Star Trek N00b, Episode 14: The Conscience of the King (Here There Be Shakespeare)

Star Trek N00b_(2)_Rory Midhani_640

Get out your ale and bodkins and settle down for some Shakespeare, because this episode is pretty much a Star Trek remix of Hamlet and Macbeth. Lit nerds, I’ll be sure to call out the plays and passages for ya in this one. As always, watch along here.

And one cried, “Murder!”

We open on a scene from Macbeth (Act 2, Scene 2), right after King Duncan’s death. While the actor waves his bloody hands around, an audience member with an eye-patch seems fixated on the actor playing Macbeth.

He seems to really hate this actor.

02 (1)

The angry audience guy cryptically growls out, “It’s Kodos the Executioner!” and the opening credits roll.

Nope. I definitely don’t remember learning about Kodos in high school English class.

Meanwhile, the Enterprise is taking a detour to Cygnia Minor, where Dr. Thomas Leighton (the guy with the eye patch) has called about a miraculous new food source.

But when Kirk lands, he discovers that he’s been duped! Dr. Leighton actually wants Kirk to investigate an actor from a Shakespearean play company who MIGHT be an evil mass murderer (and a thinly-veiled fictional Hitler)!

03 (1)

Turns out this Kodos guy is a really terrible person — he’s responsible for practicing eugenics and killing half the population in an Earth colony he once governed. The authorities only found a burned body — it was never positively IDed.


Drinking with Danger

Kirk’s royally pissed off that he’s been called away from duty for speculations based on no evidence. But Leighton is fixated on vengeance.

If you wrong us, shall we not revenge?

If you wrong us, shall we not revenge?

Kirk’s convinced that Kodos is dead. Then Leighton drops this whammy: “Then it will be a ghost Martha and I receive in our home tonight. I invited the entire company to a cocktail party.”

Oh snaaaap! This sounds like the perfect setup for some real-life Clue!

It was Bones in Sick Bay with a Candlestick. *cough*

It was Bones in Sick Bay with a Candlestick. *cough*

To make things every more mysterious, only nine people have ever seen Kodos and survived (including Kirk and Leighton).


Seduction and Interrogation

After consulting Siri on his voice-activated computer, Kirk determines that the actor, Anton Karidian, might actually be Hitler.

"Enhance. Enhance!"

“Enhance. Enhance!”

Kirk gets his James Bond on by visiting the party and seducing the actor’s daughter, Lenore. Who oddly enough, played the Lady Macbeth to her father’s Macbeth. Weeeeird.

They go outside and almost smooch, but then Kirk spots a dead body. Talk about a buzz kill.

Not in the mood anymore!

Not in the mood anymore!

Guess who’s lying out there amongst the rocks? It’s Dr. Leighton. Dun dun duuuuun!


The Game is On

Kirk is ultra suspicious now that his friend has turned up dead. He secretly cancels the acting company’s transportation off the planet, so that they’re forced to hitch a ride with the Enterprise.

For some reason, Kirk tells Spock about his suspicions. When Lenore shows up in her fancy sparkle duds to ask for a ride, both Spock and Yeoman Rand glare daggers at her.

0809 (1)

They be hatin’

And do you remember Riley, the terrible singer from the fifth episode, “The Naked Time“? Well turns out that he’s also one of the nine survivors of Kalos’s genocide, one of the few who could positively ID the man. To protect Riley, Kirk has him reassigned from Communications to Engineering, which just looks like an awkward demotion to everyone who doesn’t know WTF is going on.


Boozin’ it Up in Sick Bay

It seems like Bones is always drinking. Actually, he points out to Spock that it’s been over a week since he’s had a drank. Spock vents his frustrations about how odd Kirk’s behavior has been regarding the acting company. Bones just shrugs it off and keeps hitting the shots.

Dude, Spock, you're ruining my buzz.

Dude, Spock, you’re ruining my buzz.

Meanwhile a ton of uncomfortable hetero wooing is going on between Kirk and Lenore, with classic pickup lines like this:

“And this ship — all this power surging and throbbing, yet under control — are you like that, Captain?”

Hurk. And:

“Caeser of the stars with Cleopatra to worship you.”

Hmmm, she might not take it so well when you accuse her dad of genocide.

Hmmm, she might not take it so well when you accuse her dad of genocide.

Hide not thy poison with such sugar’d words….hide it in milk!

Riley’s busy goofing off in Engineering, and he’s super emo about being demoted. Instead of browsing Reddit or playing games on his cellphone, he decides to call Uhura on the intercom and ask her to sing him a song.

This is a welcome reversal from “The Naked Time,” when he was singing obnoxiously into the intercom!

Uhura rockin' it on the Vulcan lyre.

Uhura rockin’ it on the Vulcan lyre.

She sings a sweet song about how love lasts forever, “somewhere beyond the stars.” Do I hear some foreshadowing?

Why is someone sneaking around squirting Windex into Riley's milk?

Why is someone sneaking around squirting Windex into Riley’s milk?

