The 200 Best Lesbian, Bisexual & Queer Movies Of All Time

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100. The Hunger

dir. Tony Scott, 1983
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Frenetic editing, heavy symbolism, and vague plotting make for a dreamy whirlwind of bisexual vampirism. Catherine Deneuve, David Bowie, and Susan Sarandon are all at their hottest as they fuck and bite their way to immortality. The sex scene between Deneuve and Sarandon is especially iconic — there’s a reason this is what Cameron Post and Coley Taylor watched before having sex.

99. Blue Gate Crossing

dir. Yee Chih-Yen, 2002
Buy on DVD

What begins as a gay Cyrano de Bergerac is complicated when Kerou’s crush’s crush falls for her instead. A love triangle that defers to moments of quiet connection over messy plot dynamics, Yee Chi-Yen’s film is a simple yet moving coming-of-age movie about first love and friendship. The movie is subtle and the power of its emotions may not hit you right away — but days later it just might make your heart swell.

98. Novitiate

dir. Margaret Betts, 2017
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Religion is often framed as the enemy in queer films making Margaret Betts’ debut all the more unique. Margaret Qualley plays a young woman who decides to become a nun much to her nonreligious mother’s horror. There are clear parallels between this conflict and the conflict many queer people face when coming out. The subtext becomes text and we see how the lines between faith and queerness are not as distinct as we sometimes think. Melissa Leo gives a grand and horrifying performance as the harsh Reverend Mother desperately trying to hold onto her own way of life in the face of Vatican II. Utilizing this specific moment in history, Betts creates a startling film about commitment to self in the face of societal judgement.

97. Women Who Kill

dir. Ingrid Jungermann, 2016
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Part romcom/part thriller, Ingrid Jungermann’s film is about the scariest subject of all: commitment. With great performances from Jungermann, Sheila Vand, and a stacked supporting cast, the film balances all its conflicting tones. It becomes a solemn meditation on love and vulnerability, but it’s hilarious along the way.

96. Wild Nights with Emily

dir. Madeleine Olnek, 2018
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Shaking off almost two centuries of misrepresentation, Madeleine Olnek reclaims Emily Dickinson clarifying that gay does not equal old maid and homebody does not equal self-serious. Molly Shannon plays Dickinson and along with Olnek’s very funny script adds humor and sex appeal where it’s long been hidden. The fun of the movie is the entire point. It’s a fitting tribute to Dickinson’s life and work and a statement about the historical erasure of queer women.

95. Personal Best

dir. Robert Towne, 1982
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With realistic and intricately captured scenes of athleticism, this queer woman classic is one of the best sports movies period. It’s imperfect, with some racist jokes, and it may disappoint anyone in it for the love story, but it’s still a noteworthy film about two fiercely competitive women. Come for the sweat on perfectly toned muscles, stay for the specificity of a Cap4Cap romance.

94. Grandma

dir. Paul Weitz, 2015
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Lily Tomlin was gifted the part she was born to play in Elle, stubborn wisecracking lesbian grandma of pregnant Sage. As they attempt to get Sage an abortion, Elle is forced to reflect on her own life. Tomlin is so funny and so tender, landing every joke with gusto and every emotional beat with depth. The movie also has a stellar supporting cast with Julia Garner as Sage, as well as Laverne Cox, Marcia Gay Harden, John Cho, Judy Greer, and Sam Elliot. It’s a sweet film that Tomlin makes into something more.

93. Kiss Me

dir. Alexandra-Therese Keining, 2011
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While featuring many lesbian movie clichés, Alexandra-Therese Keining’s film stands out due to its writing, its phenomenal lead performances from Ruth Vega Fernandez and Liv Mjönes, and some exceptionally well done sex scenes. The story may be simple, but the chemistry at its core is special.

92. Parallel Mothers

dir. Pedro Almodóvar, 2021
Our Review // Unavailable

Close-up from the side of Penelope Cruz on her back with her eyes closed. A young woman with short blonde hair lies next to her watching.

Womanhood has been a front for so many facets of Pedro Almodóvar’s own life. But in his latest masterpiece womanhood is a front for even more. Janis (Penélope Cruz once again giving birth, playing queer, and doing career best work for Almodóvar) is a photographer whose great-grandfather was killed by Franco’s regime. She gets pregnant and at the hospital meets Ana (Milena Smit), a teenager giving birth at the same time. The years pass and the plot turns with reliably Almodóvarian melodrama. Spoiler: Ana cuts off her hair, dyes it blonde, and becomes super gay. This is a movie about the importance of living in the past — not out of nostalgia, but out of accountability. It’s Almodóvar’s complicated reverence for his mother, unabashed reverence for lesbians, and reluctant reverence for his own femininity, that result in a story where queer women are the only ones capable of interrupting cycles of generational trauma.

91. The Incredibly True Adventure of Two Girls in Love

dir. Maria Maggenti, 1995
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Before she was Tina, Laurel Holloman played heartthrob soft butch Randy Dean in this iconic 90s comedy. Paired with Nicole Ari Parker as Evie Roy, Holloman is earnest and charming and bursting with teenage energy. Randy and Evie are adorable together as they fall in love and field hilarious — and painful — responses from their friends and family. All these years later this movie is still just as cute and fun — and it might even make you like Tina.

90. Can You Ever Forgive Me?

dir. Marielle Heller, 2018
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Based on Lee Israel’s memoir about her time forging literary letters, Marielle Heller’s melancholy film is concerned with the mundane loneliness of queer lives in a way rarely seen. Lee’s homosexuality, and her friend and accomplice Jack’s homosexuality, are integral to the story but not the focus. Lee and Jack are given the freedom to be deeply flawed, yet still human, and it makes for an emotionally resonant story. Bonus points for properly capturing the importance of a queer woman’s cat.

89. Atomic Blonde

dir. David Leitch, 2017
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This proper action movie from one of the directors of John Wick provides the queer Charlize Theron kickass thrill ride of our dreams. It’s impossible to overstate Charlize Theron’s acting or sexiness with Sofia Boutella or the accomplishments of the action choreography. A muddled plot doesn’t really matter when the experience is this great.

