How The South Made Me A Queer Feminist
In the rural South, the word “tomboy” is basically a euphemism for “She’s genderqueer, and she may or may not grow out of it. Hell if we know.”
In the rural South, the word “tomboy” is basically a euphemism for “She’s genderqueer, and she may or may not grow out of it. Hell if we know.”
What can we reasonably expect from our relatives when it comes to voting?
“Since the nuances of personal responsibility seem to escape so many people, let’s go through it. Let’s figure out rape jokes.”
“I’m all about Lisa Frank right now because of what she means to my understanding of gender, sexuality, and the fluid nature of both.”
On unchecked discrimination, privilege and ignorance. How do you begin to change a world that thinks it’s already changed?
“When they see you happy, they’ll accept it,” someone told me once. When there are tears about something unchangeable, people can only be optimistic. It’s the only thing that is left.
I have a lot of feelings about Drake. And now that I’ve seen him live, I have about a million more.
“It’s like I’ve got an internal switch that flips and not everyone has it, and if you don’t it’s almost impossible to explain.”
“It’s like diet-cunt, because cunt is the Queen Bitch.”
“The summer after I turned thirteen, I decided that exactly two things needed to happen in order for my life to matter: I needed Rosie Collins to like me, and I needed my parents to send me to Bible Camp.”
“I wanted this camp to turn me into a rock star.”
This is a poem about kissing.
We wanted to sit down and share stories with you around this virtual campfire to somehow express one little piece of what it means to be queer and a person of color in this crazy, crazy world.
Activities include eating mystery meat, re-enacting the holocaust, performing 15-minute Shakespeare adaptations on a cart, writing in my diary, and crying. Mostly crying.
“My awkwardness should have followed me along to Girl Scout camp, but somehow I managed to shed most of it in the 40 miles between the city and that patch of unremarkable forest.”
“I don’t remember the names of most of the people I met that week. Except for his: Tuck.”
“I would’ve cried if someone hadn’t started singing, and then someone else joined in.”
“Within the violence of invisibility there was also a sense of liberation and expansiveness, like we could just make everything up as we go along.”
Even when someone doesn’t know the range of the artistic revolution that was the Harlem Renaissance, they know the name. They know writers like Claude Mckay or singers like Ethel Waters but they may not know them as Queer Black Americans. Why is this?
“I feel like yelling at people,” she told me. I didn’t really grasp then that she meant that. This was the very first time. This was the day after Easter.