To have this show on the air at this moment — even if Netflix had renewed the show, it likely would have debuted in January — it just felt fated. We needed this show at this moment and I was so grateful for it.
As always, Caroline’s relationships are given equal weight with everyone else’s, and her cagey responses to questions about her love life show she’s got her eye on someone.
How do two queer people still figuring out their sexualities, their genders, their shames, their traumas, their pasts, their futures, their vastly different presents make a relationship work?
Joanne — Jo, obviously — arrives on the scene in the pilot with a puppy in a BabyBjörn, thus endearing her to me immediately.
Lena Waithe’s “Twenties” on BET is historic — the first black butch lesbian to ever serve as the protagonist of a comedy in TV history! Carmen and Natalie got together to talk about the show, what’s next for black queer representation, and yes that really great sex scene.
Simone’s transness and need to transition is never doubted – it’s just not enough to rid her of all her problems.
This show forces straights to do what lesbians do all the time — talk about their deepest fears and feelings, endlessly.
Put quite simply, it feels damn good to see two Latina lesbians fully themselves, accepted by their loved ones, and at no point expected to leave their queerness at the door.
Come for the queer teen, stay for the resonant depiction of grief and superpowers.
One part love letter, one part history lesson, one part all-star roster of LGBTQ TV icons.
Letting a black woman eventually be seen and loved through her armor? Especially by another black woman, who’s lost in the mess of her own pain? Whew. High Fidelity may be a comedy, but bring on the tissues.
Enemies to lovers! Yes! Let us feast on the gay angst!
According to TV, good people don’t give up on each other. BoJack Horseman, Work in Progress, and She-Ra and the Princesses of Power are challenging that narrative.
Her sexuality, it seems, has been something of a personal and career liability, and part of the series will see her grappling to turn it into something empowering.
Throughout its eight episodes Work in Progress showed the value in being there for people even when it’s hard – and the importance of knowing when to walk away.
In the end, Chilling Adventures Of Sabrina delivers an exciting finale, but it isn’t enough to justify the disorder that precedes it, and it also feels like show repeating the same story it has done before.
Fortune Feimster’s long-overdue solo hour-long stand-up special is even gayer than you hoped it would be.
Join Carmen Phillips, Valerie Anne, Heather Hogan, and special guest Meg Jones Wall to talk about the triumph, heartbreak, gayness, and empowerment of one of our all-time favorite animated series.
What’s incredible about Sex Education, and especially this second season, is its ambition is to include everybody.
It’s tough competition on The CW, but Batwoman seems determined to become the gayest show on TV.