“Men in Black: International” Review: Tessa Thompson Wears a Suit, Flirts With Women
Sadly, that’s also pretty much everything that makes Men in Black: International great.
Sadly, that’s also pretty much everything that makes Men in Black: International great.
Queer director Nisha Ganatra brings Kaling’s funny, biting, meta-critiquing script to life like a bright, slick, dazzling rom-com for women who fantasize more about their careers than they do about Mr. Darcy.
If you like lesbians and also body horror, this is the movie for you!
Booksmart honors, skewers, and completely transcends every genre it’s a part of.
Pell’s Val is a lesbian antique shop owner from Portland with a new set of knees and thirst for young love.
The first IMDb user review for Daddy Issues is titled “Heterophobic movie.” I cannot argue. I also cannot complain. May we blessed with an entire career of heterophobic movies from this properly queer filmmaker.
JT LeRoy is not a great movie. In fact, it’s pretty bad. And yet in so many ways it’s the perfect JT LeRoy movie, the inevitable conclusion to this whole twisted saga.
It’s like Girls Trip’s less raunchy kid sister who went to NYU and made some white friends.
Olivia Wilde is a bisexual sex worker in this political satire that also stars a pint sized Yara Shahidi! And they sculpt artwork out of butter? For some reason? I have your weekend Netflix plans all set.
Molly Shannon’s turn as the reclaimed queer poet tells the truth at a slant, dazzlingly.
If I were a man invested, even subconsciously, in propping up a patriarchal society where women, even subconsciously, Know Their Place, Captain Marvel would terrify the pants off of me.
We were rooting for you.
“It’s as if the BET classic Player’s Club ran head first into Hustle and Flow, but cast a cadre of child stars turned ingenues.”
No false promises of “girl power” or happiness. Just a reassurance that being alone together is better than being apart.
Dolly Parton got you Dolly Parton for Christmas and you are very welcome.
Lavish parties, duck racing, powered wigs, and lesbianism — and everybody gets an Oscar nomination.
These women aren’t ultimately just stealing the money. They’re stealing back the ability to control their own lives. To get in at least one solid kick against the rancid, putrid system that forced their backs against the wall in the first place.
Amazingly, director Marielle Heller doesn’t seem to care if the audience is willing to forgive Israel. She has a better question, one we never ask about lesbians on TV and in film.
Queering heteronormative tropes is certainly my favorite way to spend Thanksgiving.
This summer’s top Mommi murder mystery!