when I went through phases in high school, middle school and stuff where I was straightening my hair, as most curly girls did at some point. But for the most part, I like my hair to be very natural. At the most, when I’m doing my own hair, I diffuse it. But even for our wedding, I wanted a very natural look for my makeup and for my hair. I wanted it to look like the way I always do my makeup and hair, but just elevated. And so you do my hair just to make it look the way it’s naturally supposed to look. Natural curl pattern, all that stuff. You’re taking care of my hair.
Kristen: Yeah, I do. I would say I do hair care for you. I haven’t dyed my own hair since probably 2012, but I dye yours for you.
Kayla: Oh yeah, you do it and you do it so fast.
Kristen: It takes three boxes of dye to do your hair.
Kayla: I have a lot of hair! And I’ve always box dyed my hair, and I tried different colors throughout my youth and my mom would do it, or do it with my sister, sometimes. I think I’ve only had my hair professionally dyed once, and I was like, “this is dumb, I don’t have to pay for this.” But then then I said something about it and you were like, “I could do that.”
Kristen: It’s easy.
Kayla: You did an amazing job, so then you became my colorist. We do it in the backyard.
Kristen: Sometimes I make you a spritz.
Kayla: Yeah, exactly. It feels like the full salon experience.
Kristen: There’s usually a bird or something in the birdbath.
Kayla: We call it Daddy’s Salon.
Kristen: So I dye your hair, but also I’ve started doing a thing where, I’ve always looked to give you a scalp massage or scratch at your scalp for you. And then now, because your hair is getting really long right now because your hair grows really fast, I’ve been detangling it for you.
Kayla: Yeah. Every other day, you detangle my hair. We sit on the couch and you detangle my hair.
Kristen: And then sometimes I’ll put coconut oil in it.
Kayla: You’ve bought me hair products and told me how to use them. This all sounds crazy, you teaching me about hair, because it’s yeah, you’re a white person with straight hair and I’m half Indian and have this curly textured hair. But I think the context for this is no one ever really taught me how to do my hair.
I feel very sensitive about my hair because of the way that my mother was about my hair growing up. Also, for a little background context,my sister, who I’m very close with, does not have any hair. And I think that created a dynamic growing up where my parents, for a long time, thought we’re going to keep Kayla’s hair really short because Alex doesn’t have hair. We don’t want to make her jealous.
Anyways, my sister’s a very strong person. She has alopecia. She never felt any type of way, but my parents basically kept my hair really short. I think part of it was also my mom not really wanting to deal with it because any time it did get long, she didn’t really seemingly know how to deal with it at all. And my hair is not that curly and it’s not that textured, but it’s just different enough from what she was used to that she, to this day, doesn’t really understand. She’s like, “Well, why does your hair get tangled?” Or whatever. And I’m like, because texture. Because it’s thick. Because there’s a lot of it.
Kristen: Your mom also has never had long hair either. Your mom always has had a very short haircut.
Kayla: She has thick hair, but it’s just different than mine. And there was never a real understanding about that. She wanted to brush my hair out all the time. My hair looked really bad when it was brushed out. My family made fun of my hair a lot growing up, compared me to Ugly Betty.
Kristen: Oh my god.
Kayla: And I was like in middle school when that show came out. But that was mean! I do love America Ferrera. Actually, that’s a Barbie connection.
Kristen: Yeah it is!
Kayla: But also if my hair looked like Ugly Betty’s, it’s because my mom was brushing it out and just making it into a bushy mess.
Kristen: A big part about taking care of your hair for me has been being really patient. And so sometimes the only times I’ve gotten on your case about it is because you can occasionally be impatient with your hair and you’ll maybe yank it if there’s knots or anything. So it’s like, why don’t you let me do it, because I will sit and I’ll be patient with it. If your jewelry gets tangled, I’ll sit and unknot it. I can do the same thing with your hair. I don’t mind sitting and being patient and we can watch a show or do something.
Kayla owes any and all good hair days to Kristen
Kayla: Oh yeah. The first few times you detangled my hair, we were watching Severance.
Kristen: We were.
Kayla: We would pop Severance on and you’re just going to town, detangling my hair, being so gentle with it. No one has ever treated my hair with the care you do — not even me!
And yeah, ever since, I’ve had less breakage. My hair has been growing even faster than it usually does, which is already pretty fast. You’ve introduced me to new products, told me how to use them. I think that was something that super surprised me because I was like, you take care of your hair, for sure, but you have such different hair than I do, and we don’t use the same products. You’re washing your hair way more than I wash my hair.
Kristen: I just have different hair than you and so I do have to wash it way more often. I like taking care of your hair, I like taking care of you. I’ll lotion you or give you hand massage or foot massage.
“i think i have to go to the store and get nail polish remover because i can’t handle this.”
Kayla: I mean, you definitely did this during lockdown, but still now you will do my nails. You’re great at painting nails. That’s another thing that you’re very good at.
Kristen: And I’ve never done that for me, ever.
Kayla: And I remember there was a time where you did both of our toenails? And you did your own because you were like, “I’m going to try it out.”
Kristen: And I hated it.
Kayla: You were so upset.
Kristen: We didn’t have any nail polish remover, and I was like, “I think I have to go to the store and get nail polish remover because I can’t handle this.”
Kayla: That was one of the most dysphoric times I think I’ve ever seen you.
Kristen: It felt bad.
Kayla: Yeah. It was red, so it was bold. But yeah, you were like, “I have to get this off of my toes.”
Kristen: It was strange because I didn’t anticipate that happening.
But I love painting your nails. I always think they look really pretty. You can’t really go do it anymore because you’re doing a lot of tennis, but you were going and getting manicures and I thought that always looked really nice. You have really nice hands.
Kayla: Thank you. Very gay of you to say.
“you know what’s going to look good on me, also what’s going to make me feel good”
Kayla: I do think it’s interesting because I love dressing up, I love being high femme and doing my makeup and having my nails done and all this stuff, but I don’t really like doing it myself.
I don’t like making choices all the time. We’ve given this piece a very over-the-top headline, but I think there’s something empowering about me being like, you know what?You see me better than I could ever see myself in a lot of literal ways. You’re looking at my face more than I ever look at my own face, but also you love me and you see me in the best possible light. You know what’s going to look good on me, also what’s going to make me feel good. You’re never going to buy me a dress that I feel uncomfortable in.
Kristen: I don’t buy you something purely because I like the way it looks. I buy it because I think that you’ll enjoy wearing it.
Kayla: Yes. You’ve never bought me something uncomfortable. I think there’s something almost empowering about the fact that I can rely on you to make these choices for me and treat me in these ways. Because then it results in I look my best and I don’t have to think about it or do it myself.
Kristen: Yeah. I mean, I always just want you to feel good.
Kayla: I know.
Kayla showing off nails by Kristen // Kristen and Kayla, in a literal Barbie shirt
Kristen: I also do think it’s funny because you love to be pampered or have a spa treatment or something like that, which I never want. I don’t even go get my own hair cut. I hate it that much.
Kayla: Yeah. Please tell the folks at home how your hair gets cut.
Kristen: I’ve never felt more seen than watching New Girl and seeing Nick Miller say, “Getting a haircut is too intimate,” because I’ve said that for years.
Kayla: For years.
Kristen: For years, getting a haircut is too intimate. What I do is I trim the ends of my own hair, and that is what happens. I don’t want to go do that. My best friend is a massage therapist and she has never given me a massage because I was like, I definitely do not want that, but I massage you all the time and I’ll do your hair and do different stuff. I like watching videos of people getting facial treatments and having their hair done.
Kayla: See, I can’t do that. I have this weird tactile jealousy where if I watch someone else being massaged, I want to be massaged. I can’t watch it because I’m like, why is that not happening to me right now?
Kristen: So I think it ends up working out in that way — I love the idea of it, and I like doing it to you, but would never want someone to do that to me.And it makes me happy because, much like our sex life, I very much enjoy watching you be happy and pleased.
Kayla: Yeah, I mean, I guess this all just does go back to top/bottom dynamics. That’s all it is. An 8,000 word interview just to land on: I guess we’re just a top and a bottom!
Kristen: The classic scenario.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Kayla Kumari Upadhyaya is the managing editor of Autostraddle and a lesbian writer of essays, fiction, and pop culture criticism living in Orlando. She is the former managing editor of TriQuarterly, and her short stories appear in McSweeney's Quarterly Concern, Joyland, Catapult, The Offing, The Rumpus, Cake Zine, and more. Some of her pop culture writing can be found at The A.V. Club, Vulture, The Cut, and others. When she is not writing, editing, or reading, she is probably playing tennis. You can follow her on Twitter or Instagram and learn more about her work on her website.
Kristen Arnett is the queer author of With Teeth: A Novel (Riverhead Books, 2021) which was a finalist for the Lambda Literary Award in fiction and the New York Times bestselling debut novel Mostly Dead Things (Tin House, 2019) which was also a finalist for the Lambda Literary Award in fiction and was shortlisted for the VCU Cabell First Novelist Award. She was awarded a Shearing Fellowship at Black Mountain Institute, has held residencies at Ragdale Foundation, Vermont Studio Center, the Millay Colony, and the Key West Literary Seminar (upcoming 2024), and was longlisted for the Joyce Carol Oates Prize recognizing mid-career writers of fiction. Her work has appeared at The New York Times, TIME, The Cut, Oprah Magazine, Guernica, Buzzfeed, McSweeneys, PBS Newshour, The Guardian, Salon, The Washington Post, and elsewhere. Her next novel, CLOWN, will be published by Riverhead Books (Penguin Random House), followed by the publication of an untitled collection of short stories. She has a Masters in Library and Information Science from Florida State University and lives in Orlando, Florida. You can find her on Twitter here: @Kristen_Arnett
Also this: “I do think it’s interesting because I love dressing up, I love being high femme and doing my makeup and having my nails done and all this stuff, but I don’t really like doing it myself. I don’t like making choices all the time.” Elise would shop for me more if I let her and I’m always like ahhh I should be able to do it myself but this is really the vibe and I should embrace it. Except nails. I do like doing my own nails for some reason.
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i absolutely loooooathe picking clothes for myself, would gladly just let kristen do it all for me LOL
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This was just a really sweet and lovely interview!
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thank you for reading!
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i loved this and thought about a lot of things and i feel like it’s like, an interview i would read in an anthology edited by minnie bruce pratt and leslie feinberg in 1984. i love thinking about the ways that our relationship dynamics play into how we present ourselves gender-wise and stylistically
at that gentleman jack event i declared it the last time i would ever wear a dress and i do think that i owe some of that sensation to the strapless bra, a truly unbearable experience
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the dress i wore to that gentleman jack event used to belong to kristen!
This past June 7th, queer content creator Thomas Sanders posted a video explaining which Muppets are gay. He specifically highlighted Sweetums as a burgeoning drag queen still trying to get her proportions right along with Gonzo, a canonically gender expansive character — he full on labelled himself as a “whatever” — who previously dressed in drag as Gonzo-rella in Disney’s Muppet Babies series. Gonzo has long been a queer fashion icon for his seemingly thrifted, brightly patterned button up tops and dapper clothing.
Miss Piggy herself has long been called a drag queen, appearing as a guest on RuPaul’s Drag Race, and content creator @rachleahx posted on X January 2024 that Chappell Ronan’s clothing appears to give some pretty explicit call outs to Miss Piggy. In a follow up video on TikTok, she breaks down how Chappell Roan’s Muppet Easter Eggs not only include Miss Piggy but also Constantine, an evil altar of Kermit, and others.
It’s not a new phenomenon. In the early days of the Muppets, Kermit the Frog even had a drag persona named Kermeena, donning a blonde wig to sing songs by Keely Smith and Rosemary Clooney. Sometimes Muppets would even be recycled from one into another, sometimes a Muppet of another gender — if we commit to the idea that Muppets even have a gender. And most recently in a kiki with fellow drag queen Trixie Mattel, drag queen Bosco celebrated Miss Piggy and Kermit as a t4t couple.
It’s also emblematic of the extremely queer history of the Muppets themselves.
The Muppets were always queer
A central tenet of The Muppets is accepting diversity within their communities and overcoming obstacles. Back in 1981, the song “We All Sing with the Same Voice” on Sesame Street not only sought to promote empathy and coexistence but also subtly hinted at LGBTQ+ families with the lyric, “I’ve got one daddy, I’ve got two.” While Sesame Street could not feature as much adult (queer characters and relationships being unfortunately coded as adult at the time) despite Bert and Ernie’s relationship being openly confirmed by a former Sesame Street writer as reflecting his own, The Muppet Show represented the culmination of Henson’s work to return to subversive content.
Matt Baume highlighted how back in the 1970s, Richard Hunt — a performer on The Muppet Show and gay man who created many of the characters that Muppet fans love, including Beaker and Scooter, was pivotal in incorporating queer content into the early runs of The Muppet Show. As Baume reminisces, Muppets like Statler joked about dating Lionel Barrymore and Bunsen and Beaker’s relationships while the show featured LGBTQ+ performers — Joel Grey, Liberace, Elton John, and Vincent Price. Like Sesame Street, The Muppet Show became a place of acceptance and humor for everyone.
And The Muppets never stopped being a group that openly welcomed LGBTQ+ creatives and uplifted queer characters. In 2005, when approaching Sam the Eagle at the gates of the Emerald City in The Muppets’ Wizard of Oz (2005), Fozzie Bear (as The Cowardly Lion) identifies himself, along with The Scarecrow (Kermit), Tin Thing (Gonzo) and Toto (Pepe the Prawn) as “friends of Dorothy!” a euphemism for a gay man.
Miss Piggy in particular has been a vocal advocate, giving a “snout-out to the gays” in a 2011 issue of Out magazine. The third point she shared was a not-so-subtle call for LGBTQ+ marriage equality, reading “Pigs + frogs. Interspecies marriage. The time has come.” It would be another four years before the US would see federal marriage equality. That same year, Miss Piggy walked the red carpet at OUT100 and was featured at a fundraising event for The Trevor Project. There, she said that on behalf of herself, Kermit, and all of the Muppets, “we support you.”
