Brittani did Dinah again and was much more successful in her own never humble opinion.

Drew Burnett Gregory writes, directs, and stars in a new horror short, and it’s available for you to stream!

This week on NSFW Sunday: couples with roommates, feminist porn, bike smut, and tasting the rainbow in your pants.

This week truly seems blessed by the queer music gods.

This week on NSFW Sunday: dating yourself, couch surfing, and tastes and sex. I know, sex! Crazy.

I wasn’t going to turn down the chance to explore a massive swinger lodge that’s been in operation since the 1970’s.

A look back at this groundbreaking 2024 WNBA season — the good and the bad — from some of the journalists, filmmakers and creators who were part of the conversation this year.

The third season of Vox Machina is full of epic battles, moving moments, higher stakes, and more gays.

The show follows Molly (Michelle Williams), who sets out to have the horniest last five years of her life after she is diagnosed with terminal cancer, supported by a group of lesbians and Jenny Slate.

As I begin my career as a therapist, I have to hide parts of myself.

We’re going to update you on all the whiskeys our group will be tasting on the mountain so your presumably now-formed queer whiskey tasting friend-group can taste along with us. And our brand new obsession? Hudson Whiskey.

Discovering my queerness blew my world wide open, upended my expectations and left me with a clean slate to fill in as I pleased, holding on to the parts I wanted to keep, and discarding the ones I didn’t. And somehow, against all odds, I think that’s exactly what’s happened with Selling Sunset.

This week on NSFW Sunday: your brain on orgasms, the best places to have sex in public, and how to explain what lesbians do in bed to your cab driver.

Believe it or not, Peacock has a surprisingly robust slate of television shows with major lesbian, bisexual and queer women and/or trans characters. Here’s a list of our favorite LGBT TV shows on Peacock.

There are limits and boundaries that vanish outside the paradigm of heterosexual expectations.

The Dutch comedy attempts to destroy the typical holiday movie formula but self-destructs in the process.

On Our Backs, which originally ran from 1984 to 1990 and was revitalized from 1998 to 2002, existed for one central purpose: to portray lesbian sex and sexuality, with real lesbians.

I watch The Hours whenever I’m sad.

Y Tu Mamá También relies on ambiguity: Partly, I presume, so that it could reach audiences who might not have watched the film had it been more explicitly gay. I know young me wouldn’t have dared to.

“Host Vic is a character. Other Dropout stuff is like Vic plus, you know?”