lost movie reviews from the Autostraddle archives
Recent lost movie reviews from the Autostraddle archives posts
‘All About Eve’ and the Gay Marriage of Careerism
‘Foxfire’ and the Intensity of Queer Teen Friendship
‘Rent’ (The Film) Is Best Performed Live (By You)
“The Hours” Welcomed Me Into a Lineage of Sapphic Suffering
“Mulholland Drive” and the Power That Lurks in the Shadows
20 Years Later, “Thirteen” (2003) Should Be In the Queer Girl Coming-of-Age Canon
Lily Tomlin’s “Grandma” Is as Angry as We Are About Anti-Abortion Assholes
On “High Art” and Being Young and Gay
“Water Lilies” Is a Memory of Gay Adolescence
“The Truth About Jane” Is Dated as Heck, and That’s a Very Good Thing
Dee Rees’ “Pariah” Will Still Break You Open and Let the Light Shine Through
“Cracks” Is a Boarding School Monster Movie
Watching “Personal Best” Was the Main Way to Become a Lesbian in the ’80s and ’90s
“Mommy Is Coming”: Cheryl Dunye’s Self-Reflexive Sex Comedy Dissects and Embraces the Erotic
“Saving Face” Made My Lesbian Dance Floor Fantasies Come True
Oh That’s Right, “Gia” Is a VERY F*CKING SAD Movie
Eroticism Isn’t a Distraction in Maryam Keshavarz’s “Circumstance”—It’s Vital
“Heavenly Creatures” Is a Queer Adolescent Nightmare
