Batwoman’s Queer Love Triangle Gets Even Better in an Episode Infused With Hope
“I”m not asking you to be a hero; I’m just asking you to keep going.”
Hulu’s “Little Fires Everywhere” Is Strange and Familiar and Uncomfortable and Gay
Talking to bisexual showrunner Liz Tigelaar about the intense and beautiful Hulu series that builds on the original in the best way possible: making it way gayer.
“Vida” Ends as It Began: A Queer Love Letter to Chicanx and Latinx Communities
Much like the Hernandez sisters, Vida is Tanya Saracho’s bar, her nightclub — and no one gets to push her out before last call without a fight. Few get to say that they’ve truly made history. That what they’ve touched won’t be the same after they’ve gone. Television won’t be the same after Vida. That’s just a fact.
Let’s Talk About That “Killing Eve” [SPOILER]!
Who exactly are Eve and Villanelle to each other?
“One Day at a Time” Remains a Balm to Our Weary Hearts, We’re so Sad Season 4 Is Ending Early
“Each day seems to bring more bad news so it’s been such a tremendous relief to have this show every week to genuinely make me laugh. It has been the perfect show for this not-so-perfect moment.”
“Mrs. America” Is a Feminist Triumph and a Cautionary Tale
Don’t worry, even Cate Blanchett won’t compel you to be attracted to Phyllis Schlafly.
“Motherland: Fort Salem” Is Queer and Witchy and Full of Surprises
Freeforms’s new alternate-universe elite witchy fighters series didn’t waste any time getting gay, gay, gay.
“Killing Eve” Season Three is Like a Bad Breakup
Yearning, grief, and tension fuel the show, which is at its darkest now.
Batwoman Is the Gayest Non-The L Word Thing on TV so Far This Year
A tangled web of exes who still love you and also have chemistry with each other is truly the gayest possible thing.
I Missed Other People So I Took a Hit of “High Maintenance”
In New York, every time you step out your door, human interaction is offered to you. The most magical thing about New York, about “High Maintenance,” about life has suddenly become a danger.
“Hitmen” Review: Mel Giedroyc and Sue Perkins Trade Poached Pears for Contract Killing in This Silly Comedy Series
With a high focus on the banter between the two, it’s perhaps only the absence of Sue’s trademark lesbian blazer and Mel’s trademark not-lesbian blazer that nudges our subconscious to remember they’re not being national treasures Mel and Sue, but mercenary murderers.
“One Day at a Time” Is Back When We Need it Most
To have this show on the air at this moment — even if Netflix had renewed the show, it likely would have debuted in January — it just felt fated. We needed this show at this moment and I was so grateful for it.
“Last Tango in Halifax” Season Five Has a Lot to Love (if You Can Forgive it for Season Three)
As always, Caroline’s relationships are given equal weight with everyone else’s, and her cagey responses to questions about her love life show she’s got her eye on someone.
Netflix’s “Feel Good” Insists Deeply Flawed Queer People Are Worthy of Love
How do two queer people still figuring out their sexualities, their genders, their shames, their traumas, their pasts, their futures, their vastly different presents make a relationship work?
“Indebted” Review: While You’re Waiting for “The Nanny” Reboot, There’s a Lesbian Daughter in Fran Drescher’s New Wacky Family Sitcom
Joanne — Jo, obviously — arrives on the scene in the pilot with a puppy in a BabyBjörn, thus endearing her to me immediately.
“Twenties” Review: Lena Waithe Writes Herself Into Her Groundbreaking New BET Series To Mixed Results
Lena Waithe’s “Twenties” on BET is historic — the first black butch lesbian to ever serve as the protagonist of a comedy in TV history! Carmen and Natalie got together to talk about the show, what’s next for black queer representation, and yes that really great sex scene.
“Dispatches from Elsewhere” Includes a Complex Trans Character in Its Immersive Theatre Plot
Simone’s transness and need to transition is never doubted – it’s just not enough to rid her of all her problems.
“Love Is Blind” Is Basically a Lesbian Reality Show for Straight People — and I Can’t Get Enough of It
This show forces straights to do what lesbians do all the time — talk about their deepest fears and feelings, endlessly.
“Gentefied” Will Drop Brown Queer Love Bombs All Over Your Netflix Queue
Put quite simply, it feels damn good to see two Latina lesbians fully themselves, accepted by their loved ones, and at no point expected to leave their queerness at the door.
“I Am Not Okay With This” Stars a Angsty Lesbian Teenager Who Telekinetically Gives Her Crush’s Boyfriend a Nosebleed
Come for the queer teen, stay for the resonant depiction of grief and superpowers.