The publicity spoke to the root of Muppet philosophy while raising awareness for their 2011 film The Muppets. The Muppets plot even resonates today as in the film, the fabric puppets attempt to save their studio from an evil oil baron. It’s a not so subtle nod to anti-capitalism, and a premonition of what would come over ten years later when President Trump cut funding for public media, including funding for PBS and further Sesame Street. Netflix stepped in to purchase Sesame Street while providing funding for it to continue for free on PBS.
The Muppets (2011)
In The Muppets (2011), Walter — the fabric brother of Jason Segel — struggles with his identity: is he a man or a muppet in the aptly named ballad. Which community should he be part of and does he have to choose? In the end, he discovers that he’s a muppet, and his brother Gary accepts and loves this for him. He also discovers that he can exist partially in both and doesn’t have to give up anything about himself to be a Muppet. Heck, Walter’s human form is even played by gay actor Jim Parsons.
The spinoff 2015 television series after The Muppets even returned to Henson’s adult humor roots, where in “Hostile Makeover”, Pepe the Praun commented that he too is attracted to Josh Groban. “What?” he says, “He’s a handsome man, and gender is fluid.”
And as far-right anti-LGBTQ+ hostility grew in the early 2020s and increases today, the Muppets stayed true to their roots. Kermit appeared in the “Can’t Cancel Pride” streamed special during the COVID-19 pandemic, and in a 2021 interview with Kryss Shane, long-time Muppets performer Bill Barretta explained that the well-loved Muppet Howard Tubman is gay and that he based the character on his real-life LGBTQ+ friends in order to avoid making him a stereotype, which some have argued is best represented by Uncle Deadly. Unfortunately, the Muppet Studios shot down the idea of making Uncle Deadly explicitly gay in the 2015 sitcom, despite several writers forwarding the idea.
Despite Sesame Street’s continued official stance that Bert and Ernie are “just friends,” the show has consistently celebrated Pride Month since 2017, and shared posts on their Instagram, X, and Facebook accounts that celebrate how “Sesame Street is proud to support families of all shapes, sizes, and colors.” And The Jim Henson Company has even sold Pride collections, including the Fraggle Rock Pride-themed tees and hoodies. Fraggle Rock, a creation of Henson and Hunt, even features an episode titled “Gone But Not Forgotten” in its final season where Wembley makes a new friend he news will die soon. It paralleled, as Baume explained, Hunt’s own life who lost his partner to AIDS shortly before the episode was filmed.
The queer Muppet fandom and Muppetcore culture online
But the queer Muppet online fandom is much older than 2011’s The Muppets. For years, queer Muppetcore has flourished on the Internet and social media channels. Queer muppet fan Kieran Moore argued that Kermit’s songs like “Rainbow Connection” and “Bein’ Green” have resonated with queer people for decades. Frequent contributor to the Muppet fan blog Tough Pigs, Moore highlighted how behind the camera, the Muppets have also put their money where their fabric mouths are in terms of cutting ties with homophobic corporations like Chick-Fil-A.
And their fan base has remained loyal. Silly Lily Arts, an account run by queer artist Lily Cronin, frequently shares LGBTQ+ Muppet content, including a new Pride design this past May of Janice, the lead guitar player in The Electric Mayhem, alongside the words “Protect the Dolls.” The phrase originates from Black and Latina trans women in 1980s ballroom culture but has become a call for solidarity with and protecting trans women of color. It was recently popularized again when designer Conner Ives wore a t-shirt with the phrase after a runway show.
In the same vein, Gay Muppets, an account on Instagram, has 11,400 followers and claims openly in its title that “all the muppets are gay.” For the account’s owner, “it’s always nice to reimagine and rediscover queerness, seeing myself in my childhood favorites is so empowering.” The Internet helped them find niche communities, specifically other LGBTQ+ people who love and see themselves in the Muppets, and they fully plan to walk down the aisle to Kermit’s Rainbow Connection at their queer wedding.
Some of their most recent posts foreground Bert and Ernie, roommates from Sesame Street that are notoriously queer coded. Former Sesame Street writer Mark Saltzman claimed back in 2018 that their relationship was modeled after his own with his partner Arnold Glassman, whereas Sesame Streetcountered that they are “best friends” (as straight historians would say).
It’s been the best known secret of The Muppets. A 2013 cover of The New Yorker after the historic United States v. Windsor Supreme Court case pictured Bert and Ernie hugging while watching a television lit with a photo of the justices. Similarly, in 2019, Jazzelle (known as Uglyworldwide) transformed herself into the Muppets, confirming the queer nature of Henson’s puppets depicting herself and another as Bert and Ernie learning in for a kiss.
All Muppets are queer
In fact the Muppet community itself, inclusive of Muppets of different gender and species, is inherently queer. The idea that Muppets have a gender is complex. With their ability to speak for themselves (with the help of a skilled puppeteer), they tell people how they identify and how they would like to be addressed, such as Gonzo clarifying after backlash to him wearing drag on Muppet Babies that he is a “whatever.”
It’s not about what genitalia they have — they are made of fabric; it’s about how the Muppets affirm and celebrate who they choose to be. The difference between flesh and blood and fabric actors in Classic Muppet films like The Muppet Christmas Carol and Muppet Treasure Island did not exist then and does not exist now, even on the Muppets child-oriented counterpart Sesame Street.
At a time when the United States is facing record anti-LGBTQ+ legislation aimed at erasing representation of queer people in classrooms, books, and television shows and outright denying our existence and survival, the Muppets show how queer representation has been part of children’s public television and film history since the beginning.
For many queer and trans adults, like myself, the Muppets were a huge part of our childhoods and were some of the first groups to love and affirm us as we truly are, allowing us to share how we identify rather than making assumptions or placing expectations on us. As a result, whether explicit or not, the Muppets’ lessons of acceptance and kindness helped many queer people (like me) come out of the closet when we were in a safe place and served as our chosen family when we were alone.
It only makes sense that queer people have remained loyal to a fandom that refuses to abandon the queer children that these Muppets raised.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Emma Cieslik (she/her) is a queer, disabled, and neurodivergent museum professional and writer based in Washington, DC. She is interested in the intersections of religion, gender, sexuality, and material culture, especially focused on queer religious identity and accessible histories.
The Ultimatum: Queer Love is perhaps the highest-profile reality dating show focused on queer women and non-binary people of all time — and it’s also one of the only ones. Historically, reality dating shows have focused on heterosexuals, despite the fact that gathering a bunch of horny bisexuals in one party house and plying them with alcohol while demanding constant, private confessionals is TV gold, as proven by Are You The One? Season Eight. While Love is Blind has co-opted lesbian dating rituals to create its bizarre reality TV experiment, dating shows rarely feature actual lesbians, and are historically bastions of traditional heterosexual courtship.
But over the years, a few brave shows have ventured into the murky waters of reality television dating shows for queer, lesbian and bisexual women and/or trans people of all genders. Let’s talk about some of them!
Date My Mom
MTV // 2004 – 2006
The triumphant mating call of, “I’m here, I’m queer and I’m ready to Mom Date!!” can be heard echoing through the generations from this entry in MTV’s 2000s Dating Show Frenzy in which the Mom of a teenager meets their potential dates and decides who’s best for her child. Although usually focused on heterosexuals, Date My Mom had a five gay or lesbian episodes per season quota, thus offering its viewers something we rarely received on television back then: a parent so supportive of their daughter’s sexual orientation that they wanted to help her find a girlfriend. “To the moms who did it with their daughters, we let them know that this is awesome that you’re stepping up for your child,” a casting director told The Village Voice in an interview about the challenges of casting its LGBT episodes. “To this day, we still all appreciate those parents.”
NeXt
MTV // 2005-2008
Many MTV shows of the 2000s that are impossible to track down online would feature a few lesbian contestants across their runs, including Parental Control, Dismissed, Exposed and Room Raiders, but NeXt has maintained the most prevalent spot in the public imagination. NeXt wasn’t a queer dating show specifically, but it was immediately inclusive of gay and lesbian daters, including 13 lesbian segments across its six-season run. Contestants went on five dates and were permitted to declare “Next!” to start over with someone new as soon as their present date lost their luster. The daters earned cash for every minute of dating they survived, and whomsever made it to the end could choose a second date or their accumulated lump of cash. Like many MTV dating shows of the era, NeXT was mostly cast with actors and often scripted. The series remains iconic for its stilted intros in which contestants delivered attempts at sassy pick-up lines and three horrifying bullet-pointed facts about themselves. An added delight of the queer episodes was the thirsty twentysomethings on the bus being able to flirt with each other while waiting for their big moment.
A Shot at Love With Tila Tequila
MTV // 2007 + 2008
The depiction of bisexuality in this absolute trash reality show haunts us to this day, beginning with the absolute horror of the premise, in which 16 lesbians and 16 men aren’t told ’til the end of the first episode that Tila is bisexual and will be choosing from the lot of them. Before dating Courtenay Semel or marrying Casey Johnson or becoming a Neo-Nazi who claimed to have only been “gay for pay,” Tila Tequila was a MySpace queen often spotted in Maxim and Playboy, and when this show debuted in 2007, we were all compelled by forces larger than ourselves to tune in. Personally, I shut it off after ten minutes because I was too offended to go on… but then I happened to catch the rest of the episode at the gym and…I got sucked in. Everybody got drunk and sloppy. Tila and many of her female suitors endorsed an unchecked butchphobia popular in mainstream and queer media at the time, which made it incredibly satisfying that she ended up with hot-as-fuck butch firefighter Dani Campbell as her final girl. In the end, though, she chose the male suitor, although they obviously didn’t last, and Tila returned for a second season.
A Double Shot at Love with the Ikki Twins
MTV // 2009
Tila Tequila was the host of this spinoff that again found 12 heterosexual men and 12 lesbians competing for a shot at love, this time with bisexual twins Rikki (Erica Mongeon) and Vikki (Victoria Mongeon), models who’d appeared in Playboy and a Hooters calendar, among other similar gigs. After this season, MTV canned the concept in favor of having a bunch of girls compete for a date with the Jersey Shore boys.
From the very first episode of Naked Attraction, this British show was inclusive of bisexual, pansexual, trans and/or queer contestants, who narrow down their group of potential dates to a handful of winners by seeing portions of their naked body, from bottom to top.
Courtney Act hosted “the UK’s first ever bisexual dating show” that featured bisexual people living together in a Spanish villa, exploring the dating scene of Barcelona and supporting each other through it all.
A group of single social media and reality TV stars gather in a luxurious Malibu villa for a dating show with a twist they somehow do not expect, even in latter seasons: their exes are gonna creep out of the ocean. Everyone wears designer swimwear, gets drunk, participates in challenges, digs into each other’s secrets, hooks up and votes each other off the show. Queer women started showing up in Season Three with bisexual reality TV / pop music entrepreneur Aubrey O’Day. Season Four — which eschews a tropical locale for winter in New Zealand — features noted lesbian Staten Island firefighter and Challenge contestant Nicole and a parade of her exes in a environment already queered by a drag queen, a bicurious former Nickelodeon actress, a trans beauty influencer and a bisexual Real World guy.
Game of Clones
MTV // 2019
In Clone Wars, reality television stars are given the rare and fascinating opportunity to date clones of their celebrity crushes, and amongst them are some lesbians. Nicole of The Challenge and Ex on the Beach is presented with seven Ciara clones and will date them all to determine which clone will win her commitment-phobic heart forever.
The absolute apex of queer reality television, Are You The One? mashed up 16 singles in an alcohol-infused house and through games and socials, challenged them to determine whomst amongst the other singles had been determined by a mysterious overlord to be their soulmate. Guessing correctly as a team wins some kind of money. But in Season 8 of this successful MTV program they decided to improve the show’s quality tenfold by casting an entirely bisexual group of singles. Every man, woman and non-binary person in the house could potentially match with anyone else in the house. It was a beautiful moment in television history that I for one will never forget.
Singled Out 3.0
Roku // 2020 – 2021
The original Singled Out was an absolute mainstay of every ’90s sleepover and an irresistible late-night double-billing on MTV with Loveline. The Singled Out gameshow put Playboy model Jenny McCarthy (now a notorious anti-vaxxer) and Chris Hardwick (of The Nerdist) on the map as hosts guiding a lucky girl or boy through weeding out 50 potential dates without seeing them, the pool decreasing as the picker cycled through their preferences amongst presented funny categories. The show was rebooted as a YouTube series in 2018 with an “urban contemporary hip-hop theme” that involved a whole thing with Catfishes. Then, finally, a third reboot arrived in 2020, produced by MTV for the Roku Channel. Hosted by KeKe Palmer and Joel Kim Booster and presented in mini-episodes by the Roku Channel, this new iteration featured bisexual and lesbian contestants in its two seasons of minisodes — even once featuring a lesbian couple looking for a third to join their relationship!
The producers of this Netflix show wanted a queer-inclusive cast of folks who wouldn’t ordinarily be on reality TV — people of all ages who could portray a realistic look at what dating is like in the age of apps and all that. “It is a little window into many people’s lives, of many different backgrounds and orientations, as they go on many first dates,” wrote Vulture in “Netflix’s Dating Around is a Secretly Great Reality Show.” Episode 6 featured Mila, who met five women for drinks, dinner and dessert.
12 Dates of Christmas
HBO Max // 2020 – 2021
Tragically wiped from HBO Max’s platform, 12 Dates of Christmas invited contestants to a romantic holiday-prepped chalet in the snowy mountains of somewhere to face a rotating cast of suitors with whom leads enjoyed dates like sledding, building gingerbread houses, riding horses through the snow and cuddling in bedazzled glamping tents. The winner gets to accompany the lead on a trip home to meet the family for Christmas, except it’s also definitely not Christmas, it’s March, and everybody is just pretending that it’s Christmas. Season Two featured three leads: a gay man, a lesbian (the stunningly beautiful Amanda Grace Jenkins) and a straight man.
