“Take My Wife” Is Unprecedented TV In Which Lesbians Laugh, Don’t Die
Rhea Butcher and Cameron Esposito’s new show is truly delightful.
“Pretty Little Liars” Has Now Killed More Queer and Trans Women Than Any Other TV Show
When you really shake Pretty Little Liars down to its core, the storytelling crutch it has leaned on again and again is: pinning a bunch of mysterious nefarious actions on an underdeveloped queer or trans woman and then murdering her.
11 Nicer Things I’d Like To Give To Eleven From “Stranger Things,” That Sweet Dove Of a Child
I just want to pick her up like I am a grown-up panda and she is a baby panda.
“Orange Is The New Black” Broke Everybody’s Heart To Teach Idiots A Lesson
If you’ve yet to watch Episode 412 of “Orange is the New Black,” be aware that this post contains epic spoilers.
“Steven Universe: The Return” Brings Your Favorite Gay Space Rocks To DVD!
Imagine you’re a child today and you’re watching Steven Universe: The Return and you finally see yourself not only represented on a show that’s specifically made for you, but treated with respect, love and reverence — and then imagine that you’re finally able feel those things about yourself.
“The 100” Fans Once Again Remind The World That LGBT Viewers Deserve Better
In eleven weeks, queer fans of The 100 have completely revolutionized the conversation about about how TV treats its LGBT characters, and they’re showing no signs of slowing down.
Root and Shaw’s “Person of Interest” Reunion Is One of The Best Gay Things I’ve Ever Seen On TV
All it takes is treating two women with scorching on-screen chemistry the same way you’d treat an opposite-sex pairing with that same rare and wondrous spark.
More Than Gal Pals: “Person of Interest” Gives The (Gay) People What They Want
“Just needed a change. Got a new job. Fell in love.”
Veep’s Unlikable Feminist Hero Shines Bright In The Year of The Woman Card
On HBO and in the real world, Americans often choose to engage with female politicians as nothing more than bitches.
“Orphan Black” Is Back (And Back On Top Of Its Game)
The fourth season of Orphan Black fully focuses on the things that made the first season so special.
Syfy’s “Wynonna Earp” Is The Love Child Of “Jessica Jones” And “Lost Girl”
All the camp and Canadian-ness of Lost Girl, all the angst and antagonism of Jessica Jones.
Supergirl’s Feel-Good Feminism is a Bright Spot in a Bleak TV Year
Supergirl’s feminism is definitely 101, but we all had to start somewhere.
The Inexplicable De-Gaying of “Pretty Little Liars”
It has been 24 episodes since Emily had a real love interest. The longest any other Liar has gone without a love interest is three episodes.
Batwoman Makes Her Surprisingly Gay (And Surprisingly Great) Animated Debut in “Batman: Bad Blood”
Look at Kate Kane, out on a date with Renee Montoya and fighting alongside Batman on TV like it’s no big deal.
“New Girl” Joins The Exciting Trend of Meaningful Sexual Fluidity On TV
New Girl, How to Get Away With Murder, and The 100 have all brought more depth and nuance to queerness than the majority of Lesbian Kiss Episodes have ever achieved.
“Jane The Virgin” Shifts its Love Triangle in a Revolutionary Queer Direction
Jane the Virgin has put a pin in its Rafael-Jane-Michael love triangle and turned its attention to a Rose-Luisa-Susanna one.
“Master of None” Sets New Standard For Diversity, Overall Awesomeness
There has never been a show like this on television, one that moves with warm precision from scene to scene, self-assuredly asking questions about race, immigration, sexism, modern love, and (brilliantly) minority media representation.
“Adventure Time” Lets Marceline And Princess Bubblegum Grow Up (And Old) Together
Adventure Time’s first mini-series, Stakes, colors in Marceline’s past and brings her into the coming of age conversation that makes this show so great.
“Jessica Jones” Is An Awesomely, Aggressively Feminist Superhero Series
Jessica Jones is not a perfect television show, but it is a perfect punch in the face to the reasons the art of superhero storytelling has mutated into one of the most sexist industries in America.
True Life: I’m Genderqueer and I Watched MTV’s “True Life: I’m Genderqueer”
“My heart did a flip because I remember the sudden shift where my body went from stranger to home, and now I was watching this shift happen to someone else. And maybe this is why these shows exist: because someone else is going to want that feeling, they’re going to recognize themselves.”