“Black Lightning” Episode 201 Recap: Redemption Song


And it looks like The CW has opened up their coin purse like grandma after church on Sunday because we have a sexy, sleek new title card to celebrate.

If you missed (or don’t quite remember) the first season of Black Lightning, that’s ok! We’re all friends here. To catch up quickly, Jefferson Pierce is an ex-superhero turned high school principal who has powers involving electric energy. He got out of the game nearly ten years ago so he could raise his two daughters alongside his ex-wife, Lynn. That was until last year, when his eldest daughter, Anissa, came into powers of her own! She can rearrange matter density and stomp shit real hard – don’t worry, it’s much cooler in practice than it sounds. Ok! AND ANISSA PIERCE IS BIG OLE LESBIAAAAN, making her the first lesbian superhero on the CW and the first black lesbian superhero on film. Ever. Ever Ever Ever. You’re going to want to know that!

Anissa and Jefferson join together to fight a super secret government agency with duplicitous motives known as the ASA (think Marvel’s Agents of S.H.I.E.L.D, but for DC Comics). The ASA has teamed up with Tobias Whale, Jefferson’s arch-nemesis, and a whole slew of other baddies to pump a drug called “Green Light” into the black neighborhoods of Freeland, mimicking the historic attempts of the U.S. government to do the same during the crack-cocaine epidemic. The major difference being that when mixed with certain DNA, Green Light has the power to turn otherwise average everyday people into superpowered meta humans against their consent. Much like other works of Afro-futurist art, mining real life legacies of black pain and trauma to reimagine them through a supernatural lens is sort of Black Lightning’s whole deal. Are you still with me? I promise we’re almost there.

While Anissa and Jefferson are doing their crime-fighting caped crusader father-daughter thing, Jennifer Pierce (a high school sophomore and Beyoncé faithful who believes in the motto “work hard, play hard”) discovers that she has powers of her own! Whereas Jefferson’s electric abilities involve absorbing energy, Jennifer can create it! If he’s a car, she’s the battery. The entire Pierce clan (Mama Lynn included!) end the season in a brawl against Tobias and the ASA, saving 100s of young black meta humans being kept alive by the organization in Green Light “pods” for a future nefarious action. Whew! We made it.

Now that everyone’s all caught up, we can properly begin.

I’ve never heard Bob Marley’s “Redemption Song” and not immediately welled up with tears. It’s been that way for as long as I can remember, so at the first guitar strum last night, my heart seized. Black Lightning’s first season was marked with deft soundtrack choices that cut deeply into black music history, and it’s clear they have no intention of slowing down.

Marley asks, “how long shall they kill our prophets, while we stand aside and look?” as two white police officers hold a black child, about the age of Trayvon Martin, not much older than Tamir Rice, in a choke hold. They squeeze harder and harder, just like they did to Eric Garner.  You can hear a young girl scream, “You’re killing him! You’re killing him!”, just like Philando Castile. Then, they leave his lifeless body alone on the curb.

I’ve mused that Anissa Pierce’s ability to control her powers by manipulating her breath reminds me of Eric Garner’s famous last words, “I Can’t Breathe” – a rallying cry for the Black Lives Matter movement. From the very beginning, Black Lightning has situated itself squarely in conversations about celebrating black life and uplifting our resistance.Still, watching this video is hard. Thinking of Eric Garner is hard. Philando Castile. Trayvon Martin. Tamir Rice. Watching Freeland PD take the young life of Issa Williams, I found myself unwittingly pinching my sides, counting the seconds for it to be over. Willing myself not to look away. It’s a difficult and result season opener.

We watch all of this unfold from the viewpoint of the Freeland nightly news. No other television show uses news broadcasts as effectively or to the same horrifying effect as Black Lightning, in part because few other communities have such a traumatic relationship to the evening news. Every black person I know has at some point in their life, for most, more times often than not, held their breath while watching a broadcaster and silently praying that the shooter – or worse yet, the victim – wasn’t black. For us, news comes laced with mourning.

