Movie Review: ‘Jack & Diane’ is Weird, Gay and Kinda Good

Oh, God. Movie reviews are so nerve wrecking. I’m supposed to watch this thing and then tell you about it without telling you about it. I understand why people give thumbs up and stars and such now; it’s way safer than saying “go see it” or “don’t go see it.” But I suppose I actually have it easiest because if there are two women kissing in the movie, I’m going to tell you to go see it. Which brings us to Jack & Diane. No, not the Mellencamp song.

I don’t know if you remember Riese’s review of Room in Rome but she had the line, “It’s not even exciting-weird, it’s like, occasionally-boring weird and sometimes uncomfortably emo.” This is not to say that this film is another Room in Rome. It’s not. But it is weird as fuck and sometimes uncomfortably emo. From the trailer I thought this would be an adorable coming of age tale of two lesbians in which the line, “I just wanna like, unzip my body and put you in there” would enter lesbian lexicon forevs. Then I got to the end of the clip and the title of the movie was spelled out in hair and I was like hmm. Something seems a bit off. Then I watched the trailer again and paid more attention to all the weird animated bits between the live action and started to worry that this tender story about first love would be a lot like first love in that it was going to rip you in half and play monkey in the middle with your brain.

Jack and Diane, two teenage girls, meet on a summer day in New York City and spend the night kissing ferociously. Bubbly and naive, Diane’s charming innocene quickly begins to open tomboy Jack’s tough skinned heart. But when Jack discovers that Diane is moving at the end of the summer, she pushes her away. Diane is overwhelmed by her powerful new feelings, and they begin to manifest themselves in terrifying ways, causing unexplainable violent changes to her body.

Let’s talk about Jack. Jack is played by Riley Keough and is not wearing a bra a majority of the movie. She has that feigned worldliness and maturity that makes you do things like ask someone if they’ve ever had sushi and then instruct them to put ketchup on it. Even as a teenager, she’s mastered that butch aloofness that makes the ladies go cray. She’s the kind of girl that genuinely doesn’t care about your morning breath and isn’t just saying that so you won’t feel insecure.

Diane, played by Juno Temple, is the girl that Jack likes for who knows what reason. It feels like one of those times when you can’t figure out why you like someone and it only makes you want them more. Diane’s hopelessly independent and indignantly helpless. The movie is pushed along by her only-sometimes-subtle wackiness and desperate pursuit of Jack’s vulnerability.

What sets this story apart than a lot of other lesbian films is that it doesn’t matter that Jack and Diane are both girls (which might be a sign of the times). The homosexy of it all is barely mentioned in the film. There is no element of will she leave her boyfriend or won’t she. There’s no big coming out moment. There’s no internal misery about what this means for Diane or her life or her future as a straight woman. This story ventures into some bleak and depressing territory that really doesn’t give anyone time to have an identity crisis.

This is a movie about love and how incomprehensible and engulfing it can be before you learn to tame the monster. At the same time, it’s about youth and being confused with yourself and your inability not to be an idiot. So when you put those two things together, being young and in love makes you an idiot monster and that’s what this movie is about. I did enjoy the film, but towards the end when I knew things would get ambiguous and lacking catharsis, I started to wonder about my life and my own dealings with separation, which is perfect because I think we are all on a quest to become more self-involved via art, other people, or any medium at our disposal.

Jack & Diane was written and directed by Bradley Rust Gray and hits theaters November 2, 2012. There are no werewolves as previously reported everywhere.

Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?

Join AF+!


Brittani Nichols is a Los Angeles based comedy person. When she's not tweeting about white people or watching television, she's probably eating pizza. Actually, she's probably doing all three of those things concurrently and when she's not doing THAT, she's sleeping. Brittani also went to Yale and feels weird about mentioning it but wants you to know.

Brittani has written 328 articles for us.


  1. i give this movie review an A+ because this looks creepy and weird but i totally still want to see it.

