Your Questions About Tig Notaro in “Army Of The Dead,” Answered
Everything you need to know about the heartthrob helicopter hunk (!!!) played by Tig Notaro in Zack Snyder’s zombie-heist mashup movie, Army of the Dead.
Everything you need to know about the heartthrob helicopter hunk (!!!) played by Tig Notaro in Zack Snyder’s zombie-heist mashup movie, Army of the Dead.
“I know and love many Danielle-esque people — but she is not me. Instead, she is the projection many people have of me solely based on my identity.”
The Mitchells vs. The Machines is genuinely hilarious and actually for really real gay.
Despite the real-life horrors queer women face, horror cinema has largely shown queer women as predators. The Retreat attempts to change that.
Hysterical operates under the assumption that the experiences of women in comedy are universal. But in a documentary that overwhelmingly features white cis women, there’s little room left to explore what comedy is like for women who hold multiple marginalized identities.
Ultimately, the film shows that the differences between cis people and trans people aren’t as vast as we usually think. There are many ways to make a family and the more expansive our imaginations the more everyone will benefit.
Netflix’s “Deadly Illusions” is the worst best most bananas homoerotic thriller currently begging for your attention and if you are gay and hate yourself, you should answer its siren song.
Age gap relationships have always been and will likely always be a part of queer culture.
Moxie aims for riot grrrl rage and zine-ready radical politics but falls short, coming off more like a glossy mag for girl power that’s only loosely intersectional.
It’s like spending 90 minutes inside a fever dream a Kristin Wiig ’80s sketch character might have if she got high inside some kind of Mars Cheese Castle/Dylan’s Candy Bar co-op. And I loved it.
“I fully understand they have to paint a picture of the times, and deep racial trauma and pain were a part of those times, but I found myself wondering why we need another gut-wrenching Black story on film.”
If you don’t like to watch movies about horrible people doing horrible things, you’ll probably want to skip J Blakeson’s I Care A Lot. If you, like me, are a zealous fan of the small but growing canon of lesbian heist movies, you might have fun with this cynical, clinical movie steeped in the horrors of capitalism and greed.
Four trans individuals are featured in the new docu-series exploring the impact of Trump’s ideologies.
It’s impossible to forget a feeling like sitting on the bleachers watching Floriane swim. It’s impossible to forget the drowning.
The visual and narrative tension, of course, ramps up the eroticism, but so does Madeline and Nina’s actual relationship, which hasn’t aged in that calm, quiet, mature way we usually think of lesbian grandmas.
The cinematography, the sound design, the direction of the actors — it all culminates in a remarkable cinematic experience. And yet every time Affleck was on-screen, I felt chilled.
Pauli Murray was unspeakably brilliant, and their warmth is best captured on their own terms. With over 141 boxes of writings, 800 photographs, and dozens of tapes — the documentary “My Name Is Pauli Murray” shines brightest when it lets Murray take the reigns.
The dialogue isn’t exactly elegant — though there is one deeply quotable moment when Jane’s lesbian teacher asks her what’s wrong and Jane says, “I’m gay and everyone hates me!!!!!!”
That’s what’s so special about watching a film from a trans filmmaker this audacious and experimental. It doesn’t have to engage with transness in the expected ways to resonate with a trans audience.
Look, when a character takes a strap-on out of her backpack in the middle of a sex scene you know you’re in good hands.