Results for: meet up
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Neon’s Queer Puerto Rican Has Big Reggaeton Dreams, Its Impossible Not to Root for Her
Doesn’t “Jordana Brewster plays a lesbian drug lord who immediately turns the all women around her weak” sound like a perfect sentence, rolled off the tongue?
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Mae Martin’s “Sap” Is a Comedic Balm for a Difficult World
What I was feeling was genuine familiarity. What I was feeling all this time was seen.
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Netflix’s ‘Bodkin’ Should Have Let Its Lesbian Take the Lead
Siobhán Cullen is the undeniable star of the new Netflix series Bodkin. And not just because her character is a lesbian.
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Shadow and Bone Season 2 Is Epic and Queer, but Fails Its Sapphic Characters
If you thought season one of Shadow and Bone was ambitious in combining two beloved book series, Netflix has one message for you about season two: “Hold my mead.”
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Will ‘Baby Reindeer’ Welcome a New Era of Complex Television?
We cannot fight stigmas around transness, queerness, and surviving abuse by reducing the complexities of life into rules and checklists.
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Élite Season 4 Finally Delivers a Sapphic Storyline
Élite’s 4th season devotes half its romantic storylines to the gays: and this time, that means lesbian content too!
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Throughout Its Four Seasons, “Sex Education” Showed Us a Better Way
Worse sex education and less adolescent autonomy has consequences — consequences no show can overcome. It’s admirable to watch this one try.
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“Ginny & Georgia” Season 2 Is a Rainbow Tornado of Teen Drama
The new season of Netflix’s Ginny & Georgia is full of heartache, friendship, crime, singing, and of course that good, good gay drama.
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“Never Have I Ever Season Four” Stepped Right Into the Affirmative Action Debate
As in previous seasons, it’s hard not to feel that a show that’s theoretically about raising the profile of an often-misrepresented racial minority in America, instead completely misrepresents racism as it exists in America.
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“Elite” Season 6 Is a Mess — and Not the Fun Kind
Season six brutally buries a gay, becomes reductive in its trans storytelling, and generally misses the mark.
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“The Imperfects” Gives Us a Practically Perfect Asexual Queer Character
The Imperfects has comic-book antics, found family feels, and an asexual queer character; which sounds perfect to me!
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Netflix’s The One: A Lesbian Love Triangle Gets Lost in a Murder Mystery
Is love a lie or the ultimate truth? The One balks at exploring that fascinating question and cops out with a cliched murder storyline.
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Atypical’s Casey and Izzie Join The Magical Unicorn Club of Queer Happy Endings
Stories are the things that make us human, and real gay people still need to see fictional gay people finding happy endings to know happy endings are possible for them too.
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“It’s Just a Phase” — Bisexual and Ex-Orthodox Erasure in Netflix’s My Unorthodox Life
We all — Ex-Orthodox, Orthodox, and bisexual — deserve better from Netflix than the perpetuation of misconceptions about our identities.
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Is Marriage or Mortgage a Reality Show About Crime Girlfriends or What?!
This business model is very f*cked up and sometimes it even works! Nichole and Sarah are also clearly constantly trying to slyly top one another.
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“Tiny Pretty Things” Review: I Love and Hate This Netflix Ballet Show
Fun and frustrating, derivative and surprising, Netflix’s new ballet show Tiny Pretty Things is undone by its paradoxes.
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Netflix’s “Get Even” Is “Foxfire” Meets “Pretty Little Liars,” But More Mediocre and Slightly Less Gay
Is ‘Get Even’ a good show with a robust queer storyline? It is not. Did I watch the entire thing in two days anyhow? I sure did!!!! Should you do the same?? Probably!
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“Lucifer” Season 5A: Everything Is Gay and Everything Hurts
The first half of Lucifer’s fifth season is heaven and hell for the gays.
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Sam Jay’s Netflix Stand-Up Special Is Half Hilarious, Half Disappointing
As much as Sam Jay made me laugh and relate, there were also major moments of cringe that I simply couldn’t ignore.
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“One Day at a Time” Is Back When We Need it Most
To have this show on the air at this moment — even if Netflix had renewed the show, it likely would have debuted in January — it just felt fated. We needed this show at this moment and I was so grateful for it.