88. Afternoon Breezes

dir. Hitoshi Yazaki, 1980
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When Natsuko’s crush is too busy spending her birthday with her boyfriend to accept Natsuko’s gift of a Virgo necklace, Natsuko eats an entire bouquet of roses and then throws it up. That’s how this movie begins. But despite its truly jaw-dropping twists and turns, Hitoshi Yazaki’s tale of lesbian obsession is at its best in its quiet moments. Setsuko Aya’s performance as Natsuko creates humanity where some might find crazy. This is as much a movie about depression as it is about toxic love. Natsuko feels isolated from the straight people around her and from herself — latching onto this ostensibly straight woman is just her way of expressing (or avoiding) that isolation. This is a difficult movie, but there’s so much beauty in even its saddest moments.

87. Glen or Glenda?

dir. Shirley Wood, 1953
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Shirley Wood is usually known by her deadname and is usually known as the supposed “worst director of all time.” But for anyone who’s trans or is familiar with the trans experience, her debut is a weird and wonderful film about transness made at a time of misinformation. Amidst the formal experimentation, Bela Lugosi playing God, and lots of other weirdness is the story of a woman in love with another woman. It’s remarkable that we have a movie about transness from this era made by an actual trans person. It’s deserving of celebration, not ridicule.

86. Hearts Beat Loud

dir. Brett Haley, 2018
Watch It // Also Available on Hulu

Reversing the usual parent-child dynamic, this indie comedy casts Kiersey Clemons as a studious teen and Nick Offerman as her dad who just wants to jam. The relationship between their characters is lovely and the music they create together is genuinely good. Clemons is such a joy to watch and listen to and her romance with Sasha Lane is one of the best parts of the film. Unfortunately the subplots given to Offerman are less compelling, but that’s not enough to take away from the movie’s heartwarming charm.

85. The Bitter Tears of Petra von Kant

dir. Rainer Werner Fassbinder, 1972
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Gay german auteur Rainer Werner Fassbinder was known for his brutality on and off screen and this film is no different. Taking place entirely in the apartment of Petra von Kant, we watch as she treats her assistant Marlene cruelly and falls miserably for model Karin. It’s a cruel movie about cruel women, but the camerawork, costume design, and incredible performances from Margit Carstensen, Hanna Schygulla, and Irm Hermann make it worth it.

84. Dope

dir. Rick Famuyiwa, 2015
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More Kiersey Clemons! Here she plays Diggy, the masc lesbian best friend of Shameik Moore’s Malcolm. They’re geeks and totally unprepared for the drug-deal-induced hijinks that ensue due to Malcolm’s lovesickness over Nakia played by Zoë Kravitz. The script is tight and funny and all of the performances are great. It works as a comedy, a coming-of-age story, and an action movie. Clemons is great as always and her outfits and energy feel authentically queer in a way often absent from mainstream media about teenagers. Also it’s highly relatable to almost ruin your life for Zoë Kravitz.

83. La Leyenda Negra

dir. Patrícia Vidal Delgado, 2020
Available on HBO Max

Patrícia Vidal Delgado’s gorgeous Black & White debut feature is political cinema at its best. Telling the story of a queer girl whose immigration status is affected by a new Trump administration policy, Delgado understands that the most effective political films don’t feel like Political Films — they feel like stories about people. Monica Betancourt gives a phenomenal performance as Aleteia, a teenage girl filled with righteous fury at her circumstances and tender love for her new friend and crush, Rosarito played by Kaileil Lopez. Watching Aleteia and Rosarito find unexpected connection and first queer feelings is a delight. They deserve a world without borders and binaries where they can be free to explore the young love blossoming between them. This is a love story, a friendship story, a cry for change. This is a movie about two queer Latinx teenagers who deserve better.

82. Eva + Candela

dir. Ruth Caudeli, 2018
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Ruth Caudeli’s debut feature is both a devastating breakup film and an announcement of an exciting new talent in queer cinema. Most sad films about queer women are sad due to tragedy or oppression, so it’s a relief to watch a film that’s sad because sustaining a relationship is just really hard! While falling in love and falling out of love, Alejandra Lara and Silvia Varón are brimming with chemistry. It’s painful to watch them fall apart because they make so much sense when they’re together.

81. Summertime

dir. Catherine Corsini, 2015
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France! Lesbians! Feminism! This properly warm period piece follows Delphine, a sheltered rural queer, who falls in love with older activist Carole in 1971. It’s a celebration of first love, collective action, and the people who pave the way towards self-discovery. Izïa Higelin and Cécile de France are so gorgeous and hot together and give heartbreaking performances and the movie is just bursting with romance in every sense of the word.

80. Lyle

dir. Stewart Thorndike, 2014
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Stewart Thorndike’s tight and terrifying horror movie is as much about grief as it is exploring the messiness of placing a queer woman in the plot of Rosemary’s Baby. The movie asks a lot of questions without providing answers, but what it does provide is a breathtaking horror experience led by an animalistic performance from Gaby Hoffmann.

79. Wheel of Fortune and Fantasy

dir. Ryûsuke Hamaguchi, 2021
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Fusako Urabe and Aoba Kawai stand on an elevated train platform holding hands.

The first “short story” in Ryûsuke Hamaguchi’s triptych is called “Magic (or Something Less Assuring).” It’s a fitting subtitle for a movie that’s technically a series of realist conversations yet somehow crackles with the energy of an epic fairy tale. These are love stories, lust stories, stories of regret. They feel so regular until they feel like so much more. All three sections of the movie are beautiful, but it’s the last section — the gay section — that makes the film such a triumph. In a film of unlikely connections, Natsuko (Fusako Urabe) and Aya (Aoba Kawai) form the strangest and most beautiful. We can’t predict the lives we’ll lead, but we can appreciate the connections we make along the way. This is not a love story between two people — it’s a love story with the act of love.

78. The Haunting

dir. Robert Wise, 1963
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The first and most loyal adaptation of Shirley Jackson’s novel is a remarkable work of understated horror cinema. Julie Harris plays Nell, a bitter and lonely woman who signs up to participate in a study of the paranormal in the wake of her mother’s death. One of the other participants is Theo, a gay woman with ESP and endless confidence. Claire Bloom plays her with an easy charm, and her character ends up being a foil to Nell — queerness as a metaphor for freedom. Due to these stellar performances, some excellent wide angle photography, and Robert Wise’s low-budget horror roots, this film stands out even amongst decades of imitators.

