“They/Them” Review: Peacock’s New Queer Slasher Is Too Timid for Its Talented Cast
For a movie that bills itself as a queer empowerment film, there is neither enough fighting back nor enough in-your-face queerness.
For a movie that bills itself as a queer empowerment film, there is neither enough fighting back nor enough in-your-face queerness.
Since the rise of video, “just go out and make something” has been a rallying cry to young filmmakers. I would add not to lose yourself along the way — in content or form.
“A lot of the history of horror is that, you know, those queer coded people who don’t fit in are baddies.”
We’ve got the much-anticipated and very gay “League of Their Own” TV rebirth, a horror movie set at a gay conversion camp, the return of Never Have I Ever, the debut of the supernatural “Sandman” series and so much more!
I’m looking forward to a media future where trans girls in love aren’t rare. Anything’s Possible isn’t perfect, but it’s a great start.
Worrying if black people are gonna die by racism, capitalism, white supremacy and all the other shit we have to deal with in real life? Nope. We get to deal with the fear of regular science fiction — and it is glorious.
Juliet Bashore and Tigr’s approach to this film was revolutionary, but now it would fit right in as The Real Gay Housewives of 1970s San Francisco.
I want to love all girl movies, all nerd movies, all gay movies — but yodeling Yoshi, this thing is nearly unwatchable.
After being queer coded for years, everyone expected that Valkyrie would finally have a major gay storyline. And yet! How did Marvel still get it so wrong?
We’ve got Season 3 of Harley Quinn, the live-action adaptation of the Paper Girls comic book, the latest Pretty Little Liars experiment, Issa Rae’s Rap Sh*t, Billy Porter’s trans rom-com and also some other items of note!
Alisha’s queerness isn’t just some sidelined reference. The whole plot of Lightyear revolves around Buzz comparing his life to that of his queer, Black best friend and realizing that family and community is what he truly desires.
A dazzling portrait of a white heterosexual girl’s coming-of-age, Lady Bird gave us a straight character anyone can root for.
The Janes documents the group of women in 1960s Chicago who came together to provide safe abortion access to women who needed it.
We are watching these three artists create drama together — which definition of drama is unclear.
No one is a villain and no one is wrong. It’s just often the natural progression of these kinds of relationships where people don’t talk things out.
Dani Janae talks to Tribeca Film Festival programmers, Lucy Mukerjee and Shakira Refos, on the importance of investing in queer artists and audiences.
The Bechdel test has always been dangerously limited when implemented carte blanche, especially when talking about people of color.
This is exactly what I want from contemporary low-budget queer filmmaking.
We’ve got a series about lesbian vampires and a series about a queer actress angling to be in “Les Vampires,” a delightfully inclusive Queer as Folk reboot, Selena Gomez getting the girl in Season 2 of The Only Murders in the Building, a new 80s-set movie about a young Black queer singer and (truly) so much more!
I rewatched Grandma the day after Justice Alito’s leaked draft opinion was published and I marveled, once again, at how prescient Lily Tomlin’s best roles are.