Well, at least they didn’t do it Hamlet style and pour the poison into Riley’s ear. Of course he chugs the drink down. He manages to call for help over the intercom before he collapses.

Those control panels are really expensive!

Those control panels are really expensive!

The Confrontation

Spock snooped through Kirk’s browser history and discovers the connection between Leighton, Riley, Kirk, and Kodos the Executioner.

Bones and Spock confront the Captain in his quarters.

After Riley’s poisoning, it seems obvious that the acting company is trying to cover something up! Or as Spock explains:

“Even in this corner of the galaxy, Captain, two plus two equals four!”

Kirk’s miffed that Spock and Bones are digging into his personal history.

15 (1)

Bones asks if Kirk’s been keeping secrets because he actually wants vengeance, instead of justice.



Hit the deck!

Suddenly, a weird humming noise fills the air. It’s the sound of a phaser set on overload! Guess what happens if you don’t turn it off? A giant explosion! Seems dangerous, especially if you’re on a starship!

Kirk announces a “double red alert” to evacuate the area, while he and Spock search anxiously. Once the sound becomes louder, Kirk kicks Spock out of the room to protect him. Awwwww!

Kirk: SIRI! Help us find the explosives! Hurry! Siri: Sorry, I didn't quite catch that.

Kirk: SIRI! Help us find the explosives! Hurry!
Siri: Sorry, I didn’t quite catch that.

Turns out the rogue phaser is hiding in a light fixture. Kirk find it and scrambles to toss it down the pressurized vent garbage disposal. Guess it’s well contained, because the phaser explodes and the ship is okay.


A Murder Most Foul

Kirk rushes off to confront the actor, Anton Karidian. The guy speaks in riddles, saying confusing and infuriating shit like, “I am Kodos, if it please you to believe so.”

Kirk: So wait, are you actually Hitler?

Kirk: So wait, are you actually Hitler?

We never get a clear answer, and Lenore bursts into the room and shames Kirk for using her to learn about her father. I can’t help but worry, is she gonna go all Lady Macbeth on us?

Meanwhile, Riley’s been recovering quite nicely in sick bay. Bones is dictating notes onto his computer, when Riley overhears that Kodos might be on board. Y’know, the evil ruler who killed Riley’s entire family, leaving him as the sole survivor? Great way to be discreet, Bones! Riley breaks outta sick bay, steals a phaser from the armory, and goes huntin’ for Anton Karidian.

Bones realizes his mistake and Kirk calls security to apprehend Riley.

Lol bro why you pointin' that gun at me? (Maybe this is why the Red Shirts keep dying.)

Lol bro why you pointin’ that gun at me? (Maybe this is why the Red Shirts keep dying.)

Kirk finds Riley, who’s about to shoot Anton Karidian, ironically during a performance of Act I Scene V of Hamlet.

I'm a ghost haunted by his past mistakes! Remember how Leighton called Kodos a ghost at the beginning of the episode? IT'S ALL ADDING UP!

I’m a ghost haunted by his past mistakes! Remember how Leighton called Kodos a ghost at the beginning of the episode? IT’S ALL ADDING UP!

Kirk hides behind the scenes, and watches as Lenore confesses that SHE’S been killing off all the living witnesses to Kodos’s genocide, in order to protect his identity.

Her father is horrified, because he took the Shakespeare acting gig to clean up his life and keep his child away from the pain and horror he inflicted. Despite all his efforts to shelter her, Lenore still became a serial killer.

Kirk jumps out to arrest both of them, but Lenore grabs a phaser.

"I WOULD HAVE KILLED A WORLD TO SAVE HIM!" Ohhhh yeah. You're guilty.

“I WOULD HAVE KILLED A WORLD TO SAVE HIM!” Ohhhh yeah. You’re guilty.

Kodos / Karidian realizes that he effed up and needs to undo his mistakes. He dives in front of Kirk and takes a bullet for the Captain.

Tragic character sacrifice for redemption. Who wrote this, Shakespeare?!

Tragic character sacrifice for redemption. Who wrote this, Shakespeare?!

Lenore loses her marbles, and collapses over her dead father, spouting off play quotes.Really? You’re gonna keep quoting lines when you just dusted your father?

All right folks, the show's over. Also Kirk, you should probably keep that phaser away from her.

All right folks, the show’s over. Also Kirk, you should probably keep that phaser away from her.

The episode ends with Bones giving a medical report on Lenore, who seems to have suffered from a total break with reality. She thinks that her father is still alive and acting on stage. Yikes. They’re pretty vague about where Lenore’s heading after this.

Bones asks Kirk, “You really cared for her, didn’t you?”

Kirk remains elusive, avoiding the question and commanding, “Ahead warp factor one.” Poor Kirk! *sadface*

Exeunt Enterprise from Cygnia Minor

Growing up, I had never watched a Star Trek episode all the way through. My family members weren’t huge sci-fi fans, and they’d flip the channel whenever Star Trek came on. Now I am embarking on an epic nerd rite of passage, chronicling my reactions to every episode of Star Trek: The Original Series (TOS).