77. Holy Camp!

dir. Javier Ambrossi, Javier Calvo, 2017
Available on Netflix

The highest rated musical on this list, Javier Ambrossi and Javier Calvo’s truly unique movie lives up to its English title. But it’s not the camp that surprises — after all this is a movie where God appears singing Whitney Houston songs — it’s the depth. This story of two friends at a Catholic camp takes so many turns and is so filled with queer creativity, you might have no idea what you’ve just watched when the credits role. But the experience of the film — and oh my is it an experience — all serves an exploration about desire, faith, giving oneself to change, giving oneself to horniness, and what can happen when we open ourselves up to the possibilities life presents. The soundtrack is incredible, the visuals are stunning, and the whole thing is just so horny and Catholic and gay. Sorry, did you miss the part where God literally sings Whitney Houston songs??

76. Codependent Lesbian Space Alien Seeks Same

dir. Madeleine Olnek, 2011
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Madeleine Olnek’s highly relatable comedy about a trio of aliens sent to Earth because they have too many feelings is as funny and weird as that premise suggests. Inspired by low-budget 1950s sci-fi, Olnek’s film has a DIY aesthetic that fits with the often silly script. All of its fish-out-of-water jokes ultimately lead to a story about connection. We all feel like aliens sometimes, but if we’re lucky we just might find another alien to love.

75. Gia

dir. Michael Cristofer, 1998
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Telling the story of model Gia Carangi’s troubled life, this Angelina Jolie vehicle alternates between delicious and devastating. Jolie is so sexy, but her performance proves she’s more than just a sex symbol. As Carangi’s life turns toward inescapable hardship, Jolie remains impossible not to watch. Special shoutout to her sex scene with Elizabeth Mitchell that is truly unforgettable.

74. Love, Spells and All That

dir. Ümit Ünal, 2019
Our Review // Unavailable

Two women sit on a rock with their backs to the camera looking out at a coast surrounded by trees.

Ümit Ünal’s intimate romance tells the story of Eren who returns to her hometown ready to declare her still-burning love for her adolescent girlfriend, Reyhan. But for Reyhan — who holds far less economic privilege — love, especially forbidden love, is something she cannot afford. This conflict is heightened with two phenomenal performances by Selen Uçer as Reyhan and Ece Dizdar as Eren. They embody their characters — and their characters’ histories — in full. The twenty years is felt in every line and glance. There’s also magic in the setting itself. This beautiful Turkish island — with all the weight it holds for these characters — is a location that’s easy to fall in love with. Ünal is patient in his writing and directing. He trusts his actors and his setting and it results in a film that is at once both wholly naturalistic and bursting with fantasy.

73. Boy Meets Girl

dir. Eric Schaeffer, 2014
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One of the few movies on this list starring a trans woman, Eric Schaeffer’s romcom is the sweet — and messy — love story we deserve. Michelle Hendley is an absolute star as Ricky Jones, a small town girl with a YouTube following and a desire for love. It takes a dalliance with the engaged Francesca to reveal the love she has for her male best friend — and what a dalliance it is! Ricky’s sex scene with Francesca is hot and tender, and while some of us may have been rooting for the two of them to end up together, the whole thing is so sweet you probably won’t mind that she ends up with the friend. And Hendley is just so good — she’s such a pleasure to watch on screen.

72. Daddy Issues

dir. Amara Cash, 2018
Our Review // Watch It 

Amara Cash’s debut film is a campy, candy-colored, explosion of queerness. A love triangle between aspiring artist Maya, her instagram crush Jasmine, and Jasmine’s sugar daddy, leads to a twisted plot, two twisted romances, and a lot of expected — and unexpected — drama. Cash’s camera and editing is frenetic capturing Maya’s adolescence yearning and building to a new queer aesthetic. The most surprising thing about this movie is its sweetness. There’s an innocence to Maya that’s easy to root for and a sexiness to Jasmine that’s easy to fall for. By pairing the romantic and the taboo, the disturbing and the delicious, Cash creates a truly unique feat of queer filmmaking.

71. Titane

dir. Julia Ducournau, 2021
Our Review // Watch It 

Agathe Rousselle lies on white carpet stairs in a turquoise tank top looking up.

Car fucking, the Macarena, the metal hairpin, the bathroom sink transformation, the roommate slaughter — Julia Ducournau’s Titane is a film that invented its own mythology. So many details and moments demanded a place in our collective film consciousness, but Titane’s deepest achievements are found in the subtleties. Ducournau knows genre and she uses her shock and awe to seduce us into her twisted — and melancholy — exploration of gender and family. This isn’t a movie with answers. It’s an exploration. It’s a feeling. It’s a confounding work of art. It’s worth celebrating something so moving, so horrifying, so entertaining, so puzzling. Ducournau is an artist who is so confident in her ideas and in her form. If you’re open to it, she’ll take you for a ride.

70. Lianna

dir. John Sayles, 1983
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Surprisingly tender and complicated for a lesbian movie written and directed by a straight man, this classic of queer cinema follows the titular character through her first gay love and heartbreak. Rather than framing Lianna’s coming out as intrinsically tied to her crush on Professor Ruth, she’s forced to reckon with her identity and ultimately do so alone. Linda Griffiths is so lovely to watch on-screen as Lianna navigates her desires and disappointments. It’s a sad movie, but within that sadness is a sense of hope — a sense that someday Lianna will find love and do so as an individual.

69. Black Swan

dir. Darren Aronofsky, 2010
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Perfectionism, mommy issues, and lesbianism haunt Natalie Portman in Darren Aronofsky’s Oscar-winning ballet horror movie. It’s frightening and beautiful and, yes, has a sex scene between Natalie Portman and Mila Kunis. Bordering on camp with its heightened style and emotion, this is the rare Hollywood movie about queer women that’s allowed to be properly unhinged. The line between beauty and body horror disappears and every second is a thrill.

68. Thelma

dir. Joachim Trier, 2017
Watch It // Also Available on Hulu

This beautiful coming-of-age thriller actualizes queer shame and repression. As Thelma navigates adjusting to college — and gay feelings — apart from her religious upbringing, she begins to have seizures and visions and potentially telekinetic powers. As the tension builds, the scope of the film widens with more imagery and plot twists. But at its core is simply a girl navigating her identity and trying to find herself separate from her family.

67. Disobedience

dir. Sebastian Lelio, 2017
Our Review // Watch It

There are a lot of other things to celebrate about this quiet drama about two Jewish women navigating their love within an Orthodox community. But let’s be honest. This is the movie where one very famous Rachel spits in another very famous Rachel’s mouth. Specifically Rachel Weisz spits into Rachel McAdams’ mouth and it’s just one part of a very hot sex scene. It’s made even hotter by their characters’ history, their forbidden desire, their connection, and their need for one another. This is a movie about faith, about the past, about the desire for community, and the desire to escape. The plotting is messy, but so is life.

