Results for: representation
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Q-taku: Your Colossal Guide to “Attack On Titan,” And Its Shiny New English Dub
I watched the dub premiere of Attack on Titan at Anime Boston. Here’s why I think everyone who is interested in awesome female characters and good queer representation should give this brutal action anime a chance.
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Going Beyond Going Down: Why Diverse Queer Sex On TV Matters
“And every time she has sex with a man, she is ass naked. Literally. I have seen her ass now twice. My problem isn’t her being ass naked. She has straight sex and is naked, but this other character has gay sex and both of them — bras on, underwear on.”
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And They Lived Heterosexually Ever After: Why I’m Not Recapping Once Upon A Time Anymore
“Fun as it was to mercilessly tear this show apart, the buck stops here.”
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Orphan Black’s Delphine and the Dangers of the Bisexual Femme Fatale
“For the duration of the plot so far, Delphine’s bisexuality is the premise for the moral tension that she causes, and a key to the danger that she poses to Cosima.”
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Q-Taku: “Sailor Moon” Is Even Better With All The Gay Parts
Along with the new Sailor Moon anime coming in July, the original series is back unedited with a new, faithful and queer-friendly English dub coming later this year. Here’s your guide to this trip down nostalgia lane.
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GLAAD’s “Where We Are On TV” Shows Best Place To Be On TV Is Behind The Camera
“Where We Are On TV” has some promising and not-so-promising numbers for queer women on the teevee, and also raises some questions about how we quantify “representation” in the first place for all groups.
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Laverne Cox, Superstar: The Autostraddle “Orange Is The New Black” Interview
Laverne Cox talks about trans* representation in media, relating to her character and what it’s like being a trans* actress in tv.
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Everyone is Tired of White People on TV
There is now data that suggests viewers are more likely to watch shows with racially diverse casts and writing staffs. Imagine that.
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How Do We Solve A Problem Like “Queerbaiting”?: On TV’s Not-So-Subtle Gay Subtext
Once upon a time, gay subtext was a revolutionary act in media. But is it still all that progressive?
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Those Shady Gays: A Reflection on Mad Men, Downton Abbey and Revenge
The untrustworthy homosexual is a lazy way to add ‘diversity’ to your television show. Let’s talk about it!
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“Burka Avenger” and Problematising the Problematisation of the Burqa
“Burka Avenger,” Pakistan’s first original animated TV series, features a female superhero who’s sparked a debate about whether her burqa disguise is “cool or conformist.” Why is this still the issue about Muslim women?
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GLAAD 2012 Network Responsibility Index: Why Do Queer Women On Television All Look The Same?
Seriously, where the hell are all the butches?
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The Newtown Girls Interview And Season Finale
Australian actors Renee Lim (Alex) and Debra Ades (Scarlet) open up about their experiences shooting The Newtown Girls. Also, watch the season finale!
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In 2011, Queer Girl Television Was Almost Awesome
On the upside, nobody died in a fire.
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Genderqueer Outlaw: Meet Franky, Skins Season Five’s Glorious Headf*ck Thing
How you’ll learn to stop worrying about lesbians and love Franky Fitzgerald.
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Televisionary Q&A: How “Real” is “The Real L Word”?
I’ve got some questions about “The Real L Word.” So I tracked down a veteran reality TV editor and established fan of reality teevee programs to get the scoop on how scenes get constructed, what makes TRLW different than other shows, the Theory of the Dogs, “Frakenbiting,” who controls the “stories” being told and other supreme secrets of editorial magic!
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Guinevere Turner, From “Go Fish” to L-Wording: The Autostraddle Interview
Writer/actress/director Guinevere Turner tells all about her L Word legacy, her own “Chart,” why she stopped watching, seeing “Go Fish” two decades later, writing Michelle Rodriguez & Kristanna Loken’s Bloodrayne underwater fight scene, and — well — read this interview. Seriously. Read it right now, trust me.
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On Set of “We Have To Stop Now” with Jill Bennett & Cathy DeBuono
“Celesbians” extraordinaire Jill Bennett & Cathy DeBuono talk to Autostraddle about filming “We Have to Stop Now” during a hurricane onboard the Sweet Cruise and how vlogging for SheWired allows more swearing & sexy talk.
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Sweet Sweet Charlene of Logo’s “Gimme Sugar”: The Autostraddle Interview
“You have to break the shell, be okay with who you are regardless of the cameras and know that there’s someone out there who’s gonna relate to you. There’s no character space so if you’re not yourself that shuts off the whole reason for reality TV. Especially when it’s something about lesbians — that’s for everyone, even for gay boys, we’re fighting for visibility.”