“Derry Girls” Review: “Skins” Meets “Everything Sucks” in a Hilarious Coming of Age ’90s Romp

When Channel 4’s sitcom, Derry Girls, landed on Netflix over the holidays, I clicked on it instantly because a reader from the UK had already told me it’s gay and also that I wouldn’t be able to understand the accents. I’m pleased to report that it is gay — in fact, it features one of my favorite coming out scenes ever — and that watching Lip Service, Skins, and Coronation Street completely prepared me to understand every word that came out of every character’s wee mouth. (Did I get that right? Do you just say “wee” in front of everything you like, you real live northern Irish pals?)

I can’t help but compare Derry Girls to Skins and Everything Sucks because it’s a coming of age series, set in northern Ireland, in the ’90s, and there’s a lesbian character — but I wouldn’t stop at that comparison. This is is a show centered on four young women, created and written by a woman, and instead of ignoring the politics of the day, it puts the conflict between Irish nationalists and British loyalists in the middle of everything, even opening the series by diverting a school buses around a bomb threat on a bridge. (And Aunt Sarah’s tanning bed appointment.)

Erin Quinn is a fifth year at her local all-girls Catholic high school where she spends most of her time hanging out with her flighty same-age cousin, Orla, and their two best friends: antagonistic world-class swearer Michelle and high-strung do-gooder Clare. Oh, and Michelle’s cousin, “the wee English fella” James, who isn’t tough enough to go to the all-boys school. Every episode, their hijinks start innocently enough: they don’t want to sit at the front of the bus so they try to bully some first years, they’re not prepared for their exams so they try to get out of them, they want to take the school trip to Paris but they don’t have any money — but by the second act, things have always unraveled in the most absurd ways (death, fires, divine miracles) and they can’t sidestep consequences of their actions no matter what schemes they concoct. Their ever-present conscience and comeuppance takes the form of Sister Michael, played with such deadpan irreverence by Siobhan McSweeney I couldn’t get enough of it.

The series explores the girls’ relationships with each other, their parents, their hormones, their popularity, their attitudes about growing up in the middle of a serious military conflict, and most especially their town. Nearly every way they rebel is accidental. They won’t even ditch their school blazers for jean jackets. “I’m not being an individual on me own!” Clare shouts in the first episode.

Shows about teenagers often either treat the characters like adults, saddle them with the writers’ sentimentality about their own childhoods, or patronize them with grown-up judgment. Derry Girls writer and creator Lisa McGee sidesteps all of those traps, managing to capture the fresh, frenetic, wacky energy of being in high school and allowing the characters to be in on every joke. And oh, there are so many jokes. Visual gags and affectionate digs at northern Ireland and less-than-affectionate digs at England and cutting dialogue that no one’s safe from, especially not the church. It’s genuinely, rawly, categorically funnier than any show I’ve mentioned in this article or watched in ages.

I don’t want to tell you who’s gay because I don’t want to ruin the surprise of the aforementioned coming out, but I will tell you the reveal takes place in the final episode and by the time it does, you’ll be able to say, “Classic Derry Girls!”

Heather Hogan is an Autostraddle senior writer who lives in New York City with her partner, Stacy, and their cackle of rescued pets. She's a member of the Television Critics Association, the Gay and Lesbian Entertainment Critics Association, and a Rotten Tomatoes Tomatometer critic. You can also find her on Facebook, Twitter, and Instagram.

Heather has written 1040 articles for us.


  1. I just started watching this show tonight and am so glad I did, it is absolutely hilarious! Beyond the brilliant writing & acting, the costumes & music are so spot-on the time period. Both give me flash backs to high school, in a good way.

  2. only read this if you’ve seen the show!!

    Is it only me who was upset by how this show handled Clare’s sexuality? Her best friend tells her that she’s gonna puke right after she comes out and has one of the worst reactions to a coming out I’ve seen on television. She tells her to go back in the closet, and rejects her coming out to her, specifically saying “Don’t blame me” when Clare said she helped her realize it was okay. Obviously, that happens in real life, and that’s not the part that upset me, but the quick turnover of this, where Clare is forced to forgive her by the end of the episode, and dance with her like her like everything’s okay. I really enjoyed this show up until that part, and felt very protective of Clare since all her friends besides James weren’t supporting her. I just found the way they handled it very damaging, and I don’t understand the praise for the show because of it. It made me really sad to see Clare’s story handled this way, and within the span of the last ten minutes made me hate every other character besides her on this show.

    • I’m just a bit confused about this reaction from everyone in the comments, how is it one of the best coming out scenes ever? It was so disheartening to see the main character of the show take such a hateful stance.

    • Hmmm I get where you’re coming from, but I think that the way Erin initially reacts is very true to her 16-year-old in the early 90s character and not the show’s stance. It pokes fun of her for being a bit of a hypocrite and then shows us that she clearly feels awful for how she reacted. That feels more real to me than her being, like, 2019 levels of woke about it.

      I definitely would love it if they explored the storyline more in the new season and did clarify all of the above, though!

  3. I watched this on your recommendation and I did love it, although I have to say that it’s nothing like Skins at all – it’s much closer in tone to the Inbetweeners (albeit much less crass). It doesn’t take itself seriously at all, whereas Skins is much more of a drama with comedic moments.

    In saying that this show is tops. The coming out stuff and the sweet family moment in the finale were both really well done and reignited my love for the Cranberries!

Contribute to the conversation...

Yay! You've decided to leave a comment. That's fantastic. Please keep in mind that comments are moderated by the guidelines laid out in our comment policy. Let's have a personal and meaningful conversation and thanks for stopping by!