On a surface-level Freeform’s Love Trip: Paris seems like just another heterosexual dating show: four twentysomethings who’ve been unlucky in love move to Paris where love is somehow truer and they’re given the opportunity to meet and date a rotating roster of local men… and women, because three of the four contestants are queer. We’ve got: 29-year-old Lacy; a chatty, sexually fluid “mental health podcaster” who loves crystals, open-hearted 26-year-old Mexican-American bisexual trans woman model Josielyn and finally Caroline, a bubbly 26-year-old genderqueer personal trainer from New York who proudly asserts “my best friend is my cat.” This show has been highly overlooked and I highly recommend it!
The Ultimatum: Queer Love is notable for many things, including introducing the world to Mal, who is a king and deserves the world. Six couples who are facing an ultimatum — one person is ready to marry and the other isn’t — gather together to try out dating each other, rather than the person they came with. After a three week “trial marriage” they’re able to trial marriage with their original partner and then at this point they are obviously 100% ready to decide on the next steps of their relationship. I love television!
Love Allways
Paramount+ // 2023 // Stream on Paramount+
Truly breaking the mold with a cast of Gen Zers, this program sees two ‘dating coaches’ employed to help singles of all genders in their pursuit of Lexi, the show’s bachelorette. The dating coaches are vaguely competing against each other to see which coach’s “team” wins Lexi over? It’s sort of like watching a bunch of TikTok drafts from a 21-year-old, or like a loosely organized pool party. But it’s fascinating to see what a dating show looks like when most of the contestants are too young to drink!
Four couples explore non-monogamy by spending a month in a tropical resort, meeting and dating potential thirds to bring into their relationship, and then at the end they can decide if they wanna be threes forever or remain a twosome. It wasn’t always the best show when it came to poly representation, but it had its moments.
The first British reality show exclusively featuring lesbian and bisexual women matched up ten single sapphics, forced to meet for the first time by kissing each other directly on the mouth, then living together in the “Masseria,” a beautiful italian country house. Sally appreciated the show’s respectable masc-to-femme ratio and contestants coming from small towns as well as the big cities. “Everyone on I Kissed a Girl just seems so good natured about it all,” she wrote. “They joke about wife swapping! They fess up quickly to their current partner when they like someone else! They celebrate each others’ sluttiness! There’s also a decent amount of people opening up and getting vulnerable about all kinds of aspects of their queerness and intersectionality, which is excellent to see on TV. As one of the girls so articulately puts it: “Being here is quite good for that being gay thing.”
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Riese is the 43-year-old Co-Founder of Autostraddle.com as well as an award-winning writer, video-maker, LGBTQ+ Marketing consultant and aspiring cyber-performance artist who grew up in Michigan, lost her mind in New York and now lives in Los Angeles. Her work has appeared in nine books, magazines including Marie Claire and Curve, and all over the web including Nylon, Queerty, Nerve, Bitch, Emily Books and Jezebel. She had a very popular personal blog once upon a time, and then she recapped The L Word, and then she had the idea to make this place, and now here we all are! In 2016, she was nominated for a GLAAD Award for Outstanding Digital Journalism. She's Jewish. Follow her on twitter and instagram.
I used to see the NEXT bus all the time by Venice beach when I was in community college. It was kind of annoying cause they would just be driving at 10mph through the streets & I didn’t see any filming car following. I remember they had an episode with a bi guy, got to choose between men & women. I assume they had one with a bi lady too? The only reason I remember the episode is because a girl I went to middle school with was one of the people he said next too. I think it was one of those episodes where everyone got nexted. MTV was really head of its time here.
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i wonder where all those Next Busses are now, it would be iconic to turn a NeXT bus into a party bus! and yes, MTV very ahead of its time with that whole slew of dating shows
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I wouldn’t be surprised they are now used as tour buses. Did it have a stripper pole in there or I am thinking of another MTV show?
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hmmmmmm feels like a common motif
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Okay, I just watched that Date My Mom part with Lara-Megan & ending. Wow so cheesy but offensive not in a good way; but, that’s MTV in 90s & 00s for ya. Women calling insulting other women’s looks.
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A recent Australian bachelorette, Brooke Blurton is bi and had male and female suitors.
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Yes!!!! I can’t believe my girl Brooke gets so slept on she’s amazing!!
The season was well done in my opinion even though SPOILER ALERT **** (you’ve been warned, finale spoiler) she picks a man at the end. But it’s all good bc the man is old news and she’s with a woman now.
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wow does anyone remember that LOGO dating show, “can’t get a date”? that was so good!
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I came here to say this! I always enjoyed the dry humor of the voiceover person talking to the dateless people.
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man, paramount+ is really dropping the ball by not having all of these mtv/vh1 shows available to stream. i bet a lot of us would just for the nostalgia of it all. my friend and i would sit in my dorm room and watch hours of NeXt!
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i KNOW like why is paramount+ failing us so hard at this time in our lives when we have never needed reality tv more!!!! they also need to be airing Undressed
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I was very disappointed by the first few episodes of Love Allways and don’t think I can keep watching it, a) because it’s sooooo cis girls vs cis boys and b) because while all the women are queer, only one of the guys seems to be.
So essentially, they put a bunch of straight cis guys and queer, pan, bi and lesbian cis women into one house, without telling/warning the women before. Yawn.
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yeah i found it really tedious and like, half-baked in general
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This seems like the perfect time to mention that one of the contestants on The Bi Life is an old old friend of mine I was desperately in love with as a teen who broke my heart by just kinda fading out of my life and who then went on to talk about this time in our lives on the Bi Life as if we’d been dating – I think I would have noticed if
we had been! As I was absolutely crushed that we weren’t! This is one of my favourite fun facts about myself.
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it’s not a dating show but i wish Hoochie Daddies was on here!
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First Dates (UK, there was also an Aussie one, not sure about US?) was also great, very chill and had decent queer representation!
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There was a dating show in the 90s called The Third Wheel or The Fifth Wheel or something. It was on very late at night, and the premise was that 2 dudes and 3 women or 2 women and 3 dudes go on a date all together and then each of them chooses which person they like best and usually there would be obvious pairing up and one person left out. Which obviously sucks and is mean. But one time, TWO OF THE GIRLS CHOSE EACH OTHER, and this repressed Midwestern closeted baby gay nearly lost her damn mind because I thought, for the first time ever, that maybe someday a girl could pick me too. So, I guess thank you to this mean, accidentally one time kinda queer dating show for inadvertently giving teenage me a little hope?
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Obligatory comment about Princess Charming (Germany)
Would be fun to see Autostraddle spotlight some of the more obscure web dating shows too.
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Are You The One? Season 8 is the best season of reality television ever made.
As someone whose favorite genre is horror, it pains me to say that I think most contemporary horror is really bad. Instead of being fun and having depth, so much of it wants to seem important without actually having anything to say at all. There are exceptions — especially among indie and international films — but I’m tired of empty films that claim to be about trauma. Want a great horror film about trauma? Watch Slumber Party Massacre II, a surreal fever dream where the killer is a retro rocker with a drill attached to his guitar. It’s smarter than anything Ari Aster has ever done.
I’m thinking about the state of modern horror, because episode three of King of Drag is all about the genre. But Murray’s fun bits at the beginning of the episode quickly give way to an episode of television that earns its trigger warnings — due to the lived experiences of the kings rather than their horror craft.
When the theme is announced reactions vary. Henlo has spent eight years working at haunts and is thrilled to get the opportunity to show what he can do. Perka is another king known for horror, a fact that makes him anxious to live up to reputation. Other kings like Big D go into the week feeling less confident.
Sasha comes to the Man Cave for the weenie challenge: a makeup look that’s half glamour/half monster. As I said last week, Sasha is such a great presence on this show. She’s the best kind of strict teacher, one who knows the kindest thing she can do is to push her students to be better.
As the kings get ready, Big D jokes that he has never done a half and half makeup look and arguably has never done a look period. Pressure K then talks about being inspired to do drag after Perka Sexxx, a very nice moment given Perka’s self-deprecation and anxiety. Then Charles talks about his history with attempted suicide.
The makeup looks are revealed and I really wish we got more time to look at each of them! This is inevitable with a first season of this kind of show, but production feels as rushed with these challenges as the kings. But based on what we see Perka is a deserving winner.
The beefy challenge is to create a look and performance inspired by what scares the kings the most. As the kings start to get ready, it quickly becomes clear that none of these fellas are afraid of ghosts or spiders. Instead the concepts range from Alexander the Great’s fear of fast fashion-induced climate disaster to Pressure K’s fear of the evil he has encountered in his personal life.
I often joke that RuPaul’s Drag Race dabbles in being RuPaul’s Trauma Race. On that show, moments where queens share their personal challenges often feel manufactured in a reality TV sort of way. There are big tonal shifts and these painful moments feel mined for reality TV tension. To its credit, King of Drag takes a different approach and really lives in the reality of what’s being shared. That said — and I fear it is callous of me to admit this — at some point in the episode I started to long for the whiplash of the reality TV approach. The pain on display here is so immense it results in a fairly brutal hour of television. It becomes less about how the trauma informs the drag and more about the trauma itself.
The judges this week are Sasha, Tenderoni, Liv Hewson, Vico Ortiz, and Dragula winner Landon Cider. It’s also revealed that this week will be a double elimination.
Perka starts off the performances with a number about being misgendered and having our rights getting taken away. He is a very talented king and he succeeds at creating something that’s genuinely uncomfortable and frightening, ending with him shouting the horrible words his mom said to him. Personally, I think it would have been even more effective with a dash of subtlety — did not need the trans and American flags — but there’s no denying its power.
Alexander then comes out in a cloak of different fabrics with a sales tag around his neck. It’s a cool look and I like the concept, but it does feel like it’s missing… something. Sasha leans over to another judge and says, I didn’t get it. Getting Alexander’s context in the man cave definitely helped.
Molasses continues to show he’s the best king in the competition with an abstract performance where he’s painted in all black and has a structured outfit that gives the illusion of four legs and a crystal void on his back. It’s by far the subtlest of the performances while still being so haunting. More of this please!
Big D also stands out as the only king who adds some humor to his take on horror. He’s a mad scientist with an enlarged brain saying, “I’m trapped in my own head.” Then his head explodes to reveal a miniature of him Ratatouille-ing it up in his head! Incredible! I was obsessed!
Pressure K comes out in a coat with “evil” words. He then throws off the coat and breaks off the chain around his neck. Earlier in the episode, he talks about being forced into femininity as a kid and the connection between that and using less makeup in his drag. The whole episode feels very transformational for K, but it doesn’t necessarily translate into the performance that feels a bit simple and rushed.
Dick’s performance also felt too simple to me. I really liked his grandfather clock outfit, but I needed more than the face reveal. Charles’ had the opposite problem with a look that was too simple, but a performance energy I really enjoyed.
We end with Henlo who had the biggest disappointment of the week. He looks so cool with wings of syringes and pus and blood oozing out of him. But then his final blood reveal doesn’t work! He seemed like a shoe-in for the top until he was unable to recover from that mishap.
Henlo ends up being safe along with Dick which seems fair given what he achieved and what went wrong. However, I do wish the judges spoken to him, because I think there was a lesson in there about what to do when things go wrong. If you commit to a performance, you can make anything work!
Throughout the judging, the kings share more details about their trauma and it’s all a lot! Again, queer and trans people have a lot of trauma and I do think there’s a value to giving those experiences the weight they deserve. I think it’s maybe a question of casting? The group leans very sincere and open and these moments might work better if a few more of the queens brought a slightly different energy. Or maybe everyone else is loving this and I’m just a cold-hearted Capricorn! Open to that possibility!
My biggest frustration with this episode is the way it tries to manufacture tension around the bottom three. It’s clear that Perka, Molasses, and Big D are the top, but because Big D is critiqued for wearing sneakers, there’s faux tension about whether he’s actually in the bottom. Last episode, there was also a fake out about who was going to be safe and who was tops/bottoms, and that kind of Tyra Banks/RuPaul reality TV phrasing feels very counter to the rest of the show’s tone. Also if Big D had been in the bottom I would’ve rioted.
Perka wins! This choice makes sense to me! I did enjoy Big D’s performance more, but I understand the sneakers being an issue.
The final thrust this week is the Blair Butch Project where Charles, Alexander, and K have to record videos of them getting scared and killed in the man cave. Based on what we saw, I thought K was actually the best, but alas K and Alexander are eliminated. I do, ultimately, agree with this choice, because the episode felt like an end to an emotional chapter for K and he even sort of says he’s ready to go home.
I hope everyone in this cast has a good therapist!
Showbiz! Here are some random thoughts:
+ Thank you to the commenter who shared that the opening animation is by Erma Fiend aka drag king Sweaty Eddie!
+ During the intro, Murray says from Rocky Horror to I Saw the TV Glow, queer people love horror, and I did, in fact, yearn for Murray and the show to teach the children about actual classic horror. From Dracula’s Daughter to I Saw the TV Glow… From The Uninvited to I Saw the TV Glow… From Cat People to I Saw the TV Glow…
+ Perka saying he knows he’s a man because he couldn’t find his own g spot was very funny.
+ King I hope returns next week with newfound confidence: Perka
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Drew is a Brooklyn-based writer, filmmaker, and theatremaker. She is a Senior Editor at Autostraddle with a focus in film and television, sex and dating, and politics. Her writing can also be found at Bright Wall/Dark Room, Cosmopolitan UK, Refinery29, Into, them, and Knock LA. She was a 2022 Outfest Screenwriting Lab Notable Writer and a 2023 Lambda Literary Screenwriting Fellow. She is currently working on a million film and TV projects mostly about queer trans women. Find her on Twitter and Instagram.
The lack of critique for Henlo is something we were talking about at the viewing party I was at last night! Henlo’s pulled out some great things, and Especially this episode and he deserved to have feedback to help push him and be given that face time.
