“I pushed and shoved and laughed and danced in big black shoes that would later bruise my feet, next to a girl who would later love me back.”
Over the past several months, I have watched my surroundings transform into some sort of fictional dystopia. Despite this, seeing illustrations of America Chavez have filled me with hope.
“I use my art as a form of activism. I want my art to convey pride and courage, fearlessness through bold color. Creatively, this IS the time for artists to rise and do our part.”
We talked to One Day at a Time writers, Becky Mann and Michelle Badillo, about gay representation on TV, how Autostraddle came to be in the script, their queer TV roots, what kind of LGBT stories are missing from TV and what’s in store for Elena in a potential next season.
QTPOC-centered podcast, YouTube channel, and website Collectively Speaking launches today! Support QTPOC media!
My journey to self-love through the influence of Whitney Houston’s life and music.
One of my favorite parts of the movie is the reverence that Moana has for her ancestors and her culture, even while she pushes it and challenges it to embrace the future. This is a reality that many POC, especially queer ones have to deal with.
I’m guest editing an essay series for Autostraddle next month and am looking for personal essays about how your black queer life has been saved or influenced by art in all forms, from television to sculpture.
Let’s take a look together and see which parts of the film were fact, and which parts were beautiful, exquisite, powerful fiction.
I’m beyond honored and blessed to premiere the new live version of “I Am Her,” Diamond’s powerful anthem stripped down into an a capella performance.
One Day at a Time is so revolutionary in its depictions of what a family might actually look like in America. It’s got the same recipe of an old school family sitcom but turns the norm on its head because it centers the family’s brownness and provides ample social commentary to deliver a fantastic modern-day sitcom.
When you’re stargazing, remember Katherine Johnson, Dorothy Vaughan, and Mary Jackson’s work. Tell their stories over and over. They’ve been silenced for so long; now it’s our turn to keep them alive.
This is the year the resistance takes shape. And for feminists looking for a roadmap, The Crunk Feminist Collection is the newly-printed guidebook that sets the path.
“What ultimately makes Moonlight such a heartbreaking film to me is that despite these reflections and ways I am ever-present to myself, I’m not actually in the film. And yet, here is my masculinity – both what I am and what I strive to be – showcased in the most honest ways.”
Here’s 16 women or groups of women who gave me and you and everyone we know some life in this, the darkest of years.
“The Other Love Story was such a breath of fresh air in many ways. Aadya and Aachal felt like any other regular person: they were not coded Butch or Femme, like too many of these stories tend to do, and neither were overly Westernized nor overly exotified. They just were.”
Displaying the art and taking time to understand its message and content implies value of the work itself. Doing so would acknowledge that women, people of color, queer and/or trans people are a part of art’s history. But this is not happening.
More than twenty years since they were convicted of a horrific crime, a Texas criminal appeals court declared four Latina lesbians innocent and exonerated. The San Antonio Four’s exoneration serves as a ray of hope in these dark times and reminds us to continue to fight like hell for justice.
Fifth Harmony member Lauren Jauregui is a proud bisexual Cuban-American, and also has some very choice words for Donald Trump voters so LISTEN UP.
Southwest of Salem tells the story of four Latina lesbians who were found guilty of a crime they didn’t commit and how the legal and criminal justice systems failed them as queer women of color. Watch it tonight on Investigation Discovery at 8 pm EST.