Hello little monsters! Alex here! As you know, Lady Gaga’s sophomore album “The Fame Monster” was released today, and obviously we need to discuss/obsess. I’ve recruited Gaga Specialist Stef to collaborate with me on this track-by-track breakdown. You can see Stef here with Gaga, who is tattooing Stef’s arm (JK but she should’ve seriously got that tattooed!) during the release party for ‘The Fame” in October ’08. Photo by Robin Roemer!

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You see, Miss Stef Schwartz is the reason I knew anything of Gaga when in April of 2008 she sent me an innocent song called “Just Dance” and told me I’d love it and that this pop singer/songwriter was going to be the next big thing. (Actually, I didn’t give it much attention or thought, cause everyone’s gonna be the NEXT BIG THING, you know? Obviously a regret — we could’ve talked to this crazy character at the first NewNowNext Awards if I payed any mind to the song.) Stef had the pleasure of booking shows for young Lady Gaga in downtown NYC before she was suddenly whisked away to record some album or something. Stef even first heard ‘Paparazzi’ when she performed it at the Knitting Factory to an audience of 30.

Basically, I’m very jealous and Stef is the perfect person to share her feelings about “The Fame Monster”. Me? I just like The Dance, and the terrible/AWESOME (we both do!)

So enough of that… Ready? We wanna hear your comments about the album too!

Let’s dance!

1. Bad Romance

STEF: Oh hey, have you heard this? Has Autostraddle mentioned this song? Is this new?  Did me and A;ex really make this video interpreting it via ukelele? When “Just Dance” and “Pokerface” were tremendous hits, certain critics proclaimed Gaga to be a flash in the pan who would be memorable for a hit or two and then disappear just as quickly as she’d arrived. This song proves without a doubt that A) bitch can write, B) bitch can sing and C) bitch is going nowhere.

ALEX: Nothing to add here. Arguably her best single yet. Period.

lady gaga bad romance video

2. Alejandro


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ALEX: If Ace of Base wrote “La Isla Bonita” (or “Fernando” perhaps) you’d get something like this. I really like this one and it’s not just because my name in high school Spanish class was Alejandra (true story). You know how I know Lady Gaga’s amazing? She doesn’t put any spanish guitar on this track. (Save it for the next Spice Girls reunion album, obvs.)

STEF: It’s important to remember that Our Lady of Perpetual Terrible/AWESOME, Ms. Stefani Joanne Angelina Germanotta, was born in 1986. When bad 90s pop acts like Ace of Base were the toast of every 8th grade social, little baby Gaga was probably only just beginning to pay attention to the stuff on the radio. “Alejandro” owes more than a little bit to my absolute favourite Ace of Base hit, “Don’t Turn Around,” which HAD to be on purpose. “Alejandro” doesn’t shy away from over-the-top cheesiness, between Gaga’s affected accent on the spoken word segments (“I know that we are young, and I know that you may love me, but I just can’t be with you like this anymore… Alejandro!“) and the super-catchy ‘Ale-Alejandro’ hook. If this was the 90’s, this song would be dripping with melodramatic, over-the-top Spanish guitar solos. Gaga would never do this to us, and for that I am forever grateful.

ALEX: I love how we have the same feelings about spanish guitar solos.

STEF: Sidenote: this totally reminds me of “Infatuation,” my favourite song on Christina Aguilera‘s 2002 album Stripped, in which she is constantly tempted by her Puerto Rican lover (Christina and Gaga have a lot in common, including having a body that says “let’s go” while their hearts are sayin’ “no.”). Nobody ever writes songs about being unable to resist skinny white guys.

3. Monster

ALEX: Only on the second listen-through and I was already singing along. DAMN YOU GAGA. If you aren’t diggin’ it at the first or second listen, then you’re a weirdo. But also: keep listening — this one will totally grow on you and you’ll love it just as much as I do cause you cannot resist The Gaga no matter how hard you try.

For example, I don’t even like boys but I can totally get behind “That boy is a MONSTERRRRRR“. It will probably (and hopefully) be her second or third released single. In my opinion, “Monster” epitomizes this entire album. So there.

STEF: When I listened to this song for the first time, I fully LOLed on the subway and looked like a crazy person. Oh, Gaga. OF COURSE you did. Between the vocoder-heavy “He ate my heart, he a-a-ate my heart,” phase-y synth stabs and hugely catchy chorus, this is easily my favourite track on the record. It’s just too weird not to love.

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Every time Gaga, Space Cowboy and RedOne get together, they stick to a pretty specific dance pop formula, and this song is no different. This is definitely a track for the gay boys on the dance floor. This song would get Brian Kinney laid for sure.

4. Speechless

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STEF: Hey Gaga, do you like Queen? I can’t tell. We’ve all seen those YouTube videos of the Stefani Germanotta Band playing at various holes in the wall all over the Lower East Side, so you guys are pretty familiar with how this woman wrote songs before she discovered drum machines and disco sticks, yeah? Songs like this just seem more real to me, like she just cranked them out in her bedroom and threw a few string players in there for good measure. “Speechless” isn’t the greatest song she’s ever written (I think it’s “Again, Again” – sorry Alex), but it’s a solid ballad that proves her merit as a songwriter.