I really hope next season they have more production time cause you can really feel that time constraint in every episode. I honestly wish the editing had done a little better to hide these constraints by taking some extra seconds to let us see the king’s looks at the top or end of the weenie challenge and the performances.
Also random thing that had me ??? Was that Vico Ortiz was only announced as an actor and not also as a drag king, considering Vico’s been a drag king for over a decade.
Also agreed around the fake tension being built, there was no way Big D was going to be in the Final Thrust with how thrilled everyone was with his performance despite the shoes.
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Did someone force you to report on this. This article has some negative under tones
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Assuming this is directed at me, nope no one forced me to report on this. I’m recapping the show weekly because I really care about drag and this show. Part of recapping/caring about a show is including a range of reactions some positive some negative.
To quote Sufjan Stevens, “I love kissing. If I could kiss all day, I would. I can’t stop thinking about kissing. I like kissing more than sex because there’s no end to it. You can kiss forever. You can kiss yourself into oblivion.” Here at Autostraddle, we respect the sex scene. We really, really do. But there’s just something about an on-screen make out. We’ve celebrated making out IRL, but now it’s time to celebrate the best lesbian movie make outs of all time.
Some of these scenes are hot, some of these scenes are sweet, and some of these scenes manage to achieve both. There are classic queer kisses, new favorites, and even some scenes I watched by googling “girls kissing” in the early days of YouTube long before I’d seen the films themselves.
Unlike our best lesbian movies of all time list which was created through an intricate process of ballots and voting, this list is entirely my opinion. It’s unlikely I forgot your fave, but you certainly can share what would be on your list. I’d love an excuse to revisit some scenes and do some more research.
Let’s begin with a beginning. While most on-screen make outs rely heavily on the build up, Halina Reijn’s comic thriller drops us in media res to tongues gliding against each other. It’s rare outside of a sex scene to get on-screen kissing this eager and realistic and hot. It’s a brief moment of sensuality and intimacy, a snapshot of what exists outside of the toxic nightmare of distrust these characters are about to enter.
19. Anaïs Demoustier and Valeria Bruni Tedeschi in Anaïs in Love
While this list does not include kissing during sex, it does include kissing that leads to sex. This one is for the age gap girls and anyone who doesn’t care about getting sand in crevices. Throughout the film, we’ve watched Anaïs dominate the men in her life, but faced with her crush — who also happens to be the wife of the man she’s having an affair with — she’s timid. Luckily, this older woman grabs her face with a sandy hand and initiates, allowing Anaïs to sink into the moment.
18. Sheila Munyiva and Samantha Mugatsia in Rafiki
Some of the make outs on this list are more about the circumstances than the kisses themselves. This moment in Rafiki with its two leads’ faces painted in neon is heavy with the possibility of a kiss, faces inching closer and closer. Finally, they get up and go somewhere more private, the tension still remaining. The kiss itself is brief but it holds the entirety of the moments before. That it then cuts to the characters hugging and laughing goes to show young love at its best is as much about finding a best friend as it is finding sexual awakening.
I’ve only had about a dozen cigarettes in my life and I’d say ten of them were because I wanted to kiss someone. Sorry, but if a hot woman asks if you want to step outside for a smoke it’s very hard to say no even if you’re not a smoker! I didn’t love the movie Cuckoo, but I did love the representation of a hot woman asking if you smoke followed by an excellent make out against a tree cigarettes in hand.
This is for anyone who loves PDA! From their first encounter, pop star Mimi and punk singer Billie have a combative relationship. But their sexual chemistry is as electric as their conflicts! After showing them fight in a music studio, filmmaker Alexis Langlois cuts to them devouring each other in a club. When one of their friends calls them out saying they might as well be fisting, this doesn’t phase them. Instead it inspires them to lie on the table, exchange more spit, and come up with the film’s best song, “Fisted to the Heart.”
15. Rachel McAdams and Rachel Weisz in Disobedience
Alas, the spit scene can’t be included, because it happens during sex and that’s the rule of this list. BUT before that incredible sex scene is an incredible make out. I love this moment because of the slow build, the plausible deniability that the women are embracing as friends until the line is crossed further and further. I also love this moment because both women are still dressed in full winter wear. The winter kiss is underrated! There’s something about all the layers of clothes between you and the hunger to get them off.
This list would not be complete without a sleepover first kiss. The tension of the night out with friends, the soft glow of the bedroom’s darkness, the giggling, the touching, the anxiety, the panic, the disbelief, the trust. This is a coming-of-age story, not a love story, but writer/director Dee Rees understands the importance of this moment being one of overwhelming joy. Alike isn’t just connecting with her crush, she’s connecting with herself.
13. Heather Graham and Bridget Moynahan in Gray Matters
Once again, reminding the folks at home that this list is a solo effort, so you cannot judge my picks. I will accept that Gray Matters is not a good movie, but this two minute clip is why I learned how to delete YouTube history from my family computer. Heather Graham drunkenly making out with her brother’s fiancée!!! Very overwhelming to me as a closeted teen!!!
Despite having one of the most iconic lesbian kisses in movie history, Desert Hearts does not make this list. It’s not a make out! Yes, it’s raining and intense, but it’s too brief! However, Cameron Post and Coley Taylor kissing during Desert Hearts does make it. Whether a closeted teen or a seasoned queer, sometimes showing your friend a movie is a way to make a move. My favorite part of this moment isn’t even the kiss itself. It’s when Coley kicks Cameron and then just lets her foot stay there as they keep watching a model for what they’re about to do.
11. Sook-Yin Lee and Justin Vivian Bond in Shortbus
While a frequent anxiety of the sexually inexperienced is that they’ll do something wrong, I’ve found that someone being inexperienced but eager to experience can be really hot! I love this moment from Shortbus where the iconic Justin Vivian Bond fills the uniquely queer trans role of being both the Wise Gay Bestie and the First Lesbian Crush. Sofia is at her first sex party and unsure what she wants. There’s a real tenderness between her and Vivian indicative of the film as a whole. Yes, it has unsimulated sex, but it’s also really sweet!
There have been many movies with homoerotic teen girl friendships over the years ready-made for projection and fanfic. But Jennifer’s Body makes subtext text. Not only does it have its toxic besties kiss. It teases a kiss. Then has them keep kissing with a close up of their mouths. Then has them keep kissing lying on the bed. It’s as if writer Diablo Cody and director Karyn Kusama wanted to make sure no one could misread this moment as anything but the manifestation of true desire between the girls. In fact, it doesn’t stop because one of them loses interest — Needy is just concerned about the whole killing boys thing.
9. Isabél Zuaa and Marjorie Estiano in Good Manners
This one is for all the sniffers, lickers, and biters. This one is for anyone who wants their on-screen make outs to include someone pregnant. This one is for anyone who has a thing for werewolves. Tension has been building between the chaotic Ana and her hired nanny Clara. But after a night out to herself when she gets another woman’s number, Clara comes home to find Ana rummaging through the fridge. In a trance-like state, Ana inhales her scent, licks her mouth, hungrily kisses her, and then bites Clara’s lip. When Clara pulls away, she sees Ana’s eyes glowing orange. Is Clara scared or horny? Why not both?
In a film filled with power games, one of its most delicious is when Lady Hideko tells her handmaiden she’s anxious about marriage because she doesn’t even know how to kiss. Is this true? Or is it a move? Both? Either way it works. Handmaiden Sook-Hee sucks on a lollipop and then shares the sweetness between their lips. Pretty soon they’re making out with no sign of stopping. Educational!
7. Madeline Grey DeFreece and Rachel Sennott in Tahara
A very different “teach me to kiss” scene, this scene trades eroticism for the mortifying experience of being young. After enough goading, Carrie agrees to tell her cruel friend Hannah — who she is in love with, of course — whether or not Hannah is a good kisser. As their mouths meet, the 1:1 aspect ratio widens and the characters turn to clay. The camera spins around and around until the clay figures begin to meld into one another. This bold stylistic choice reveals the all-consuming unreality of adolescent longing.
6. Denise Richards and Neve Campbell in Wild Things
Another scene I watched over and over long before seeing the movie itself, this iconic pool fight turned make out is everything good about trashy 90s erotic thrillers. What does it do to a young person’s brain to watch one hot woman try to drown another hot woman before sucking her finger and then proceeding to make out topless? I’m not sure, but I turned out alright. (I have health insurance because I make lists of lesbian make outs after all.) The funny thing is that the broader context of this movie is even gayer than this scene led me to believe. No spoilers, but the end contextualizes this moment in a way that’s absolutely delicious.
5. Cécile de France and Izïa Higelin in Summertime
Finally, a film that combines sensual lesbian romance and feminist activism! I love the subversion of roles here. Even though Carole is older and has been the guide into this political sphere, it’s Delphine who instigates their sexual relationship. After a failed attempt late at night, they finally kiss — in an alleyway! in public! in the 70s! — after Carole insists she’s not a lesbian and Delphine reassures her that she isn’t either. Okay, ladies, whatever you say. That kissing looks pretty gay!
While this film is predominantly about Eunice’s relationship to her family, I really appreciate the richness of her scenes with hot stranger eventual girlfriend Joana. Their first meeting is incredible club make out representation. The music is loud, allowing all of the communication to take place silently. Lesbians are known in media for talking, not for cruising, and this scene is the rare sequence where without dialogue we see a queer woman spot someone she’s into, gulp down liquid courage, make her way toward the woman, dance with her, and, finally, kiss her.
3. Anne Celestino and Thaís Schier in Alice Júnior
I cannot explain to you the joy I felt when this movie about a trans teenager trying to get her first kiss turned gay. The whole movie she’s talking about boys and even crushing on her new friend’s boyfriend. But then during her going away party the new friend kisses her and everything changes. I love that this movie allows for both self-confidence and self-discovery. Alice knows with full confidence who she is — and, at the same time, there’s still more to learn. This is a sweet, wholesome moment that still allows its young characters to have a really good kiss. After decades of movies where the twist is a character is trans, what a delight to instead have a twist where a trans character is into girls.
“Only this time I’m going to stick my tongue in your mouth. And when I do that I want you to massage my tongue with yours.” The teaching-to-kiss scene that came with an instruction manual. Where to begin? The outfits? The string of spit? Sarah Michelle Gellar’s performance? This moment is ICONIC. In fact, it’s so iconic that we have already discussed it in detail.
1. Guinevere Turner and Cheryl Dunye in The Watermelon Woman
The point of this list was to highlight make outs rather than sex scenes. So how can I top this list with a make out that only lasts a few moments before it leads into a sex scene? Well, because nothing else deserves this spot, that’s why.
After their video store encounter, Diana has invited Cheryl over to her new place offering her wine, dinner, and friendly conversation. This sequence in particular begins with a clip from one of Dunye’s recreations of 1930s “race films” — Cheryl is talking excitedly about star Fae Richards and Diana looks bored. But then their eyes lock and Diana smirks. As Cheryl smokes and the two women talk about their mutual attraction, the film walks such a smart line between sexy and painful. Some moments are erotic and cringe! We get why Cheryl is drawn to Diana without the film hiding the limits of their relationship. When Diana reaches into Cheryl’s shirt pocket or when she flicks her tongue against her mouth or the way she holds both cigarettes in one hand, it’s enough to make you forget the rest. The casting of Guinevere Turner is another brilliant detail. Having co-written and starred in Go Fish two years prior, Turner is this icon of white lesbian culture seducing and repelling Cheryl.
The final beat of the sequence before the sex scene has the two women fall out of frame. Dunye holds on the TV screen allowing the rest of the scene within the scene to play out. The character played by Fae slaps the other woman for saying God chose her to pass. Look, this list has mostly been an excuse to get horny, but the very best of lesbian cinema doesn’t choose between horniness and depth.
The best lesbian movie make outs are more than just a kiss.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Drew is a Brooklyn-based writer, filmmaker, and theatremaker. She is a Senior Editor at Autostraddle with a focus in film and television, sex and dating, and politics. Her writing can also be found at Bright Wall/Dark Room, Cosmopolitan UK, Refinery29, Into, them, and Knock LA. She was a 2022 Outfest Screenwriting Lab Notable Writer and a 2023 Lambda Literary Screenwriting Fellow. She is currently working on a million film and TV projects mostly about queer trans women. Find her on Twitter and Instagram.
on-screen makeout I’d love to add to this list: Charlize Theron and Sofia Boutella bathroom makeup in Atomic Blonde
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SUCH a good pick!
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Love this list! Loads of my faves on here and a few to add to my watchlist. Off the top of my head, But I’m A Cheerleader would definitely be up there if I were to do my own list.
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Soooo good. I decided to consider that a sex scene instead of a make out scene but it’s a gray area for sure.
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No I agree, that’s a sex scene imo too! I was actually thinking of their first kiss at the gay bar.
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Ooooo that IS a good one!
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Incredible list!! Drew rules always. For me it’s the first kiss in The World to Come.
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I find it odd that some of these not only look incredibly awkward but fall under the category of experimentation. Cruel Intentions isn’t a lesbian film, two or three on this list would be purely just experimenting which is fine, but it’s misleading to include them in a LESBIAN list while completely over-looking Elena Undone, Walk with Me, Carol and numerous other actual lesbian films.
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Elena Undone was unbearable to watch, worthy makeout or not.
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Look, the World to Come is one of the worst lesbian films ever made BECAUSE it also includes the best kiss ever
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Definitely missing Chloe Sevigny & Michelle Williams in These Walls Could Talk 2 – it’s everything 🥵
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Lesbians 🤝 teenage boys
Having to hide YouTube lesbians search history
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Finally, the recognition these iconic scenes deserve! It’s amazing to see lesbian love and chemistry portrayed with such passion and authenticity on screen. Some of these moments live rent-free in my head..