Header by Rory Midhani

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Queer hapa writer inspired by gadgets. Attending the Ada Developers Academy in the third cohort. Uninterested in quitting her coffee habit. Reads and writes sci-fi and horror. Find her at or on Twitter.

Loraine has written 33 articles for us.


  1. WHY would anyone let Riley go back to engineering?! WHY? Last time he made everyone listen to him scream singing! And now he’s spilled his milk. At least send someone with him because he clearly needs supervision.

    Every time Uhura sings I am so happy.

    So, is there like, I dunno, a UN or something in the Future? Police? A justice commission? the Space Hague? Shouldn’t there be some sort of official court proceedings for dangerous mass murdering criminals? You know, other than star ship captains wearing wrap shirts and mascara, who probably used to be theater majors.

    I think this is the 2nd time some one’s called Spock gay. Drinking Bones says something like- “Your personal chemistry prevents you from seeing that.” Heh heh.

    Great recap!

    • Thanks for reading! Bwahaha, yeah Bones gets rather insightful when he’s had a few drinks. Yeah, I’m not sure just how justice gets dished out when it comes to war criminals. I wasn’t expecting that ending, that’s for sure!

  2. Wonderful, Loraine! I laughed out loud several times.

    This episode is a favorite of mine for a few reasons. We see the three main characters really begin to exhibit their essential characteristics here. Spock uses his intellect to solve problems, as we’ve seen before of course, and in this episode Bones’ deep humanity and compassion, even for a murderer, begins to come to the fore (I’ve always assumed this is what drives him to drink, though he never loses control of that). And Kirk’s greatest gift, which makes him such a master Captain, is his ability to, in his own words, “feel his way” through a problem, utilising not just intellect but his gut, his instincts, so that he can keep all the balls in the air and all the players off-guard, until he knows what’s what. All great leaders have this quality, and it’s rare I think. Anyway, from here on out, the show really takes shape.

    I love the mirroring with Shakespeare’s big revenge plays in this episode, especially this wandering ghost of a fallen king, even though this company really needs to start going to Overactors Anonymous meetings! There is an interesting discussion to be had about Kodos’ actions–what would you do in his situation? And, always, bonus points for any episode in which Uhura sings (she started out as a singer).

    At this point the writers hadn’t settled on what to call the organization of which the Enterprise is part. They call it the “Star Service” in this episode; it’ll go through a couple more iterations before they hit on Starfleet, which stuck. To answer Elly’s question, at this point the United Federation of Planets hasn’t been named, but it shows up soon and makes this whole world much more ordered and sensible. It is, indeed, the galactic version of the UN, quite deliberately (in the late 60s the United States did not despise that organization the way it does now). The Prime Directive will be stated soon, too, and this will become the guiding principle throughout the entire canon.

    This was the last episode shot featuring Yeoman Rand, but as they were shown out of order, we’ll see her again. Grace Lee Whitney had a serious problem with alcohol; the story of her departure varies, but that fact played at least a part in it. She ended up, literally, on skid row, then got herself together and rejoined the Trek World for a couple of the movies in the 80s. She’s fine now, last I knew.

    Have you thought, Loraine, about doing two episodes a week? It’s going to take about a year to get through just the first two seasons this way! They were long seasons in those days, not like the sissy 13 or 22 episodes we have nowadays.

    P.S. I appreciated your message to me last week but for some reason, I couldn’t comment there to say so. I’m glad I have something to offer this noble enterprise (get it? get it? nudge nudge). You’re doing a fantastic job; I really enjoy reading these and look forward to them. A final note for you, Loraine, on the epitome of Geekery: my friends and I made our own United Federation of Planets t-shirts when we were in HS, with the UFP logo on them, hand-drawn! xxoo, Annie

    • My friends and I cosplayed, before cosplay was invented, all the roles, and made costumes out of velour. My brother admitted that he’d have hit on me (ewww!) if I weren’t his sister and only 14.

    • Thanks for the feedback Annie! Yeah, this was among one of my fav eps so far, the costumery and politics are unlike anything we’ve really encounter so far. I think “Starfleet” must have gotten stuck in my head early on because of pop culture – I didn’t even notice the Star Service mention! And holy shit regarding Rand!

      When it comes to my post schedule, I’m well aware of the total timeframe for Star Trek N00b. When I pitched this column to my editor, I included sample timeframes for other series. One of the main reasons why I choose to recap TOS was because it contains FAR fewer episodes, especially when compared to fan favs like TNG. Even just WATCHING these shows are a MAJOR life commitment! (My wife knows all too well, she’s a super Trekkie who has seen all the eps and movies. She’s my behind-the-scenes expert whenever I need advice on my column – love ya Erin!)

      Recapping TV shows takes a surprising amount of time – it always seems to take me a few hours to watch an ep, select my screen caps, meme-ify them, and then do a write-up. I’ve spoken with other recappers, and they’ve noticed the same phenomenon – even if you try to rush, you can still wind up spending hours fretting over jokes and choosing stills, haha. I have always planned to do these on a weekly basis, just so I can balance my other writing duties, recharge my sense of humor, and mentally process the episodes.

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