In The Owl House, Luz and Amity Capture the Singular Queer Experience of a Surprise First Crush
Luz and Amity don’t just represent a possibility, or offer recognition. In them, I see a reflection of exactly who I used to be.
Luz and Amity don’t just represent a possibility, or offer recognition. In them, I see a reflection of exactly who I used to be.
Dickinson puts queerness back in the narrative.
What finally swung it for me was at the end of a recent episode when, out of nowhere, Dolly Parton appeared.
It’s as entertaining as any heist movie, as addictive as the best true crime, and authentic in a way few pieces of mainstream trans media have been before.
All I’ve wanted since Euphoria began was for Sam Levinson to write with people who actually have the characters’ perspectives — this episode shows why.
I fell in love with “The Amazing Race” and now I would like to ask “The Amazing Race” to fall in love with queer women.
In the first three episodes of the new season, Emily is still a chaotic, emotional, silly, passionate poet who is deeply in love with her sister-in-law and not afraid to show it.
Caught up in the inconsistencies in its own mythologies, the Netflix fantasy-thriller-teen drama-musical struggles to come to a compelling or coherent close.
As Ryan Wilder, Javicia Leslie makes it clear — superheroes shine brightest when they are made for their moment.
The only thing less believable is how well behaved all these cats are around coffee mugs and pastries.
Fun and frustrating, derivative and surprising, Netflix’s new ballet show Tiny Pretty Things is undone by its paradoxes.
There’s nothing inherently more lesbian about watching two famous cishet Rachels playact queerness than watching a nonbinary drag queen kiss the shoulder of a trans woman drag queen.
The Wilds is sometimes cheesy, sometimes saccharine, all times dramatic as hell.
For me, what makes the show so unique are the moments Valeria spends with Cristina and Paca and all the other trans women around them. It’s watching this cross-generational support among trans women that’s so important for us but so rarely portrayed on screen.
“See, in Ireland, we love slime. It’s traditional that we have slime for the New Year. So, please don’t dis the culture of my people.”
I ship Zendaya’s Rue and Hunter Schafer’s Jules like some people shipped Brittana.
“Does this place ever stop being weird?!?”
Marceline and Pricness Bubblegum return for one more adventure, and we get all the answers to all the questions we asked for eight years.
Are they dating, are they in love, are they having sex, are they best friends? It’s one of We Are Who We Are ‘s queerest pleasures that it’s not about definition.
STANDING ALONG IN MY FIRE, YOU’RE NOT ALONE!