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It’s the Imagine Me and You kiss in the flower shop for me
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YES the departure and then the sudden return and the kiss! Right up there
It’s summertime, and we’re hot hot hot. I intend to eat as many creamsicles and creamsicle-adjacent treats as possible for the foreseeable future. The temperatures are sweltering, my body is sweating, and in the interest of cooling us all down mentally, I’ve prepared this nostalgic lesbian ice cream truck quiz for your enjoyment. Which lesbian ice cream truck treat ARE you! Time to find out!
Which Lesbian Ice Cream Truck Treat Are You?
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Kayla Kumari Upadhyaya is the managing editor of Autostraddle and a lesbian writer of essays, fiction, and pop culture criticism living in Orlando. She is the former managing editor of TriQuarterly, and her short stories appear in McSweeney's Quarterly Concern, Joyland, Catapult, The Offing, The Rumpus, Cake Zine, and more. Some of her pop culture writing can be found at The A.V. Club, Vulture, The Cut, and others. When she is not writing, editing, or reading, she is probably playing tennis. You can follow her on Twitter or Instagram and learn more about her work on her website.
– Pick for queer arts & craft: Homemade soap
– Come on choco taco, or maybe a drumstick
– CHIPWICH!…..I’ll take it. Hopefully it’s a mint chipwich.
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Creamsicle!
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I love that I’m a choco taco!
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I just want to know which cast member of the ultimatum: queer love season 2 has been assigned to which treat
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I’m a Creamsicle. Tho’ I would like to protest the omission of hand-poured resin D&D dice at the craft fair. Every craft fair I’ve been to in the last few years has had at least one set. Usually with little delights like flowers or tiny charms that look like frogs or cats inside.
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I somehow got firecracker pop even though, far from being a jock or jock adjacent, I’m clumsy and uncoordinated and have made a lack of interest in sports a personality trait.
I guess this closest way I relate is having ballroom dance as a hobby, but not a terribly mainstream sport.
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Four of us are sitting here arguing about Chipwiches and why we may or may not be our own types.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Kate Hawkins is a city-loving Californian currently residing in New Hampshire with her wife and toddler, where she's currently enjoying sports that require unwieldy pieces of equipment (kayaking! biking! cross country skiing!) and grilling lots of corn. She's stoked to be writing puzzles for Autostraddle and hopes you enjoy solving these gay puzzles!
My two closest friends (and future roommates) *Sophie and Madeline have been dating for a couple months. Before that, Sophie and I had a bit of a quiet situationship that I was going to make official, but timing didn’t work out, so she and Madeline ended up together instead. I love both of them dearly and they make a sweet couple, but whenever we go out, Sophie is all over me instead of Madeline. I can tell this is distressing for Madeline, especially since she knows that Sophie has had a thing for me in the past, but I don’t know how to address it without being a problem. Now when we spend time together, I have to keep my guard up because I’m afraid something will happen to ruin our friendships if I don’t, let alone managing my own feelings for Sophie. I don’t even know really what advice I’m asking for, but I’m sure I’m not the only one who’s been in this situation. I have other friends, but we all revolve around this one group and I desperately don’t want to cause a rift. Help!
*Names have been changed! Did we pick good ones? What would you have gone with? Sound off in the comments.
A
Valerie Anne: What in the L Word is going on here! You absolutely cannot move in with these people before having an open and honest conversation about what is going on. You have to set boundaries, be honest, and clear the air before becoming roommates. It’s going to be hard. And probably awkward as hell. But it’s going to be way more awkward and awful if things come to a head after you’re all on the same lease (or in the same dorm; both similarly hard to quickly escape from). You don’t have to mention you’re navigating your own feelings for Sophie if you’re worried that will upset both of them, but you have to tell Sophie if her being all over you makes you uncomfortable considering the situation. You can talk to them separately or together or both, and make it clear that you’re having this conversation because you DO like them as a couple and DO want to stay friends and be good roommates to each other, but if you don’t set boundaries and expectations now, things can only get worse.
Summer: Oh, this is something.
My immediate reaction is that Sophie is violating the breach of trust she has with Madeline. If Madeline is stressed about Sophie coming onto you, then Sophie’s behavior isn’t above board in their relationship. People are allowed to have complex feelings within a relationship, but actively seeking you out in that romantic capacity is a violation of Madeline’s trust. It’s also contrary to your attempts to keep things stable with Madeline and the friend group. I think Sophie’s behavior is at the point where it’s infringing on your personal boundaries and this bears a firm, but caring discussion with Sophie. Since you’re also friends with Madeline, I would hope that you also have a good enough relationship to discuss it in private with her should you feel the need to ‘get ahead’ of a developing story. Before things get messier.
Drew: My immediate question is whether you’ve talked explicitly to Sophie or Madeline or both about what you want and how you feel. Because that does seem like the first step if your priority is to reduce the drama and end anything flirtatious between you and Sophie. I wonder if the feelings you still have for Sophie are resulting in you keeping the situation in chaos because a part of you still wants it to be. No judgment! An understandable behavior! But if what you really want is to change this dynamic toward something less complicated then you need to express that explicitly.
Laneia: Hear me out, is there literally anywhere else you could live?
Nico: This might sound super stressful, but it might be the move to sit down and talk with them together, in person. I think it’s fair to give Sophie a heads up that you’re going to disclose your situationship history, but that heads up can be while you are all in the same place (one of your apartments). I recommend this move so that no one amongst the three of you can have sidebar conversations about this until after everyone is for sure on the same page. If Sophie wants to dispute what you have to say, she can do it in front of both you and Madeline, and not just to Madeline in private. I think this protects you from a potentially extremely awkward living situation, and also offers Madeline the fullest perspective, and finally asks Sophie to be accountable for her behavior to the both of you at the same time. That said, I am hoping that you consider living somewhere else, unless your motives are to get between Madeline and Sophie. Unless you all are top notch communicators and de-escalators, I don’t foresee this situation NOT becoming tense. Save the friendship and please save yourself!
Should you retroactively un-identify as a lesbian?
Q
I have identified as a lesbian since my mid-twenties, and had two serious relationships since then. It’s not like I really hated the men I dated before I came out but I just had much stronger connections with women, and usually dated people on the butch or masc end of things. I only had two serious relationships though with people who did identify as women at the time, and since our breakups, both of those exes have come out as trans men. Does this mean I’m not actually a lesbian after all? Would it be offensive for me to still identify as a lesbian?
A
Valerie: Do you still FEEL like a lesbian? Is that still a label that you identify with and feel is right for you? Because if so, that’s really the only requirement. You’re attracted to women, and you thought your last two partners were women when you dated them. I personally don’t think, just because it turns out you were wrong and they came out as men, it has to change your label if you don’t want it to. I actually have a friend who identifies as a lesbian and has a trans man ex and she actually delights in being able to talk about her ex who has a stereotypically male name and watch eyebrows go up. That said, if the lesbian label doesn’t FEEL right to you anymore, you can change it! There are no rules about it. But if it still does, I personally don’t think you have to change it because your exes transitioned.
Sa’iyda: I don’t think other people’s gender journey needs to affect how you see yourself in terms of language. Labels are self identifiers, so no one else can tell you how you feel about yourself. If you feel like a lesbian, then that’s what you are. I identified as bi, then queer when I no longer was attracted to men but wanted to respect my past relationship with a cis man. Now I call myself a lesbian because that’s what feels right to me at this stage of my life. Maybe I’ll reach a point in my life where I go back to queer, I don’t know! Nowadays, people are constantly shifting their self-identifiers based on what feels right. And there are a lot of women who say they’re lesbians but have dated or been in serious relationships with men in the past! It happens! But if your former partners transitioning makes you question or want to expand the way you view yourself, try on a new label. You can always go back to being a lesbian if that’s what makes you feel most comfortable.
Summer: It wouldn’t be ‘offensive’ for you to still ID as a lesbian just because the people you dated turned out to be trans after the fact. You are a lesbian as long as you feel strongly enough about your attraction to women to call yourself a lesbian. I think it can be that simple.
More to the point, when you were dating those partners who are now trans, I’m guessing they still characterized themselves as women, or women-like enough to fit into the lesbian attraction matrix. That means you were dating people whose genders aligned to your lesbian identity. They can change that later, but the past is already written. And while there is much capital-D Discourse about whether to characterize trans people as always their current and correct gender or to alter your terminology to reflect certain parts of their lives, that Discourse™ doesn’t have to impugn your right to personhood. As far as my (trans) ass is concerned, you’re a lesbian because you feel strongly about women in a particular way and that’s your call to make.
Drew: I’m going to go a step further and say you could continue to identify as a lesbian even if you were still dating one of your exes and that felt good for you and good for them. I fundamentally believe labels are fluid and about what feels right in describing yourself and your community. This feels related to the exhausting “can trans men be lesbians” discourse that’s been happening even more than usual in recent weeks. People want everything to be so categorized but that’s just not how it’s ever been and I don’t see the value in it becoming that way. To me, queerness should be about expansion and I’m grateful that lesbian identity and community includes people with a wide variety of gender experiences.
Nico: Here to say that labels are always evolving and fluid in their meanings — as Drew said, and lesbian community does in fact include people of a variety of gender identities. At the end of the day, a label is just a word, and I usually find someone’s label, followed by their own personal definition for how they relate to that label, to be what is actually required for me to understand where that person is coming from. I think that if you had a current partner who, while you were dating, did not identify as a woman, and who was uncomfortable with you using the label “lesbian,” then that is a conversation you can have between the two of you to find out what feels best. I am assuming that at the time, your partners did not express discomfort with your label, and since you are not a psychic who can tell if someone is a trans man before they tell you, I do not thing you did anything wrong there. When I was dating a lesbian and also came out as genderfluid, she asked how I felt about her continuing to identify as a lesbian. But here’s the thing: it was more than just about her attraction, it was also about the history and culture she was tapped into, about her deprioritization of cis men, and how she moved through community and in all of her relationships — not to mention the word being a part of her own personal history of coming out and navigating a hostile heteronormative world. The word “lesbian” was core to her identity for a lot of reasons, and I didn’t particularly feel like my gender identity was in any way challenging or delegitimizing that. That, though, was my own individual take, and someone else could feel completely differently — and that is also valid. However, you are not in a situation like this, so you don’t have to worry about that right now, and you are free to use whatever label feels right to you. You can also try other labels on, see if they feel better than “lesbian,” and you can change your mind LITERALLY at any time.
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In a crowded Lower East Side park with people playing volleyball behind her, Benedict Nguyễn began the performance. While I was there to talk to Benedict about her debut novel Hot Girls with Balls, I relished the opportunity to watch a run-through of her piece Defense. A true multi-hyphenate, Benedict would be performing this work with collaborator Sugar Vendil at her book launch blurring the lines between literature, dance, and sports.
Throughout the run-through, some kids kept hitting their ball onto our stage and each time Benedict hit it back as if they were part of the company. This is the kind of precision, creativity, and freedom Benedict brings to the page. Hot Girls with Balls is a novel that feels deliberate in its form while still vibrating with an energy of unpredictability.
Existing in a world parallel to our own, the novel follows Six and Green, two Asian American trans women competing at the highest level of men’s indoor volleyball. Influencers as well as athletes, the two women struggle to balance their sport with the pressures of their public and private lives.
I spoke to Benedict about why volleyball is the most aesthetic sport, writing Six and Green’s romance, and why the names of real tech companies are not in the book. While you’re reading, imagine the background sounds of people playing volleyball in a New York City park.
Drew: Tell me about the performance I just watched. What was the idea behind it and was it always planned to be in tandem with book events?
Benedict:Defense is a dance work. You could also call it a dance theatre work. It’s a duet between me and my friend and collaborator Sugar Vendil. It’s set on a sports court where we’re both players on a team getting ready for a game and we’re catching up and also having intense discussions about the nature of violence and also having some close call not-quite-arguments while doing functional exercises, pushups, and warming up with the ball. I’ve had the idea for a couple of years and we started rehearsing it in April. I was working on it as a solo and when I got back to New York last summer, I was hanging out with Sugar and I had the idea of turning it into a duet. Then I let that idea marinate for a few months before I accepted we can let the idea crisscross with the book launch.
Drew: When you say you accepted that they can crisscross… (laughs) What do you mean by that? That you wanted it as a solo piece but it felt like a valuable way to promote the book?
Benedict: Yeah I think the hesitancy is I had this idea and I wanted to just do the idea.
Drew: You didn’t want it to be marketing.
Benedict: Yeah but also the logistics of when and how this work would be shared. And this is a moment in which an audience we hope will appear.
Drew: So in a sense the book is marketing for the performance piece as well.
Benedict: (laughs)
Drew: But really neither is marketing. They’re just two creations of yours that are in conversation. Do you think they’re in conversation?
Benedict: Absolutely. Defense is not an adaptation of Hot Girls with Balls but in this period of public output I have a narrow enough set of ideas that I’m digesting.
Drew: More broadly, how do you feel like your work as a dancer and a performer affects your writing?
Benedict: I think a lot of my adult professional career has been trying to understand the relationship between them. Earlier when I was just starting to work with choreographers, I had a challenge of all of a sudden having to learn a lot of new material very quickly which hadn’t been my strong suit before then. Writing became a tool that helped me become a better dancer. I’ve written dance and cultural criticism in the past and there I was thinking of how to translate an hour-long performance into so many words and the impossibility of that task. Then I decided to write a sports novel. (laughs)
Drew: There’s a clear link there to me though, because you write physicality very well and athleticism very well. How do you approach that?
Benedict: It’s a delicate task where I want to be specific in certain ways without being too rote or itemized or atomized about a person’s body. I want to create a clear sensation and image but I also want to infuse that with a degree of mood. And then with the satirical element of the book I’m also trying to make fun of it at times. I think there are moments where the seriousness of a life devoted to one’s physical performance — and I felt this in my dance life as well — that commitment can feel bizarre.
Drew: That makes me think about how it connects to the presenting of oneself on social media as a sort of influencer. What about that world were you hoping to capture and satirize?
