Results for: be the change
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K-Ming Chang on Queer Horror Novel “Organ Meats” and Feeling at Home in the Monstrous
“I feel a sense of belonging among things that are terrifying and cause fear and cause chaos.”
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K-Ming Chang on Writing Sex Scenes, Profanity in Myths, and Letting Flash Fiction Be Messy
I’m finally getting to write the sex scenes of my dreams — some really weird, some really tender, and others in between.
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Author Mac Crane on the Eroticism of Basketball and Writing Queer and Trans Pleasure
“Basketball is extremely hot, and I wanted that to come through in the book.”
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Danny Lavery on What It’s Like To Be an Advice Columnist
“I would imagine a lot of the same things draw to advice columns that draw everyone, which is just that same impulse to run outside if somebody says there’s a fight.”
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Author Meryl Wilsner on Writing MILFs, Age Gaps, and Twisting Tropes
“We never learned to write books, we only learn how to write the book that we’re writing.”
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Author Melanie Bell on her YA Novel “Chasing Harmony” and the Messy Process of Growing Up Queer
“The people I met who were identified as musical prodigies had long journeys involving conflict between their abilities and personal needs and finding who they were beyond the weight of expectations. When I was younger, successes and failures felt huge, and this is the case for Anna too.”
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Author Lydia Conklin on Being Queer in the 90s and Writing Characters in Transitional Moments
“Somebody told me that pretty much everyone who grew up queer, especially in our generation, is a secretive person or has an ability for secrecy.”
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When Survival Isn’t Just About Yourself
Writer Blair Braverman talks preppers, survival, queer love, and her gripping new novel, Small Game.
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Chloe Caldwell on First Periods, PMDD, and That Weird Blue “Blood” in Tampon Commercials
The author discusses her new memoir “The Red Zone,” which chronicles her experiences with premenstrual dysphoric disorder and provides a kaleidoscopic view of how people feel about their periods.
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Chris Belcher on “Pretty Baby,” Dungeon Dynamics, and the Expansiveness of Queer Sex
“I always envisioned this book as something that would allow me to talk about how I got to know masculinity as an adult through sex work and reflect back on how I came to know masculinity from the time I was younger.”
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Meg Jones Wall on Queer, Expansive Tarot
“What if we just let all of these cards have gender neutral pronouns and we break them free from these gender binaries and let them be every archetype?”
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Davey Davis on “X,” True Crime, and the Fantasy of Screwball Comedy
“The thing that gets me about a lot of people’s just criticisms of Fifty Shades of Grey is, as a romance novel, as a ravishment novel, it’s a lot closer to real SM, real sexy pulp, than most.”
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“We’re a Surviving Sort of Species”: Venita Blackburn on Grief and How We Live With It
“I don’t believe in hope. But I’m also optimistic. I have that kind of ancient Greek philosophy about hope, that it arrests man’s despair. It makes you stuck.”
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Lamya H on Queer Muslim Community and Leslie Feinberg’s Influence on Their Memoir
“In my twenties as I was coming into my queerness, it felt like there were very heteronormative ways to be queer.”
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Gretchen Felker-Martin on “Manhunt,” Martyrdom, and the Unimportance of Being Valid
“Manhunt is really my attempt to show the utility and the importance of existing in discomfort.”
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Chance and Error Are Friends to Sadie Dupuis’ Writing Process
Poet and musician Sadie Dupuis talks new collection Cry Perfume, scent and memory, and using autocorrect as a co-writer.
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Morgan Thomas On Weaving Genderqueer History Into Their Debut Short Fiction Collection “Manywhere”
“I was really interested in writing about specifically Southern and genderqueer characters, in part because I felt like I hadn’t seen myself in both the literature and in the sort of ‘mythos’ of the South. So I wanted to fill in that gap.”
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Grace Lavery on Her New Memoir “Please Miss,” Sex Writing, and the Trans Glamour of Nicole Kidman
“When one is trying to write about sex, if you’re doing it right, something happens in the prose that is unpredictable and kind of wild.”
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Leah Johnson Is the Toni Morrison of Queer YA, It’s Time We Get Real About That Fact
“I just want people to know that at the core of every book I write, I want to center black girls in their wholeness and show that you can be flawed. You can be scared. You can be beautiful.”
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“We Are Watching Eliza Bright'”s Sixsterhood Is a Collective Narrator of Queer Possibility: An Interview with A.E. Osworth
When queer voices — especially those of trans people, and Black and brown people — are so frequently ignored or actively silenced, centering a narrator made up of them turned out to be an active effort.