“Call Me Miss Cleo” and the Queer Legacy of TV’s Most (In)Famous Psychic
When the PRN lawsuits were settled, Cleo essentially went into hiding. But she soon found a queer coffee shop in Florida that felt like home.
When the PRN lawsuits were settled, Cleo essentially went into hiding. But she soon found a queer coffee shop in Florida that felt like home.
Sapphic wives in a new Christmas movie? Yes! Now make them the main characters!
This is a true work of avant-garde queer art that features furniture humping, disembodied hands, DIY-looking miniature set pieces, and BDSM dance parties.
In which a masc lesbian musician nerds out about Tár: what worked, what didn’t make sense, what she loved, and where the film went astray.
If we allow these wars to be reframed through a queer lens, through a hip A24 lens, we will see their errors repeated.
Look, if you want Cate Blanchett to punch you in the face and run over you with her bicycle, that’s absolutely fine — but revisiting Carol or even Ocean’s 8 is a better way to live out that fantasy.
If they couldn’t appreciate porn as art, I couldn’t trust they’d see a slasher set in the world of its production as anything but a cheap thrill.
Amanda Kramer’s new film, Please, Baby, Please, is an exploration of gender entirely on its own terms, entirely on our terms. It’s a relief to be spoken to with such complexity and humor.
Cecilia reminds us that whatever was living in you before you grew up doesn’t just vanish into thin air; it mutates and resides in your bones until it decides your body isn’t home enough for it anymore.
The much anticipated Hellraiser (2022) starts off like a great first kiss.
Scooby’s new Halloween movie is basically a lesbian rom-com.
“That line is written for someone who knows what it sounds like for their knees to creak, who has pondered the liquid gold that is Vitamin C serums (coincidentally, another gag in the film). There is no other way.”
Straight rom-coms aren’t expected to properly evoke Marsha P. Johnson and gay romcoms shouldn’t have to either — of course, it helps that straight romcoms don’t try.
I left The Woman King feeling like I could fight any obstacle that was in my way. Not only was I full of adrenaline, but I was filled with joy. Seeing a group of powerful Black women triumph fills me like nothing else can.
A Sarah Michelle Gellar cameo, references to all the 90s teen classics, and throwback needledrops make for a nostalgic experience, but “Do Revenge” doesn’t quite pull off iconic status itself.
As a Black person, it is literally a gamble to trust white people, even for a second.
Sometimes letting a person be hot and funny and wear great outfits is all the politics you need.
Jurassic World: Dominion features a bisexual Black character played by DeWanda Wise, but her queerness barely breaks out of subtextual territory.
To paraphrase a quote from Sarah Polley’s film, what’s the difference between forgiveness and permission?
This is unfortunately not a movie about two babes banging and eating their way through Italy — but there is a dash of sapphic salt between Allison Brie and Aubrey Plaza!