Benedict: The way the algorithm prioritizes beauty and prioritizes face to the screen over other compositional choices in photographic or film medium. It’s a codification of sex sells. But unlike the 1990s, no one is exactly discussing it that way. Or, at least, not as much. The “hot” in Hot Girls with Balls is that it’s a given our protagonists are extremely beautiful. And they know it and they’re aware of how that affects the growth of their fan bases. It affects their careers offline and their relationships to their sports team employers. Athlete as celebrity blurs public self and personal brand.
Drew: Even though Six and Green are active participants in their careers as influencers, it does feel like the book is getting into something around the way race and gender identity often force people into that kind of space. Only some athletes get to just be athletes. When you have these points of identity you’re more likely to have to fall into this influencer space in order to turn these things into commodified plusses in the eyes of your employers and the culture rather than hindrances.
Benedict: Yeah people have been talking about the flattening of social critique and identity politics that occurred in the 2010s social media era. The logic of celebrity affects people who are genuinely activists and then get incentivized to build their platforms and then that slippery slope into hawking products on a platform that might be well-intentioned but are not that different from a traditional influencer hawking a beauty product in terms of the distribution flows from product to influencer to consumer.
Drew: The book is so grounded in our current moment, but it exists in this explicitly parallel world due things like Flitter instead of Twitter. At what point in the process, did you find that angle and what was the intention behind that distancing?
Benedict: It’s the most surface-level satire of the book. It immediately reminds the reader that even if things feel extremely familiar, the book’s orientation toward our timeline is slanted. Even on a drafting level, I didn’t want to be typing out the names of corporations that I don’t care for.
Drew: (laughs)
Benedict: I didn’t want these names printed ad infinitum. But this allows a reader to recognize an applications interface without me having to spell out how a certain 3×3 grid is shaped.
Drew: You float from these various limited third perspectives. Did the decisions to favor which character at which point in the story come naturally? Was that something that shifted through revisions?
Benedict: I wanted it to be somewhat volleyball rally-esque. It bounces between Six and Green and it sometimes bounces between Six and Green and somebody else.
Drew: Sometimes it goes out of bounds.
Benedict: Way up into the stands. And having that structure helped shape the delivery of information. There are moments when it’s not exactly even.
Drew: As in sports.
Benedict: Yes.
Drew: Why volleyball? How did your interest in the sport develop?
Benedict: We’re sitting outside watching a bunch of people play and I just think it’s such a stunningly gorgeous use of round sports ball. Basketball does not look this good. Soccer does not look this good. Throwing up the ball, looking back, and then swinging your arm around your shoulder socket and hitting the ball real hard — that’s beauty, baby. (laughs)
Drew: It’s very aesthetic. When did you start playing?
Benedict: I had some high school gym class, but I didn’t touch a volleyball again until I started writing this novel and thought I should remember what it feels like. And I was like, wait is my hand-eye coordination better than it used to be?
Drew: That’s a great thing to learn.
Benedict: It’s been great playing a lot more again rehearsing for Defense.
Drew: One of the aspects of the book that I find most interesting and that I think people will potentially fixate on because it’s of the moment is that this is a trans women in sports book. How did you decide to make it about trans women playing in men’s sports specifically?
Benedict: That was a day one conceit, because unfortunately the narrative pathways — at least in my imagination — for where a trans woman could go in a women’s league feels so predictable and in a novel less compelling to write about. At least to me.
Drew: Totally.
Benedict: Whereas our protagonists complying with the conservative thought that they should just play with their gender assigned at birth draws attention to the paradox of gender and opens up space for humor. I had fun showing the girls on a boys team dynamics.
Drew: And in terms of hormones and how medical transition is discussed in the book, was everything just character driven and narrative driven or were you thinking about the wider conversation? I guess the question is are you able to remove yourself from this fraught world that we’re in right now where trans people in sports has become a moral panic or did that weigh on you as you wrote?
Benedict: Within the novel, the narrative deliberately doesn’t give that much insight into Six and Green’s personal choices around the question. But that debate does happen around them and about them. And I think the tension between Six and Green making empowered choices around their medical transitions based on their experience of their genders within or outside of the context of the sports regulations and market incentives is an ambiguity that I invite a reader to interpret.
Drew: It’s a sports story, but it’s also a love story. I appreciated how the book is romantic and I was rooting for this couple, but you don’t brush past the challenges of the relationship and even certain incompatibilities between them. Can you talk about creating Six and Green as a couple?
Benedict: When I knew that I wasn’t just going to have one but two Asian American trans women as my protagonists, I knew that they had to be lovers and I knew that they had to be opposites.
Drew: You said well they obviously have to kiss.
Benedict: (laughs) Well, yeah. And there’s definitely black cat/golden retriever energy and that allowed me to differentiate them on the page and their orientations toward social media and their sense of stability within the sport. I wanted the density of all of the similarities in the structures of their lives with their different personalities to create tension and have that be an internal motor of the plot alongside all the other outside events that happen.
Drew: Do you think there could be a Six and Green in professional sports? I know mens sports are very conservative and very toxic toward queer people but I am always waiting for a baseball player to transition. Or even come out as gay would be huge I guess. (laughs)
Benedict: That’s part of the satire/fantasy/alternate reality of the book is that I have a hard time imagining someone truly being able to be out in this way and progress in a sports field without real obstruction. But it has been great to see the proliferation of queer sexualities of athletes that I follow. There was a nonbinary track runner at the Olympics last year which was very cool to see. I recommend reading Michael Waters’ The Other Olympians that traces the history of trans athletes in the 1930s amidst the rise of fascism and Cecé Telfer’s memoir Make it Count which discusses her journey from becoming an NCAA champion to competing in the Olympics. Oh there was also a nonbinary figure skater at the 2022 Olympics. And gender was happening.
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Drew is a Brooklyn-based writer, filmmaker, and theatremaker. She is a Senior Editor at Autostraddle with a focus in film and television, sex and dating, and politics. Her writing can also be found at Bright Wall/Dark Room, Cosmopolitan UK, Refinery29, Into, them, and Knock LA. She was a 2022 Outfest Screenwriting Lab Notable Writer and a 2023 Lambda Literary Screenwriting Fellow. She is currently working on a million film and TV projects mostly about queer trans women. Find her on Twitter and Instagram.
Feature image of the Budapest Pride Parade 2025 by Janos Kummer via Getty Images
June was a hard month for democracy in the United States. Now that Pride is behind us, it’s time to take stock—not only of what we’ve lost, but also of the lessons we urgently need from LGBTQI+ victories and resistance to growing authoritarianism around the world. This week, Budapest Pride in Hungary offered exactly such a lesson.
The month began with World Pride in Washington, D.C., where turnout was half what organizers predicted, and not a single federal official took the stage. Thanks to discriminatory policies under the Trump Administration—like Secretary of State Marco Rubio’s trans visa restrictions—many trans and nonbinary people were simply too afraid to travel to the U.S. By contrast, World Pride in Australia in 2022 became the country’s biggest event since the 2000 Olympics.
The Canadian organization EGALE called for a boycott of World Pride in D.C., and governments from Denmark, Finland, France, Germany, the Netherlands, and the United Kingdom issued official travel warnings to LGBTQI+ citizens about visiting the United States. Such warnings are usually reserved for places where homosexuality is illegal or blackmail or there’s utter impunity for anti-queer-trans violence. The fact that the U.S. is lumped into that category is staggering.
After years of progress for LGBTQI+ Americans, a recent wave of federal anti-LGBTQI+ policies and court rulings has brought a dangerous new reality. Just this week, the U.S. Supreme Court ruled that schools must permit parents to opt out of LGBT-themed books and expanded presidential power even when it risks violating constitutional rights like birthright citizenship. A week earlier, the Department of Health and Human Services defunded the suicide hotline for LGBTQI+ youth. From the Skrmetti decision, to executive orders attacking so-called “gender ideology,” to bans on diversity, equity, and inclusion programs, to illegally withholding funds allocated by Congress—the list of authoritarian actions keeps growing and the pace is overwhelming to keep us feeling powerless.
That’s why Hungary’s demonstration of resistance matters so deeply.
In March, Prime Minister Viktor Orbán’s government banned Pride events under the pretext of protecting minors from the “depiction or promotion” of homosexuality. Yet this past Saturday, over 300,000 people flooded the streets of Budapest Pride in defiance. Marchers risked being identified through facial recognition cameras blanketing the city, as well as fines equivalent to $686 each (€586). Considering that only about 30,000 attended Budapest Pride last year, this was a resounding rebuke to Orbán’s repression.
Though likely no fan of Budapest Pride, Donald Trump has openly admired Hungary, calling it a “strong country” and Orbán “a very great leader, a very strong man.” Orbán has become a MAGA favorite because, as Kevin Roberts of the Heritage Foundation explained, “Modern Hungary is not just a model for conservative statecraft, but the model.”
We’re doubtful that’s the only reason for the infatuation. Hungary today has channeled wealth to Orbán and his cronies, earning it the label of the European Union’s “most corrupt country.” It has eroded judicial independence, suppressed university free speech, seized control of the media, and tampered with elections, earning a rebuke from the European Parliament as an “electoral autocracy.” Sound familiar?
We believe that Hungary represents the kind of country Trump and his allies want the United States to become. And Orbán is the kind of ruler Trump aspires to be. We’ve seen many of the strategies from the Orban playbook used by Trump this term. This means there could come a day when Pride is banned in the United States, too. Instead of imagining that as some distant nightmare, we have to face the long-standing truth: American exceptionalism is a myth. And we must learn how Hungarians are fighting back and how to muster the courage to rise up to protect our democratic freedoms.
Americans don’t have the luxury of time. Orbán’s crackdown on LGBTQI+ rights developed gradually. By contrast, the Trump Administration’s attacks on queer rights, diversity, and democracy have been swift. We need to anticipate the next attacks and move from merely reacting to actively charting our own path forward.
Researchers of authoritarianism have actually measured what type of civic resistance works to overthrow authoritarian, illiberal regimes. Looking at hundreds of campaigns over the last century, Harvard University’s Erica Chenoweth found that nonviolent campaigns are twice as likely to achieve their goals as violent campaigns, and although the exact dynamics will depend on many factors, Chenoweth has shown it takes around 3.5% of the population actively participating in the protests to ensure serious political change. Nearly 3% of Hungarians joined Budapest Pride in spite of Orban’s threats.
Three crucial lessons stand out from Hungary’s LGBTQI+ movement.
First, activists pulled from a diverse toolkit.. Human rights defenders turned to the courts, published op-eds, debated opponents on television, and built coalitions across sectors of society. Broad tactics matter.
Second, Hungarians understood that LGBTQI+ rights are inseparable from the broader fight against authoritarianism. It’s not only about queer people—it’s about fighting corruption and defending democracy and equality for all.
Third, they infused resistance with creativity, humor, and joy. Local political groups organized a satirical “Grey Pride” rally a month prior, and instead of beautiful rainbow flags, they carried monochromatic signs proclaiming, “Sameness is trendy.” As one organizer explained, “That’s the twist, of course. We don’t want everyone to be the same.” People love Pride marches because of the colors, the diversity, the freedom, and the pure queer joy that is palpable. We should keep celebrating the beauty of our queerness.
The work in Hungary isn’t finished—but it’s making a difference. People are mobilizing, finding hope, and showing that countless everyday citizens are willing to take risks for justice. That’s why hundreds of thousands poured into the streets last Saturday to claim their rights despite the ban and threats.
Hungary is just one example. Across the globe—from Uganda to Kenya, Lebanon to Egypt, Indonesia to South Korea, Poland to the United Kingdom, Guatemala to Argentina—LGBTQI+ movements are resisting powerful adversaries and defending their rights and the dignity of all. Studying these movements isn’t optional—it’s essential if we want to chart a path away from the threat of American autocracy toward democracy, and perhaps even toward equity.
While some in the U.S. are retreating—like too many corporations, law firms, and universities dismantling diversity, equity, and inclusion programs—others are stepping up. Litigation is working. Community organizing is flourishing. People are starting to create the muscle memory to protest regularly in the streets and to defend their immigrant neighbors. There are early signs that Congress might eventually reassert its constitutional role as a check on presidential power. But as Senator Chris Murphy has even said, “The only route through this crisis is the mobilization of the public.”
While the start of the month in DC was lackluster, the end of Pride month proved inspirational. All of us have a role to play. Doing something regularly helps keep hope alive and despair away. Call your representatives every day—even if they’re already supportive, they need to hear from constituents. Join a community mobilization group like Indivisible or Working Families or Public Citizen. Get trained to help immigrant neighbors resist illegal deportations. Find your way to engage that matches your particular risk tolerance, but don’t let fear immobilize! If nothing else, donate to organizations doing good work. And if you are able, show up for every mass mobilization. Keep queer joy, humor, and defiance alive in your activism long after the parades end.
As our Hungarian friends have shown us in vivid color, we are an essential part of the resistance—and of the fight for equality itself.
Muster all your courage for this moment. What we all do collectively right now will write this chapter of history.
Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?
Julie Dorf is a highly respected career professional and a pivotal figure in LGBTQI+ human rights. With over 35 years of unparalleled leadership experience, she has consistently demonstrated expertise in policymaking, direct advocacy, and philanthropy, establishing herself as a trailblazer in the global LGBTQI+ rights movement. Her extensive contributions include founding Outright International (formerly the International Gay & Lesbian Human Rights Commission), where she served as Executive Director from 1990 to 2000. She later co-founded the Council for Global Equality in 2008, a coalition of 40 U.S. human rights and LGBTQI+ organizations and continues to serve as its Co-Chair. In this role, she plays a key part in advocating for inclusive U.S. foreign and development policy. Additionally, she advises Equality Without Borders, a group of individual donors dedicated to supporting international LGBTQI+ rights organizations.
