“Orange Is the New Black” Changed Everything We Thought We Knew About Queer TV
As “Orange is the New Black” wraps up its seven-season run, our TV team weighs in on the show’s legacy — the good and the bad.
As “Orange is the New Black” wraps up its seven-season run, our TV team weighs in on the show’s legacy — the good and the bad.
Acknowledge and communicate your desires!
Watch “Stranger Things” Season Three for teen girls kicking monster ass to a Madonna soundtrack. And the lesbians. Always watch for the lesbians.
Find out whether Amber and Nour adopt a pet together, and the exciting potential future of Justin the tattooed vet and Max, who Stef lovingly describes as a “sex idiot.”
By the time you realize what story Jessica Jones is really telling, it’s too late to look away.
The question becomes, are the generational differences portrayed in Tales of the City actually generational differences? Is the argument actually between baby boomers and millennials, gen x-ers and gen z-ers? Or have we simply widened the conversation to include, or begin to include, voices that were already there?
Here’s that Gentleman Jack/Caroline Bingley fan fic you’ve been looking for.
“Are You Still Talking” was everything I fell in love with and very obviously over-identify with about Anne Lister, framed and filmed inside the kind of aching, sweeping, racing, desperate, tender, pleading, triumphant storyline only the most epic romantic movies about straight people ever are.
Tales of the City leans into some tropes, flips others on their head, makes plenty of jokes at its own expense, and — above all — believes in the power of LGBTQ people who come together to make their own family.
Pose is hella Black, it’s hella Brown and it’s hella queer, and the second season kicks off next week!
We don’t get to define Emma’s queerness. We don’t get to tell her the terms of our understanding. She’s going to make those choices for herself.
The Bold Type’s third season is setting Kat Edison up for a love triangle — but the sweetest journey has been watching her own self-discovery as she uncovers her young, queer voice.
“If Nola Darling is one of the most famous, even if uncomfortable, black queer women in pop culture – what does it mean for us that nearly everything about her is so closely tied to the man who created her?”
The season two finale came the closest the show ever has to giving us what we want. But what do we want?
As someone who has fallen for oblivious girls, or helped girls I was crushing on find the perfect thing to say to the boy of their dreams, I found it all surprisingly grounded in reality considering it was about a demon from hell and the literal first woman on Earth.
Charmed decided to get “serious” about its magic, and along the way it forgot everything that made the season campy fun, addictive, feminist, silly and yes – the greatness of centering queer women of color in the middle of all.
Tanya Saracho demands more from her characters, from her audience. She requires our discomfort, our willingness to bring all of our messy selves in front of the television.
The second season of Fleabag has a reasonable premise: The only romantic rival worthy of Phoebe Waller-Bridge is God.
“I’m on six beta blockers and a large iced coffee. I have no idea what I’m here for.”
We’re allowed to expect more from our stories in 2019.