SXSW 2023: The Lives and Loves of Intersex People In “Who I Am Not”
An intimate look at the journey to figuring out where you belong
An intimate look at the journey to figuring out where you belong
Scream VI is as queer as you were hoping it would be! Jump scares and gay smooching, let’s go!
Bella Ramsey stars in yet another heartbreaking lesbian love story, a snapshot of what it may have been like to be queer and in love in a time of witch trials.
Prime Video’s rom-com isn’t exactly My Best Friend’s Wedding — but there are plenty of familiar beats in Alison Brie and Kiersey Clemons’ new film.
This reminds me of the gorgeous difference in our Letterboxd reviews for this film. Mine was like “romance novels for boys are good” and yours was like “the struggling economic realities of being an artist are impossible to navigate.” And look, I think we’re both right!
I want to crawl inside sweet stories and build a blanket fort there. Lucky for me, writer and director Julianna Notten has met me right where I am.
As much as I’d love for Tig Notaro to be in all romantic comedies, I don’t want “butch best friend” to become the latest watered down LGBT character trope.
These two lovers bond over their shared mommy issues — and their shared interest in each other’s bodies.
Knock is equally about this one, queer family as it is about our relationships to everyone else, the connections we have through the fact of biology and culture, the fact of our shared humanity.
This movie feels too scared to say what it really wants to say.
Every story can be told, if it’s told right.
It’ll make you believe that love can be just a stroll away.
This film also asks why we make our children pay for things they knew nothing about.
I have seen several trans coming-of-age films — few with this amount of specificity, nuance, and imagination.
A thigh touch and a smile does not make a queer film!
The movie delightfully mines marital conflicts for humor, but it falters in the writing of its lesbian characters.
What we’ve got to remember is that girls from about age ten to about eighteen are simply the most terrifying beings to walk the planet.
This is a film filled with struggle that never feels maudlin, hope that never feels forced.
Instead of revealing Houston’s deeper emotionality, experiences, and relationships, the movie often feels like merely watching characters walk through a summary of her major live events.
When the PRN lawsuits were settled, Cleo essentially went into hiding. But she soon found a queer coffee shop in Florida that felt like home.