Jessica Stern is the former U.S. Special Envoy for the Human Rights of LGBTQI+ Persons and the former Executive Director of Outright International. She is Co-Founder and Principal of the Alliance for Diplomacy and Justice, an initiative consisting of former ambassadors, special representatives, and special envoys advocating for human rights, inclusive development, and global justice in U.S. foreign policy. She is currently a Senior Fellow at the Carr-Ryan Center at the Harvard Kennedy School.
Friends, we’re finally at the end here. After ten episodes that somehow felt like 50 episodes, The Ultimatum: Queer Love season two arrives at its ultimate conclusion with this reunion episode. Below, find my reunion thoughts. And catch up on recaps from the whole season!
The Ultimatum: Queer Love Recap – Reunion
Okay, as someone who watches a lot of reality television, I’m a little confused about why they did the reunion the way that they did here. On most Bravo shows, the reunion is filmed after the events of the actual season but also after at least some episodes (often, half a season) have aired for the public so that the cast members can respond not just to what was in the episodes but also how viewers reacted to what was in the episodes. This reunion however was filmed a year after the events of the show but before any episodes dropped for the public. They don’t know what we’re seeing and picking up on!
I mean, let’s go ahead and start with what I think is the biggest shocker of the reunion: Magan and Dayna are still together. I’m shocked that they could have watched episodes one through nine and stayed together, but I have to wonder if once they’re more aware of how their relationship is perceived by viewers that it’ll shift something. I get that we’re seeing something produced and can’t know everything about other people’s relationships as mere reality television viewers…but is anyone watching and NOT seeing Dayna’s behaviors as manipulative and controlling? It’s not subtle! I don’t know how it could be spun in such a way that we’re “not seeing the real Dayna.” But who knows — her middle name is practically Spin!
But I suppose I’m getting ahead of myself! Let’s get into our updates on each of the couples. This recap is going to jump around the episode a bit, because it’s a chaotic episode!!!!! So instead of going linearly, let’s go couple by couple.
Britney + AJ
These two bring the least amount of drama to the reunion, because they’re still happily together in a way I find entirely convincing and sweet! They are still engaged but not married yet with no date picked. They have a location in mind though, and they’re thinking Destination Wedding. They both look great. They have learned a lot from their experiences on the show, including more work-life balance for Britney and more confidence for AJ. AJ thanks Marita for telling her that if it ever came down to the business or AJ, Britney would choose AJ every time. That gave her the push she needed.
We’re also treated to a clip package of all the times AJ talked about herself in the third person. Did other people notice this as it was happening during the season?!?!?! Because I did not, but seeing it all packaged together really made me laugh!!!! AJ’s just gotta be AJ.
Joanna Heterosexual Garcia Swisher asks the group if they think AJ was too forward during the dating week at the beginning of the season, and Ashley emphatically says yes in a way that suggests Ashley has some resentments about it. What I love about this whole thing though is that Britney doesn’t care at all. She knows AJ is just a charming flirt. She never seemed particularly threatened by it, and even now, she doesn’t care. Again: AJ’s just gotta be AJ.
The strange part of this though is how aggro Marie gets? Like Britney, I struggle to see Marie’s point when she keeps drilling into the fact that Britney and Marita got to have this lovely trial marriage that didn’t really threaten their existing relationships and meanwhile Marie had to see Mel with Dayna while also contending with the fact that Britney and AJ were meeting up. I agree with Britney: It seems like Marie is holding it against her that she ended up in such a good and low-stakes trial marriage with Marita. Marie just wants…empathy from Britney? This feels like such misdirected intensity from Marie, but that’s pretty much her mode the entire reunion.
“I’m trying to be so soft with everybody,” Marie says. If this is soft mode, I’m scared to see hard mode!!!! The vibe is so off. I think she’s just mad at Mel and doesn’t know how to process or direct that anger, so everyone’s catching strays.
Marita + Ashley
Unsurprisingly, these two are no longer together. But their interactions in the reunion are truly shocking. It gets a little confusing, because they both are still pretty bad at communicating and they also both clearly have entirely different ideas of what really happened, but I’ll do my best to summarize.
Marita shares that on decision day she was so heartbroken she didn’t know what to think or feel. She says when they went back home that Ashley was using her (???) and then Marita kicked her out and told her to go back to Indiana. Marita says she broke up with her in May. Ashley chimes in to say they did not get back together after the show but they went to Key West and had a good time. Marita interrupts. She accuses Ashley of gaslighting. Ashley says she was just acting weird on the show because she felt uncomfortable around cameras. This is a mess! And it’s about to get messier.
“Let’s talk about the fact that my grandfather was dying, and this one was cheating on me,” Marita says, pointing at Ashley. Marie asks if they had actually been together when that happened (why is Marie inserting herself here?!), and Ashley says that no they were not together. Marita is so perplexed Marie is weighing in, and same! Ashley says she can name five times that Marita cheated on her, and Marita says the words “I actually fucking hate you,” which MY GOD! I already found Marita to be pretty emotionally immature, but this is bad. There’s something about her reactions to things that just feels so childish to me. Ashley shares that her grandfather is dying right now, and Marita says she doesn’t care. Ashley walks off, and Marita says “yeah, get out!” Mel follows Ashley, and Britney goes to Marita to give her a hug.
I know we, again, don’t have all the details or know what really happened, but it’s hard to really see Marita’s side here, especially knowing Ashley’s history of abusive relationships. Marita’s desperate to control the narrative, and it’s not a good look!
Marie chimes in again to say “I see you. I’m right here. Let’s simmer.” Y’all WHAT is going on with Marie!
Ashley returns, and Marita vaguely apologizes? But it seems more like she’s apologizing to the Straight Host than to Ashley. Ashley says she could never scream that she hates Marita, because she doesn’t. She shares she was bawling her eyes out after Marita blocked her, eventually realized her self worth and tried to pull herself together, but that Marita and her have never been able to communicate about any of it like adults. You don’t say!!!! I don’t think there’s any real coming back for these two.
Straight Lady Joanna Garcia Swisher attempts to at least reorient the conversation back to the events of the show, and Marita sort of tries to blame Bridget and Kyle for talking Ashley into reversing the ultimatum? Bridget assures Marita that Ashley loved her a lot and there was no convincing that occurred.
Marita did not want to marry Ashley when the show began, and I just really don’t understand what Marita wants period! Other than a bouquet of grocery store flowers and some hand holding I guess?
Marie + Mel
If you can BELIEVE it, these two are also broken up. OBVIOUSLY. Marie has a very bizarre agenda at the reunion. First, she asks Dayna if she and Mel had hooked up prior to the conversation Dayna had with Marie at the cocktail party. Dayna says they kissed but that more didn’t happen until after the party that night. I get the impulse to become obsessive about timelines in the wake of being lied to by a partner, but babe, none of this matters anymore! Y’all are broken the hell UP!
Mel says Marie didn’t want to be with her anymore, and Marie confirms she broke up with Mel before the episodes aired, which she’s grateful for because she would have been embarrassed to still be in a relationship with Mel while watching the episodes. Leading up to the breakup, Marie had set more boundaries and didn’t want to do the food truck as much anymore.
Things get weird again. “Did you really think I didn’t know that you couldn’t have kids?” she asks Marie. Listen, I don’t really ride for Mel, but this is a wild thing to use against Mel! Marie then also says something about Mel’s lupus, and Mel never disclosed her actual chronic illness, so it’s kind of fucked up that Marie makes that choice for her! Marie also asks something about where all the lupus books went, and Mel is like I gave them away. I’m sorry…does Marie want credit for buying Mel books about the disease Mel has?
And now Marie wants to move on from lupus to………brussels sprouts. She wants to know what was up with the brussels sprouts Mel made for Dayna. Dayna is super confused. But Marie wants to know one thing: “Did you like them?” she asks Dayna, who is like yeah sure but come on what is this even about. “Who taught you how to make those?” she asks Mel, and Mel says “you didn’t teach me anything,” prompting Marie to call her crazy.
What is going on!!!! Marie is clearly just so mad at Mel that she can’t even really articulate herself. Sometimes when one is betrayed in a relationship, suddenly everything becomes a betrayal or evidence of the primary betrayal. I’ve been there, and I’m glad there weren’t reality television cameras around, but come on! Be mad about the brussels sprouts in your DIARY, don’t air this out publicly because you’re going to sound absolutely unhinged!
Please weigh in on BrusselsSproutsGate in the comments, because I’m still reeling.
Joanna “I’m an Ally” Garcia Swisher then wants us to dig deeper into the question of whether Mel lied to Marie on camera about having sex with Dayna. OBVIOUSLY, SHE DID, though I hear Mel is still defending the lie on TikTok? Can anyone confirm? Joanna asks Haley if the Spotify playlist was the receipt to which she referred when she told Marie there was proof Mel and Dayna were fucking, and Haley does regret using the language of “receipt” and “proof” but says yes that’s what she had been referring to.
We then get a clip package of everyone in the cast reacting to the Spotify sex playlist scandal. The playlist was called “three weeks” with a rainbow emoji and a ring emoji. Haley says it had some horny songs on it and was being played at suspicious times of night. I’m mostly like: HOW DID MAGAN AND HALEY SEE THE PLAYLIST IN THE FIRST PLACE? There was clearly some producer intervention, but I don’t really understand the logistics.
In any case, Dayna wants to make it clear that the playlist had a lot of sad and yearning songs on it, too, and would have made for a depressing sex playlist. She thinks it was none of Haley’s business to bring it up.
And then there’s another clip package, this time of everyone in the cast attempting to define sex, with AJ explaining that the spectrum of what “counts” as sex can be expansive for queer people and lesbians. Dayna is insistent she and Mel didn’t finger each other. Joanna asks Mel outright if she had sex with Dayna, and Mel won’t answer, Dayna interrupting to say it’s no one’s business. Joanna also asks if Mel feels like she lied to Marie, and she says yes but also no? I’m sick of everyone on this show!!!!!!! Just be honest!!!!!
As for Mel and Dayna, Dayna tried to FaceTime Mel after filming, and when she didn’t answer, Dayna sent her a message and then was ghosted for two months. Finally, Mel wrote her back. The not-gay host asks what the tattoos mean to each of them now, and Dayna says they’re just a way to remember their time together. Mel says they were essentially in a competition with each other to see who could make the stupidest decisions. You know…I feel like there’s something about Mel and Dayna that really works. But alas, Dayna and Magan are locked IN. Did anyone else feel like they were GRIPPING each other to show just how strong they are coming out of all this?
Marie has nothing left she wants to say to Mel, and Mel has nothing left she wants to say to Marie. The food truck is fine by the way, I’m sure you were wondering. Mel is running it solo.
Kyle + Bridget
After a clip package featuring everyone’s fur babies (gay!), we move on to Kyle and Bridget for an update. They’re still engaged and living together. They don’t have a wedding date picked yet. Bridget makes a joke about being pregnant and then says no they can’t actually afford that. We get one last monologue about love from Kyle’s mom, who quotes the Wicked song “For Good,” which is sweet, but there’s nothing else to really say here! Good for them for being low drama, but it doesn’t make for the most thrilling reality television!
Haley + Pilar
These two are still engaged as well! When they left the show, Haley promised to propose back to Pilar within the year, and she did it one month later. They’re planning an elopement because of the state of the world and how Haley wants the extra security legal marriage could provide. They might eventually have a wedding.
Pilar did end up sharing her engagement with her parents and has come so far with them. Her entire arc all season was one of my favorite parts, because familial estrangement for queer folks is so common and so hard. She says she started standinf up for herself, which has led to more open doors. When she brought Haley to her cousin’s wedding, which was the first time she had brought her around extended family, she shifted from introducing her just as “Haley” to “my fiancee Haley,” which she said forced them to really look her in the eye and accept Haley’s role in her life.
Magan relates about the family stuff. Even though her family is coming around now, it was so push and pull for years, and she felt rejected by them, but she keeps choosing herself and it pays off. I do love this moment of connection between Magan and Pilar. They both have done really hard things by asserting themselves and their queerness around their family. Pilar has come so far in how she views and deals with her family situation just in the course of this show!
JGS then wants to hear Pilar’s point of view from the night at the club with Kyle. I’m still unclear on what happened here also. Kyle wishes she could have been better about communicating how she felt. Pilar wishes that, too. Kyle cries again about how Pilar was there for her, and they hug. I think these two have closure over the whole thing, but I don’t? And I guess that’s fine! I’m not part of their lives! For viewers, it just went down so confusingly and was hard not to view it as anything other than Pilar ignoring Kyle’s boundaries? But that doesn’t seem to be how either of them are framing it now, so I’m not sure! Thoughts? Put them in the comments, because frankly my brain is just one giant brussels sprout.
Pilar says it was confusing to watch Haley and Magan but that she mainly just didn’t want to look stupid. But Pilar also realized she wasn’t prioritizing Haley by watching Haley with Magan and she was able to figure out what Magan could provide that she wasn’t and then adjust. Okay, I hate to say it, but this might be an instance where the premise of the show actually…worked? And brought two people closer? And helped them fix relationship issues? I can’t believe I’m admitting that!
Joanna asks Haley what it was like to be in love with two people at the same time, and I swear this show exists in a weird world where the words “poly” and “nonmonogamy” cannot ever be said??????? Anyway, Haley says doing the physical stuff with Magan made it that much harder to separate out her feelings. She also just really wanted to make Pilar feel secure after that, which she seemingly accomplished. So I think when everything’s said and done, Haley and Pilar both really handled everything together pretty well!
Dayna + Magan
I am just!!! So put off by these two still being together!!!! They’re still engaged, but they don’t have a wedding date yet. So literally no one has a wedding date yet. I get it, weddings are expensive and take a lot of work but set a date people! I don’t know why this is stressing me out!
We get a montage of Dayna and Magan’s past year together, which would be cute if I were more genuinely invested in this relationship, which I’m not!!! In fact, as the montage played, I wrote in my notes: “I’m scared.”
