First Person

Broad City, Ilana and Space Enough for Bothness

by

I remember the day I found out that Ilana from Broad City wasn’t biracial. I Googled around until I found evidence that there were others like me: biracial girls who felt a little bit incredulous; just a hair shy of betrayed. To this day I haven’t been able to convince whatever part of my brain that initially projected that identity onto her to unclench.

First Person

The Pace of Queer Time

by

“I’ve been thinking recently that queer time for me is a self-declared snow day. A chance to stay in bed and explore ourselves unhindered by the outside world. A chance to exist, to play — free from the hetero pillars of career, marriage, and lineage.”

Fashion/Style

I Looked at my Body and Said Yes: Where Disability and Style Meet

by

I think I’d gotten it into my head that disability is always, on some level, supposed to feel bad. Like if I fought myself all the time, I was somehow doing it right. I worried that if gave up the femininity I’d worked so hard for, I’d just be giving in. As someone who has a lot of privilege, I thought it was my job to be the right kind of woman, even if I didn’t enjoy it.

First Person

How Rape Jokes Sound Inside Queer Bodies

by

If the performer had known that I write about the horrific violence against my community by day and process the trauma of that work in my journal by night, maybe he wouldn’t have made that joke. But I bet you he would have resented the implication that he shouldn’t.

First Person

My Trans Body as a State of Desire

by

“My brain is lit like the map of a major metropolis at night. My body is, too. ‘I am at one with a sea of sensations, glitter, silk, skin, eyes, mouths, desire,’ Anaïs Nin wrote, and that’s pretty much it. Or, put another way: I have found an affirmation of selfhood, and I haven’t thought to immediately annul it.”

Fashion/Style First Person

My Superhero Shirt and the Allure of the Unflattering

by

“Objectively, aesthetically, I find women’s clothes attractive. Just… on other women. But I’m intensely uncomfortable wearing them. There’s something about the way they’re made that make me feel like I’m on display. And that’s true, isn’t it? Women are always on display because they are always someone else’s property. Everyone else’s property.”

First Person The Scene

Laying Down My Bullshit and Dancing at Dawn

by

“In Berlin people talk about it, expats especially, in hushed, reverent tones. The sound system, which is supposed to be one of the best in the world. The DJ acts you’ve never heard of with names like Fuck Buttons. And that magical moment in the morning when the blinds at Panorama Bar are yanked open and the suddenly-illuminated, all-night revelers start to cheer.”

First Person

When Real Life’s Getting More Like Fiction Each Day

by

When I say I was obsessed with RENT, I mean obsessed. I grew straight out of American Girl Magazine into the world of wildly risqué musical theatre. My mother tended to encourage the things I was interested in, but this one… well, it baffled her a bit. How could a good church girl from the suburbs of Connecticut relate to this musical?

First Person

So, We’re Getting Married Now?

by

“Neither of us were comfy with the public spectacle of the thing, especially G. She didn’t like the thought of publicizing our private relationship. We also felt a bit blah about marriage itself, which can feel like an outdated institution. And there were practical worries, too — like how would we plan a big event, with so much on our plates?”