66. Working Girls

dir. Lizzie Borden, 1986
Available On Criterion

Four women squeeze into a tight kitchen. Two are wearing professional attire, one is wearing a tank top, and one just has on a towel.

One of two Lizzie Borden masterpieces on this list is the rare film to show sex work as, well, work. Focusing on a day in the life of lesbian Molly, Working Girls reveals the boredom and mundane difficulties of working at a Manhattan brothel. The film doesn’t romanticize sex work or sensationalize it — instead it just lets it be like any crappy job. The dynamics between Molly and her boss, her co-workers, and her clients are all compelling as they reveal more about her, the job, and society’s relationship to sex work. This is a landmark work of cinema that’s finally getting its due and a landmark work of lesbian cinema as well. All of the sex we see may be with men, but Molly’s identity isn’t tied to her job. Like so many queer people, Molly is doing what she has to do to pay the bills, so she can get home to her girlfriend, so she can someday spend her time on something other than work — any work.

65. Tomboy

dir. Céline Sciamma, 2011
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The quietest film of genius lesbian filmmaker Céline Sciamma’s already staggering career, Tomboy tells the story of 10-year-old Laure who is mistaken for a boy and begins to go by Mikael. Sciamma doesn’t clarify Laure/Mikael’s identity, instead living in the soft interiority of her protagonist’s exploration. They feel uncomfortable as a girl — or at least as the kind of girl they’re expected to be — and they long for the acceptance they are granted as Mikael. Tomboy was not originally included on this list, because it’s easy to read a trans male narrative onto Mikael. But just as Sciamma never provides easy answers, the film does not find easy categorization. Its resonance with queer people of many genders made it previously feel like an absence and now a worthy inclusion. Zoé Héran’s performance at the center of the film is one of the best by a young performer in recent years. This is a tender and beautiful film about queer childhood — its many hardships and its small moments of joy.

64. In Between

dir. Maysaloun Hamoud, 2016
Watch It // Also Available on Tubi

The trio of women at the center of Maysaloun Hamoud’s debut film couldn’t be more different. Leila is a high femme lawyer hoping to find love with a man who won’t control her. Salma is a lesbian DJ with parents desperate to marry her to a man. And Nour is a conservative student engaged to be married. But all three women are stubborn and determined to live lives beyond heteropatriarchy, beyond Israeli-occupation. The film captures the specific pain of managing multiple marginalized identities and provides a path forward – there may be no escape, but we can support each other in the struggle.

63. Persona

dir. Ingmar Bergman, 1966
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Maybe about two women, maybe about one woman, maybe beyond narrative analysis, Ingmar Bergman’s avant-garde masterpiece is sexy, unsettling, and thought-provoking. Bibi Andersson plays Alma, a nurse assigned to the care of Liv Ullmann’s Elisabet Vogler, an actress who has suddenly stopped speaking. They seclude themselves at a beach house and their interactions increase in eroticism, violence, and unreality. This is definitely one of the hornier arthouse classics even if the women never consummate their attraction.

62. Tahara

dir. Olivia Peace, 2020
Unavailable

There have been a lot of queer coming-of-age movies about a girl in love with her “straight” best friend, but few capture the depth of that experience like Tahara. With the backdrop of a classmate’s suicide and a deliciously awful object of desire, this movie becomes less about the angst of a teenager and more about the search for meaning in a meaningless world. Jess Zeidman’s script is hilarious and specific and director Olivia Peace makes bold choice after bold choice each more effective than the last. The film has a claustrophobic Instagram square aspect ratio, heightened animated sequences, and other sharp formal risks that all work to deepen the story. Cinematographer Tehillah De Castro’s work is phenomenal in moments both bold and subtle. Madeline Grey DeFreece carries the film with a grounded and charming performance and Rachel Sennott as the crush is a hilarious nightmare. This is a teen comedy, but it’s a teen comedy about grief, manipulation, and autonomy. A whiff of horrifying nostalgia gives way to something deeper, something more present.

61. Booksmart

dir. Olivia Wilde, 2019
Watch It // Also Available on Hulu

“Last week of high school” teen comedies are an entire subgenre, but it’s rare that they focus on women and even rarer that they focus on queer women. That’s why Olivia Wilde’s debut was such an exciting dose of raunchy humor, female friendship, and adolescent romance. Beanie Feldstein and Kaitlyn Dever are both so good and they are supported by a phenomenal ensemble — especially scene stealer Billie Lourd. Dever’s character is casually queer in a way that wouldn’t have been possible a decade ago and it’s so fun to watch her navigate her crushes and mishaps. Laugh-out-loud hilarious and full of heart, this movie will make you long for a teenagehood you never had and rejoice in a film landscape that’s finally changing.

60. Pepi, Luci, Bom

dir. Pedro Almodóvar, 1980
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Pedro Almodóvar’s first masterpiece is also his film most focused on lesbians. An irreverent comedy that’s also a sort of rape/revenge movie, this one certainly isn’t for everybody. But if you’re open to its tone — and its content — you’ll find a laugh-out-loud hilarious, surprisingly emotional movie about women trying their best to survive and have some fun along the way. If you’re into movies where a lesbian pees on a cop’s wife then this one is for you!

59. A Simple Favor

dir. Paul Feig, 2018
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A neo-noir comedy with a queer twist, this expertly plotted seduction is all about Blake Lively in suits, Blake Lively in suits, and Blake Lively in suits. Anna Kendrick is so funny and compelling as we watch her oscillate between lust and envy, wanting to consume Lively, but settling for a friendship, a kiss, and then an obsession. With every turn the movie deepens, increasing in intrigue, leading to an explosive — if not very gay — finale. Oh also Linda Cardellini plays a lesbian.

58. High Art

dir. Lisa Cholodenko, 1998
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Mirroring the energy of the drug-addicted lesbian photographer at the film’s center, Lisa Cholodenko’s debut film is sensuous, measured, and simmering with a sense of danger. Ally Sheedy plays Lucy with a toxic allure that barely masks a depth of sadness. We understand why Radha Mitchell’s Syd is so drawn to her and like Syd we hope for the best while expecting the worst. This is a movie about lost innocence and the decades that follow.

57. The Novice

dir. Lauren Hadaway, 2021
Our Review // Watch It

Isabelle Fuhrman tears athletic tape with her teeth as she looks up at her coach while sitting with her teammates. She wears a black headband and red sweatshirt, her bloodied hands already wrapped in tape.