Magan has been bringing Dayna around her family, which is a big deal! I’m really happy for Magan’s growth she has been doing around her family, much like Pilar. Dayna says Magan has been really brave and believed in herself, and she admits that she finally had to be the brave one in going over to Magan’s mom’s house and acknowledges the bravery on her family’s part, too. Magan and Dayna didn’t anticipate their situations being so dramatic on television and hoped that maybe going on the show could help normalize queerness and queer relationships in some people’s eyes. Now they’re worried people could see their behavior on the show and think queerness is messy and fraught. Woof, I definitely understand that burden of representation!
Magan has previously mentioned that doing the show was the most queer and queer-affirming space she has ever really existed in, which is huge. I think Magan has done a lot of growing into her own queerness through this experience. I’ve watched a lot of reality shows recently where people have essentially used the platform of reality television to come out to family. Lake on Southern Hospitality kind of did it, too. It does seem like even though their drama ended up being pretty heightened, Magan did gain some tools for how to better advocate for herself and meet her family where they’re at.
Magan says that being with Haley was good because Haley was a good listener and gave her space. She found a lot of clarity in talking to her. Magan does say that she was telling Haley all the time that she loves her and wanted her in her life. She thinks Haley would have been an amazing friend to her. So I think this is Magan sort of reframing being in love with Haley to just loving Haley. And maybe that’s sort of what she was getting at when she first tried to backtrack telling Haley she loved her? But it all feels like a a weird spin again, and I can’t tell if Dayna’s the one holding the wheel or if they’re both sort of complicit in this attempt to reframe and control the narrative about Magan/Haley. I maintain that Haley did not use Magan nor does she owe Dayna an apology. And it’s hard not to notice how defensive Magan always has to be with Dayna. We saw a completely different Magan with Haley. I’m confused!
AJ and Britney hope Dayna/Magan and Pilar/Haley can end in a good place, because they’re friends with both couples and would love to have them all at their wedding. Marita hopes everyone can hold hands after, which is a wild thing coming from the only person who screamed “I hate you” during this reunion!
Joanna Garcia “Not a Lesbian” Swisher concludes that it seems like everyone is in a great space. DOES IT? AJ thinks the host deserves more credit for what she does, which prompts ol’ Jo to cry because it means so much to her because she really considers herself such an ally. No, I’m sick of all the attempts to make it seem Actually Good that she’s the host of this show! Get a queer host, I beg!
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Kayla Kumari Upadhyaya is the managing editor of Autostraddle and a lesbian writer of essays, fiction, and pop culture criticism living in Orlando. She is the former managing editor of TriQuarterly, and her short stories appear in McSweeney's Quarterly Concern, Joyland, Catapult, The Offing, The Rumpus, Cake Zine, and more. Some of her pop culture writing can be found at The A.V. Club, Vulture, The Cut, and others. When she is not writing, editing, or reading, she is probably playing tennis. You can follow her on Twitter or Instagram and learn more about her work on her website.
Kayla, my wife and I have literally been refreshing the autostraddle page like crazy every time we watched episodes, just waiting for your recaps. Then we’d drop everything and read them to each other. They have been so much fun!!
One thing about the reunion. Although I do not condone how Marie was behaving, I think what she was trying to get at with Britney/AJ is that even thought Britney had Marita to talk to, she still called AJ away from Marie in order to talk. Which probably left Marie feeling really alone, since she couldn’t talk to Mel, and also AJ was off taking care of Britney. I do get where she was coming from there.
Other than that, Marita’s behavior was absolutely shocking, Magan and Dayna are wild and PLEASE YES QUEER HOST NEXT SEASON.
Thanks for all the work you put into getting these recaps out so quickly, they were a highlight of our days!
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Thank you for reading!!!!!! Means a lot to me!!!!
And okay yes I see Marie’s point technically. The delivery was just 😳
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Oh yeah the delivery was objectively horrendous 😂
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Yes, same here! It is always such a delight to read your summaries and thoughts of this wild TV show. The people in my life are not watching (and I find it hard to believe that I am!), so it is great to have other queers discuss it. Also, I love your refreshingly frank assessments on these interactions/people.
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Players often find that the jetski race
serves as a great way to unwind after a long day, as its fast-paced action provides a welcome escape from daily stresses.
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– Dayna about participating in reality TV: “We have something to show for us – be proud – we’re normal.” Having just re-read “Dykes to Watch Out For,” I imagine Mo to say (flabbergasted and in utter shock and disbelief): “Is this progress??? That lesbians now have their own reality TV show?? To show their homophobic relatives that lesbians are ‘normal’? How assimilationist have we become?” I would LOVE to see Mo ranting about that.
– AJ to Marie: “I was always honest with you” – hm, interesting take! AJ was honest after Marie found AJ sneaking in at night consequently to AJ having met Britney. Would AJ have confessed, had AJ not been found out?
– AJ to the straight host: “People don’t give you enough credit for how an amazing host you are.” Me: Confusion! And also: Clearly the host was much better in moderating moments that didn’t end in the final cut because from what I’ve seen, I thought she was really not doing a good job at moderating this. All the yelling, and she just kept saying she saw the growth and constantly asked: “How does that make you feel?”
– I wonder how different Magan would be had she ended up with Hayley. Surely after more than three weeks, her not-so-awesome behaviors would have come out, but also, the people we spend time with inform a lot of how we are and behave, and Magan was different with Hayley than with Danya. Again, only three weeks, but still! It would be interesting to know how Magan could be with an honest, considerate partner who is good at communication. I’m also confused how any of them both thought it was a good idea to remain a couple after having seen their fights reflected back to them by so, so many cameras, but some people seem to need the drama and don’t do stable relationships. I don’t know.
– Yes, Marie was intense and it was a bit much, but I understand where she came from and would cut her some slack after the way she has been treated, not just by Mel. I liked how sha was asked if she had anything to say to Mel. and Marie just replied: “No.” That was powerful.
– It seems like Marita behaves in a way as if she’s skipped crucial development stages as a child or teenager or is now regressing. Not behavior or reflection that I would expect an adult to have! Then again, this world is in a horrific state because adults make terrible decisions so maybe I am too optimistic what adults should be able to do. Happy for Ashley that she doesn’t have Marita as a partner anymore and I hope she can do some healing and maybe find a partner who actually considers her, including her story of intimate partner abuse and its consequences.
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– re: Dayna wanting to “seem normal”: I am circling back around to why some queers hate the heteronormativity of it all on this show. GIRL, YOU CAN NEVER BE NORMAL ENOUGH FOR FASCISTS TO NOT HATE U!
– I would also be mad if my partner made my brussels sprouts recipe for someone else and lied about sleeping with them, especially because food seems to be so special for Marie and Mel. that said, Marie, maybe coming here was a bad idea for you. you have to go yell about this in a bar with your friends. every betrayal seems to have taken on equal weight for Marie in the wake of it all and it’s like, okay, this is not even half as bad as the matching tattoo thing! or the repeatedly lying to your face thing!
– genuinely sort of sick to my stomach that Magan and Dayna are still together, but happy for Haley and Pilar! I think it is easier for Magan and Dayna to stay together if they exist in this narrative that Haley is a villain/used Magan/was crazy/misinterpreted Magan’s words and actions… but it is so jarring to have seen what we saw in terms of VIDEO EVIDENCE of the trial marriages and then hear Magan say those were platonic “I love you”s. WE HAVE THE RECEIPTS BABE! I suspect this may be a situation where in like 3 months they are broken up. time will tell.
– I wonder if Dayna is Magan’s first queer relationship, or at least first serious one?
– sometimes i wish there was no host at the reunion because I feel like she asks questions I don’t care about? I don’t need clip compilations? joanna, please. i HATE the straight propaganda at the end. I am happy the cast feels seen by her and likes her, but I need a queer hosting this show yesterday. i have a LIST.
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does everybody know that The Food Truck has a brussels sprouts dish called Brothel Sprouts
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are these THEEEEE brussels sprouts?!??!
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WHAAATTTT?? I NEED MORE INFO ASAP
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Sighs in gay angst, Idky I watch this show bc it always leave me with such a heavy feeling. I do know why, I’m desperate for queer tv!
Marie, I want such good things for you babe! I know you’re angry, you mentioned it on the show and it was so visible how angry you were and I’m sitting here screaming for you! I wish this girl so much healing and I think there’s so much to heal from and let go of in terms of anger. I get the Brussel sprouts too, and I’m so glad she is not with Mel. I do think she felt cheated by AJ still connecting with Britney and prob Britney and Marita felt cheated too bc they didn’t pick each other. The show prob needs a new format so there are options for the trial marriage outside of the six couples?
Can we just talk about how Kyle’s mom’s words for Pilar had me in shambles. I immediately texted my mom sobbing and thanking her for her unconditional love.
Mel
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I have a strong suspicion that Dayna got coaching from a PR professional before the reunion, because the state of Magan and Dayna’s relationship and the way Dayna was speaking in the reunion were SO different from what we had seen in the show that I have a difficult time believing that was natural growth on their parts, and Dayna in particular.
(I’m imagining her parents deciding that while she is a talented SPIN amateur, her skills needed refinement from a SPIN mentor.)
Or maybe she got A LOT of therapy to help her with ALL her refusal to take ANY responsibility?
I also want to say that I got a bad vibe from Marie throughout the season, but I couldn’t figure out why. I still don’t get what was going on there, but I felt the reunion confirmed what my gut was saying.
I do need a reporter to find out exactly what went down between Ashley and Marita. I mean, Ashley’s sisters were basically telling them to break up. It felt to me that Ashley couldn’t commit to Marita, but she also couldn’t let her go, and maybe there was see-sawing afterwards where Marita felt jerked around? Marita is just so angry and Ashley just seems so confused. But those two definitely should not have gone to Key West together after the show ended. They needed a clean break, and clearly they got the opposite.
I enjoyed these recaps so much! This is the distraction I needed from All The Horrors!
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Marie herself said that she is an angry person. That she is angry at the world. When talking about her mother to AJ. So I think some if it can be attributed to that. She’s mad, sad, angry and disappointed. It makes her act like she hates the whole lot of them.
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Magan and Dayna still being together at the reunion was MIND-BOGGLING yikes yikes yikes.
Marita saying such childish things throughout but especially at the reunion makes me wonder if that has something to do with what she mentioned about being a child/teen pop star and that stilting her emotional development at an important time of her life.
also I have so much sympathy for Marie. I agree that she didn’t come across as super logical with her remarks in this episode, but to me it was pretty clear it was because she was holding herself back from giving the producers one of those classic reality TV reunion moments where someone absolutely goes off screaming like “how could you lie to my face like that when you were fucking Dayna the entire time!!!!” which i kind of wish she had done, but it was very cool of her to be like “no” there’s nothing else to say to Mel.
also Straight Host trying to wrap it up at the end with “clearly you have all grown so much” despite all evidence to the contrary made me actually laugh out loud. her “moderation” this whole season was so lackluster. PLEASE GET A NEW HOST
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JGS really is not a good host, straight or gay, she stayed way too silent during that reunion. And I cant believe she said everyone was in a good place at the end??? 😂
Also CANNOT believe we got a Dayna and Magan in love clipshow at the end……they were the “villains” of the season!!!! Dayna the crimes you have committed on this show……….scary to see her get out of this reunion unscathed. But just highlighted the maturity of Haley and Pilar. Whew!!!
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Ughhh I want to like Britney because I did in earlier episodes but I’m starting to feel she is media trained because of her business and better at hiding her mean girl behavior. I see the subtle things people do. The way she wouldn’t let Marie speak, just so Brit can be tacky and invalidate someone’s pain/experience to highlight how “AJ is so great”. The fact that Britney/AJ are friends with Dayna, and their other friend Marita came out of absolutely nowhere to say something so cruel while Britney hugs her. I don’t buy it.
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What a rollercoaster of a reunion! This recap captured all the beautiful, chaotic mess perfectly. The drama between Tiff and Mildred was just jaw-dropping. It’s so intense but also important to see these complex queer relationship dynamics play out on screen. Thanks for the great write-up
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lol the bot wrote about the wrong season
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Question-before decision time, Haley gave Magan a tee shirt. Was there ever a reveal? Any guesses what it said?
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I love that any given reunion episode could be retitled JGS flounders in a pool of lesbians
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They were all awful to Marie, the whole show and that whole time was time wasted for her and everyone, including the production, failed her. AJ didn’t even try as a trial wife for her, she in reality kept sneaking around with Britney and this sneaking around was facilitated by Marita as well as we came to find out in the reunion. There is a lot they must have edited or the participants managed to find a loophole in this to not have the cameras 100% around. So, one, Marie was trial wifeless for 3 weeks, managing her own grief alone and watching the person she’s supposed to grow with sneak around. Two, she’s confronted by Dayna in the party with one thing and then by Hayley with the “receipts” and then lied to by Mel. Dayna is a massive manipulator. Hayley’s position in this is very double standard, she’s informing a friend (later retreats on what she said – having left Marie spiraling for so long), when in truth she had been having sex with her trial wife. Why was she creating this chaos on the other couple? So painful and misleading for Marie who didn’t have anyone real to talk to to manage the anger. Britney was spiraling from the grief of being away from AJ but she sabotaged Marie and AJ’s trial marriage. You can clearly see who was manipulated/manipulating and who was willing to do the show and the work. I feel the show needs therapy sessions, left to their own devices is very unforgiving to whoever has unresolved issues and needs someone other than someone they just met that will most likely want to have sex. Oh I see why the show doesn’t have therapy sessions. We need the drama. I feel bad for Marie. Mel and Dayna we’re planning to run away together into the sunset. Mel wanted Dayna, even before the end. That was awful. I really hope Marie looks for therapy after this, she deserved more, she really loved and trusted Mel blindly and would have given her the world.
The only thing that I needed to see to know that Zelma was queer was how she looked at Riri when she came in the shop.
1) I feel like everything I learn about jojo siwa is against my will and yet I still cannot escape learning things?!???
2) I’m SO grateful that my early life was (and continues to be) blissfully un-observed by anyone besides a handful of family members and my fbi agent