“Work in Progress” Season Two Reaffirms That Mentally Ill Queer Dykes Are Enough

The following review has spoilers for last weekend’s premiere episodes of Work in Progress Season Two.

“I think it’s difficult for everyone acknowledging whatever trauma of whatever form you’ve been through in your life is enough to fracture you in the ways that you’re fractured,” co-host Sarah Marshall mused in an episode of her podcast You’re Wrong About. “You can look back on your life and be like wow I have all of these issues and they came from what the true crime books would call an idyllic American childhood… we are the way that we are because we’re humans and we’re fragile and we have a hard time with intimacy and loving each other and accepting ourselves and that’s just the human condition. You don’t have to have been roasted on a spit by Satanists in order to just have a hard time being a human being.”

I kept thinking about this quote as I watched the second season premiere of Work in Progress. It’s been a year and a half since we left Abby McEnany’s semi-autobiographical queer dyke standing in the snow — suicidal, rejected, having just hurt the person she loves. But here we are picking up soon after and she’s mostly doing alright. She got promoted, her best friend Campbell (Celeste Pechous) moved in with her, and she’s looking for a new therapist. “Life just got in the way of me killing myself,” she tells one of the many candidates.

If the first season was a spiral, the second seems to be about the mundanity of doing okay. And like the first season, its humor, its pathos, its power is found in its casual, low-key specificity.

Work in Progress is unique in its focus on Abby — one need only watch Showtime’s previous timeslot to recognize the rarity on TV of a fat butch dyke whose ex is a non-binary trans man. But it’s also unique in its insistence that Abby’s life is enough, that her story alone is worthy of a television show.

The first episode of the new season checks back in with Abby. We see her in several new therapists’ offices. We see her at work and with her sister and with her friends. And we even learn from King (Armand Fields) that her now ex Chris (Theo Germaine) is getting top surgery, though he and Abby are no longer speaking. But it’s the second episode that deepens this new season, offering us a journey through Abby’s past.

Starting with therapist #1, we follow child Abby (Shaya Harris) as she learns how to cope with her anxiety and OCD. (Yes, this season has swapped dwindling almonds for increasing shrinks.) She’s a fairly normal kid despite her eccentricities. She moves a lot for her dad’s job, but she always seems to find friends. She’s fat and gay and precocious but the bullying she receives is minimal. And while, to quote one of the therapists, “her brain works differently,” she finds support in a feminist mom who not only takes her to these various therapists but talks her down each night with a soothing repetition of OCD-countering affirmations.

These first two episodes manage to find plenty of humor in bad therapists — and Abby’s neurotic dismissal of good ones — but most of this episode is spent with a great therapist: #4 Dr. Oh (Helen Joo Lee). She’s patient and understanding and nonjudgmental and provides Abby with her primary coping mechanism of journaling. Through her we see that while therapy isn’t a cure, it can provide support. Abby has so much support.

But she doesn’t have her father. He’s not dead or abusive or even all that mean. He just works a lot and is emotionally distant. He’s just the reason Abby always has to move. This is enough to build resentment. This is enough for a fragile, mentally ill queer kid to feel lost.

We talk a lot about how the history of queer representation is tragic. We also talk about how to counter that tragedy the community is eager for conventional happy endings. But the real counter to capital T Trauma isn’t Joy — it’s lower case t trauma. Maybe you think Abby hasn’t experienced a life that justifies her bad behavior. But she doesn’t behave badly because of some tragic backstory. She behaves badly because she’s human and sometimes humans behave badly. Because of trauma, because of mental illness, but also just because.

I love Abby because of this bad behavior as much as I love her for being funny and affectionate and sharp. I love that this beautiful exploration of mental illness and queer community is back on our screens. I love how we’re all imperfect, but trying our bests to get better, every episode, every season, of our complicated little lives.

Before you go! Autostraddle runs on the reader support of our AF+ Members. If this article meant something to you today — if it informed you or made you smile or feel seen, will you consider joining AF and supporting the people who make this queer media site possible?

Join AF+!

