Fool’s Journey: Beyond Kings and Queens, Renaming Court Cards

Header by Rory Midhani

Announcements! Yes, more, because the world of queer tarot just keeps gettin’ better. These are all rad projects that are happening or have recently happened on Kickstarter:

  • Tarot veteran extraordinaire Rachel Pollack will be writing the book for Emi Brady’s forthcoming Brady Tarot, which has somehow managed to make a perfect deck even more perfect. I guess this is what happens when your Kickstarter triples its goal.
  • TABULA IDEM is a queer tarot comic anthology with an accompanying majors-only deck, which tells queer stories through tarot cards. You can support the project here!
  • The Slutist Tarot is a mystical celebration of sex positivity that centers femmes, sexual deviants, divine whores and curious maidens, from the online magazine of the same name. It’s Kickstarting now!

So here’s a question: What do you call your court cards? By this I mean the 16 ‘people’ of the tarot, usually named the Page, Knight, Queen and King; a royal family for each of the four suits. They tend to represent people or elements of people, rather than situations (though that’s a general rule, not a hard-and-fast one!) and we usually think of them as having the characteristics of actual humans.

To my mind, the King/Queen binary hierarchy is just another way tarot can reinforce gender nonsense, but the good news is, as with all things tarot, you don’t have to follow the rules! Many deck creators choose to rename these cards, for various reasons. Some wish to sidestep the royal hierarchy inherent in this system, others to strip out the gendered elements. Another reason is to find better ways to express the qualities of the card.

Visionary of Vessels, the Slow Holler Tarot’s answer to the Queen of Cups

I’m down with all three of those adaptations! Any approach to tarot that opens space for alternative interpretations or the challenging of gender perceptions is a-ok with me. (I also like the way that some artists choose to refer to these cards as ‘face cards’ rather than ‘court’, again moving away from that hierarchy. I’m trying to make this my habit, too.)

The creators of the decks below have each chosen to name their face cards in a pattern different to the traditional Page, Knight, Queen, King. I love that each style of renaming brings something different to the way we perceive these characters. Let me know which approach works best for you in the comments!

The Collective Tarot

Seeker / Apprentice / Artist / Mentor

The Collective Tarot was the first I encountered in which the face cards had been renamed, and it was a huge breath of fresh air. The curiosity imbued in the ‘Seeker’ delighted me, whereas the active commitment of the ‘Apprentice’ gave me a new appreciation of the traditional Knight. Meanwhile the inner world of the ‘Artist’, discovering and expressing inner landscapes, and the ‘Mentor’, using skills honed over a lifetime to leach and empower others, felt like exciting and radical re-visionings of the traditional Queen and King.

The Tarot of the Crone

Witch of Swords and Grandmother of Swords © Ellen Lorenzi-Prince, via

Beast / Witch / Grandmother / Shadow

Another feminist deck, Ellen Lorenzi Prince’s Tarot of the Crone (soon to be back in print – hurrah!) names its cards after four faces of an older woman. Beginning with beast and ending with shadow, I freakin’ love the way this deck overturns any notion of an ‘old crone’ as someone meek or decrepit, but uses these four faces to express different approaches to the awesome power of the crone:

Beast: The primal instinct of the power. The wild and whole expression of the element.
Witch: The focused use of the power concerned with fulfillment and expression of self.
Grandmother: The mature expression of the power concerned with family and community.
Shadow: The element’s overdone, destructive and transformative powers.

From the Tarot of the Crone booklet by Ellen Lorenzi Prince, via Aeclectic.

Thea’s Tarot

Child / Amazon / Daughter / Mother

As a feminist, lesbian deck, all characters in Ruth West’s Thea’s Tarot are female-presenting. I love the openness of the ‘Child’ (Page), the wild, strong, determined ‘Amazon’ (Knight) who really feels like she’ll fight for what she believes in (even if she’s sometimes misguided). I also appreciate the alternative partnership of ‘Mother’ and ‘Daughter’ in place of King and Queen, to me, this celebrates the strength in what is for many women an incredibly important and formative relationship.

The Slow Holler Tarot

Student / Traveller / Visionary / Architect

I think the collectively-created Slow Holler Tarot’s are my favourite renamings of court cards. I love the simplicity of ‘Student’, which is just exactly how I begin interpreting Page cards. I love the dynamism in ‘Traveller’ (Knight), and the authority and strength of the ‘Architect’ (King). And ‘Visionary’? Wow. What an incredible way to convey the way a Queen communicates from a place of real inner strength and understanding.

