Just a decade ago it was rare to have more than one queer woman of color on television at all. Now, not only have an abundance of such characters turned up on our screens in the last few years, we also have celebrated queer and trans women of color creators behind the scenes like Janet Mock and Tanya Saracho crafting our stories from the inside-out.
We’re standing at the crossroads of a new era. As the TV Team noted earlier in this week in our Annual List of Favorite Lesbian, Bisexual, and Trans Characters: “Politics and pop culture have always had a symbiotic relationship, which is why representation — legitimately good representation that explores the fullness of humanity of all LGBTQ+ people at the intersections of the myriad of oppressions we face — is more important than it ever has been.”
That begged the question: What does legitimately good representation for lesbian, bisexual, queer and trans women of color look like? How does that fundamentally differ (or potentially, overlap) with lesbian or queer women’s representation on television overall? The television landscape is changing rapidly. Where does that leave lesbian, bisexual, and trans women of color on TV? Where have been, and more importantly — where are we going?
Those are the questions that we’ve been obsessed with over the last month. We wanted to create a rubric that — while not definitive (we look forward to arguing with you in the comments) — would at least be an opening to the broader conversation. From that rubric came this list, a first of its kind exploration into the 100 Top Queer and Trans Women of Color Characters in Television History.
Some Notes on Ranking Methodology:
Considering what makes the best representation for any television character, but especially for queer people of color, whose identities fall across a variety of intersections, is necessarily qualitative and cannot be solved by a simple set of numbers. That said, it was important to us that we have a system of checks and balances to counter any of our own biases… otherwise, Annalise Keating would just win everything.
We began this project by scouring Autostraddle’s television database of queer and trans women characters of television. This database has been researched for years and, to the best of our knowledge, has the basic information covered of every lesbian, bisexual, queer or trans woman character ever on television (It’s the same database we use as a baseline for our yearly TV reports). We narrowed the database to women of color and came up with 400 names.
We quelled that list down to 300 by limiting it to regular or reoccurring cast members. Then we brought together our particularly obsessive knowledge of pop culture, along with LezWatchTV, LGBT Fans Deserve Better, YouTube, and Wikipedia. We narrowed the list from 300 to 110 names, and then we applied the following system for ranking the Top 100.
+ How well-developed the character’s story arc was on their television show, along with two separate overall collaborative scores from Autostraddle’s TV Team and Autostraddle’s Speakeasy, the collective of our writers of color. (These three were the heaviest weighted categories and worth 5 points each, for a grand total of 15 points.) Natalie and Carmen debated story arc together. The other two categories were selected for consideration to both the craft of creating television, along with the equal importance of the ability for the characters to connect to audiences of color.
+ The following categories were each weighted at one point each (3 points total) — if the show in question was critically acclaimed; if the character was written by a queer person (or if the show had a queer person in the writers’ room that we could find via research); and if the character existed on a POC dominant cast (because in real life most people of color don’t spend all of their time surrounded by white people with no family or friends that look like them).
+ We also gave one bonus point for each of the following (4 potential bonus points total) — if the performance won or was nominated for an Emmy Award (importantly, the spread of queer women characters that have been Emmy nominated in recent years includes quite a few QWOC characters compared to their white counterparts); if the character had a woman love interest (this is designed to measure the ways that women of color’s queer sex and sexualities are erased on screen. It is not our interest in contributing to bisexual erasure. Our list includes bisexual and queer women who sleep with men, straight trans women, along with lesbians who where never once given a woman love interest); and if that woman love interest was also another woman of color. And finally, we gave a bonus point if the character was portrayed by an out queer or trans actor of color.
+ We subtracted one point if the character in question died. No rewards for bury your gays on our watch.
What surprised both of us was that our original presumptive winners ended up — well, not being the winners at all. We think that has a lot to do with beloved characters who came earlier in our queer television lives not being allowed by Hollywood the same room for growth as those who came after. It’s similar to the old adage that each new generation goes further than the one before.
Interestingly, no character on this list reached a “perfect score”. The #1 ranked character came up short by about 2 points! Furthermore, the top 25 ranked characters all shared a spread of only four points total! The difference between #25 and the Top 10 almost came down to decimals.
