We’ve got Claire Danes starring and Natalie Morales playing her ex-wife in a new Netflix psychological thriller, a new trippy genre-bending series from Vince Gilligan with a lesbian lead, and so much more!
I’ve hitchhiked twice, and neither time was with a driver I would describe as particularly normal.
The parasite motif in Weapons is admittedly on the nose, but when you consider how groomers and rightwing influencers alike require a rapt audience of sycophantic followers, Gladys draining the life out of a classroom’s worth of kids suddenly doesn’t seem too far from real life.
“What I feel excited about mostly is that I think this film is a piece of work that defies easy categorization, and that’s how I feel as a person.”
Tina Romero is doing zombie cinema her own way: letting drag queens, Katy O’Brian with a crossbow, and Margaret Cho with a blowtorch bash zombie brains.
Guillermo del Toro’s Frankenstein directly draws a line between parental abuse and monster-making.
There aren’t many things in this world I call “ontologically evil” with a serious disposition, but AI has become one of them over the last three years.
In an interview with Autostraddle, Staceyann Chin describes the wild journey of trying to procure sperm in the early aughts to become pregnant as a single lesbian.
In Insidious, both father and eldest son possess the ability to project their consciousness elsewhere. The father does not remember this. Is it a gift if you want to forget it ever existed?
Sleepaway Camp depicts heterosexual desire, particularly from men, as being predatory, transactional, cruel, and destructive.
I stopped taking care of myself because I thought that’s what it meant to be serious about writing.
Horoscopes can be a useful way of understanding ourselves and working toward personal growth; HORRORscopes can let us avoid that personal growth by reveling in our own mess and allowing our “evil” sides in. And doesn’t that sound more fun?!
Gather round stream queens, it’s time to watch queer horror all month long.
We’ve got the streaming release of the Aubrey Plaza / Margaret Qualley lesbian neo-noir film, Tessa Thompson starring in a newly queered Hedda Gabler adaptation, new seasons of Hazbin Hotel and so much more for your gay October.
Motocrossed, a Disney Channel Original Movie that premiered in 2001, is an even more canonically trans film than She’s the Man. I will die on that hill, as if I just crashed off it in a motocross race.
For someone gay whose favorite movie is probably the original Point Break, I can’t believe I had never seen 2002’s Blue Crush.
It also displays the cost of this rebellion.
Jordan Gonzalez makes the jump from TV to film with his role in The Long Walk.
From 1935 to 2025: Here’s almost a century of evolution in transmasc representation in cinema.
The last few years have brought a renaissance of sorts for Jodie Foster.