Hey, Let’s All Read Borderlands/La Frontera by Gloria Anzaldúa!

Hello puppies and unicorns! The time has come, once again, to quest for literary enlightenment and embiggen our collective minds. The Speakeasy Book Club has chosen its second book: Borderlands/La Frontera by Gloria Anzaldúa. Get excited!

Gloria Anzaldúa was a self-described “chicana dyke-feminist, tejana patlache poet, writer, and cultural theorist,” and a super rad and important QWOC. Born in 1942 to a family of migrant field workers on the American side of the Mexico-Texas border, Anzaldúa knew hardship early on. As an infant, she developed a rare and painful hormonal condition that accelerated aspects of her sexual maturation and also stunted her growth. She began working in the fields at age 11, and her father died when she was only 14 — which was sad for her both on a personal and professional level, as it meant that Anzaldúa was financially obligated to continue working the family fields for years afterward. As a dark-skinned, working class, queer Chicano woman, Anzaldúa struggled with sexism, racism, classism and homophobia throughout her entire life. Still, she perservered, and it was through reading that she found “an entry into a different way of being.”

Defying expectation, Anzaldúa became the only member of her family to pursue higher education. She enrolled at Texas Women’s University, then the Pan American University, and then the University of Texas in Austin, where she finished her formal education with a grand three undergraduate and two graduate degrees. Anzaldúa supported herself through writing, lectures and teaching — first in a bilingual preschool program, then in a special education program for mentally and emotionally challenged students, and finally as a college professor. Teaching at several universities, she lectured on feminism, Chicano studies, and creative writing. Anzaldúa co-edited the multicultural feminist classic This Bridge Called My Back: Writings by Radical Women of Color with Cherríe Moraga, and in 1987, published her most famous work, Borderlands/La Frontera: The New Mestiza.

Borderlands/La Frontera is a non-linear history and work of art that examines the condition of women in Chicano and Latino culture, Chicanos in white American society, and lesbians in the straight world. The book uses personal narrative, testimonio, factual accounts, cuento, and poetry, written in a unique blend of eight languages: two variations of English and six of Spanish. Although Anzaldua died of diabetes complications on May 15, 2004, her work lives on. So let’s honor this incredible woman by reading her words together.

Gloria Anzaldúa. Photo by Alison Hawthorne Deming, October 23, 1991. Via University of Arizona.

Gloria Anzaldúa. Photo by Alison Hawthorne Deming, October 23, 1991. Via University of Arizona.

Here are some things other people had to say about Anzaldúa’s work:

The canon is dangerous. Who does it belong to? The social sciences were founded so that the white men could have language to explore the other. Feminist theory, queer theory, and cultural theory are what happens when the other explores back, treads its own line, and creates its own language. … Anzaldúa passed away in 2004, but her work remains as a legacy and a lesson speaking loudly and unabashedly, proclaiming, insisting and evidencing the truth that many may never know: in an academy – and a world – populated by the scrutiny of countless white male faces, it is possible to look out into the crowd and find yourself.

– Katrina for Autostraddle: “Eleven Women of Color You Should Know and Admire

[Borderlands/La Frontera] helped me realize that the comfort I thought I found in labels was simply an assimilationist value I had adopted, not for myself, but for the comfort of others. I never knew how to answer the question, “so, what are you?” It was what I had been grappling with for my entire life; I was living between worlds–the borderlands. I am not either or, but rather, on the edges of all, in an unstable, and ever-changing terrain, “nepantla” – a Nahuatl word for the in-between spaces, where the boundaries are unclear, and we are constantly in transition. I can use ambiguity as resistance, and realize that I do not, and never will, fit so neatly into the boxes left out for me, for that would be the death of the borderlands, and the death of the identities I hold. … I will revisit this text for years to come, it will live with me, it will understand me, and I will continue to discover what it means to live in such a transient space.