Enough talking! Lets get to the list!
100. Sam Black Crow, American Gods
Starting off our list at #100 is Sam Black Crow from American Gods. Sam actually made this list by the skin of their teeth because the character is much more prominently featured in the book than the actual television series. In both, Sam is a two-spirit college student who’s cynical about a lot of the “warring Gods” happening around them. Actress Kawennáhere Devery Jacobs is queer, and said that was part of why she wanted to play Sam on American Gods in to begin with. You love to see it. — Carmen
99. Natalia Rivera, Guiding Light
When Natalia Rivera’s husband, Gus, died, she was forced to make a life or death decision: to give Gus’ heart to the woman who nearly stole him from her, Olivia Spencer, or to let her die from heart failure. Natalia opted to save Olivia’s life — much to the chagrin of a grieving Olivia — and became her assistant at home and at work so Olivia wouldn’t squander the gift she was given. The more time the pair spent together, the closer they grew… and their love affair continued until Guiding Light‘s cancellation in 2009. — Natalie
98. Rana Habeeb, Coronation Street
When Rana’s husband, Zeedan, discovers that his wife’s been carrying on an affair with one of their best friends, Kate Connor, he lashes out: outing her to her conservative Muslim parents and emotionally blackmailing her into continuing their marriage. But even then, Rana’s connection to Kate is undeniable and the pair reconnect, much to the dismay of her parents. From there, Corrie delves into a story that few shows have tried to tackle: religious homophobia and the lengths which some people will go to save face. — Natalie
97. Louise Taggart, Clique
Clique, the British series from Skins writer Jess Brittain, feels a bit like Pretty Little Liars and Gossip Girl had a baby. Only now that baby’s brought up in an ultra-competitive world that forces you to define yourself in the real world and online. The pressure and the desire to fit in are next level. Enter Louise, the self-assured, pragmatic, gay mathematics genius who creates her own luck. But even though she’s always the smartest girl in the room, the social game isn’t something she excels at and she’s too honest to fake it. — Natalie
96. Luna Spence, Burden of Truth
There’s a moment in Burden of Truth‘s second season where, just before she goes to the police to face questioning for her father’s murder, Luna Spence, who is Cree from Long Grass First Nation, goes out in her mother’s backyard and makes an offering of tobacco to the spirits as she prays. It’s a quick moment punctuated by a beautiful score that both reaffirms the show’s commitment to tell the stories of Indigenous people — a queer Indigenous woman, no less! — and reminds the audience of the power of representation on television to give you a glimpse into cultures that you might not have seen otherwise. — Natalie
95. Sophie Moore, Batwoman
Years ago, just as Sophie and Kate Kane are about to graduate from Point Rock Academy, their relationship is discovered. Facing expulsion under “Don’t Ask, Don’t Tell, Kate opts to tell the truth and gets expelled, while Sophie, fearing the consequences both personal and professional, lies. But years later when she hears that Sophie’s been kidnapped and her life is in danger, Kate comes rushing back to Gotham. We’re just over a quarter of the way into Batwoman‘s first season and it seems like we’re just scratching the surface with Sophie. Since the show’s version of Sophie is so different from the comic books, I’m anxious to see what more there is to “Sophie Freaking Moore.” — Natalie
94. Jacqueline “Jax” Zhou, Pandora
Pandora was pretty universally panned when it came out earlier this year. But do you know what’s cool about it, anyway? The queer woman of color lead? She IS Pandora. Any queer woman of color who’s also the title character of her own show was definitely going to earn a spot on this list. I’m sure you understand. After the loss of her home, the New Portland Colony, Jax leaves for the Earth Space Training Academy. There she and her friends learn to defend the galaxy from threats – both alien and human. Also? Gay stuff. — Carmen
93. Rosetta Reide/ Danny Gates, Courthouse
Years before Gina Price-Blythewood would hire an unknown Lena Waithe as her production assistant on The Secret Life of Bees, she penned and co-produced shortlived series for CBS called Courthouse. From descriptions — since the show isn’t yet available for viewing anywhere, I cannot personally confirm — the show feels like a precursor to those Shondaland series we’ve come to love: Beautiful, highly talented people working in the pressure-filled crucible of a Clark County courthouse. And just like in Shondaland, the gays were represented. Judge Rosetta Reide and her housekeeper, Danny Gates, became the first-ever black lesbian couple on television. — Natalie
