As we exist only within the most radical fringes of independent, bohemian, post-capitalist society, we frequently find ourselves unable to have any feelings about The Oscars. Because it costs three gabillion dollars to make a movie these days, cinemas tend to specialize in movies that three gatrillion people will want to see. As aforementioned, we are radical lezzy commies and have no appreciation for such mainstream things. We would rather just watch the Julie & Brandy In Your Box Office version.

So! We have re-vamped the Oscars to best suit our purposes and provided our own nominations here for our own Awsker office pool. These selections were selected by a complicated formula that included asking everyone at Autostraddle which movies they liked this year (it turns out everyone DID see The King’s Speech, who knew) (Also, apparently Riese was the only one unable to enjoy/sit through Inception because every 30 seconds she had to yell about how this or that two minutes/30 seconds of unnecessary special effects spectacle could’ve fed the entire continent of Africa and brought arts education back into our nation’s underperforming schools), remembering people talking about movies last year, looking at the actual Oscar nominations, and glancing at RottonTomatoes.com.

You can vote in the comments, and whichever movie wins will have the pleasure of winning.

You are also welcome to say things like “HOW COULD YOU LEAVE OUT NANNY MCPHEE RETURNS???!!!!!” with as much punctuation as possible.

So we present the 82nd Annual Awsker Awards:

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Best Documentary

Exit Through the Gift Shop
The Tillman Story (site)
Waiting for Superman (site)
Inside Job
Joan Rivers: A Piece of Work (site)
8: The Mormon Proposition
Waste Land (site)
Casino Jack and the United States of Money
Marwencol (site)
Soundtrack for a Revolution (site)

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Best Picture

The Kids Are All Right
The Runaways
Howl
The Social Network
Inception
The Town
Scott Pilgrim vs. The World
Black Swan
Another Movie

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Best Picture Primarily Marketed Towards Children

Megamind 3D
Toy Story 3
Kick-Ass
Harry Potter and the Deathly Hallows
Alice in Wonderland
How to Train Your Dragon

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Best Actress

Annette Bening – The Kids Are All Right
Halle Berry – Frankie & Alice
Natalie Portman – Black Swan
Mia Wasikowska – Alice in Wonderland
Emma Watson – Harry Potter and The Deathly Hallows

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Best Actor

Daniel Radcliffe – Harry Potter and The Deathly Hallows
Colin Firth – The King’s Speech
Jesse Eisenberg – The Social Network
James Franco – Howl and probably also 127 Hours
Anthony Mackie – Night Catches Us


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NEXT: Supporters, directors, writers, female-friendliness, Julie & Brandy, and the worst movie of the year.

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Best Supporting Actress

Julianne Moore – The Kids Are All Right
Loretta Devine – For Colored Girls
Anika Noni Rose – For Colored Girls
Melissa Leo – The Fighter
Jamara Griffin – Night Catches Us

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Best Supporting Actor

Christian Bale – The Fighter
Justin Timberlake – The Social Network
Michael Ealy – For Colored Girls
Mark Ruffalo – The Kids Are All Right
Jeremy Renner – The Town

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Best Writing

Tanya Hamilton – Night Catches Us
Aaron Sorkin – The Social Network
Lisa Cholodenko and Stuart Blumberg – The Kids Are All Right
Debra Granik and Anne Rosellini – Winter’s Bone
Christopher Nolan – Inception

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Best Director

Lisa Cholodenko – The Kids are All Right
Floria Sigismondi – The Runaways
Tom Hooper – The King’s Speech
David Fincher – The Social Network
John Cameron Mitchell – Rabbit Hole

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Stupidest/Most Disappointing Movie of the Year:

Room in Rome
Sex and the City 2
Shutter Island
Twilight Saga: Eclipse
Bitch Slap!

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Most Lady-Friendly Film of the Year

The Runaways
The Kids Are All Right
Harry Potter and the Deathly Hallows
Salt
Alice in Wonderland

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Best Julie & Brandy Version of a Feature Film

(awarded to the best movie re-enactment from Autostraddle’s hit web-series Julie & Brandy In Your Box Office)

Sex and the Shitty 2
Shitter Island
The Runagays
Hot Sub Prime Machine

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We’re making this easy for you — you can just copy-paste this into your comment and fill in your picks! We’ll tally up later tonight after the “real” “Oscars.”

Best Documentary
Best Picture
Best Picture Marketed Primarily Towards Children
Best Actress
Best Supporting Actress
Best Actor
Best Supporting Actor
Best Writing
Best Director
Most Disappointing
Most Lady-Friendly Film
Best Julie & Brandy Version of a Feature Film