Issa was one of the so-called “Green Light babies” (I assume, a play on the derogatory colloquialism “crack babies”) who’ve been increasing in number across Freeland since the ASA and Tobias Whale infiltrated black communities. Reverend Holt, the Pierce family minister, reminds us from the pulpit that even though Green Light’s super charged side effects might be the latest excuse for police brutality, such violence on young black bodies long predates the drug.

With Anissa in the pews, the reverend tells his congregation that the government is still not granting family members access to the young people left in the pods. They are using the guise of public health concerns as a cover up. It’s a compounded trauma. The Reverend emphasizes, “basically they think they own your family members.”

I’m not going into hundreds of years worth of history about slavery. Being owned is not lost on black people. For the uninitiated, the show hammers it home when the nightly newscaster invokes Dr. James Marion Sims, the so-called “Father of Modern Gynecology,” who began his practice by forcing experiments onto enslaved black women. At the same time, showrunner Salim Akil told Shadow and Act that he wanted to call attention to the reverberating effects of the Trump Administration’s policy to separate immigrant families at the U.S.-Mexico border, “I think one of the things that disturbs me the most is the snatching of people’s children away from them, and using the excuse of the laws to do something that morally, you know is incorrect.”

What did you say about Senator Kamala Harris?

In this house, we respect The Queen.

Wanting to help those families in need of legal services, Anissa Pierce goes full on Set It Off meets Robin Hood, donning her infamous black hoodie for the first time this season – now with the new addition of a face mask. (Aside: did Anissa play a lot of Mortal Kombat as a kid? I’m just saying, that mask looks familiar.) She robs local Freeland drug dealers. She Thunder Stomps all over. She slams walls and causes a ruckus, giving the show gets an optimal chance to show off their newly improved F/X budget.

Lil’ Kim Voice: All About the Benjamins, Baby

When she drops the stolen money off at the church, Mortal Kombat mask still in tow, she’s a bit taken aback that every parishioner is strapped with a gun, you know just in case. I’m pointing it out because that scene felt perfectly ripped from a 1970s Blaxploitation film, a genre that Black Lightning aesthetically borrows from often, but also because I found it hilarious. Church Auntie got a gun? Let me be down.

That said, my fellow TV Team member, and proud North Carolinian, Natalie read the scene differently, “my mind went immediately to the shooting at Mother Emanuel Church in Charleston and how that sanctuary had been violated during a Wednesday night Bible Study. There was something profoundly sad for me in seeing parishioners carrying their handguns into that consecrated space. It was unsettling and, in my opinion, like the Issa Williams storyline, unnecessary and heavy handed.”

Anissa has even more concerns weighing her. Her little sister’s powers seem to be growing stronger with her distress, leaving her to levitate and glow the prettiest gold sparkles in her sleep (ok, apparently this is dangerous. But also, sparkles are so preeeeeeetty! Sorry.) Protective as ever, Anissa takes this information to her parents. Lynn wants to get Jennifer into therapy so that she can have a safer outlet to work through her emotions and mental health. Jefferson seems dubious, but since we know that Jennifer’s therapist has already been hired for the season, it’s safe to say that he’ll come around.

This is what I imagine I look like at night, dreaming about Tessa Thompson

Frank conversations about black mental health on television are having something of a turning point, still they’re incredibly rare and absolutely necessary. Normalizing these avenues goes a long way, and I’m so thankful that Black Lightning is taking its time with this plot rather than making it a one-off. Unlike Anissa’s whole Thunder deal, the Pierces seem ill-equipped to help Jennifer with her energy creation. They’re recognizing their shortcomings, and looking for outside help. It’s hard to admit when what’s best for your loved one is outside of your control.

*cries in Black Girl Magic*

Jennifer finds herself feeling alone and isolated. Keisha, her best friend, doesn’t help. I love Keisha. I think every teenage girl should have that one friend who always gets you into trouble and then helps you get back out. It builds character and teaches sisterhood. I also looooooove that in the middle of what was an already jam packed episode, they found time for a quite moment between two black girls to braid hair on a porch. Really braid hair, not “made for TV” braiding. Cornrows. Grease on the back of the hand. Rattail comb out. Weave at the ready.

