“Catfish has been serving diverse, bittersweet queer representation for almost a decade and it seems like nobody notices.”
Someone once told me that if you’re Asian American, or mixed, or whatever, you have a grandmother poem in you that you need to write. This is mine.
Being focused on women never seemed remarkable to me. I grew up in a household with my mom, my younger sister, and my dad, so even if we were just being fair, 75% of our time was focused on women. And we were not fair.
“I remember little moments so vividly — like Ashley kissing Spencer on the shoulder while they looked in the refrigerator for something to eat. This is what I wanted. And I wasn’t afraid of wanting it anymore.”
“Selfishly, I’m worried about what will happen if I say out loud that I’m uncomfortable with all this God, if I let my brain run its anxious course. If my atheist, queer, bipolar self comes to choir with me in all its unkempt glory, will I lose my safest place?”
Music has always been there to save me but this time, thanks to Ari, I’m more grateful for it than ever.
Both Marge and Madeline chose to find family within each other, and from there I understood, as I heard these stories from Marge after my grandmother had died, and then from my mother after Marge had gone, that such a thing could be done.
What, were you expecting the National Anthem to be sung in Spanish?
“I have enough of my own grief, I don’t need yours, too.”
“Do you have something to tell us?” my mom joked. It was a joke, because of course I didn’t. “No,” I said with a laugh. And I thought I was telling the truth.
She is living her best life. I am living mine. It is as though we released each other.
Watching them sweat from my spa on the sidelines, I’d thank my body. On the one hand, so humiliating; on the other, its own defense mechanism against the wretchedness of exercise.
The more I allowed myself to want, the more I realized I wanted. The more I leaned in to my desires, the clearer they became.
I got sober alone, in a village about an hour north of Kampala, Uganda. I had moved there for a job opportunity, naively confident I, as an openly queer person with a mental illness, could flit across the globe like a moth. By the time I quit my job and scheduled an emergency move back to the United States, my drinking was threatening my life.
Listening to a song your crush recommends is a low-stakes window into their identity. It’s a way to get closer to someone, away from them. And isn’t that what a crush is all about? A solitary experience that has everything to do with the other person and at the same time nothing at all?
I decided to meet Syd in Oakland to celebrate my newly healed chest. We hiked out into the Happy Boulders, selected our first climb and immediately took off our shirts. It was glorious, but also terrifying and vulnerable.
“When I first matched with the “Goodbye Horses” fans and asked them about it one said, “that buffalo bill scene is classic” and the other said, “I LOVE the song.” Then they both ghosted.”
“When it first came out I loved the show for its humor, for its raw portrayal of depression and grief, and because, like any rational person, I’m deeply in love with Phoebe Waller-Bridge. But it wasn’t until about a year into my transition that the show started consuming my thoughts.”
In the mirror, I saw a scrawny, hollow-eyed girl dressed in ill-fitting boys’ clothes, a parody of a parody of masculinity. But in the screen, I saw myself made strong, confident, fearless, perfect.
“Towards the end of the night you fall and tear the skin on your knee. But you pop back up and keep skating. You’re relieved. Now that you’ve fallen once you know you’ll be okay.”