Azealia Banks Released from Interscope in Long Battle to Defend Her “Black Girl Craft”

Badass bisexual rapper Azealia Banks is finally getting out of her record deal with Interscope, as reported by the artist on July 10th. Banks took to twitter last Thursday and announced (in all CAPS), “IM ABOUT TO GET OUT OF MY DEAL!!!!!!!!!!!!!!!!!!!!! THATS THE BIG SURPRISE!!!!! (sic).”

via Twitter

via Twitter

From January of 2014, Azealia Banks has voiced her frustration with Universal, Interscope Records’ parent company. The social media-savvy musician wrote on Twitter, “Universal just needs to hand me over to another label that knows what to do with me. I’m literally begging to be dropped from Universal.” The biggest source of tension, it seems, between Banks and her record label stems from Universal’s decision to repeatedly delay the release of Banks’ debut album, Broke With Expensive Taste. The album initially was scheduled to drop in September of 2012 — almost two years ago — was rescheduled for February of 2013, and now reportedly is set to be available for purchase in the summer of 2014, but with no specific release date. As Banks’ explained on twitter, she was “riding off of mixtape fumes for the past two years,” and her record company’s decision to postpone her official debut is jeopardizing the rapper’s art and also, if we’re being honest, probably her finances.

Aside from Banks’ marketing problems, the “Fuck Up the Fun” artist also asserted via social media that she’s sick of “having to consult a group of old white guys” who don’t particularly understand her “Black girl craft.” For a performer that proudly stated, “I don’t live on other people’s terms,” when she first came out as bisexual, her tendency to play by her own rules stands in direct conflict with the way record companies like their contracted artists to behave. Also, Banks’ musical breakup with Universal is not the rapper’s first; in 2011, Banks left XL Recordings because she felt that the company did not take her seriously and did not respect her artistic choice. After terminating her relationship with XL recordings, Banks went back to her roots, using social media to release tracks just like she did in 2008 when she first took to MySpace to offer her music to the world. By the next year, she had attracted the attention of record labels and business people, eventually signing on with Interscope.

Although in her January twitter complaint, Azealia Banks pleaded for someone at Sony Records to buy her from Universal, perhaps Banks is beyond contracts and record deals. Azealia Banks is creating something new with a sound that defies the boundaries of mainstream hip hop and destabilizes the tradition of house and electronic music embedded in her work. While some may consider her refusal to compromise impulsive and unwise, Banks is committed to defending the magic of her art. In this way, Banks may be ushering us into an era where musical artists are pushing back even harder against the industry in an attempt to negotiate success and their craft. Banks’ long battle with Interscope is coming to an end, but her long battle with those who will try to sanitize the rapper’s work until it is as “marketable” as possible is not. Hopefully, Banks’ fight will yield a long-awaited debut album.

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Helen McDonald is a 20-something Black lesbian feminist living off of pizza, social justice and a lil snark. By day, she's a community educator, teaching young people about healthy relationships. She also discusses the intersections of race, gender, and sexuality on her personal blog and is a contributing writer at

Helen has written 40 articles for us.


  1. Has anyone else here read her twitter? She has unapologetically made homophobic and transphobic comments online, and is in general an embarrassing mess who has made a commitment to picking stupid fights on Twitter.

    • Sadly, this. Also, I know this article is trying to paint a positive picture of what it might mean for her to be released from her major recording deal, but I think she was dropped because her music wasn’t good enough to savage her already very damaged career. It’s a shame, she had potential.

    • Yes, she said some very unfortunate things several years ago. But her twitter TODAY is spot on, revolutionary, challenging, hilarious 99% of the time. She is young. She writes incredible music, has incredible style and an incredible menagerie of PETS like this guinea pig who rides around in her sports bra. There is so much more to her than a few errors.

  2. I subscribed to her tweets and receive all of them as text messages. I did this because she is one of very few artist I’m actually interested in. I’ve seen just about everything she has ever posted in the last two years. From what I’ve gathered she doesn’t answer to anyone and I think that gives her a edge in the industry. Regardless if she starts beef with people via twitter, it’s her right to voice her opinions. I’ve seen her “homophobic” posts and personally I’m not offended. Everything she has ever said offensively she has backed up with research and intelligence. She links her followers to answers to what she’s opinionated about. This I’ve NEVER seen any rapper do in my 24 years of age. I appreciate her intent to educate the masses so many people act like it’s not their job and it’s annoying. If you want to see a hip hop artist educate ppl since the Rza of wutang, Azealia Banks is the one.

  3. tbh Azealia Banks causes so much drama I don’t know why a decent label would pick her up anymore. 212 is old news and she’s not really making waves with anything but fighting with her label. It’s one thing to push back against the white man, as she says is a reason she didn’t like Universal, but it’s another to recklessly and, as katie said above, unapologetically get in fights with her label and other celebrities on Twitter. She knew what she was getting into when she signed with Universal. Music industry is a cutthroat business and this isn’t how you make it.

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