“Killing Eve” Episode 401 Recap: Look At Me

I’m back, baby! After having so much fun writing weekly recaps for Yellowjackets, I’m back to recap a different show about death and knives and queerness with a similarly banging soundtrack! That’s right! I’m here with a Killing Eve 401 recap and will be writing weekly about the entire final season. It’s the first time Autostraddle is doing weekly recaps of the show, but we’ve covered the erotic thriller saga of Villanelle and Eve extensively in the past. Read Dorothy Snarker on season one; me on season two; Drew on season two; me on gay knifeplay; me on season three; me on the time Eve and Villanelle kissed; and me on the season three finale. As for a pretty straightforward and comprehensive season three recap of the main players and plot points, this NYT refresher is solid. All caught up? Okay, let’s dive into the season four premiere, “Just Dunk Me” written by Laura Neal and directed by Stella Corradi.

When we last left Villanelle and Eve at the end of season three, they were together on an obviously symbolic bridge. Villanelle seemed resolute to stop killing or at least try to stop killing. Eve had resolved that all people have monsters inside them. That some are just better at hiding it than others. They agreed to walk away from each other, but of course they failed. Eve turned back first, then Villanelle, neither able to really let go of one another, neither able to stop watching the other.

In “Just Dunk Me,” Villanelle is desperate for Eve’s gaze, and Eve won’t give her the satisfaction.

Making true on her vow at the end of season three, Villanelle is trying to be good. She is, however, going about it in the most Villanelle way imaginable. Rather than simply trying to live a quiet, murder-free life, she has to take it to the extreme. She has worked her way into a small congregation, where she has committed herself to being the platonic ideal of a good Christian woman. She lives with the vicar Phil and his daughter May, who is constantly in awe of Villanelle — who goes by Nelle — and her good deeds.

“I don’t know how you can be so good all the time,” May says when Villanelle agrees without complaint to clean up the chunky puke of the church’s pet cat Lucifer.

“I don’t have any other choice,” Villanelle says.

Later, when the cat scratches her, she flings it so hard against a wall that it dies before splashing into the filled tub she was just kneeling before to pray for a new life. Not exactly an intentional killing per se. But still, a bit of the old Villanelle bursting through. Impulsive and erratic and violent.

For Villanelle, it’s all or nothing. She’s not interested in baby stepping away from her life as an assassin but rather quitting cold turkey which, famously, is a tough approach when it comes to patterns of behavior. She’s not just “being good.” She’s trying on goodness as a costume. She dons a tie-dye What Would Jesus Do? shirt and cooks literal fishes and loaves for the vicar and his daughter, who she lives with, weaseling her way into what she perceives as a normal family. Phil says she doesn’t have to follow the Bible so literally, that she can follow her own instincts, and Villanelle says it’s better if she has a roadmap.

Phil is skeptical of Nelle. Villanelle is so disarmingly charming to most people that it’s funny to see when her charade doesn’t work. It does make me think Phil might be hiding some wickedness of his own, since it’s usually other players who Villanelle can’t play. May, who secretly writes homoerotic fiction about a choir soprano and pianist, is drawn to Villanelle, attracted to her pious perfection.

“I’ve always wanted a family,” Villanelle tells Phil and May. Folks at home will recall when she lit a house on fire with most of her family inside it.

This is what Villanelle knows. Wearing costumes, playacting, manipulating the people around her. She has taken on a new name and a new purpose, and it really is just like one of her jobs, only instead of the endgoal being assassination-for-pay, the endgoal is getting Eve’s attention. Which really means Villanelle hasn’t changed at all. She is constantly, relentlessly trying to get Eve’s attention. She sends glossy embossed invitations to Eve to attend her baptism, asks for a seat in the pews to be reserved for her special guest after determining which vantage point has the best view.

And after she’s caught disposing of the dead cat’s body, the vicar notes he feels as if she does not actually have faith and does not actually want to be baptized but rather wants to be seen being baptized. He so accurately pinpoints her motivation that not even she can deny it (“if you’re baptized in a forest and no one sees you baptized, were you really baptized,” she jokes in typical wry Villanelle fashion).

Due to her training and her disposition, Villanelle can essentially live any life she wants. She can become anyone. Think back to the beginning of season three when we dropped in on her wedding to some random woman. She wasn’t working a job. She was just bored and also feeling rejected by Eve, who told her she wasn’t hers during their standoff in the Roman ruins. So she tried on a new life, and it worked until it was crashed by her old mentor Dasha. Dasha who, in a way, Villanelle and Eve killed together by the end of season three. They always end up back in each other’s orbits.

