Two more films featuring transgender characters will be out this year, but neither of them are played by trans actors. Hollywood seems ready to use trans stories, but remains uncomfortable with trans people on screen.
Hotline is a film about listening as healing work. In this world where we see life through a filter-washed snap posted to Instagram and Facebook, it may take talking to a complete stranger to be heal the isolation and disconnection we are all susceptible to.
Lesbian movies are notoriously terrible, but these are some real diamonds in the rough. It’s getting colder and darker so there’s no day like today to curl up with a girl-meets-girl-and-shit-gets-complicated film!
“Dear White People is not a how-to guide on ways to avoid performing acts of microaggressions, or why it’s bad to appropriate black people’s culture. Instead, it’s an examination of the importance of support systems, the difficulty of being an outsider, and how one uses identity as a tool of protection.”
I am in an extended food coma from 10 days of eating nothing but fast food and concession stand snacks. Send help. But first, check out these lesbian romcoms, queer comedies and dramas.
Okay, my little ghouls and goblins. LET US REVISIT OUR YOUTH.
In honor of this holiest of scary holidays, I have compiled a few of my all-time favorite scary chick flicks: ranging from horror classics to ridiculous fun.
Finally, a movie about gay pride in the 80s that isn’t about gay pride in the 80s.
In the Turn is a documentary about a 10-year-old transgender girl who finds acceptance and empowerment in the company of queer roller derby collective, The Vagine Regime.
Let’s have a frank, honest discussion about queer and feminist themes in movies about vampires, werewolves, ghosts and centaurs. Also, “Chopper Chicks In Zombietown.”
For 24 hours, watch Maki’s video only here on Autostraddle dot com as part of Patchwork, a series exploring trans lives in Britain.
After Tiller honors the legacy of Dr. Tiller’s work by following and documenting the stories of his colleagues who continue to, quite literally, risk their lives to serve their patients with compassion. The award-winning documentary is streaming online until October 1st.
The lines between friendship and romance blur in this indie comedy that’s about to take film festivals by storm.
I would like to lose the memory of that time I saw “The Giver,” please.
I have to come to expect that kind of technicolor Sapphic unreality in all of my Chaiken programming, which is exactly why I did not expect L Word Mississippi: Hate The Sin. And I’m glad I didn’t, because this is a documentary worth seeing on its own terms.
There is a new horror movie out right this very minute called Lyle that takes its cue from Rosemary’s Baby, and you must see it as soon as humanly possible.
So much of our cultural rhetoric around breastfeeding is tied to a sense of what women should be doing rather than what they would like to or are even able to do. Breastfeeding isn’t purely a medical issue, but neither is it a wholly moral one. And all the parameters that go into a woman’s decision to breastfeed pale next to the fear that she is somehow failing her child.
Despite a continued male dominance of the media industry, a number of talented women are working hard to make their mark in the arena of indie film.
Seriously, I don’t even want to say how many times I’ve streamed Bachelorette on Netflix on any given week. This is the post-Mean Girls movie that I’ve been waiting for, and if you’ve been wondering what happens to the “Plastics” in their late twenties, this is the flick for you.
The Soska sisters, a pair of female directors were announced to be helming a brand-new “Painkiller Jane” movie, based on the comic book about a bisexual superpowered cop with healing abilities.