“Trinkets” Is a Queer Teen Drama That Will Steal Your Heart (Literally. They’re Shoplifters.)
All but one of the episodes were written by women. All but two were directed by women as well.
netflix
“Tales of the City” Believes in the Power of Gay Love and LGBTQ Chosen Families
Tales of the City leans into some tropes, flips others on their head, makes plenty of jokes at its own expense, and — above all — believes in the power of LGBTQ people who come together to make their own family.
“She-Ra and the Princesses of Power” Season Two Is Even More Hopeful (and Gay)
The Gay Agenda returns!
“Chilling Adventures Of Sabrina” Review: Sabrina Spellman’s Rage Lights Up Part Two
Like Riverdale, Sabrina is paradoxically at its most enjoyable at its most off-the-rails and also in its more intimate, grounded character moments, and both shows have difficulty entwining the two.
“One Day at a Time” Is Cancelled at Netflix, But the Love of the Alvarez Family Lives On
Feel your feelings and then keep fighting. Elena Alvarez couldn’t have said it better herself.
A “Baby-Sitters Club” Reboot Is Coming to Netflix, Better Be Real About Who All’s Gay
Your childhood favorites are coming back with a ten-episode direct-to-series order from Netflix. And listen, if at least one of these girls isn’t gay in 2019, I’m hurling myself into the sun.
“Russian Doll” Is the Darkest, Funniest, Most Comforting Show of 2019 So Far
The night of her 36th birthday, charismatic, caustic Nadia is killed in a chance accident, only to find that the evening has reset itself, looping endlessly. The premise is a puzzle, yet there’s no urge after watching Russian Doll to dissect or theorize; that’s not the point. The point is something else.
Gina Rodriguez’s Carmen Sandiego Is a Kickass Feminist Hero Who Makes Every Man Around Her Look Like a Buffoon
Latina legend Carmen Sandiego is the most competent, confident person on the show, unapologetic in her femme-ness. A feminist Latina Robin Hood!
Grace Hanson Is a Confirmed Bisexual in Grace and Frankie’s Gayest Season Yet
It’s like a damn Nancy Meyers movie up in here in season five.
“Sex Education” Review: Gillian Anderson, Baby Dykes Learning to Scissor, Gay Moms, and a Whole Lot of Heart
Come to have your life ruined by Gillian Anderson; stay for infectious teen drama laced with a very fun, weirdo sense of humor.
“Derry Girls” Review: “Skins” Meets “Everything Sucks” in a Hilarious Coming of Age ’90s Romp
Derry Girls is genuinely, rawly, categorically funnier than any show I’ve watched in ages — and it’s gay!
Netflix’s Dumplin’ Review: Have a Holly Dolly Christmas and a Gay Yuletide Cry
Dolly Parton got you Dolly Parton for Christmas and you are very welcome.
“Anne With an E” Is Even Gayer in Season Two (but It’s Still Not “Anne of Green Gables”)
Uh oh, Miss Stacy’s got a motorcycle!
“GLOW” Season 2 Doubles the Lesbians, Doubles the Fun
“Internalized homophobia is a bitch, you know?”
I Still Love That Heterosexual Show “GLOW”!
“Step aside, Billie Jean King and Bobbie Riggs! We got a new Battle of the Sexes!”
The Transformative Comedy of Hannah Gadsby’s “Nanette”: An Autostraddle Roundtable
Lex Smithers, Brittani Nichols, El Sanchez, Gaby Dunn and I all talk about Hannah Gadsby’s new Netflix special, “Nanette.”
Everything Sucks! Is a Bangin’ TV Show With a Sweet Lesbian Lead
Heather and Riese talk about how much we loved the new ’90s-set teen Netflix comedy “Everything Sucks!” and why you’ll love it too and also we made you a playlist.
Grace and Frankie Continue To Be The Loves Of Each Other’s Lives In Season 4
Look, I know they’re not gay, but that doesn’t mean they’re not each other’s person.
“Lumberjanes” Co-Creator Noelle Stevenson Is Rebooting “She-Ra” For Netflix
According to Variety, the new show is will be “an epic and timely tale that celebrates female friendship and empowerment, led by a warrior princess tailor made for today.”
The Queer Women of “Easy” Return for Season 2 With a Lesson on White Feminism
In “Lady Cha Cha,” Jo and Chase joined by real-life queer, black, femme burlesque dancer Jeez Loueez, who adds to the very authentic feel of the episode in terms of its portrayal of Chicago, burlesque, and queerness.