Villanelle and Eve both like the idea of a rebirth. They both like to think of themselves as constantly reinventing themselves. Villanelle because she’s easily bored and because it’s easy to slip into a new life. Eve because she constantly doesn’t know who she is or what she wants. Eve is far from the pencil pusher at MI5 with a nice husband and a quaint home that she was when this series began. But both of these women are somewhat delusional about their attempts to change. Because are they really changing themselves or are they just changing who they work for?

The premiere begins with a faceless woman on a motorcycle, wearing a hot color-blocked leather jumpsuit, weaving through Russian streets before dismounting and aiming a gun at the staff of a municipal government building. She finds her target: Konstantin, who is now a local politician (so much for laying low from The Twelve??) and who is in the middle of getting a scalp massage.

We are, of course, meant to think it’s Villanelle on the other side of the gun. And even though I could see the twist coming, I was delighted when Eve took off the helmet and revealed herself. I was delighted even more when Eve proceeded to shoot Konstantin in the hand which, tbh, was a pretty pointless act of chaotic violence! The info she gets out of Konstantin is minimal: the name of the assassin-in-training pushed onto train tracks by Villanelle and a description of Helene (“she looks French”). Konstantin would have given her these scraps without a bullet in the hand. But, as she says, the bullet was for Kenny. She’s on a revenge mission. Or, at least, that’s the narrative she’s going with. I think Eve’s motivation here has more to do with Eve than it has to do with Kenny, but we’ll see how things play out.

Konstantin warns her she’s on a death spiral. “Whatever this is, you won’t come out of it,” he says. “Thank god,” Eve replies.

Eve has changed, too. Or, like Villanelle, she thinks she has changed. She wants to project the image for others that she has changed. She’s got a new gig working for a private security firm while investigating The Twelve on the side. She’s got a new hunky boytoy, too, Yusef, with whom she has exactly the kind of dynamic she has long desired — sex tinged with danger.

“How did it feel?” he asks her about shooting Konstantin. “Like you said it would feel,” she replies, immediately followed by: “Wanna have sex?” And then the two are clamoring out of their clothes.

Later, while eating vegan (much to the shock and horror of Eve) bacon burgers in the park, he jokingly calls her a psychopath for liking mayo and when she goes in for a kiss, he puts her in a headlock and says she let her guard down. They wrestle until she gets him in a chokehold with her legs. He taps out, and she smiles and calls out to passerby. She’s cocky and feisty and, on the surface, thriving. But that wildness that makes her impulsive and out-of-control simmers just beneath the surface.

Villanelle is trying to be good, because she wants to prove something to Eve. But her maneuvers here are based on a miscalculation. Eve seems almost entirely disinterested in Villanelle in the premiere. And that’s not very Eve, is it?

Carolyn, who has recently been ousted and given a very boring job as a cultural attache in Mallorca, tracks down Eve to hand off a file of new information: Someone is torturing and killing off members of The Twelve. When Eve immediately rebuffs her proposal before she can even make it, Carolyn says she was going to give Eve a compliment. She says Eve looks purposeful and less untethered and that it suits her. Indeed, Eve runs on obsession. We saw at the beginning of the last season what an untethered Eve looks like — deflated and depressed.

For so long, Villanelle has been that obsession. And Villanelle loves to be that obsession. But what Villanelle doesn’t understand is that Eve is drawn to her because of the monster inside. Her attempts to silence it aren’t drawing Eve in but rather pushing her away. For one, Eve doesn’t buy it. She knows on a certain level that Villanelle is just trying to get her attention, and the ever-shifting power struggle between them has settled on Eve having a lot of the power right now. She doesn’t need Villanelle, because she has a new person to focus on: Helene, who was briefly Villanelle’s handler last season before Villanelle decided she was really done with The Twelve. Eve is hyperfocused on dismantling The Twelve and avenging Kenny’s death. Villanelle is just sort of a cog in that machine. And knowing that would devastate Villanelle.

And so, Eve doesn’t show up to the baptism. Villanelle urges the vicar to rush through before shouting the titular line and plunging herself into the baptismal font. An underwater shot shows us Villanelle looking confused. Perhaps she expected to feel something, for something to shift inside her. We can read plainly on her face that this was anticlimactic. She tracks down Eve, staring at her from the other side of a fish aquarium in Eve’s hotel bar.