92. Kay Sedia, Marry Me
Sometimes, while doing this job, you stumble upon a record of a show or character you’ve never heard of and, as you dig more into it, you find yourself wondering, “Why did no one tell me about this?” That’s how I felt when I discovered Kay Sedia, the black lesbian character on NBC’s shortlived sitcom, Marry Me. The “soft butch lipstick flannel queen” comes out on the show by announcing that she’s got a match on Boobr, “a dating app for lesbians, like Grindr is for gay men or Tindr is for straight men and whores.” Hilarious. And, she was dating Ana Ortiz?! How did no one tell me about this? — Natalie
91. Nasreen “Nas” Paracha, Ackley Bridge
Depictions of everyday Muslim characters of television remain elusive; depictions of everyday queer Muslim characters, even moreso. But of the handful of queer Muslim women we’ve seen on English language television, none has been more robustly portrayed, in my estimation, as Nasreen “Nas” Paracha. Born to Pakistani immigrants, Nas grows up a working class town West Yorkshire and attends to Ackley Bridge College, a new academy forged by the merger of two previously segregated schools. Ackley Bridge does as good a job as any show on television of grappling with our intersectional identities…and for Nas, that means learning how to exist as a lesbian, as a Muslimah and as an ordinary teenager in Ackley Bridge. — Natalie
90. Tea Marvelli, Skins US
When MTV debuted the trailer for the American version of the British series, Skins, they made one crucial change to the first series roster: Instead of Maxxie, the white gay character featured in the British version, or Teo, the Latino gay character mentioned in the original Skins USA sides, there was Tea, a young, beautiful Latina lesbian. Sofia Black-D’Elia — who’d go onto play queer again in The Mick — is magnetic in the role, capturing the attention of critics early in the shows run, but the show, much to my consternation, never really lived up to its potential… or the high bar set by Skins UK. (Carmen also wishes she had been played by a Latinx actor.) — Natalie
89. Amanda Weston, Stichers
In Stichers there’s a mysterious government agency who has the ability to “stick” people into the memories of the recently dead in order to solve murders and crimes. Which is totally normal and not at all creepy! Amanda, a medical examiner, calls it like she sees it. She don’t like have their emotions toyed with and is just has happy alone as she is a part of a relationship. Which is why she ultimately calls it quits with Camille, who wasn’t ready for the kind of commitment Amanda was ultimately looking for. — Carmen
88. Christina ‘Chris’ Alonso, S.W.A.T.
One feature of police procedurals — and, honestly, most of the reason I hate them so much — is that they center men to an annoying degree. Sure, there are women involved in the operation but when it comes to the takedown, the sometimes aggressive moment where the cops finally subdue the suspect, it’s left to the central male characters. But that’s not the case on S.W.A.T. where Chris Alonso is allowed to be every bit the badass as her male counterparts. And while Chris’ polyamory story ultimately left a bad taste in my mouth, it doesn’t take away from how groundbreaking it was to see the story told on a CBS procedural. — Natalie
87. Shana Bring, Pretty Little Liars
Oh Shana Costumeshop. That’s not her name, of course, but I think that she’s become more famous for her nickname inside the Pretty Little Liars fandom than her actual name itself (I literally didn’t know her last name was even “Fring” until we made this list) says a lot about both how loved and a little iconic Shana is for a specific niche of queer television watchers, and how badly developed or thought out her character was overall. Saying that Pretty Little Liars was badly thought out is sort of a given at this point in our television lives, but for while it really was a delightful rollercoaster of crazy. Shana joined at the peak and was a big part of that ride. Part costume shop worker/ part ex-girlfriend/ part Psycho-style stalker and potential murder suspect, who says that we can’t have it all? — Carmen
86. Bill Potts, Doctor Who