Devyn Manibo for Bitch Magazine: “BiblioBitch: 25th Anniversary of Gloria Anzaldúa’s Borderlands/La Frontera

I refuse to let [Gloria] go — to relegate her wholly to some dead past. I still marvel at her ability to speak to so many people across racial, class, gender, and sexuality divisions. And at the very same time, I feel that there is a piece that is just for Chicanas — you know, eye to eye, entre la raza, entre las mujeres. I believe that her cultural production continues to exist within me. It is eternally new each time I encounter the irony and pain that comes with living in an oppressive society, and I need to use that experience to create theory as a framework that might be useful to activist projects, even if that only means providing a concrete example of how inequality functions and is maintained.

Edén Torres, Wounds of Fire: Anzaldúa’s Cultural Production from Pain to Theory

gloria AS

Image from Autostraddle’s “10 Queer Feminist Icons You Can Be This Halloween.”

Also, FYI, The Toast recommended this book to Katniss Everdeen. Do you really need any other reason than that to pick it up? I didn’t think so.

Get your copy now, and come back here on February 12 so we can discuss!

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Laura Mandanas

Laura Mandanas is a Filipina American living in Boston. By day, she works as an industrial engineer. By night, she is beautiful and terrible as the morn, treacherous as the seas, stronger than the foundations of the Earth. All shall love her and despair. Follow her: @LauraMWrites.

Laura has written 210 articles for us.


  1. This book was my HOME for so many years! I am a turtle… Will read again! I’m very excited.

  2. This book is amazingly beautiful, and one of the only books I saved from college. I’m sad to admit that I’m not someone who reads a lot, but I am so happy my professor gave me this one. I’m basically just commenting to implore other people to read it.

  3. I love love love this book and have written hella papers using this as a source– I particularly fell in love with her refusal to stay in one language or one genre. Her essay about language & Chicano Spanish is beauuutiful and I can’t wait to hear what everyone else thought of it!

  4. My prof assigned this my sophomore(ish?) year of undergrad and I’ve returned to it several times… one of my favorites, excited to see it here and at The Toast!

  5. I love this book – I learned so much from it and used it a ton in my postcolonial theory emphasis in graduate school. Fun (well, not really) fact: one of my friends used this book in a presentation for a postcolonial studies class, and the professor knocked down her grade, claiming that because she’d never heard of Anzaldua (not sure how to do the accent in HTML!), Anzaldua couldn’t possibly be a a legitimate scholar. She then proceeded to list a number of old, white, straight dead guys that were more ‘appropriate’ postcolonial scholars. That was the moment I decided to leave graduate school.

  6. Gloria is from my homeland and I can’t wait to finally dive into Borderlands (I read a small chunk on the plane ride home and already stirred so many emotions and thoughts). Let’s do this Speakeasy!

  7. I’ve actually got it packed in my backpack so I could read it on my 16 hour flight tomorrow. I’m really excited to finally have time to read it.

  8. Oh maybe I should have put this in the post. Hi! If you’re reading this and identify as a person of color (including multiracial people and folks from all non-white backgrounds), you can join the Speakeasy Facebook Group for reading buddies and further delights.

    • Hello! I work with Aunt Lute Books, the publishers of Borderlands/La Frontera. We’re very pleased that you’re featuring Gloria Anzaldúa for The Speakeasy Book Club! We’d appreciate it if the links featured in this article linked back to Aunt Lute Books (auntlute.com) instead of Amazon. As the publisher of Borderlands, we will personally take your orders, pack, and ship them with love from our office in San Francisco. Thanks, and enjoy one of our favorites!

      Maya Sisneros
      Marketing Department
      Aunt Lute Books

  9. I read excepts in my first Women’s Studies 101 class five years ago and, tbh, don’t remember much of it. Now as a full-fledged gender studies major I am really excited to give it another go!

    (I totally thought I missed the date for the discussion – glad to see I have another couple weeks to go!)

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