Do you know how many times we’ve seen white teenage girls bond on television by doing their hair? A thousand. How often have we’ve seen authentic black hair care on television? Next to NEVER. Decisions to hide those everyday moments take parts of black humanity and place them behind a curtain of shame. With Keisha, Jennifer can be vulnerable. She’s relaxed. We’re relaxed. Which only makes what comes next more awful.

While doing Jennifer’s hair, Keisha goes on and on about how meta humans are “freaks,” calling it “the end of days” (yeah, she went biblical). Jennifer’s face crumbles. All she’s ever wanted was to be normal, and here is her own best friend calling her freak. Matters worsen when the two girls hang out on their phones in Jennifer’s room, Keisha pulling up footage from Issa’s funeral.

First of all, Issa’s being carried out in a body bag by two ASA agents who couldn’t be bothered to even find a coffin or a stretcher – way to further disrespect black humanity, Freeland. Keeping it real to the very end. Second, Issa LIVES! He hops right out of that body bag! Much to everyone’s horror, his mother included! At his sister’s encouragement, Issa flees the scene. Keisha watches all of this, muttering once more about “freaks.” Jennifer runs to the bathroom before her powers overwhelm her, shielding herself from Keisha’s prying eyes.

Hours later it takes Jefferson to help calm her, holding her in a hug so that he can absorb her worry (and its physical manifestation) as Anissa and Lynn look on, terrified. It’s a somber reunification for the Pierces. One that leaves them together, but also fraught about what lies ahead – a promise of a treacherous terrain stretched long in front of them.

When I said I wanted the whole family back together…


I don’t want to end our time together on a downer, so here’s two other fun plot points:

Commissioner Gordon Henderson has finally put together Jefferson’s true identity as Black Lightning. Their exchange goes something like this:

Henderson: “You do realize you’re only wearing goggles right? Did you think I’m one of those Arrowverse characters who can’t see what’s directly in front of their face? C’mon my man, we’re smarter than this.”

Jefferson: “Nah, you right. My bad. By the way, Anissa is also caught up in this superhero game. Just so you know.”

Next, we must talk about the fight between Vice Principal Omarosa and Syonide! Can I just say, I love how just like real life Omarosa got an upgrade over the summer that left her lurking among the legions of black royalty at Aretha Franklin’s funeral, Vice Prinicpal Omarosa got an upgrade in Black Lightning’s wardrobe department. The new suits, hair, make up, accessories – it’s all working. She’s on the run from the ASA and Tobias sends Syonide to collect.

Their fight scene in the parking garage is hands down one of the best choreographed stunts we’ll see this year. That’s right, I said it! Tell Daredevil or Iron Fist to call me. The real highlight comes at the very end, when VP Omarosa turns HER. STILETTO. HEELS. INTO. DAGGERS. AND. LAUNCHES. THEM. INTO. SYONIDE’S. THROAT.


“Bitch, you got my hair wet” is how I’m closing out all my debates from now on.

If you saw the preview for next week’s episode, you already know that something very exciting and gay is afoot. I’m here with even bigger news. The CW press photos for next week dropped today, and at different points you can clearly see – SPOILER ALERT – Chenoa (Anissa’s first girlfriend), GRACE!!! (Back from her journey to the unknown), AND A NEW LOVE INTEREST!!!!

Our long suffering drought is finally over.

Until then!

PS: Did I mention that I missed you all summer long?!?!? I did!


Carmen is Autostraddle's Associate Editor and a black Puerto Rican femme/inist writer. She claims many past homes, but left the largest parts of her heart in Detroit, Brooklyn, and Buffalo, NY. There were several years in her early 20s when she earnestly slept with a copy of James Baldwin’s “Fire Next Time” under her pillow. You can find her on twitter, @carmencitaloves.

Carmen has written 136 articles for us.