Optimism overflowed when it was announced that Bill Potts would join the Twelfth Doctor on his journeys. It was miraculous: A show that premiered back when homosexuality was still illegal in Britain now had a black lesbian woman as the Doctor’s companion. Unfortunately, though, that enthusiasm was short-lived as, despite some companions lasting multiple seasons, Bill was shot through the heart in her season’s pentultimate episode. Eventually, though, she reunites — as a sentient oil — with the Doctor and convinces him to regenerate, producing the Thirteenth Doctor, as portrayed by Jodie Whittaker. — Natalie
85. Mazikeen “Maze” Lucifer
Before Lucifer had even debuted in January 2016, the American Family Association/One Million Moms had launched a campaign against it. The show, they said was glorifying Satan and demons by making them caring and likable… and having them look like Lesley-Ann Brandt. Thankfully that campaign failed and we got to meet Mazikeen, Lucifer’s former right-hand — “the most skilled torturer Hell’s ever known,” he calls her. When Lucifer ascends to Earth, Maze sticks by his side…helping him solve cases and operate his nightclub. Eventually, though, Maze strikes out on her own, becoming a bounty hunter… a job that allows her to use her hunting skills and get paid. — Natalie
84. Keelin, The Originals
A werewolf ER doctor, Keelin’s the last of the Malraux bloodline after the rest of her family was hunted to extinction. At first she’s held captive by Freya, but later they combine their powers to destroy Marcel’s venom. Of course that leads to them dating. And then they have the most beautiful, fair tale gone witches, picturesque wedding! Oh and after the series ended, we learned they had a son together. Extra cute! — Carmen
83. LaVerne “Jukebox” Thomas, Power
I really can’t explain why I loved Jukebox so much. She was a dirty cop, she pimped her girlfriend out to see if her cousin (a man) would have sex with her — for reasons that are now very hazy to me — and she kidnapped a kid. To be fair, that kid was very annoying. But all the rest of it is real bad. Jukebox was every single “lesbians are evil” trope, wrapped up in a bow. And then they killed her! Shot dead. OK there’s really no reason you should watch Jukebox, except, hear me out: Anika Noni Rose playing gay. ALSO, Power is one of the few shows that has built a near religious following in black households and white people almost never have even heard of. That means that Anika Noni Rose, real life Disney Princess, having sex with women was seen all across black America. I guess that’s enough of a reason for her to be on this list. — Carmen
82. Sandy Lopez, ER
Before we met Hen Wilson on 9-1-1 or Maya Bishop on Station 18, Sandy Lopez was television’s most prominent queer firefighter. She meets Dr. Kerry Weaver on a call to help a pregnant woman out of a crashed ambulance in the middle of a thunderstorm. They develop a rapport and when Sandy returns to County General for treatment with her hand, Kerry asks Sandy out on a date. It’s the start of a beautiful relationship for a groundbreaking character on a show that, at the time, was still the third most watched show in the country (22.1M viewers!). — Natalie
81. Angela Montenegro, Bones
When Angela Montenegro broke the heart of her art school girlfriend, Roxie, lost her muse and went eight years without publicly displaying her work. Meanwhile, Angela put her classical art training to work at the Jeffersonian Institute in forensic facial reconstruction. But then the exes cross paths after Roxie’s implicated a crime, Montenegro is reminded that the only thing between them that’s changed is time…and once Roxie’s vindicated, the pair share a kiss. — Natalie
80. Kith Lyonne, Jessica Jones
Becoming a go-to actress for queer South Asian representation, Sarita Choudhury — who also previously played queer on Blindspot — stepped into the role of Kith Lyonne in Jessica Jones‘ final season. Lyonne dated Jeri Hogarth in college but the pair broke up after Kith found out that her girlfriend had been cheating on her (with Wendy, who Jeri would go on to marry and also cheat on). By the time they reconnect, Lyonne is married but still carrying around the pain of having lost her daughter and Jeri was dying of ALS… but, for a little while at least, they make beautiful music together. — Natalie
79. Allison Wong,The Real O’Neals
When compiling this list, it was very important to us that we represented a variety of television mediums. I’m explaining that because when we first winnowed this list from 400 to 100, somehow Allison Wong wasn’t on it! She almost slipped through the cracks, which would have been our loss. As Kenny O’Neal’s best friend, one of the only Asian people and the only lesbian in her Catholic high school, Allison complicated the The Real O’Neal’s sitcom set up in delightful ways. The original premise was that Kenny was the only gay teen in his straight, Midwestern existence. But it actually turned out that he only thought that because he was blinded by his own whiteness and male-centric point of view. Lucky for us, Allison was there to force his self-awareness and turn his world upside down. If you love your gay teens crafted in the existence of Daria Morgendorffer’s pitch-perfect deadpan, then Allison is definitely the girl for you. — Carmen
