Results for: representation
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It’s Time to Talk about It, “Never Have I Ever” Has a Race Problem
Fabiola’s story taps into a real dynamic in queer communities, but “Never Have I Ever” couldn’t bring itself to actually identify the problem for what it truly is: racism.
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Lena Waithe’s “Master of None” Could’ve Settled for Being Black and Beautiful, But It Chose Complicated Instead
The third season Master of None eschews any clean, simple picture. When a happy love story about Black lesbians in love would have been easier, instead it holds up a mirror of what we don’t like to see.
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As a Queer South Asian, “Never Have I Ever” Been So Let Down
The reason I didn’t like “Never Have I Ever” wasn’t because I didn’t feel seen. It’s because Mindy Kaling and I are clearly looking at the same world, but Kaling is expecting me to overlook all of its pain.
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Six Queer Asian Artists on “The Half of It” and the Future of Queer Asian Cinema
Alice Wu’s “The Half of It” has been for out less than a week, and it’s already become a classic. We brought together some of Autostraddle’s queer and trans Asian editors and writers — along with some of our writer friends and Generation Q’s Leo Sheng — to talk about the film, Alice Wu, and the current landscape of queer Asian media.
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Dear White People Season 3 Finally Gives Us the Nerdy Black Gay Girls We Deserve
“Squeee!!! Little black nerdy girls in baby gay love!! IT’S SO CUTE!!”
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“She’s Gotta Have It” Season 2 Finally Gives Nola Darling The Bright Light She Deserves
“If Nola Darling is one of the most famous, even if uncomfortable, black queer women in pop culture – what does it mean for us that nearly everything about her is so closely tied to the man who created her?”
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Spike Lee’s Queer-ish Remake of “She’s Gotta Have It” Would Have Been Better Without Spike Lee
Autostraddle Staff Writers Carmen and Alaina in a conversation about the TV series, the legacy of Spike Lee’s work, black female representation on film, polyamory, and pansexuality.