Drew Burnett Gregory

Drew is a Brooklyn-based writer, filmmaker, and theatremaker. She is a Senior Editor at Autostraddle with a focus in film and television, sex and dating, and politics. Her writing can also be found at Bright Wall/Dark Room, Cosmopolitan UK, Refinery29, Into, them, and Knock LA. She was a 2022 Outfest Screenwriting Lab Notable Writer and a 2023 Lambda Literary Screenwriting Fellow. She is currently working on a million film and TV projects mostly about queer trans women. Find her on Twitter and Instagram.

Drew Burnett has written 550 articles for us.


  1. This show is so freakin good. Drew, I hope you keep recapping it!! I also really love that the show is “unique in its insistence that Abby’s life is enough, that her story alone is worthy of a television show.” Rather than give us a large ensemble with too many characters to do them all justice (sideeye to that other show), the way Work in Progress focuses on Abby gives it so much room to explore all the complicated facets of her life and relationships. I wasn’t sure what the second season would be like without the structuring narrative of her romance with Chris, but I really love that they’ve decided to dig deeper into Abby’s life and history. It’s working so well and I can’t wait to watch the rest.

    On another note, the show totally nails the small feel of the queer+trans community in Chicago. I mean, I had to leave a therapist because I found out they were married to my partner’s therapist, so that storyline (though not 100% the same) was spot on. Lol. Would love to see more of Autostraddle’s Chicago queers engage with the show!!

    • I don’t know how I missed this show, but after you mentioned it was Chicago-based had to check it out. Within 5 minutes of episode 1, felt both beyond amused and uncomfortably called out- a fun combination! :-)

      Looking forward to binge-watching!

  2. I am absolutely looooving spending time with baby Abby this season! and since this is the comment section I’m here to speculate about where the rest of the season will take us. the comment about Chris’s top surgery fundraiser pretty much confirms he will reappear in the season at some point. then in episode 2 Abby finally finds a queer (coded) therapist who seems to really *get it*, only for that therapist to cancel their session due to a conflict of interest because they may or may not be Chris’s therapist as well. but does anyone else think maybe Chris is now dating the queer therapist?? my only reasoning is because the therapist visually mirrored Abby so much. maybe Chris has a type?? idk!!

    • I was thinking the same thing abt maybe the therapist is dating Chris!!? They never confirmed what the conflict of interest was exactly. Either situation would be totally plausible/relatable/true to queer life 😂

  3. Thank you, thank you, THANK YOU for recapping this series! I want everyone to watch it just as much as they watch the L Word.

  4. Hi! How come autostraddle does recaps of the L world and the marvel universe queer shows and not this one? I might argue this one is queerer than them all, and shows us things and people never represented on tv in regards to size, gender, and mental health. (Though they all serve very important purposes). We are all creatures of implicit bias..

    • I’m going to be covering the rest of the episodes in Boobs on Your Tube! Personally for a show like this I prefer writing mini essays in BOYT and long form essays after some reflection (like this one from last year: https://www.autostraddle.com/work-in-progress-is-too-much-and-so-am-i/). Full detailed recaps are better IMO for shows that are more fun to have an immediate response to – soap operas, competition shows, etc.

      But feel free to join me next week in the comments of BOYT to discuss!

  5. Very grateful for your review. I really love this show. Season 2 is remarkable. They really went for it. I’ve gone back and watched a few episodes more carefully. The show has such a different look and feel than almost any other show that I can recall. It’s light and casual and yet plumbs surprising depths. I learn so about love, honesty, and growth from watching. What amazes me most is that it manages to do all of that, on serous topics, all while not taking itself too seriously. That’s a feat and a half. According to Rotten Tomatoes, you’ve written the only review for this season. It’s kind of a shame because I really do love it so much and think more people need to see it. So happy you did write the review because it’s great knowing I’m not alone in the love!

  6. just finished watching the season. Wow this show is art in the truest form.

    So hoping more people can watch it, more people will write about it, and that we get a season 3!

  7. Here’s a suggestion for a really kinky twist to the storyline…have this butch queer woman fall in love…not with men…but women. Crazy I know but give it a try. As an older gay woman…had hoped this series would illuminate the struggles with other gay woman and tell of their story…guess not. Have to go back to the original L-Word.

Comments are closed.