78. Kat Sandoval, Madam Secretary
CBS regularly ranks last among the five broadcast networks when it comes to the inclusion of LGBTQ characters. Last year, the network had just three queer female characters in its entire primetime lineup, only two of who got regular storylines and screentime: Chris Alonso from S.W.A.T. and Kat Sandoval on Madam Secretary. And while it’s necessary to take CBS to task for falling behind when it comes to diversity, it makes moments like Kat’s coming out to her colleague, Jay, on Madam Secretary feel even more groundbreaking. It’s as if the “good guys” snuck one past the gatekeepers and, in Kat’s case, gave an unsuspecting audience a real education on what it means to be queer in this country. — Natalie
77. Prudence Blackwood (Also Known as Prudence Night), Chilling Adventures of Sabrina
In a piece about the lack of respect afforded to black witches, Angelica Jade Bastién wrote, “The lack of powerful black witches in film and TV is a symptom of a larger problem that has existed in America since its very beginning: the fear of black women’s autonomy and prowess.” Prudence Blackwood may be the exception to the rule. On CAOS, the teen witch, whose style pays homage to the great Eartha Kitt, is afforded more depth than prior black witches have been afforded. Write her off as a mean girl at your peril, Prudence has a tendency to surprise. — Natalie
72. Captain Philippa Georgiou, Star Trek: Discovery
Technically, Captain Philippa Georgiou is dead. BUT — and this is important! — not this Captain Philippa Georgiou. Michael Burnham brought this version of Philippa home from the Mirror Universe to the regular Star Trek one to save her life, because Michael felt guilty for her own Capt. Georgiou’s death. Are you keeping up with me? Good. Somehow everyone on board was shocked to learn the evil Mirror Universe version of her commander was … well, you know … evil. But she’s really been turning around lately. And she’s a complete badass (who’s getting her own spin off show soon). In her universe, apparently everyone is Pansexual, but she’s the only one who’s made it clear so far, having sex with a pair of male and female Orions during the show’s first season. — Carmen
73. Toni Topaz, Riverdale
Do I personally wish we got to see more of Toni Topaz on Riverdale? Of course I do. No offense to Cheryl Blossom, but Toni’s always been my favorite Vixen (or Pretty Poison? Whatever those crazy kids are calling themselves today). I still believe Toni and Cheryl could’ve been Riverdale’s most iconic couple — and Toni their best Sea Serpent — if they ever would just let her off the bench sometimes and get deeper into the Scooby mystery of the week. — Carmen
74. Sameen Shaw, Person of Interest
Dr. Sameen Shaw, otherwise known as Indigo Five Alpha, or simply Shaw, is a physician and a former operative for the U.S. Army Intelligence Support Activity. Shaw describes herself as having Axis II Personality Disorder, and which basically means lacks empathy with most people. She has feelings, they’re just tuned on low. The exception that is of course her beloved Root. Together Root & Shaw performed the impossible — they went from being a fan relationship to a real canon one, on CBS no less! If that’s not magic, I truly don’t what is. — Carmen
73. Rasha Zuabi, Degrassi:Next Class
Degrassi‘s always been a show invested in queer representation and telling stories that dovetail with current events. Rarely have they been as relevant as when, at the height of the refugee crisis and the debate over accepting refugees, Rasha Zuabi ends up in as part of Degrassi High’s senior class. The Syrian transplant finds freedom at Degrassi, shedding her hijab and, eventually, being able to come out to her closest friends and family. — Natalie
72. Valencia Perez, Crazy Ex-Girlfriend
From the moment that audiences first meet Valencia Perez — flirting with Josh Chan in the grocery store freezer section — she’s really, really wants to get married. She and Josh have been together, on and off, for 15 years and she’s ready for him to put a ring on it. But when no amount of prodding works, Valencia breaks things off. Fast-forward four seasons of Crazy Ex-Girlfriend and Valencia’s found the woman of her dreams and, again, she really, really wants to get married…. and, again, the person who she’s expecting a proposal from doesn’t take the hint. But then she’s reminded by her girlfriend that gender roles are tired and if and when she wants to, she can propose. — Natalie
