“One Mississippi” Season Two Is a Delightfully Dark Masterpiece, Also Must-See Lesbian TV
It’s whimsical and fresh and progressive and tender in parts and hopeful in other parts and compelling throughout.
“American Horror Story: Cult” Is a Premature Baby Screaming in the Arms of Its Lesbian Moms
Thus, much like actual life, Trump’s presence in the show casts a dark shadow over an otherwise viable existence AND ALSO OVER LESBIANS.
The New “Great British Bake Off”: Nothing’s Changed, Except Everything That Matters
Is Great British Bake Off even Great British Bake Off without Mary, Sue, and Mel? (No. Not really.)
Laverne Cox’s “Doubt” Love Story Imagines a Better World for Trans Women
CBS already canceled Doubt, but the full first season is airing this summer and it’s breaking major ground for trans representation.
“Strawberry Shortcake in Big Apple City” Is a Queer Romcom Don’t @ Me
“From now on, we’re a we.”
Queen Sugar’s Second Season Gives Black Women The Freedom To Not Be Superwomen
“I am struck that in its second season Queen Sugar has broken open the myth, often accepted as truth, that black women must endure all of their community’s burdens.”
“Daytime Divas” Inspires Happy Tears With Its 8-Year-Old Trans Character and Also Janet Mock
“Just wait, as soon as the cameras start rolling, she’s gonna go all right-wing on her ass.”
“The Bold Type” Gives Us a Muslim Lesbian and Unapologetic Feel-Good Feminism
Scarlet isn’t interested in acquitting itself to any man. And as the magazine repeatedly rejects the reductive assumption that sex and feminism and fashion and politics can’t coexist, so does the show itself.
“GLOW” Does a Lot of Things Right, Just Not Queer Representation
Ah, the 1980s, when clothes and hair and music were hella dope but women were given the same courtesy as plants in Hollywood. Then along came women’s wrestling to shake television and gender roles way the fuck up.
“Claws” Features a Butch Lesbian, a Bisexual Crime Boss and a Chance to Stop Talking About “Breaking Bad”
Claws is not Breaking Bad. Breaking Bad is not Breaking Bad if Walter White isn’t a white man cloaked in respectability. You share that narrative through the eyes of a struggling black woman, a recent parolee, a recovering addict, a lesbian and a former sex worker, and the story changes completely.
Naomi Watts’ New Netflix Show Is Hella Bananas and Extremely Gay
There have been a handful of women antiheroes on TV over the last few years, but what sets this show apart is the way it centers on three different queer experiences.
“Danger & Eggs” Is The Greatest Weirdest Queer-and-Trans Inclusive Kids Show Ever
Co-creator, Shadi Petosky is a trans woman and the cast is absolutely packed with queer and trans voice actors like Stephanie Beatriz, Jasika Nicole, Angelica Ross, Cameron Esposito, Rhea Butcher, Tyler Ford, Jazz Jennings, Laura Zak and Petosky herself.
“Brown Girls” Shows Women of Color Coming of Age in a Way We Never Get to See on TV
Hollywood’s reluctance to tell the stories of brown girls has always been rooted in — well, racism; but more precisely— the myth that white stories are neutral and, as such, are more relatable to the broader audience. Brown Girls disproves that myth, creating an imminently relatable coming-of-age story.
“Queen Sugar” Does Black Lives Matter Storytelling Right
Unlike Orange Is the New Black, Queen Sugar’s approach to Black Lives Matter storytelling works because it doesn’t resort to excessive violence or torture porn to make its point.
“Queen Sugar” Is a Black Feminist Masterclass That’s Coming Back to Your TV TONIGHT
“It is, and I say this without any hyperbole or doubt, the closest I have EVER come on television to seeing a love that looks mine and looks like how I express it. Ever. Ever. EVER.”
I Have a Lesbian Crush on This “Loud House” Storyline About Girls Having Crushes on Girls
Nickelodeon’s beloved show introduced a pair of gay dads last season, and now one of their main characters is queer!
Orange is the New Black Season Five: 16 Questions Driving Me Nuts About the Finale
I marathoned the entirety of Season 5 this weekend and I need to talk to somebody about it, pronto. SPOILERS AHEAD.
“Orphan Black” Is Back For Its Final Trip
The setting is new, the stakes are higher, but the excitement and the humor and the tension are the same.
Master Of None’s Coming Out Episode Is One of the Realest Things You’ve Ever Seen on TV
The character-driven Thanksgiving is set almost entirely in a single location, and unlike most small-screen coming out stories, this one spans 22 years because Denise’s journey is a marathon; not a sprint.
Netflix’s Anne of Green Gables Can’t Even Be Saved By Canonical Queerness
“Anne With An E” isn’t even good television, and it’s absolutely not “Anne of Green Gables.”