TIFF 2024: In ‘Queer’ Bicurious Boys Are Another Addiction
This isn’t just a film about queer characters with a queer form — it’s also a film with very specifically queer motivations and conflicts.
This isn’t just a film about queer characters with a queer form — it’s also a film with very specifically queer motivations and conflicts.
There are limits and boundaries that vanish outside the paradigm of heterosexual expectations.
Maybe I didn’t always know I was ace, but I can’t say there weren’t signs.
Stewart’s adaptation of “The Chronology of Water” is IN PRODUCTION. Plus, more queer celeb updates from IG.
The wrongness of the servant/matriarch relationship does not preclude these encounters from being very, very sexy.
I’m glad we have lesbian cinema that goes beyond this narrative of homophobia and shame. But as long as homophobia and shame are present in our world, there will be a place for movies like Sweet Angel Baby.
Settle a debate for us: Is it still brunch if it happens before 10am, or is that just breakfast?
This started as an exercise in self-love and turned into an exercise in personal connection.
“I’ve started hanging out with him less because he’s just annoying at times.”
Let’s hop in my time machine and discuss what makes the women of SNL so hot — without once discussing their looks.
There are many bad movies made by cis writers and directors about trans women. But you’ve never seen a bad movie about a trans woman like Jacques Audiard’s Emilia Pérez.
There’s a pressure on trans people and trans storytellers to frame transition as a wholly positive experience. Any negativity is supposed to be external.
Sasheer Zamata comes out as a “late-in-life lesbian,” ‘One Day at a Time’ cast will reunite for table reads, Melissa Ethridge did a Chappell Roan mashup, and more!
Gays! We love our villains!
Maybe something between “splashing water on my face” and “buying forty serums”
On Swift Horses is an unconventional queer love story. The person Muriel (Daisy Edgar-Jones) first meets is not a lover, it’s not even a woman — it’s her soon-to-be brother-in-law Julius (Jacob Elordi).
Rez Ball reminds me of the sports movies I watched over and over again as a kid. Except none of those movies had a queer coach and featured a montage set to Lil Nas X.
If Pain and Glory was a reckoning with self and Parallel Mothers a reckoning with Spain, The Room Next Door is a reckoning with the entire world.
I pitched this quiz mostly as a joke and my coworkers were like “no, do that.”
For those familiar with the art of the “boob scoop.”