R#J is gay because Romeo and Juliet are a canon U-Hauling Cancer for Cancer lesbian couple.

“I also came here to say I couldn’t figure out why the White Rabbit felt bi to me and then realized it’s because he’s stressed out.”

Trans film history — like all film histories — is one filled with contradictions. “Disclosure” succeeds by making these contradictions its subject.

Shelli and Drew had such high hopes for The Craft: Legacy, and wow were they dashed by this terrible movie.

Drew and Riese discuss this years slate of Oscar films, except FYI Drew did NOT watch “Mank,” and Riese did watch “Mank,” and it wasn’t fun, so!

What’s new and queer this month on streaming networks? We’ve got a new season of Dickinson, a Fran Lebowitz special, Anna Pacquin as a hot bisexual mess in Flack, Root and Shaw, a movie called “So My Grandma’s a Lesbian!” and so much more!

When Jenni Olson made these films, she wasn’t thinking about pandemics or quarantines or anything else this year has wrought, and yet there has never been a better time to revisit these five movies.

“There’s a certain undeniable assertion of identity and personhood in seeing a woman think.”

I love Christmas. I love having a guardian gayngel. And even when the movie is not great, I love a queer Afro-Latina in New York getting her very own Gay Christmas Love Story.

Portrait of a Lady on Fire is only the third film in the Criterion Collection to feature queer women that’s actually directed by a queer woman.

I’m not even sure I believe in love at first sight but every time I watch “Imagine Me & You” — I really, really want to.

Sam Feder’s remarkable new documentary “Disclosure: Trans Lives on Screen” is only the beginning of our story. Even more trans artists are forging their own paths with these indies and web series.

If you live in the US you can watch the films! Even if you’re not in New York!

Alice Wu’s “The Half of It” has been for out less than a week, and it’s already become a classic. We brought together some of Autostraddle’s queer and trans Asian editors and writers — along with some of our writer friends and Generation Q’s Leo Sheng — to talk about the film, Alice Wu, and the current landscape of queer Asian media.

There’s a reason forbidden romances like this spoke to me as a closeted person!

If love is going to exist — which, ugh, I guess it does — then it’s going to exist within the messiness of our lives. It’s going to exist alongside our families and our cultures and our hopes and our fears. It’s going to be hard and it’s going to take risk.

“What is a happy ending with a lesbian love story? Eternal possession? We want a frozen image of two people getting married?”

“You can’t have a rulebook or a playbook for how to connect. When you’re queer, it’s about negotiating your own way, when the blueprint doesn’t work for you.” Fatimah Asghar discusses queerness, intimacy and her new short film Got Game, that you can watch exclusively on Autostraddle.

“In conclusion, Aubrey Plaza is a precious gem and I would die for her.”

The First Time is everything I’ve come to love about Drew’s writing over the last several years: smart hilarious, powerful, and deeply generous. And just heckin’ gay and trans.