Speaking of anticlimactic: Oh how these surprise encounters have changed! In such a fascinating and revelatory way! Think back to season one when Villanelle showed up in Eve’s house and had to attack and run bathwater on Eve’s face to get her to stop screaming. And then in season three when Villanelle approached Eve on a bus and they brawled and Eve kissed her to distract her and then headbutt her. Now, here she is surprising Eve once again, and Eve seems just…kind of bored and over it!

Villanelle tells her she forgives her for not attending the baptism, and Eve sneers. Villanelle says she has changed, and Eve says if that were true she wouldn’t have come here. Touche. Whatever understanding that pulsated between them on the bridge is gone or, at least, muffled. They’re both too hyperfocused on their new missions: Villanelle renouncing her old ways and proving to Eve she can be good, and Eve on a truly bonkers one-woman mission to take down the most powerful evil organization in the world. Eve thinks she doesn’t need Villanelle for this. I doubt that’ll prove true.

Eve’s search for Helene (who tbh it has taken mountains of restraint to not refer to as Hot Helene throughout this recap so fuck it from now on she is Hot Helene) leads her to a funeral home and a quiet and strange woman who appears obsessed with dead bodies and is played by We Are Lady Parts’s Anjana Vasan. She seems like a likely recruit for Helene, who Konstantin says is somewhat of an assassin talent scout. Eve does get a glimpse of Hot Helene (and we blessedly do, too) but not without getting her ass kicked a little bit by Vasan’s character with a surprise knee to the chest when she’s tailing her.

I love that Eve has basically gone full spy but without any government agency backing her?

After being rejected by Eve, Villanelle demands answers from a Jesus statue in the church. She wants a sign that he’s real. “It’s very much in your interest for me to believe in you,” she threatens Jesus. God, I love Villanelle’s approach to sainthood.

May shows up and kisses her, because of course Nelle is the muse for the soprano of her erotic fiction. At first, it seems as if Villanelle will just let it be this, a sexy moment in a church. After all, she was just rejected by Eve, and that seems to be how she deals with Eve’s rejections, by throwing herself into the arms of another woman. But instead, she reacts by shoving May’s head into the baptismal font where she was just recently supposedly, anticlimactically rebirthed. I do think this reaction stems from Eve’s rejection, this uncontrollable outburst of her old ways. She snaps out of it though and lifts May’s limp body out of the font, bringing her back to life. So she didn’t kill, not really. Something has, however subtly and briefly, shifted in Villanelle.

The thing is, I do think Villanelle wants to be good. I do think this is more than a complete charade. But I also think her motivation is ultimately rooted in Eve, rooted in her narcissism, too. She loves to be adored and revered. “Wow,” she says, looking at her own reflection. “So holy.” It echoes a moment from the very first episode of the series where she admires her own beauty in the mirror. After she accidentally kills Lucifer, she jumps into bed with May and asks her to stroke her hair and say everything she likes about her.

And at episode’s end, after resuscitating May, she hallucinates a vision of Jesus who is herself in drag, wearing thigh-high heeled gold boots. It’s absurd, and I’m all for Killing Eve going full-tilt into absurdity. My biggest issue with last season — other than the fact that somehow last season didn’t have enough Eve??? — was that it really struggled to balance some of the more sobering parts of the story with some of the more playful parts (the only episode where it got that balancing act perfectly right was the one where Villanelle went home to her birth family). “Just Dunk Me” kicks off season four rather delightfully. Not a lot happens per se. But those themes of rebirth, reinvention, revenge, and reckoning that snake throughout it are juicy and captivating, bolstered by strange and simultaneously lovely and foreboding religious imagery and also the show’s truly original sense of mordant humor. Villanelle’s vision of Jesus looking like herself is funny and also makes perfect sense for the character. There’s an undeniable undercurrent of the erotic threaded in the religious spectacle of the episode, Villanelle wanting to make her baptism into a performance for Eve, May enamored of Villanelle’s piety, Villanelle needing May to touch her hair and tell her she’s good.

A simplistic and incomplete analysis of Villanelle and Eve’s dynamic would assert that Villanelle is drawn to the goodness in Eve, and Eve is drawn to the wickedness in Villanelle. But it’s not that simple, is it? They aren’t really the same and they aren’t really different sides of the same coin either. They’re bound to each other. They’re mirrors for each other, but funhouse-style mirrors, making monstrous and disorienting distortions. They’re both obsessed with reinvention, but they also both are constantly repeating the same patterns. There’s a part of Eve, I think, that’s hoping Villanelle is watching her, too, seeing her be strong and mercurial. So much of this show is about watching and being watched. And they both take pleasure in both sides of that.


