These Are The Best Stills From The “Designing Women” Opening Credits

Designing Women is the groundbreaking sitcom about four women who run an interior design firm in Atlanta, Georgia. It would make sense as I got older and began stockpiling entire seasons of it onto my laptop and learning about its history as to why this show spoke to me even as a child – four female leads, a nuanced depiction of the American South, the interplay of conservatism and civil rights, and a female creator and show-runner, Linda Bloodworth-Thomason, who would not only write the first 35 consecutive episodes of the series, but go on to write 37 more.

The players: you’ve got Dixie Carter as Julia Sugarbaker, the outspoken leader of the group known for her leveling monologues. You’ve got Delta Burke as Suzanne Sugarbaker, Julia’s pampered younger sister and former pageant winner. You’ve got Annie Potts as Mary Jo Shively, the sometimes cynical realist. And finally you’ve got Jean Smart as Charlene Frazier Stillfield, kind-hearted as she is green. Oh, and then there’s Meshach Taylor as Anthony, the handyman whose deal I’ve never been able to figure out.

The extent to which I knew these women in my own life growing up in Georgia correlates with the number of times I’ve reached out to this show for comfort. This means I’ve stared longingly at the Designing Women opening credits more times than I’ll ever know. “Why don’t you just fast-forward them? Don’t you have them on your computer? Isn’t that something like days, weeks gone from your life when you add up all those minutes?” Shh, no, I will never fast-forward through them. They are visual Xanax.














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Los Angeles based writer. Let's keep it clean out there!

Erin has written 208 articles for us.


  1. Seriously, why does Charlene have a picture of herself and just herself on her desk? Is this a thing people do?

  2. I watched so much of this with my grandma as a kid.

    Actually, those re-runs of Designing Women, the Golden Girls, and Murder She Wrote were probably very important to tiny, queer feminist me. Thanks for looking out grandma.

  3. I am so emotionally invested in this show and Jean Smart’s face I can’t even tell you. Charlene Frazier confused me for YEARS. Did I want to be her? Did I want to just snuggle up to her? Maybe Dolly Parton could sing us to sleep?

    Anyway I own every episode of seasons 1-5 and I, too, refuse to fast forward through the opening credits.

  4. ah, my heart! I loved this show so much. So much. And listen…was anybody else pissed off when they married Charlene off to Bill? I mean come on. You know she and Mary Jo were meant to ride off into the sunset together.

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