Before writing and directing her masterful debut, Lauren Hadaway worked in sound. Once you know this, it makes sense why her film’s rowing instructions get stuck in your head like a pop song. Legs body arms. Arms body legs. It’s dialogue as rhythm, thoughts as rhythm, mental illness as rhythm. This film is not about novice rower Alex Dall as much as it is her. The movie’s sound design and score — along with accomplished cinematography and editing that knows when to cut and when to hold — place us in her mind and body. We don’t need exposition. We want her to win because we are her. We feel her pain because she’s in pain. The oft-told suggestion “show, don’t tell” only uses half of cinema’s tools — Hadaway uses them all. And while none of this technical achievement would work without a performance to match, Hadaway has just that in Isabelle Fuhrman. Together they’ve created a visceral cinematic experience. Nearly forty years after Personal Best, here’s a sweaty queer sports movie that’s as twisted and bloody as we are. Queerness is an escape — it’s everything else that’s the problem.

56. Simone Barbès or Virtue

dir. Marie-Claude Treilhou, 1980
Available On Another Screen

A woman in a dress pulls a woman in a dress shirt and black vest toward her for a kiss. A male bartender speaks to another woman in the background.

Marie-Claude Treilhou’s debut film is split into three sections. The first introduces the titular lead, played by Ingrid Bourgoin, at her job as an usher at a porn theatre. She barbs and commiserates with her coworker as they rip tickets for an eccentric collection of (mostly) men. When her shift is over at midnight, she goes to meet her girlfriend at the lesbian bar where she works. This isn’t your average lesbian bar. There’s live music and live sword fights and, yes, plenty of astrology talk and dyke drama to go around. And, finally, at the end of the night she has an unexpected car ride with another lonely stranger. This nocturnal journey through the hidden corners of Paris is alternately casual and heightened, an odyssey with no destination but plenty to see along the way. The middle section provides a unique snapshot lost in most 20th century cinema and Simone is a heroine we still rarely see on screen.

55. Signature Move

dir. Jennifer Reeder, 2017
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A late in life coming-of-age movie, this captures a very common queer experience — through the very specific lens of a Pakistani-American woman obsessed with Lucha-style Mexican wrestling. Fawzia Mirza stars and co-wrote the script and her natural likeability, impeccable comic timing, and chemistry with Sari Sanchez make this movie endlessly endearing. It’s part romcom, part family dramedy, and both threads feel nuanced and real. Also, lesbian wrestling!!

54. Mulholland Drive

dir. David Lynch, 2001
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A cinematic masterpiece and one of David Lynch’s finest works. Naomi Watts gives an all time great performance as Betty, the wide-eyed actress who moves to Hollywood and falls for the mysterious amnesiac Rita (Laura Harring). Of course, there’s more to the story as this is a Lynch film, but more than any other work of his each thread of surreal oddity clicks together to tell this painful love story between two doomed women. It’s certainly not devoid of male gaze, but if you’re gonna pick a male’s gaze you could do worse than Lynch.

53. Set It Off

dir. F. Gary Gray, 1996
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An absolute masterpiece of a heist movie. F. Gary Gray’s story of four women who decide to rob a bank is as excellent a drama as it is an action movie. We care so much about the women played by Jada Pinkett Smith, Queen Latifah, Vivica A. Fox, and Kimberly Elise and it makes the suspense all the more suspenseful. Queen Latifah is absolutely iconic as Cleo, the lesbian whose confidence is as dangerous as it is sexy.

52. Chutney Popcorn

dir. Nisha Ganatra, 1999
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Before Nisha Ganatra was directing several of your television faves, she co-wrote, directed, and starred in this film about queerness and family. The film shows the intimacy and conflict within biological and chosen family structures, searching for new ideas around parenthood. It’s funny and sweet and always living in the reality of its well-drawn characters.

51. The Favourite

dir. Yorgos Lanthimos, 2018
Watch It

This movie about Queen Anne of England is not your average period piece — it’s not even your average gay period piece. Yes, it takes place in 1704 and is based on a true story and features all sorts of royal intrigue. But here that royal intrigue revolves around two women trying to finger their way to power. Olivia Colman plays Anne with a hilarious desperation — totally unstable and totally captivating. Rachel Weisz is Anne’s second in command — and lover — Lady Sarah, the real source of power in the court. Enter Emma Stone’s Abigail, a down-on-her-luck newcomer who quickly realizes the key to Anne’s favor. Watching Abigail and Sarah fight over Anne is delicious even as the film — or especially as the film — gets more and more twisted. Yorgos Lanthimos can be counted on for his dark sensibility and that’s certainly the case here even with the plot revolving around a queer women love triangle. The movie that sparked a thousand lesbian tweets asking Rachel Weisz to run them over with a truck, you’ll at least want her to fire a blank into your heart.

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Drew Gregory

Drew is an LA-based writer, filmmaker, and theatremaker. Her writing can be found at Bright Wall/Dark Room, Cosmopolitan UK, Thrillist, I Heart Female Directors, and, of course, Autostraddle. She is currently working on a million film and TV projects mostly about trans lesbians. Find her on Twitter and Instagram @draw_gregory.

Drew has written 223 articles for us.

113 Comments

  1. oh my god Drew, thank you for this extensive list!
    the sacrifice! of having to watch 200+ lesbian/bi/queer movies!

    I may not agree with the list 100%, but also there’s so many films I haven’t seen, so I’m gonna get on that right now!

  2. I’ve enjoyed reading this list as breaks throughout my workday. Thank you, Drew. Some of my absolute favorites are on it (Mulholland Drive, Professor Marston, Imagine Me and You) and I have plenty more to watch, just based on this list!

  3. This is an amazing list!

    I would like to throw in a small recommendation for a lesbian movie that I’ve never seen on any Autostraddle list, “What’s Cooking”. It’s a very sweet, Thanksgiving movie from 2000 that focuses on four family and one of the families is a lesbian couple played by Kyra Sedgwig and Julianna Margulies. It’s also directed by Gurinder Chadha who never gets her due as a female director who has made consistently great movies for the last 25 years. It’s not her absolute best movie (Bend It Like Beckham and Bride & Prejudice 4ever) but its a very pleasant way to spend a few hours and its in my own top 200 lesbian movies for sure!

  4. I’ve only (already?) seen 42 of these! I have some movies to watch. Thank you for all the work that went into this, I love a good list and for someone to tell me what to watch because I am nothing if not indecisive. (Too! Many! Choices!)

