In ‘Power Alley,’ Bodily Autonomy Is a Team Sport
While the plot is primarily focused on abortion access, the film is also an essential portrait of another overly politicized issue: trans teens in sports.
While the plot is primarily focused on abortion access, the film is also an essential portrait of another overly politicized issue: trans teens in sports.
The Twilight franchise’s queerest impulses were found in its beginning and its ending.
To celebrate the release of Wicked here is an exhaustive look at the representation of queer women in movie musicals.
“I came out as a trans woman in Texas during the age of Trump. For me, there was no stealth coming out. I’m a big, ugly old broad and there’s no hiding it. Coming out may not have been a smart thing to do, but for me to stay alive, it was the only thing for me to do.”
Who all’s gay in the Wicked cast? Turns out, a lot of them!
The MILF revolution will be televised…but apparently it will not make room for queer women?!?!
We’ve got Kate Moennig and Abbi Jacobson in a new Liz Feldman comedy, specials from Ilana Glazer and Fortune Feimster, and more!
Physical media is back! Or, for some of us, it never left. Here are the best queer Blu-Ray and DVD releases of 2024.
The director of the UCLA Film and Television Archive, May Hong HaDuong, discusses the recent restoration of High Art and the collaborative art of film preservation.
The musical that put a handprint on my heart.
Two out of two Glindas agree that Glinda might be a little bit in the closet.
Tran and Gladstone co-star in the upcoming even more queer remake of the already very queer The Wedding Banquet.
Cruel Intentions is an interesting movie in that it doesn’t have a ton of EXPLICIT queerness and yet it probably plays a significant role in more queer awakenings than most very queer movies.
Ivan Reitman’s second team-up of Arnold Schwarzenegger and Danny DeVito after Twins (1988) has a bit of a cult status in my queer friend group.
Very few movies are Bad or Good, Offensive or Inoffensive, Positive or Harmful.
Jenni Olson talks about her new series now running at the Harvard Film Archive that includes her own films and a 16mm print of Anita Bryant getting a pie in the face.
There is a lot of work to do, as there is always work to do, and there is also a need for entertainment and inspiration.
The closeted farm girl has way more to teach about queerness and lesbian sex than the slick, vocally feminist city girl.
“I saw people coming out of Columbia or NYU who were actually getting distribution and having a viable start… I had taken out quite a bit of a loan to go to Columbia so I wrote High Art while I was a student to get going.”
The queer reveal is presented as a twist, and while I’m sure it surprised straight viewers, sleuthy queers will probably pick up on it.