  • ^I think this is what I’ll call this little final section of addendums. THOUGHTS?
  • I’m sure I will address this in the main part of a recap at some point, but there is a lot of internal — heated but friendly! — debate amongst the Autostraddle TV Team as to whether Eve is romantically interested in Villanelle. Let me be clear upfront that I am strongly on the side of her obsession having romantic and sexual underpinnings. In fact, I am so strongly on that side of things that I basically think Eve leaving her earpiece in when she fucked Hugo in season three amounts to Eve and Villanelle hooking up. I personally have a pretty expansive definition of what sex and desire are, and I think this show does too, which is perhaps why I am so relentlessly drawn to it!
  • Sorry to Carolyn who I know is lethally bored, but that makes her scenes, well, kinda boring! But here’s a quick recap of what goes on with her that I didn’t include in the maincap: Hugo, looking fresh, prickish, n sunburnt in his post-getting-shot era, has taken over the Russia desk at MI6 and shows up to taunt her about it, blackmailing her into staying out of his way by revealing he knows she killed Paul. Hugo has a lot of nerve thinking he can successfully blackmail Carolyn, who has never bat an eye even once at anything anyone has thrown her way. She heads to Moscow and links up with her old pal Vlad, who you might recall from the Russia episodes in season one. Not sure where this is going, but Fiona Shaw had a great season last season and I’m ready for more peeling of Carolyn’s prickly layers!
  • Drag Jesus and Villanelle singing at the top of the episode…the people demand a Killing Eve musical episode. It’s me I’m people.
  • I anticipate this section being full of LOOKS, because woweeee the fashion is one of my favorite parts of this show. Eve was wearing the FUCK out of this moto jacket:

    Eve (Sandra Oh) of Killing Eve wears a black moto jacket while getting into a van and turning back to look at Yusef, a man drinking a protein shake. Eve asks: Are you looking at my ass? Yusef says yes.


  • I love the perfect placement of the sunburst mirror behind Villanelle’s head here. In general, the religious imagery of this premiere is so good and weird!
    Villanelle (Jodie Comer) of Killing Eve wears a tie-dye shirt. A sunburst mirror on the wall behind her gives the appearance that she's wearing a crown.
  • Of course I screencapped the erotic church fiction:
    Someone types erotic church fiction about a choir soprano and a pianist on their laptop
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Kayla Kumari Upadhyaya

Kayla Kumari Upadhyaya is the managing editor of Autostraddle and a lesbian writer of essays, short stories, and pop culture criticism living in Orlando. She is the assistant managing editor of TriQuarterly, and her short stories appear or are forthcoming in McSweeney's Quarterly Concern, Joyland, Catapult, The Offing, and more. Some of her pop culture writing can be found at The A.V. Club, Vulture, The Cut, and others. You can follow her on Twitter or Instagram and learn more about her work on her website.

Kayla has written 847 articles for us.


  1. Actually, Eve gets bored with Villanelle very often. It has been very fluid since the middle of season 2. Sometimes it’s just Eve’s attention jumping to other female killers. Sometimes – she’s existentially bored, very bored. So even with Villanelle, it fluctuates. Because Eve is a very, very self-absorbed person. Her cruelty comes from this, but we’ve used to overlook it – because it’s not spectacular, because it’s trivial. Eve rarely listens to other people, even the ones close to her. And I guess that’s why the show is so good – it contains the cruelty of spectacular violence, but also the pain that a single line can hold. Or an indifference to the people we love or used to love.

    Anyway, I’m so happy about your recaps!

  2. I have a worrying suspicion that this show isn’t going to have a satisfying conclusion. Mostly because this show has gone so far off the rails from where it started that I don’t know what an ending looks like for this show.

    I do like Yusuf, he seems like a fun character for Eve to bounce off of. I think that was a big problem during season three was that when they killed Kenny off was Eve didn’t really have anyone on her level that she could interact with. Hopefully this one survives until at least near the end of the show.

    I wasn’t expecting Hugo of all people to come back. Though he is pretty much the only supporting character from season 2 that was memorable so I guess he has that going for him.

  3. Eve is definitely sexually and romantically attracted whether she wants to fully admit it or not, but her jumping Niko after getting those flowers in s1 from V and basically using Hugo as a live sex toy when overnight with V in s2 just really kind of confirms the pattern of her denial. Girl gets turned on by V and V’s attention, was jealous of V’s romantic partners in s2, and just really deeply into it.

