I Am Alike: A Nigerian Boi’s Reflection on ‘Pariah’
“I remember holding my breath during pivotal scenes in the movie. I wondered nervously if my brother saw then the direct parallels to his own sister’s life.”
“I remember holding my breath during pivotal scenes in the movie. I wondered nervously if my brother saw then the direct parallels to his own sister’s life.”
Why didn’t anyone tell me about the Mini Warbler?!! This is a movie review that’s actually about a 40 second video of a kid dancing in a blazer.
In which I try to write a movie review for the first time because that’s JUST HOW MUCH I LOVE THE MUPPETS.
Lizz joined the Occupy Movie Theaters movement! Just kidding, she caught the midnight showing of Breaking Dawn Part 1.
“Man, we gotta stop bitchin’ about this and start BITCHIN’ about this!”
“Almodovar leaves the audience without an easy place to rest.”
Barbara Hammer, the first lesbian filmmaker: how I have a giddy schoolgirl crush on her, one degree of separation from her and how she definitely has it out for Freud.
The debut film from gay director Abe Sylvia tackles the trials and tribulations of the school slut and her gay best friend in 1987, with mixed results. Milla Jovovich is involved.
This is not the Girl Scouts, this is espionage!
Portia’s ex-girlfriend and Dianne von Furstenberg’s daughter made a movie about troubled in boarding school starring the girl with the dragon tattoo and there’s a lesbian character. How can you not go see it?
Julie Goldman and Brandy Howard saw the Hangover Part Douche, and it was right up Nacho’s proverbial alley. You’ll laugh, you’ll cry, you’ll laugh some more.
Jesus Christ Nell, all I did was ask you what you wanted to have for lunch…
Intern Grace’s Team Pick: I am obsessed with how completely awful this movie is. I love it.
The Fish Child is a gripping tale of forbidden lesbian romance and a crime heist gone wrong. Maybe throw in some theft, a cute dog, human trafficking, and a gun fight and you have the whole package. The DVD is available July 26th.
This is a short film about two girls who cross paths. I fell in love with it.
“Studio executives believe that male moviegoers would rather prep for a colonoscopy than experience a woman’s point of view, particularly if that woman drinks or swears or has a great job or an orgasm.”
“Nothing I’ve seen since “The Runaways” has made me want to run home and pick up a guitar more, and this feeling was cemented when my friend and I got up to leave and ran smack into Joan Jett.”
It’s season two, b*tches, get ready to get dark. We’re back. Real dark.
“I thought Marylou was basically Janis from the Muppets, and I thought Dean Moriarity looked like Frank Zappa. I realize this makes no sense but I was 15 and still figuring stuff out.”
After a more-than-slightly-skewed trailer and over a year of Internet buzz, Darren Aronofsky’s latest film, Black Swan, garnered what critics called “a certain lesbian allure” due to what may or may not be a girl-on-girl love scene between co-stars Natalie Portman and Mila Kunis. And although this drove us to the theaters like moths to a flame (a lesbian, lesbian flame), moviegoers who actually witnessed Black Swan found that Aronofsky’s film is about much more. Exploring issues such as body image, pressure, and (yes) sexuality, Black Swan brings to light the societal pressures that create insanity and eventually causes audiences to wonder: is it insanity at all?