“Home Economics” Has a Lesbian Couple and Mostly Relatable Family Hijinks
It’s very obvious early on that there’s a queer person in the writers’ room when Denise suggests looking at photos of Cate Blanchett in suits as a way to cheer Sarah up.
It’s very obvious early on that there’s a queer person in the writers’ room when Denise suggests looking at photos of Cate Blanchett in suits as a way to cheer Sarah up.
Mary Lambert is charming as heck in Arlo the Alligator Boy, Netflix’s madcap found family series that’s half-High School Musical / half-Rent.
For All Mankind, Apple TV+’s alternate history/sci-fi series, has a sweet lesbian love story with Ellen and Pam, buried under a whole lotta moon rocks.
It’s moments like this that I’ve been desperately searching for in South Asian media these past few years. I want to know, I want to see where queer South Asians summon the courage to be themselves from, in a world where coming out is truly a global struggle.
Is love a lie or the ultimate truth? The One balks at exploring that fascinating question and cops out with a cliched murder storyline.
The fact that she’s still candidly discussing her ongoing issues is significant, because this story cannot be neatly packaged. By naming these things, she also normalizes them. For young fans, seeing Lovato’s intertwined and ongoing struggles presented so bluntly is remarkable.
This business model is very f*cked up and sometimes it even works! Nichole and Sarah are also clearly constantly trying to slyly top one another.
If Euphoria is a teen show for teens, then HBO Max’s Genera+ion feels like a teen show for middle schoolers. And I think that’s great.
Ginny & Georgia has a very typical teenage dating story but made it queer, just for us.
Luz and Amity don’t just represent a possibility, or offer recognition. In them, I see a reflection of exactly who I used to be.
Dickinson puts queerness back in the narrative.
What finally swung it for me was at the end of a recent episode when, out of nowhere, Dolly Parton appeared.
It’s as entertaining as any heist movie, as addictive as the best true crime, and authentic in a way few pieces of mainstream trans media have been before.
All I’ve wanted since Euphoria began was for Sam Levinson to write with people who actually have the characters’ perspectives — this episode shows why.
I fell in love with “The Amazing Race” and now I would like to ask “The Amazing Race” to fall in love with queer women.
In the first three episodes of the new season, Emily is still a chaotic, emotional, silly, passionate poet who is deeply in love with her sister-in-law and not afraid to show it.
Caught up in the inconsistencies in its own mythologies, the Netflix fantasy-thriller-teen drama-musical struggles to come to a compelling or coherent close.
As Ryan Wilder, Javicia Leslie makes it clear — superheroes shine brightest when they are made for their moment.
The only thing less believable is how well behaved all these cats are around coffee mugs and pastries.
Fun and frustrating, derivative and surprising, Netflix’s new ballet show Tiny Pretty Things is undone by its paradoxes.