  4. I think I’m in the minority, but I really didn’t enjoy this episode. For me KE has steadily declined in quality each season since PWB bounced to do other stuff, and it’s lost a lot of its charm and wit. Mostly, I was bored. The Twelve plotline is confusing and tedious. We only have 8 episodes to wrap this thing up and we’re bringing back HUGO? We’re introducing a new male partner for Eve, just when we finally got rid of Nico? Ugh.

    • First, I’m just super happy we’re getting Killing Eve recaps here! But I’m with you. The palpable chemistry and banter between Eve and Villanelle was not there. Even Villanelle’s jokes were not as cheeky?! I guess layering Villanelle to the audience does that. I’m waiting until episode 3 to feel out this season, but GAH the first 3 episodes in season 1 were so friggin’ good it hurts a little.

      With that, I do still love season 2 as much as season 1. I will hold on to the earpiece sex, ballroom, and bridge scene as Eve canonically returning -feelings- to psychopathic assassin.

      • Yeah Villanelle used to have such cracking lines! She’s still funny of course, and I get that this storyline is about her trying to change for Eve, but…idk idk

        also I hate Drag Jesus Villanelle so much lol like why are we doing this, what is the point, it’s a no from me

  5. I just can’t figure out, with one season to go, why they aren’t following the book trilogy’s example and giving a whole season (as in book 3) to a real eve/villanelle relationship…

    • I loved the books, but after the first one they’re a parallel reality to the show. The books and the show are both great stories, but they live in different universes. Trying to merge them wouldn’t do justice to either one, I think.

  6. YES to Hot Helene and also Anjana Vasan! So excited to see the worlds of We are Lady Parts, Call My Agent, and Killing Eve colliding.

    At this point I have fully given up trying to follow the Twelve plotline- I have little faith it will wrap up nicely by the end of the season. However, I am excited to see some of the goofiness/absurdity that brings a certain charm to balance the darker themes/moments of the show. drag jesus? hell yes.

    PS I’m so glad you screenshot the clock halo behind villanelle’s head- I was watching that scene waiting for that exact moment! I love all the little details in this show. I tried figuring out what drag jesus was watching on the tv but couldn’t quite see. Need to up my screenshot game!

  7. “And at episode’s end, after resuscitating May, she hallucinates a vision of Jesus who is herself in drag, wearing thigh-high heeled gold boots. It’s absurd, and I’m all for Killing Eve going full-tilt into absurdity.”

    What’s probably a singular, “absurd” take, here: what if it’s NOT a hallucination?

    Jesus-Follower JCF, perfectly prepared to accept that my Lord&Savior DOES, in fact, resemble Villanelle-in-drag! 😇

  8. I know this is extremely unrealistic, considering literally everything about Villanelle’s personality, but I’m randily hoping we get a long makeout scene between May and “Nelle”. May is so cute and I want her to get lots of lush, dykey kisses!!!!!!!!!!!!!!!!

  9. “For what we are about to receive may the Lord make you truly thank me.” Villanelle’s version of grace just set the tone for the whole of that part of the episode for me and it was glorious.

    I think whoever it killing The Twelve might wrap that storyline up off screen and I’m not sure if I like that or not. They were a driver for Konstantin, Villanelle and to a lesser extent Eve. But now Konstantin and Villanelle are out of that game, they’re less of an important player for those two. They’ve become more important for Carolyn and Eve but, while I love Carolyn, she’s not endgame. Eve and Villanelle are.

    I can construct ways to get from Ep 1 to Eve and Villanelle together by the end of the season (ideally before that, so we have an episode or two of them happily together, even if they’re fighting off outside forces) but I’m content to wait and see what happens.

    I’m in what I think is a small minority that looks at the changes we’ve had every season with a new show runner and welcomes them. Sometimes they’ve felt a bit rough at first but they’ve always come good. I’m going to relax and wait and see where this one goes too.

  10. Hot helene plays a lesbian in call my agent the french orginal wonderfully.its on netflix.


    The remake version of call my agent from india tried that too having a lesbian in the show but didnt do it as well or as some commented rather fail.

  11. So happy KE is getting episode recaps. Can’t wait to read them as the season progresses.

    Sorry Baby x is the perfect title for that bit.

    I refuse to read the recaps unless you call her Hot Helene. Can’t wait to see where the storyline with her character goes.

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