  5. This is an excellent list! Letterboxt says I’ve watched 25% of the list and that sounds about right. I was pretty excited to see Desert Hearts so high on the list; it’s one of my favorites. There something about it that is delightful and soars above all of the rest. The ending, in my mind, is full of possibilities. Nothing better than that.

    • I have to say I’m so disappointed that you have unequivocally decided Tomboy is a movie about a trans guy. This movie is the only one I’ve ever felt that represents my childhood as a masculine girl who liked to be taken for a boy. I actually think this is likely the experience of a lot of people who grew up to be butch women, and it feels pretty painful for that to be erased right here.

      I get that this kid could have grown up to be a trans guy. They could also grow up to be a butch woman or a non-binary lesbian. Idk why you are trying to put something that speaks to people like me in a box where there’s only one interpretation of it.

      Its your site, so do whatever. But this butch lesbian is pretty broken hearted.

      • Yeah, I am always a bit uneasy with that exclusion as well. A strict categorization for that movie isn’t fair at all. The trans experience is wide and gender and even just gender expression is an entire rainbow in itself and it’s sad to be excluding that movie.

        I am very curious as to how Autostraddle’s staff ultimately made this choice.

  6. I’ve only read p. 1 so far but want to thank you IMMENSELY for this amazing reference list. I’ve seen a few of the lesser known ones here, including The Firefly – dead brother brings two women together – as well as some of the bigger, English-language releases that weren’t quite as good as we’d hope (Birds of Prey, Lizzie, Vita and Virginia). And I remember Entre Nous from way back when!! Had a copy on VHS recorded off TV that I watched many times – very angsty, but deep emotions and great acting. I know I saw Salmonberries at a film festival but have no memory of any of its plot, though I recall kd lang being in it :).

  7. Thank you so much for this list, there’s some movies I need to watch!

    I have a few recommendations too, The Girl King (2015) a biography about Christina, Queen of Sweden. And Ek Ladki Ko Dekha Toh Aisa Laga (2019) lesbian Bollywood, with dancing and all

  8. 40/200 and „Lost & delirious“ is not one of them 😁 We have a queer film festival in town, so once a year I watch a lot of movies but mostly documentaries. I will miss it so damn much this year!

    „Portrait of a lady on fire“ was a revelation last year there, and the year before I fell deeply in love with „My days of mercy“ or rather Kate Mara 😉

  9. Thanks for this list Drew, it must have taken so much work to put together. There are so many films I haven’t heard of. Also I appreciate the inclusion of Nina’s Heavenly Delights – not the best film but there’s not many Scottish lesbian films out there, so I love it for what it is.

    • There are some movies in the back half of this list that I love way more than I should (and some movies in the front half that I don’t understand the appeal…) and Nina’s Heavenly Delights is absolutely one that I adore. It knows what it wants to be! And it does that well!

  10. I love this list !!!! Thank you so much for taking the time and dedication to make such an incredible resource; your writing about film and tv continues to be my favorite on the internet… I can’t wait to watch.
    Just one note – the link to watch The Secrets actually led to a verrrrry different movie called The Secret

  11. I am a nerd for algorithms, etc – any chance you’d care to share more about how the process/procedure etc y’all used to combine that data into ranking. Did you all have votes that got combined in some way / an algorithm you used to guide criteria / was it sort of a gut choice based on the data you mentioned? etc. Just super curious! I love lists like this, but I love *making* (or knowing the behind-the-scenes of someone else’s list making system) almost as much as whatever list itself I am fancying ;)

    • It was a combination. We did a vote with the TV Team on all eligible titles that involved both a numerical rating and a list of favorites. These two forms of rating created two lists that were combined evenly into a single list. We then adjusted that list based on the decade vote that we did last year with the whole Autostraddle team as well as other internal judgements like reviews and lists.

      There was no way to be totally true to an algorithm, since everyone on the team has not seen every film (and, in fact, I’m the only one who has seen some), but we tried to stay true to that voting whenever possible. Then those other factors listed were taken into account.

      It’s fun, because even though I had the most influence on the eventual ranking there are still some films in the bottom 50 that I prefer to those in the top 50. Because taste varies! Hopefully the list reflects the queer community at large, but especially the Autostraddle community. Even though again I’m sure we all disagree with some things. haha

  12. Great list, however, I cannot believe Sarah Water’s Fingersmith wasn’t listed here. Although pretty low budget, the plot of the movie and Elaine Cassidy and Sally Hawkins acting was more than amazing. For me it can’t get any more real. The way they look at each other, you can feel their desire and suffering. I’m curious as to why was the movie not included in the list. Anyway, thanks.

  13. LOVE this list. Also wanted to show some love for “Jennifer’s Body”. Lesbian/bi horror film with two women leads directed and written by women. Explores the intimate relationship between two teenage best friends in a camp slasher film after one turns into a men-killing demon. Underneath the quirky humor is lots of painfully accurate subtext and VERY textual representation. Totally underrated queer cult classic.

  14. Kinda missed seeing “Blow Dry” on this list (I definitely liked it more than some of the movies which are on it). Yeah, it’s more about a blended family than a lesbian movie per se (and there is an implication of tragedy hanging over it: a terminal cancer diagnosis).

    But the ending finds at least brief happiness, the lesbian couple is together, and hey, some AMAZING hair-styling! Incredible cast w/ Bill Nighy, Rachel Griffiths, then (2001) up&coming It Kids Josh Hartnett and Rachel Leigh Cook, and [RIP to both] Miranda Richardson and Alan Rickman. [Richardson and Griffiths being the f/f couple]

    A particular delight for Anglophiles (I recommended it to my late mother on that count alone!] If you’ve never seen it, give it a…dry. ;-/

    [Really love finally being able to comment here, Auto. But why now, 5 (4) years into my “Supergirl” obsession, and w/ no new eps for at least a year?! }:-0]

  15. Great list! I watched a ton of these movies middle school through high school borrowed as DVDs from my public library, believe it or not! The public library was a wonderful resource to me as a young queer person and I checked out tons of young adult fiction about anything gay for years before diving into queer movies. Fucking Amal was one of these movies that I borrowed from the library and I see it listed as unavailable here. I want to encourage people to look IRL for some of these films!

    Most public library systems also have intralibrary loans so even if your local library doesn’t have what you’re looking for, they likely have a relationship with other libraries in their network to borrow within the county.

