Netflix’s “Heartstopper” Includes a Trans Girl in Its Sweet Coming-of-Age Tale

I often joke that my mom prepared me for studio executives. She’s a highly intelligent woman with highly commercial taste. Since I was making short films in high school, her commentary has always pushed toward the mainstream.

In recent years, one of her main talking points is that if I want to tell trans stories, I should do so with subtlety. Write a trans person as the best friend in a straight romcom or make a trans Will and Grace. She knows me well enough to know I won’t listen, but she keeps making suggestions because she’s an Aquarius who’s filled with ideas.

I thought about her while watching the new Netflix show Heartstopper created by Alice Oseman based on her graphic novel of the same name. It tells the story of Charlie (Joe Locke), an out gay boy in a secret relationship who pivots his attention to straight rugby star Nick (Kit Connor). This is a show where crush feelings manifest in cartoon hearts and every episode contains at least one montage set to an indie pop song by a queer artist.

This show is lovely. Charlie and Nick’s friendship and possible something-more-ship is a joy to watch in a simple kind of way that will melt as many hearts as it stops. It’s a PG coming-of-age romance I’d recommend for all ages. It’s not doing anything new, it’s not necessarily deep, occasionally it dabbles in plot contrivances, but overall it does what it’s trying to do quite well. At its best, it portrays the difference between giving someone time to find their feelings and giving that at the expense of your own.

But it’s not Charlie and Nick who make the show for me — it’s Charlie’s friend Elle. Elle is a trans girl who previously went to the same all-boys school as our two leads and the rest of Charlie’s friend group. She’s since transferred to their sister school where she quickly befriends Tara (Corinna Brown) and Darcy (Kizzy Edgell), a lesbian couple.

Yasmin Finney plays Elle with an easy likability and a quiet wisdom she’s been forced to adopt. Amid all the drama, Elle is her friend group’s rock. Before our story begins, she suffered through enough bullying to harden her against it all. She may not be the riskiest character on the show, but she’s almost certainly the kindest.

When I argue with my mom, I tell her that respectability is not the answer. I tell her that the flattening of queer stories will not lead to change. I tell her that mainstream art should compel an audience to meet the work at its loftier goals rather than falling to their simplified expectations. But the moment when Tara and Darcy extend friendship to Elle, the moment when they come out to her, the suggestion that of course these two cis queer teens would want to be friends with this trans teen — it erased any doubts I might have about this kind of storytelling.

If you’re trans or know any trans people or even just follow a handful of trans people on Twitter, you’re probably aware that right now things kind of suck. A decade of increased visibility and backlash has been building to a moment where transphobia is a primary conservative talking point — a talking point that is increasingly being translated to law. And while this transphobia targets us all, it has especially been focused on trans youth. And a lot of it is claimed to be done on behalf of cis girls — and, sometimes, specifically queer cis girls.

Heartstopper is not revolutionary enough to have a cis lesbian character fall in love with the trans girl — but this portrayal of friendship still feels radical for our time. It shouldn’t. But it does. Especially on a show geared toward a younger audience. Especially on a show made in the UK, a place that is even more transphobic than the US.

I don’t think Elle’s storyline is handled perfectly. We don’t spend much time exploring any nuances or specificities to the way she moves through the world as a trans girl and, specifically, as a Black trans girl. Beyond her friendships, the only other aspect to her character is a crush that doesn’t quite get a payoff. But Yasmin Finney’s presence alone meant a lot to me. It’s nice that trans people are included in this saccharine world at a time when many are trying keep us excluded.

It’s nice there’s a new show on Netflix with a trans character that I can recommend to anyone looking to smile. It’s nice there’s a new show on Netflix with a trans character I can recommend to my mom.

Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?

Join AF+!

Drew Burnett Gregory

Drew is a Brooklyn-based writer, filmmaker, and theatremaker. She is a Senior Editor at Autostraddle with a focus in film and television, sex and dating, and politics. Her writing can also be found at Bright Wall/Dark Room, Cosmopolitan UK, Refinery29, Into, them, and Knock LA. She was a 2022 Outfest Screenwriting Lab Notable Writer and a 2023 Lambda Literary Screenwriting Fellow. She is currently working on a million film and TV projects mostly about queer trans women. Find her on Twitter and Instagram.

Drew Burnett has written 562 articles for us.


  1. Thanks for this thoughtful piece, Drew. I always feel like it’s good that some people take your view and some people take your mum’s. I think taking tiny palatable steps isn’t enough but the mere exposure effect is a thing, and those tiny palatable steps accumulating in the background while the visionaries make their oeuvres hopefully mean the most people are reached.

    • I was also struck by how quietly essential it was to see two cis lesbians befriend a trans girl in such a kind-yet-unassuming way. I agree that not every form of representation should be the sweet, “”relatable”” kind, but when it’s done well it’s good to embrace that too! And I thought overall this show was done really well. I think the key was that didn’t feel (to me) like it was trying to teach straight/cis people a lesson, with either the happy parts or the difficult/upsetting parts. It felt authentic but also popcorn-y

      (also this show had one of the more relatable representations of “wait, *am* I bi??” journeys I’ve seen.)

  2. I just binged the entire thing, it was lovely and so necessary in the current climate. The creator is hoping for another three season but I’m not holding my breath, Netflix’s value is cratering and I’m sure they will be extra frugal going forward…and they weren’t afraid to cancel good shows before the stock market dive.

    Even if it ends here. I think it would hold up pretty good.

  3. Thanks for reviewing this show, Drew! I wasn’t sure if Autostraddle would write about it, since the main storyline is about 2 guys falling for each other. Nick & Charlie are abso-frickin-lutely adorable, and I love the bi representation. As a bi gal, it’s also nice to see bi guys on tv!

    But it really is a wonderful portrayal of young queer love! The two lesbians who are an established couple (particularly in the graphic novel), really provide good advice and support to the main couple, Nick & Charlie.

    Elle’s story is also a good one! She has her ups and downs within the plot, even though she’s a secondary character. And then, SPOILER ALERT if you haven’t read the books…



    She does get to have a relationship with Tao! And there’s not a big deal made about her trans-ness. It’s nice that the focus is more about a friendship turning into a relationship. A trans character can have a normal plotline and also be trans & representative for trans girls out there :)

Contribute to the conversation...

Yay! You've decided to leave a comment. That's fantastic. Please keep in mind that comments are moderated by the guidelines laid out in our comment policy. Let's have a personal and meaningful conversation and thanks for stopping by!