Slow Takes: A Tribute to Zoom Theatre
The story of how I joined theatre is like if the Disney Channel was dark and gay.
The story of how I joined theatre is like if the Disney Channel was dark and gay.
I’m 23, and I’m not sure if I’m on a date (I’m not).
Scrabble has always been an exciting way to show that my English degree might have meant something.
I had to figure out what it meant to reconnect with a body I’d always been afraid of.
I finally understood that the “normal” I was seeking was mythical and that my body was beautiful and precious the way it was.
I never imagined I’d have to get an IUI, or that there would be a silver lining.
When I was 12, men started to ask me for my number at the mall.
There’s nothing quite as powerful as being in charge of your own pleasure.
I think of all the things that have taught me lessons and made me the woman I am and feel that, even if my mothers didn’t care for me the way I wanted them to, I still came out on the other side, not unscathed, but survived.
Something had to change, because I’d never be free, be myself, if I kept it up. I decided to take the biggest risk yet, and started transitioning again.
My care team couldn’t help me with the sexual side effects of PTSD — I had to figure this one out on my own.
There are so many names I have been called that I now have taken on for myself. Call it reclaiming. I’m not sure what it is but it has largely to do with the work I’ve done on accepting my body for what it is, whether I love it or not.
She was in the middle of a long divorce, and I had pulverized myself to fit into the life of a secret girlfriend.
There is, apparently, a ballet child to queer adult pipeline, and I want to come out as a person of queer ballet experience.
We met when I was 16 and she was 17. We weren’t dating, but we might as well have been. I’ve been thinking about her more than usual lately, ever since I found myself obsessed with Yellowjackets.
There’s a reason people say things like “grief isn’t linear,” and “you won’t feel this way forever,” and there’s also a reason it feels like you’re hearing those things through a set of ear muffs when you’re in the moment.
To love someone new is to agree to travel somewhere that doesn’t exist yet together.
So much of my experience of poetry is wrapped up in time.
In the middle of a pandemic, 8,000 miles away from Dhaka, Bangladesh, I craved my favorite dish in the world: beef bhuna, a curry made of tender meat and rich, spice-packed gravy.
My partner and I started our relationship at a distance. C was on Eastern Time. I was on Mountain Time.