    This is also to encourage everyone to find alternatives to Amazon to watch these films. I know this is easier said than done in our era of streaming and instant shopping and with Amazon being so ubiquitous. They are such a terrible company from their mistreatment of workers and ties to government surveillance programs by providing information to Homeland Security and ICE, etc. etc.

    Thanks San Carlos Public Library and libraries everywhere for their work

    • YES! I love the library. That was also how I first watched a lot of films growing up.

      Unfortunately the average person simply doesn’t watch movies on DVD anymore, so it feels worth noting which films on this list are not available to stream. But I have a piece coming out soon that’s specifically about queer women media on home video. That’s absolutely something I think about and want to encourage others to embrace.

      And I’m with you on Amazon personally. When there’s literally any other option — even with streaming — I take it.

  16. Ooook. I have to be honest….

    So first I el give you and everyone else who took part in this long term project to dedicate it their time, their lives! It is not a small fit to undertake and therefore I am forever grateful to all of you! I cannot name any other lgbt online and offline gathering place which decided to take upon itself such an enormous endeavour you all did undertake!

    But I am hurt by the fact that you catapulted some of the best lesbian movies in the 100 – 200 positions while they were made by lesbian filmmakers, were very dedicated projects, were beloved by lgbt people around the world, were very sensibly made and were very genuine in overall portrayal, original, acting was amazing etcetcetc, in overall were magnificent projects and some of those movies are in overal among my fav ones, not because thwy r lgbt themed. So… I am really disappointed by placements of the best movies into the bad category…. While some of the very very awful and not at all enjoyable projects were rated and placed higher from all of you. This is very strange how lbt women rate art…. Very strange indeed…

  17. This is an amazing start to the list, but so many movies were left out. Some I can’t help but feel were slighted on purpose. The entire Nicole Conn and Sarah Waters collection of movies for starters. How can all 8 movies be absent?? Then there were great movies such as Tru Love, Poison Ivy, Raven’s Touch, Out at the Wedding, Finn’s Girl, Guest House, Running on Empty Dreams, Chole, Tell it to the Bees, Snapshots, Girls Like Magic, Alto,etc

    I would love to see a list created with every lesbian/queer movie ever made, without limiting it based people’s personal preferences of what they think a lesbian movie should or should not be. How about just list the movies and allow us to decide for ourselves, because each person is different, unique, and beautiful…just like each movie made. Let’s be more inclusive, not only in our cinema, but in our culture as a hole.

    Thank you for the amazing beginning though.

    • I actually went to a cinema screening of Tell It To The Bees last year (before, well… *gestures broadly*), and I’ve never seen so many queer women in one room before! It was a really cool evening.

      The author of the book was there to give a Q&A afterwards and she didn’t seem super keen on the way the film makers interpreted the book in some places, so I’d be interested to give it a read some day to see what it’s like.

    • You should check out wlwfilmreviews.com! I stumbled across it while looking for new lesbian movies to watch, and I found some fun stuff on there I’d somehow missed, like Ellie & Abbie (& Ellie’s Dead Aunt).

  18. Thanks for this – v comprehensive!
    I would also recommend Almost Adults and Carmilla (and the prequel in the form of the web series). They have the same leads – both out queer women, so they do the stories justice.

  19. Wow what an amazingly crafted list. The time and effort is greatly appreciated. I’ve been working through it chronologically, some I’ve seen but there’s a sense of nostalgia watching them again. I had a few movies that weren’t on the list that I personally enjoyed if anyone is interested.

    An unexpected Love-It’s life time and a little cheesy but there are some tender moments plus there is a happy ending.

    A Luv Tale-a movie with a queer Black woman it’s old school but it’s a really food watch plus MC lytes in it.

    Nina- An intense movie with some great scenes and the chemistry between the characters is deafening.

    City of Trees-it made me smile, believable chemistry, I did nod off a few times but I chuck that up to the slow pace of the movie or at least it felt like it to me but once it moved I was wide awake.

    A lot of these movies are in Tubi and Amazon Prime.

  20. Drew — Thanks for this terrific list. Could have sworn I had posted a comment when this piece first ran but it doesn’t seem to be here anymore. Thanks so much for your incredible knowledge of queer film history (someday I hope you’ll see my films and consider them for this canon!)

  21. Long ago, I watched a film,(maybe from the 60s or ealy 70s) on tv about an aged lesbian that was an actress in a tvshow for children. Her trade mark is that she would ride in a scooter o little motorcycle.
    Does any body know something about this, film? Title?

    • Fernando, the movie you’re looking for might be “The Killing of Sister George”. It’s about an aged lesbian actress who plays a nurse “Sister George” on a soap opera and her character rides a scooter on the show.

  22. I will never get over the fact that “Aimée & Jaguar” is not queer-universally considered a MUCH (like VERY. MUCH.) more inspiring story than some other ones which rank higher on the list (and not only on this list, so I’m not blaming anyone). Sure, the movie has its flaws, and sure, teenage coming of age stories (for example) are indeed important in some way for self-construction, but fierce lesbian love against Nazis? I wish I had seen THAT when I was a teenager. Maybe it’s because people cannot relate enough to that time period, or maybe it’s a more European story (I mean maybe more specific than some other European movies), I don’t know.

    • I totally agree. It’s a superb film. Very classy, very well acted, very important and sadly, very often under appreciated. I love lesbian films set in historical period, so I totally connect to this film like you do. You would also probably like Alexandra von Grote’s ‘Novembermond’ or ‘November Moon’ from 1984. Which is thematically the harrowing forerunner to Aimee & Jaguar, about a lesbian relationship between a Jewish woman and a French woman under the terror of the Nazis in occupied France.

  23. It’s all very well including Maedchen in Uniform (1931) as the first important lesbian movie. But there is another classic film that is equally as important as Maedchen. And is, if anything — even more groundbreaking for it’s truly unflinching exploration of a lesbian identity. Unfortunately, the film in question just flies under the radar — of all but THE MOST dedicated of lesbian film historians.
    I am of course referring to the incredible Swedish film: ‘Girl With Hyacinths’ from 1949. The reason for it’s undeserved obscurity is threefold: 1. It’s a film that wasn’t distributed much outside of Scandinavian countries 2. It’s fairly hard to find anyway in general (but there is a Swedish Dvd). 3. There are generally no English subtitles on most copies — so you have to go looking for them yourself to download.
    But the rewards are astounding if you can manage to track it down. What is most surprising is that the gay theme is so ‘out there’ and ‘in your face’ for a film of this era. It’s a classic of Swedish cinema, & beautifully photographed in black and white.
    Eva Henning’s tortured portrayal of a gay woman who cannot find acceptance in 1940’s Sweden — is a very important character in queer culture and one which deserves to be far more widely known for it’s place in the queer film history.
    There is simply NO film in 1940’s Hollywood — that has explicit lesbian themes, but in 1940’s Swedish cinema — there is, and ‘Girl With Hyacinths’ 1949, is that film.
    It definitely needs a place on the Autostraddle list, and I imagine the only reason it’s not on there — is because the list-makers have never heard of it…
    Trust me if you like Bergman’s ‘Persona’ — then this one is it’s spiritual sister.