71. Maggie Sawyer, Supergirl
This is my list, that Natalie and I spent the better part of a month pouring over in obsessive detail, so I will stand in my truth: I don’t like Maggie Sawyer. If I had my pick, she wouldn’t be here at all. This is probably going to send droves of angry shippers after me, but that’s fine. I know how to work a mute button. Clearly there 30 other people on this list who ranked even lower than Maggie, so not everyone shares my opinion. And yes, she was brave and strong and a good girlfriend to Alex Danvers. I love the part she played in Alex’s coming out (I could watch the “kiss the girls you want to kiss” scene forever). But people of color shouldn’t be played by white actors, and Maggie Sawyer was. That’s my line in the sand. It’s 2019 and I don’t have to pretend its ok for white people to “act” or “play” people of color. Our culture is not a costume. — Carmen
70. Abby, Abby’s
With its bar setting, multi-cam format and live studio audience, Abby’s has all the hallmarks of a television sitcom classic. But the show’s diverse cast, led by the immitable Natalie Morales in the titular role, injected new life into a stale old premise and broke a lot of ground along the way. With Abby’s, Morales became the first openly queer woman and the first woman of color to play an openly bisexual main character on a network sitcom. And if that weren’t enough, Morales was also the first Cuban since Desi Arnaz to lead a comedy. — Natalie
69. Cotton Brown, Star
As Cotton Brown in Star, Amiyah Scott made history as the first out trans person to star as a series regular on network television. Particularly in the early seasons, Cotton was given more plot to chew through than any black trans woman role we’d seen before Pose. Those are two groundbreaking reasons that mean Cotton earned her spot on this list. Unfortunately, as years progressed Star — and Cotton’s role specifically — ran off the rails quickly from being a delightfully fun hot mess to being… just an awful hot mess.— Carmen
68. Aneela Kin Fit, Killjoys
When Delle Seyah Kendry started to relentlessly flirt with Dutch (Hannah John-Kamen) and set shipper hearts ablaze, the writers of Killjoys gifted us with Aneela. Also played by Hannah John-Kamen, Aneela is physically identical to Dutch, but in reality she’s different in just about every other way. With Aneela and Delle, we get to see the former villains of an epic tale begin to fight side by side with the heroes — without ever losing the murderous edge that made fans fall in love with them in the first place. It’s redemption story that actually isn’t about redemption at all: It’s about doing good, learning to really love, and also learning to be yourself instead of what others expect from you in the first place. — Carmen
67. Daysi Cantu, East Los High
Before we ever got to know Ser Anzoátegui as Eddy on Vida, they were Daysi Cantu on East Los High. Whereas other queer characters on the show — namely Camila and Jocelyn — hid their identities from their families fearing a backlash, Daysi was out and proud as a queer woman from a supportive family. After presenting to Jocelyn’s life skills class, she and Daysi begin flirting heavily with each other, much to the consternation of Camila, Jocelyn’s former best friend and first love. — Natalie
66. Alex Nuñez, Degrassi TNG
In hindsight, when Alex Nuñez first shows up in Degrassi, with her penchant for tank tops and starting fights with other girls, we should have seen the gay coming. And, of course, her threats to out Marco Del Rossi during their campaigns for class president were just a reflection of her internalized homophobia, spawned by her new complicated feelings for Paige. But everything finally becomes clear, after the premiere of Jay and Silent Bob Go Canadian, Eh!, when Paige and Alex share their first kiss. — Natalie
65. Kennedy, Buffy the Vampire Slayer
Few things provoke as much fervor among Buffy fans as a discussion about Kennedy, who joined the cast in the show’s seventh season. Tara’s body had barely cooled from the assassin’s bullet when Kennedy showed up in Sunnydale — a Potential Slayer seeking Buffy’s protection — to cozy up to Willow. She was such a contrast from Tara, personality wise: Kennedy was a self-proclaimed brat who was unapologetically aggressive in… well, everything… including her pursuit of Willow. But, perhaps, that’s what Willow needed at that moment: someone completely different from Tara to help her work through her grief and anger and, of course, to reaffirm her sexuality. — Natalie
