Results for: representation
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“Crush” Screenwriters Kirsten King and Casey Rackham On Astrology, Queer Utopia, and Their Own Crushes
“All of the drama in my queer friends’ lives revolves around who they may or may not fuck. And then we save the talk about our dads for our therapists.”
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Isabel Sandoval on “Lingua Franca,” Sex Scenes, and the Trans Female Gaze
“There’s a certain undeniable assertion of identity and personhood in seeing a woman think.”
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Criterion’s “Portrait Of A Lady on Fire” Release Is Incredible — We Still Deserve More
Portrait of a Lady on Fire is only the third film in the Criterion Collection to feature queer women that’s actually directed by a queer woman.
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Oscars 2021: Two Queers Discuss The Very Pandemic 93rd Academy Awards
Drew and Riese discuss this years slate of Oscar films, except FYI Drew did NOT watch “Mank,” and Riese did watch “Mank,” and it wasn’t fun, so!
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Six Queer Asian Artists on “The Half of It” and the Future of Queer Asian Cinema
Alice Wu’s “The Half of It” has been for out less than a week, and it’s already become a classic. We brought together some of Autostraddle’s queer and trans Asian editors and writers — along with some of our writer friends and Generation Q’s Leo Sheng — to talk about the film, Alice Wu, and the current landscape of queer Asian media.
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Céline Sciamma on “Portrait of a Lady on Fire,” The Lesbian Gaze, and Queer TV That Gives Her Hope
“What is a happy ending with a lesbian love story? Eternal possession? We want a frozen image of two people getting married?”
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Glamorous Degradation: On Sex Workers and Authenticity in Cinema
When I watch these movies, I find myself writing fan fictions in my head: What details would I change, to make this piece of art truly for me, and for the community that I love? Maybe it’s simply that the sex workers on film would just be a lot more… regular.
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Outfest 2019: The Future of Queer Cinema Is Trans
I’ve lamented that I’m never going to see my stories on screen until I make it happen for myself. Never have I felt that to be less true. There are so many of us out there making work for ourselves, and each other.
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“The First Time”: Drew Gregory Made a Movie in Quarantine and it’s 15 Minutes of Pure Queer Bliss
The First Time is everything I’ve come to love about Drew’s writing over the last several years: smart hilarious, powerful, and deeply generous. And just heckin’ gay and trans.
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A Kind of Decolonization I Can Feel at the Back of My Pussy
On internal colonization, South Asian shame and representation of happy brown queers on film.
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“I’m Not a Stripper, but I Play One on TV”: Why Hustlers Won’t Change the Game for Sex Workers
If you can’t handle the titties, get out the strip club, babe. Even if it’s a fictional one.
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Film Historian Jenni Olson on “Mädchen in Uniform,” The First Ever Lesbian Film
“They were like whatever we have dozens of lesbian bars, we have magazines, we have all of this culture, we have Marlene Dietrich, we don’t need this little girl thing.”
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GLAAD: Movies Are Getting Better For Lesbian and Gay Characters, Staying Terrible for Trans and LGBTQ Kids’ Characters
GLAAD’s 2019 Studio Responsibility Index is here. Good news: Gay and lesbian rep is up. Bad news: Racial diversity is down, and trans rep remains at zero.
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15 Gayest Moments From “Avengers: Endgame,” Which Was Great But Unfortunately Not Gay
I pulled these nuggets of little gold from all three hours of Endgame and I cannot wait to re-live them in obsessive, snarky detail with you!
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Oscars 2020: Two Lesbians Discuss the Very White, Very Straight, Very Male 92nd Academy Awards
“Okay so Christian Bale plays… Mr. Ferrari. And Matt Damon plays… Henry Ford?”
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Hollywood Is Out of Excuses for Dangerous Trans Representation
Jen Richards speaks out against Mark Ruffalo and Matt Bomer’s new film, Anything, in which (another) cis man plays a trans woman.
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Final Girl-on-Girl: Toward a Semi-Unified Theory of Lesbian Horror Movies
We’re all used to watching movies and rooting for the lesbians to live — lesbian horror movies make the gamble that everyone else in the audience will, too.
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“The Miseducation of Cameron Post” Director Desiree Akhavan Makes Queer Women’s Movies Because She Just Loves Queer Women
“I want to prove that money can be made off of women’s sexual stories. It’s not just a queer thing. It’s about women receiving pleasure, and giving pleasure. It’s still completely taboo.”
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QTPOC Roundtable: TV and Movie Characters That Made Us Feel Seen
“Jessi showed me that it was cool to focus on my ambitions and to form deep relationships with other girls instead of being boy-obsessed.”
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Desiree Akhavan on Sex Scenes, Spectatorship, and Shooting ‘The Miseducation of Cameron Post’: The Autostraddle Interview
Behind every great indie film is a great woman. Or, as “The Miseducation of Cameron Post” shows, an entourage of them. Autostraddle spoke with director Desiree Akhavan about making the film that won the Sundance 2018 Grand Jury Prize for Drama and got gay teens in Montana on screen.