TV Reviews
Recent TV Reviews posts
Sarah Michelle Gellar Gays Up “Masters of the Universe: Revelation,” He-Man Fanboys Drown in Own Tears
Bravo’s “Family Karma”: When Queerness and Cultural Expectations Clash
It’s Time to Talk about It, “Never Have I Ever” Has a Race Problem
“It’s Just a Phase” — Bisexual and Ex-Orthodox Erasure in Netflix’s My Unorthodox Life
“Drawn” Review: Tig Notaro’s Animated Special Is a Guaranteed Blip of Healing Serotonin
Atypical’s Casey and Izzie Join The Magical Unicorn Club of Queer Happy Endings
“American Horror Stories” Is Ryan Murphy At His Worst
Élite Season 4 Finally Delivers a Sapphic Storyline
Whatever You Thought “We Are Lady Parts” Was Going to Be, This Ain’t It
“September Mornings” Is Tender, Challenging, and Should Make Trans Musician Liniker an International Superstar
“Feel Good” Season Two Confronts Trauma and Finds Messy Queer Romance
Lena Waithe’s “Master of None” Could’ve Settled for Being Black and Beautiful, But It Chose Complicated Instead
“Shrill” Gives Fran the Queer Joy She Deserves in the Final Season
Mythic Quest’s Queer Season 2 Storyline Gets Gamer Girl High Score
Okay Tina Fey’s “Girls5Eva” Really Is Super Great and Super Gay
“Four More Shots Please” Season Two Was a Betrayal
“Home Economics” Has a Lesbian Couple and Mostly Relatable Family Hijinks
Mary Lambert Makes Her Musical Movie Debut in “Arlo the Alligator Boy”