64. Heather Novak, The Sinner
Of all the shows we hadn’t personally watched and had to deep dive research over the course of this project, I’m most mad about Heather Novak. I didn’t watch the first season of The Sinner, so I’m sure I missed it as it aired that they switched protagonists between the first and second years. But there’s a black lesbian LEAD in a True Dectetive style moody whodunit and no one told me? And the central mystery involves her first love/ ex-girlfriend? And she has to deal with the racial politics of being a legal authority figure in a small town where there are very few black people? And she’s the quiet, brooding type, with lots of emotions just beneath the surface? Sign me up. — Carmen
63. Ximena SinFuego, The Fosters
Ximena Sinfuego immigrated to the United States when she was barely old enough to remember it. Originally, she had DACA, but she let her DACA status lapse because she was afraid that with the increased ICE raids happening in immigrant communities under the Trump Administration, she would be tipping agents off to her family’s new address. That leads to Ximena being on the run from ICE, and here’s the thing: No one is better at humanizing political issues than The Fosters. In the middle of all our recent debates about how to best protect immigrants, the show put forth this character. A face that you can name and see and love and learn from. When they rise to the occasion, nothing tops The Fosters and when it came to Ximena’s immigration case, they were at their best. — Carmen
62. Maya St. Germain, Pretty Little Liars
At first, I was very surprised at Maya’s relative low ranking on this list, I mean who doesn’t love Emily Fields’ dearly departed girlfriend? But Natalie reminded me of a lot that I forgot about how little of Maya’s life made sense. She was raised by supposedly hippie parents, but then they freak out and sent her to rehab over smoking a little bit of pot? She’s barely given a life outside of Emily or any plots to call her own. Overall, she is broadly (and pretty badly) developed. OK. All that said, damn she was really cute with Emily! — Carmen
61. Carmen de la Pica Morales, The L Word
Carmen de la Pica Morales is so beloved despite how much she had working against her: she was a late addition “diversity” member of a show that was pretty famously white; she played into a lot of stereotypes about Latinas being “good” and “family oriented” while also being “spicy bombshell sexpots;” oh and she wasn’t even played by a Latina! Still, regardless, our love for Carmen pushes on. Sarah Shahi brought warmth and familiarity to the role and we all wanted to be Carmen’s friend (or girlfriend), how could we not? — Carmen
60. Nola Darling, She’s Gotta Have It
In terms of raw camera time, you’ll be hard pressed to find another character on this list who beats out Nola Darling. After all, the pansexual Brooklyn artist is the protagonist, narrator, and titular character of her own show. This also makes her a perfect case study as to why quality, and not just quantity, matters. Nola’s one of the most famous queer black women in popular culture (stemming from the original She’s Gotta Have It film in the ’80s), but her characterization remains tied up in the imagination of filmmaker Spike Lee. His vice grip on Nola, and unwillingness to allow a black woman (specifically a black queer woman) leave their mark on her writing ultimately hampers Nola before she even reaches the screen. It prevents her from becoming the iconic character she really could be. — Carmen
59. Shani Abboud, Orange is the New Black
Though it’s very important to note that not all Muslim women, and not all women from Africa, are required to go through genital mutilation — it’s nonetheless significant that Orange is the New Black decided to tell that experience with such tender care through Shani. It’s also vitally important that we experienced ICE custody through the eyes of a Muslim woman, and that we also got to know Shani’s life in Egypt – that she lived in a city, that she had an Instagram account, and a girlfriend. It’s breaks down the one-dimensional stereotypes that we often receive about Muslim women from television.— Carmen
58. Yolanda Rivas, G.L.O.W.
The way Yolanda Rivas comes out to her fellow wrestler, Ruth, is cavalier, even by today’s standards. She offers to spice up their matches by wearing a string bikini but Ruth balks at the idea: Yolanda’s left her stripping days behind, Ruth points out, there’s no need to go back. She’s not, Yolanda says, except once a week when her ex bartends; she likes to torture her by taking off her clothes.
“You like girls?” Ruth asks.