    • In the list makers’ defense I would like to point out that they addressed the fact that “Girl With Hyacinths” was not included in the final not BEFORE the list started in the article.

      It was left off NOT because they had not heard of it or it was thought to be unimportant, but because no one on the team was able to access it. As you stated in your comment, it’s hard to get ahold of!

      See the final note from the article below:

      One last note: There are lesbian movies on this list not currently available to stream. Some of the greatest works of queer cinema are not being watched, because people not within our community get to decide which films deserve attention. Many titles on this list were included because I contacted production companies and producers, attended rare screenings, and hunted for DVDs at actual video stores. And still some films — most notably Girl with Hyacinths (1950) and Me siento extraña (1977) — were not included because no one on our team was able to access them.

  24. Apologies if this is explained somewhere else, but what’s the reasoning behind classifying ‘Tomboy’ as a film about a trans man? It resonated with me as a butch women very much and I’ve heard similarly from other butch lesbians. Seeing as the protagonist is a child in the movie is it beyond belief that they could grow up to be a masc woman or enby? It just feels a bit erasey tbh.

  25. Suggestions:

    Pandora’s Box (Germany, 1929)

    Afternoon Breezes (Japan, 1920)

    The Ice Palace (Norway, 1987)

    Oranges Are Not the Only Fruit (England, 1989)

    The Evening Dress (France, 2009)

    And seconding the recommendation of Girl with Hyacinths above.

  26. Oh and how about:

    Rara (Chile, 2016)

    L’Auberge espagnole (pan-Western-European, 2002)

    La Leyenda negra (USA/El Salvador, 2020)

    Carmen & Lola (Spain, 2018)

    A Bread Factory (USA, 2018)

    Oslo 31. August (Norway, 2011) has a lesbian subplot.

    And I really like these short films:

    Came Out, It Rained, Went Back In Again (England, 1991)

    Hi Maya (Switzerland, 2004)

    Viernes Girl (USA/El Salvador, 2005)

  27. Is there a list of movies not on this list? For those of us who are completionists and can’t help but collect all 10848 crystals in video games… Also I hope people remember this ranking doesn’t need to be their ranking lol.

  28. wow, amazing list!! I’m finally giving “Desert hearts” a chance lol, hopefully I’ll be obsessed with it :)) I would also like to strongly recommend “The New Girlfriend” (2014). Just a heads up, there’s a trans woman character played by a cis actor, so yeah that’s not great, but other than that I loved it!

  29. Chutney Popcorn will always have a place in my heart, because it was one of the first queer movies I watched, and it has a happy ending.

    Also Nina’s Heavenly Delights inspired me to try making curry from scratch, instead of using curry sauce from a packet, and I make a fantastic vegetable curry now.

    • I’ve been following this list since it was first published and I just want to say–I love everyone that made this list, everyone making comments to the list w/ suggestions, everyone creating supplemental lists and so so many FILMS on this list. What a walk down memory lane! My girlfriend and I decided we’re going to challenge ourselves to watch as many of these as we can/ want to (no thanks to The Prom :p ) including some re-watches. Big ups to A Date for Mad Mary ! What a charming film if anyone reading hasn’t seen already. xox Emilie

  30. Amazing list!

    Not sure tho about the top pick tho.

    I do miss some movies, I really loved Elena undone and even loving Annabelle.

    And the amazing Sarah waters adaptions, affinity, tipping the velvet and my favourite fingersmith Def deserve a spot!!

  31. This was a really amazing list!
    I wanted to ask if you could do a review of ‘Sancharram’ (also known as ‘The Journey’-2004)? It’s on this list, but it’s really hard to find a good review

  32. No Way Desert Hearts is number 4!.That’s nuts!.It’s a beautiful love story without even addressing being gay.Rather it addresses the importance of growth these two women undergo once they meet.Vivian goes from rigid,uptight,and not trusting to warm,caring,and loving.Cay goes from wild,carefree,and one night stands to wanting to be with one person,grounded,and focused on that one person.It’s a wonderful movie.

  33. Hey its summertime and i miss room in rome on your list. If you say: male gaze. Ok. Maybee. But Julio Medem is special. This movie is rare, because its playfull, lighthearted. I newer saw Elena Anaya, a lesbian mother in real life, play a role in such a light-hearted way. She obviously enjoys to play that character. And thats very sweet to see. I think this movie is much more than it seems to be. Don‘t block on the soundtrack. Watch it again ;)

  34. Love this list! Not so sure about the “ranking,” but very informative. I’m kind of wondering where a few movies are, including “Loving Annabelle,” and The recent “Fear Street” Trilogy from Netflix, which was incredible in my opinion :)

  35. I am beyond thrilled that Loving Annabelle didn’t make this list. And not because the director and I got into a nasty email exchange about how she handled self-harm, but because it sends some of the poorest messages I can imagine to the world. Also glad The World To Come. Can’t think of anything worse than juxtaposing a dead body between flashes of love making.

    • Thank you for doing this! I’m obsessed.

      Some movies from last year like The Prom fell so much in the ranking because while the list does reflect our voting there’s also some flexibility since people haven’t seen all the movies. I could tell last year I got a bit over-zealous in weighting new movies higher up so tried to course correct that this year both with the new additions and changing some from last year.

      While this list will inevitably reflect our team first and foremost — and me the most since I’ve seen everything — I also really want it to reflect the culture at large! Everyone on the team has their own approach to voting but with my own personal vote I try to take that into consideration. Also why a movie like Shortbus got a bump with its recent restoration as more people have seen it.

      Anyway those are all my nerdy facts for you!

  36. Thanks for this list!
    I believe I didn’t see “Elisa and Marcela” included. It’s a movie by Isabel Coixet from 2019.
    I think it can be found in Netflix.
    It’s about two women who fall in love in the late 19th century in Spain. One of them leaves the town where they live and goes back some time later pretending to be a man so they can marry and be together :)

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