‘Andor’ Is Like ‘The Americans’ in Space
Yes, there was heavily implied lesbian sex in Star Wars. I never thought we’d see the day, but it’s here. The gays have finally taken the Galaxy Far, Far Away.
Yes, there was heavily implied lesbian sex in Star Wars. I never thought we’d see the day, but it’s here. The gays have finally taken the Galaxy Far, Far Away.
The show follows Molly (Michelle Williams), who sets out to have the horniest last five years of her life after she is diagnosed with terminal cancer, supported by a group of lesbians and Jenny Slate.
If this first three-episode arc is anything to go by, Andor’s second (and final) season is not only set up to be thrilling, disturbingly relevant, gorgeously realized, and emotionally stirring television, but it also may end up being the single best story ever told in the Galaxy Far, Far Away.
The Wheel of Time giveth queer characters, and The Wheel of Time taketh away.
The girls are fighting, and it’s more intense than ever.
It’s fun to see Issa Rae in a suit. It’s fun to see Emma Corrin put on the cadence of classic cinema. It’s fun to watch them kiss. But are lesbian audiences really that easy? Are we so vapid to celebrate these aesthetic pleasures without asking for more?
The conversations Pari and Tina have about autism, masking, queerness, and their choices to be themselves in spite of pushback are some of the most poignant in the show.
With a rushed marriage proposal and the return of a favorite character, Harlem comes to its premature end.
I watched ‘Clean Slate’ with hopes that it’d be the next ‘All in the Family’ but instead it’s a new version of ‘Will & Grace,’ shifting the conversation on trans issues without upsetting the audience.
The good news is Reinhart has finally found another project that shows the breadth of her skill. The bad news is Cooper Raiff’s Hal & Harper is never quite as good as this performance or its potential.
Each episode leaves you gagged in some way, not just by the details of the cons, but by how it goes about the reveal.
If you had asked me five years ago who one of the longest-running and least toxic queer relationships on television would be, I never would have guessed it would be these two animated, villainous babes.
Goosebumps is back with a spooky second season full of strange monsters, book references, and queer teens.
XO, Kitty is a saccharine sweet show, sometimes cloyingly so. Problems arise from misinterpretations and misunderstandings but, for the most part, there’s no malice there
In Reframed: Next Gen Narratives, filmmaker Robin Cloud turns Calamity Jane into a tender lesbian romance.
It’s a great series for many reasons, but if you only need one: Kate Moennig and Linda Cardellini in bed together.
Born for the Spotlight follows a group of actresses as they navigate the Taiwanese entertainment industry while juggling their interpersonal lives. Think Sisterhood of the Traveling Pants meets Big Little Lies meets The Idol.
“When she locked Vi in that cell, I was truly afraid of what might come next. I did not anticipate it being Caitlyn.”
I can’t believe I’m going to say this, but the Cruel Intentions series made me miss Euphoria. If a show is going to be bad, I’d rather it at least be sexy.
While The Sex Lives of College Girls succeeds in ushering Rapp off the canvas, it’s less successful in navigating its third season without her.