“I love girls,” Yolanda answers.
That audacity would be refreshing today… but in the 1980’s, where real-life wrestler Tiffany Melon was forced out of GLOW for being suspected of being a lesbian? Yolanda’s brashness would be unheard of. — Natalie
57. Felicia “Snoop” Pearson, The Wire
There’s this thing we say sometimes on the TV Team: “I love a queer villain, but I hate when queerness is villainized.” I’m not sure that Snoop is a villain, though she is very violent, but what I most loved about her is how much she was woven into the fabric of her neighborhood. Snoop is never singled out for her masc gender presentation or her sexuality. It’s never brought up as an issue, not even once, in all six seasons of The Wire. She just gets to be who she is. If that person happens to be a gangster with an affinity for hiding bodies. Well, that’s a potential problem for a different day. — Carmen
56. Violet Cross, Harlots
Against the backdrop of two competing brothels, you don’t expect to witness a genuine love story emerge, but that’s what Harlots offers with Amelia Scanwell, the daughter of a religious zealot who preaches outside the brothels, and Violet Cross, the audacious, unapologetic street girl that catches her eye. Surprisingly, Cross’ role in the British period piece is loosely based on the true story of Ann Duck, the biracial woman who followed her father into gang life and built a lengthy criminal resume. — Natalie
55. Tess Pearson, This Is Us
I’ve said it before, and I’ll say it again: Tess Pearson is the coolest gay tween in America. It’s not every day — well actually, it’s literally never — that we get to see a black tween come out to her parents and they respond with nothing but loving her and supporting her. It’s one of a kind, and over a year later I still can’t stop thinking about it. On top of that, Tess also struggles with high anxiety and panic attacks, centering yet another important conversation in black communities that often gets overlooked. And her celebrity crush is Zendaya? My girl has taste. — Carmen
54. Deniz, The Bisexual
The Bisexual is billed as a half hour comedy, but I didn’t really laugh that much while watching it. The exception, of course, is when Deniz takes the screen. She’s brilliant and dry and sarcastic. Her bullshit detector is on a hundred at all times. She’s hard on Leila (the titular bisexual), but she’s also loyal. To her friends, and also her parents. When Leila pushes that Deniz should leave her her family liquor store to pursue her dreams of becoming a chef, Denis retorts “stop being so fucking middle class” — please give me more queer Muslims telling hard truths with a punchline like this, thank you very much. — Carmen
53. Cruz, Vida
Ah Cruz and her beautiful shoulder tattoo. Yes, I realize that sounds incredibly superficial of me, but honestly? What a great, queer, costuming choice on behalf of Vida. Anyway, in Vida’s first season Cruz stands out because she’s a lesbian who didn’t move away from her home neighborhood in order to come out. She made home gay all around her, and she’s fiercely protective of it. She’s tough, but patient, and at first seems like everything Emma needs as she works through her own internalized homophobia. Unfortunately that character development falls greatly in Vida’s second season, where Cruz becomes a zombie of her former self as she purposefully pushes Emma away. It’s that abrupt shift in characterization that finds her on the bottom half of this list. — Carmen
52. Nico Minoru, Marvel’s Runaways
One of the themes we see repeated with Asian characters on film and television — queer or not — is the concept of “saving face.” The idea, explicitly named in the iconic lesbian romantic comedy and implicitly evoked in last year’s Crazy Rich Asians, is about the ways in which people modulate themselves to avoid bringing undue attention to themselves, their parents or their communities. Part of what makes Nico Minoru’s Runaways character so noteworthy is that she’s turning that trope on its head. She goes beyond just being the disobedient high school student or being candid about her sexuality…she’s literally battling her parents and her community who are the embodiment of evil. — Natalie
51. Alice Kwan, Good Trouble
When Freeform announced Good Trouble, a spin-off of The Fosters that would take Callie and Mariana, post-graduation, to downtown Los Angeles, I expected a world centered around those characters. That is not what I got. Instead the Adams-Foster girls are just a gateway to introduce the audience to a compelling set of new characters, including Alice Kwan, the house manager of the intentional community where Callie and Mariana live. In the show’s second season, Alice is learning to define herself, both as a newly out lesbian and as a new comedienne. — Natalie