Results for: Feel good
-
Joe Osmundson on Expansive Science Writing and Living in an Impossible World
“It is tension: living well on a viral warming planet is too much to ask of any person. And yet it is what our circumstances are asking of us.”
-
Michelle Tea on Queer Pregnancy and Writing a Memoir in Present Tense
“I really want it to feel like you fell down a rabbit hole into this world, because that’s how I felt. That was the reality of the experience for me.”
-
Grace Lavery on Her New Memoir “Please Miss,” Sex Writing, and the Trans Glamour of Nicole Kidman
“When one is trying to write about sex, if you’re doing it right, something happens in the prose that is unpredictable and kind of wild.”
-
A Memoir Isn’t a Self-Help Book
Author Jeanna Kadlec talks about her new memoir Heretic, the loss of leaving a life, gay Bible stories, and more.
-
“We’re a Surviving Sort of Species”: Venita Blackburn on Grief and How We Live With It
“I don’t believe in hope. But I’m also optimistic. I have that kind of ancient Greek philosophy about hope, that it arrests man’s despair. It makes you stuck.”
-
Author Mac Crane on the Eroticism of Basketball and Writing Queer and Trans Pleasure
“Basketball is extremely hot, and I wanted that to come through in the book.”
-
Lamya H on Queer Muslim Community and Leslie Feinberg’s Influence on Their Memoir
“In my twenties as I was coming into my queerness, it felt like there were very heteronormative ways to be queer.”
-
Sex Scenes Belong in Novels: An Interview with Author Ruth Madievsky
“I’ve been working on a new novel which is — you guessed it — about women behaving badly. Or, as my beloved Goodreads prudes will probably think of it: ‘disgusting women being disgusting.’ Put it on my tombstone, bitches.”
-
Danny Lavery on What It’s Like To Be an Advice Columnist
“I would imagine a lot of the same things draw to advice columns that draw everyone, which is just that same impulse to run outside if somebody says there’s a fight.”
-
Davey Davis on “X,” True Crime, and the Fantasy of Screwball Comedy
“The thing that gets me about a lot of people’s just criticisms of Fifty Shades of Grey is, as a romance novel, as a ravishment novel, it’s a lot closer to real SM, real sexy pulp, than most.”
-
When Survival Isn’t Just About Yourself
Writer Blair Braverman talks preppers, survival, queer love, and her gripping new novel, Small Game.
-
Author Meryl Wilsner on Writing MILFs, Age Gaps, and Twisting Tropes
“We never learned to write books, we only learn how to write the book that we’re writing.”
-
Chance and Error Are Friends to Sadie Dupuis’ Writing Process
Poet and musician Sadie Dupuis talks new collection Cry Perfume, scent and memory, and using autocorrect as a co-writer.
-
Kayla Kumari Upadhyaya on Writing a Lesbian Horror Protagonist Who Has Been to Therapy
Autostraddle Managing Editor Kayla Kumari Upadhyaya’s debut book — Helen House, a queer horror novelette — comes out October 18.
-
Author Lydia Conklin on Being Queer in the 90s and Writing Characters in Transitional Moments
“Somebody told me that pretty much everyone who grew up queer, especially in our generation, is a secretive person or has an ability for secrecy.”
-
K-Ming Chang on Writing Sex Scenes, Profanity in Myths, and Letting Flash Fiction Be Messy
I’m finally getting to write the sex scenes of my dreams — some really weird, some really tender, and others in between.
-
Chloe Caldwell on First Periods, PMDD, and That Weird Blue “Blood” in Tampon Commercials
The author discusses her new memoir “The Red Zone,” which chronicles her experiences with premenstrual dysphoric disorder and provides a kaleidoscopic view of how people feel about their periods.
-
Gretchen Felker-Martin on “Manhunt,” Martyrdom, and the Unimportance of Being Valid
“Manhunt is really my attempt to show the utility and the importance of existing in discomfort.”
-
Morgan Thomas On Weaving Genderqueer History Into Their Debut Short Fiction Collection “Manywhere”
“I was really interested in writing about specifically Southern and genderqueer characters, in part because I felt like I hadn’t seen myself in both the literature and in the sort of ‘mythos’ of the South. So I wanted to fill in that gap.”