  2. “…because I think we are all on a quest to become more self-involved via art, other people, or any medium at our disposal.”
    Yep, this.


    A perpetual idiot monster

  3. The trailer for this, especially near the end, feels like some kind of horror movie. Am I in for some Audition-style batshitinsanity in the last 20 minutes or what?

    • Also the line, “I just wanna like, unzip my body and put you in there” sounds eerily similar to something I may or may not have said to my first girlfriend. Am I creepy? Probably.

    • Nothing harmful actually happens to anyone re:monsters or horror type things but it does get creepy.

      • heyy, there was one pretty violent scene. they didn’t show much but it was definitely implied. it made me nauseous. burr

  4. I remember this was the movie that Ellen Page and Olivia Thirby were supposed to make a few years ago but by the time they got funding the actresses were too busy. Juno and Riley are worthy replacements though. Elvis Presley’s grandkid has got a little bit of swag. I wasn’t expecting to like her as much as I did but she’s pretty good in this.

  5. I’m a huge fan of Juno Temple, so I’ve been waiting to see this for ages, but if it’s in any way comparable to Room in Rome, I can wait a bit longer.

  6. I guess I’m not good at reading into subtext and understanding all the undertones and right-brain type things, but I wasn’t impressed. More than anything I felt obligated to finish the movie just because I rented it.

  7. “So when you put those two things together, being young and in love makes you an idiot monster and that’s what this movie is about.”

    Best line, except I’m still confused about what this movie is really about.

  8. Now this is obviously just my opinion, but I thought it was fucking awful.

    The dialogue was awkward, the acting was awkward, the subplots were awkward.

    I paid 10 bucks to see it because I was SO excited (werewolves, lesbians, Elvis’ granddaughter!!).

    Major let down.

    • this is why i rarely see movies in theaters. $14 to see a thing that only might be amazing despite how psyched i get myself about it? no thank you.

      also who am i kidding i am just really really really bad at watching movies. my brain does this thing where i’m like “ohmigod i can’t give up 2 hours of my time that’s insane!” but of course when i’m clicking around the internet 2 hours doesn’t seem like a problem at all…oops.

  9. I guess I need to see this now. (Because Autostraddle now basically controls my life. Not even kidding.)

  10. I know that I will end up seeing this at some point.

    As a huge Elvis fan who always loved how queer and weird he was, I love that his grand child feels comfortable enough to take on a gay role.

    It STILL takes a lot of guts for a teenage boy in the South to show interest in make up and jewelry, and Elvis was rocking it in the 1950’s.

  11. QUAY BROTHERS!!!!! They’re the best! They are the reason I will be seeing this. Riley Keough helps too.

  12. OK so I just rented this on-demand for $10. Marie Currey from The Runaways looks great as a butch and that evil little spoiled girl from Atonement is decent as Diane. I honestly felt that the monster stuff could have been left out and we still would have given it Indie cred.
    I’m not sure how I feel about this movie. I don’t think it elicited enough feelings to make me feel anything about it?

  13. just watched it at the local filmfestival and explaining the plot to my roommate just now made me realize that it was in fact a little weird.but good weird.I enjoyed watching it and not just because lesbians.
    also I have to love every movie that starts w/ a FM Belfast song playing in the background

  14. I totally get what is meant by the Room In Rome reference, but don’t worry, they’re vastly different. I watched this movie at 5 a.m. and was at times audibly questioning my computer screen about what the fuck I was seeing. But I did actually enjoy it I guess.

  15. the more I think about this movie, the more I love it (not saying I’d reccomend it to anyone). yeah sure, it’s unnecessarily odd with the “weird animated bits”, but it does give you an idea of what it feels like inside a girl when her emotions start to take on a life of its own (and it aint pretty). it’s not a fast paced, easy watch, which almost adds to my fascination: the characters interaction with each other and the people around them, but mostly their independence and their almost ‘inability’ to merely function

Comments are closed.