Aside from the ‘degrees of experience’ conveyed by the Slow Holler’s renaming, I also love that they choose to place the Queen-equivalent as the final card in the face card sequence (as in, it would come ‘above’ the King in a standard hierarchy, or would be the last card in a gradual maturation, as in many of the decks in this article.) I always felt that the queen’s tendency to go deep within and use the qualities of their suit for personal growth and transformation felt like a step onwards from the king’s typical ability to express their suit outwardly and lead others.

The World Spirit Tarot

Seer / Seeker / Sybil / Sage

Again, tarot creator Lauren O’Leary has chosen to consciously avoid the old European hierarchies of traditional tarot, and names her court cards after life stages and uses gender-neutral language. I especially love ‘Sybil’ — the oracular wise women of ancient Greece — in place of queen, which O’Leary describes as “governing their realms with ease.”

The Wild Unknown Tarot

Daughter / Son / Mother / Father

Not the most radical renaming, these face cards make up a ‘standard’ family unit — the four in each suit are all from the same animal family (snakes for wands, for example, or swans for cups). Though Kim Krans’ Wild Unknown Tarot is the deck I use most often in my work, I still find that I struggle with neutralising gender and queering these renamed cards. Still, I feel like this can a more accessible approach than the regal court, and I find that my querents really relate to this simple system.

There are plenty of other decks out there that rename the court cards! Which ones have I missed? Which of these reinventions works best for you?

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Beth Maiden is a tarot reader and writer based in Machynlleth, mid-Wales. She has two cats, a hot builder girlfriend, far too many tarot decks and not enough coffee cups. She's really into bread, the colour red, camping and brand new notebooks. She'd love to cut your hair, read your cards or hang out with you on her blog, Little Red Tarot!

Beth has written 111 articles for us.


  1. I love this, Beth!

    And you know I love the So Below tarot – they call the Page the “Knave”, and their representation of each suit of the court cards show one person developing through four stages of life, rather than four individual people. So, one person goes through four life stages, which are not necessarily sequential, as the Knave, Knight, Queen, and King of Pentacles, and so on. The representation of those cards as energies and life stages to embody rather than as four hierarchical or gendered representations has been really helpful for me.

    • That sounds cool. I really like the ‘life stages’ approach, it feels so much more like what the cards are actually about, when you dig in.

      I must check out the So Below deck!!

    • This is one of my go-to decks too, and for this reason! I still struggle with the gender naming of them, but overall really love looking at all four phases in the person’s life.

  2. The way I get around the gender nonsense of the face cards is, I think, rooted in a lot of my favourite stories — I lean on stories (fictional and historical) to conceive of every one of the face cards as potentially genderqueer.

    Thanks to my childhood love of Tamora Pierce’s Alanna books, I think I imprinted on the “a person of any gender can be a page, or a knight!” idea very early on. I know many gender non-conforming people who refer to themselves as “queen.” And I often think of King Christina of Sweden, or Queen Elizabeth I (in her “I have the heart and stomach of a king” mode) to remind myself that a king need not be male. It’s an imperfect way to deal with the imperfect nomenclature of many decks, but it seems to work for me.

  3. The Gaian Tarot uses Child, Explorer, Guardian, and Elder, which relate to life stage/age and level of mastery in each element, and aren’t uniform of gender in each category (i.e. all the Child cards don’t correspond to young women, all the Explorer cards aren’t young men). I recently acquired the Schiffer Edition of this deck, and am totally in love with it, especially the face cards/Court Cards. I struggled with those, but the life stage/mastery approach makes so much more intuitive sense to me. I’ve begun applying that to the other decks I work with as well. (It’s particularly easy to transpose to the Dreaming Way Tarot, given the androgyny of some of the characters.)

    • Ah yeah – the Gaian Tarot sounds like it’s right-on in so many ways, I’d really love to get a copy. And that’s such a good point about bringing the lessons from those re-named cards over to more traditional decks, like the re-naming doesn’t have to be for one deck only.

  4. The popular Goddess Tarot has typical face cards but many of the major arcana are different, like Power rather than the Emperor, and Sacrifice rather than the Hanged Man.

  5. I love The Tarot of the Crone! I’ve never seen that system before and I think it’s so cool. And love the topic of court/face cards and gender in general.

  6. I love the Collective Tarot’s renamig! Especially the Artist/Mentor pair; it really helps me focus on the inner aspect of the “Queens” and the community focus of the “Kings”.

    The Wild Unknown’s cards are fabulous – but the writing in the accompanying booklet about the court cards is insanely and explicitly sexist, and has almost turned me off the deck completely. It is a testament to the strenght of the images of the other cards that this has not happened, but the court cards really are this deck’s weak point. I have yet to find an intuitive and useful way to use them myself.

    Thanks for this article, an interesting topic!

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