ALEX: “Speechless” is like the “Again Again” of The Fame Monster. Lucky for Stef that means she likes this song and I definitely do not and will declare it my least favorite of the eight and I just wanna dance you know?

5. Dance in the Dark


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STEF: Gaga’s sort of the Quentin Tarantino of pop music, in that whenever she references something that’s been done before, it’s definitely an intentional homage that she draws from to create her own vision. Where Tarantino draws from spaghetti westerns and kung fu movies, Gaga draws from performance art and pop music. This song owes everything to 80s synthpop bands like Yaz and Depeche Mode, but the bridge is obviously cribbed from “Vogue” – which ought to make Madonna a little nervous. She name-checks a host of famously unhappy women, everyone from Sylvia Plath to JonBenet Ramsey to Princess Diana, and then instructs the listener to “find your Jesus, find your Kubrick.” This isn’t my favourite track on the record by a long shot, but only because I feel so strongly about the standout songs. I give this song a B+.

ALEX: My lord, that JonBenet Ramsey lyric/shout-out is cray cray.

Why do I like this song so much?! The 80s and Depeche Mode-ness and haunting synth chords with this heavy industrial-like beat satisfies the dark emo soul inside me who hungers for the dance (we all have one of those, right?) I think it’s really well done. Yeah, so let’s take a look at the “Vogue”-like spoken word in the bridge Stef mentioned:

Marilyn,
Judy,
Sylvia,
Tell ’em how you feel girls.

Work your blonde
‘Benet Ramsey will haunt like Liberace.
Find your freedom in the music,
find your Jesus,
find your Kubrick.

6. Telephone (featuring Beyonce)


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STEF: My #1 feeling about this song is that Carly and her roommate Cesar have DEFINITELY already choreographed a dance for this song in their living room. There is nothing I love more in this world than the moment in “Telephone” where Beyonce busts through the door like the Kool Aid guy, all huge diva hair and sequins and RIGHTEOUSLY PISSED OFF about some bullshit her man is pulling. Sasha Fierce is NOT GETTING HER FUCKING COAT ANY FASTER, OK!?!?!

ALEX: Our lady of terrible/AWESOME gives us our anthem (possibly) with “Telephone” which in my opinion has its share of terrible lyrics (“Just a second, its my favorite song they’re gonna play, And I cannot text you with a drink in my hand, eh” – really?) but the absolute most awesome hook(s) and melodies. Gaga’s job is to make me wanna dance and this does it for me.

I have so many good feelings about this song and the future: I’d like to see the video stat and it better make up for the crap that was Beyonce’s “Video Phone” (featuring Gaga herself) that I so patiently anticipated — for nothing.

Also I’d like to dance to “Telephone” in public or on a dance floor sometime really soon. Something tells me I won’t have to wait long…

7. So Happy I Could Die

STEF: For a song that starts out talking about masturbating over a girl, this is a surprisingly bland track. “So Happy I Could Die” is another Space Cowboy/RedOne track, which is even odder – these three haven’t written a boring song together um, EVER. Sure, maybe it’s harder to get your average bubblegum pop star to sing about touching herself at night, but this just doesn’t sound like Gaga. It could be anyone. I wish they’d stuck to their tried-and-true method of crafting perfect pop hits, ’cause this one sounds like it could be any girl on the radio.

ALEX:

“I love that lavender blonde,
The way she moves,
The way she walks,
I touch myself can’t get enough”

Gaga clearly wrote these lyrics cause she knew Autostraddle would find them AND HOLD ONTO THEM WITH ALL WE GOT. Gayest song we have on this album right here, so I appreciate the subject-matter. “So Happy I Could Die” is chill. Like you can groove to it and sing along while driving or something. I’m cool with it but the song is just alright… she even says it herself in the chorus. (“So happy I could die and it’s alright...”)

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8. Teeth

ALEX: It’s really hard to review a song that you can’t even listen through more than once honestly. I tried, I really tried! I love Gaga, you guys! I love her with the fire of a thousand suns but I’m just not into this jam at all. She’s just going to have to prove to me otherwise when she performs it live cause you know everything Lady Gaga does live turns to gold-plated unicorns.
So uh… I’ll let Stef take it from here!

fame monster lady gaga 1STEF: Oh, Gaga. No matter how weird she got on “The Fame,” Gaga’s weaker material was somehow always acceptable. I always wondered what it would sound like if she did something that actually fell flat, and “Teeth”… well. It sounds like it could have been a cute segue piece in between songs, like perhaps leading “Alejandro” into “Monster,” but as an album closer it falls flat. It’s SO theatrical and cabaret that the overwhelming visual in my mind is of Christina Aguilera in her dark underground lair, seething that her “Back to Basics” schtick has been stolen. The thing is, this song is just WEIRD. I’d love to see it live, perhaps with a stronger hip-hop beat and some crazy-lookin’ Where the Wild Things Are dancers, but as it stands I can only picture it as a Colgate commercial.

Final Thoughts…

ALEX: What draws me to Lady Gaga’s brand of dance-pop music (and certainly the songs on The Fame Monster) and what makes them so fresh and ingenious seems to be her combination of great pop beats and harmonies with real fucking emotion. It’s why when I dance in the dark I can sing “cause when he’s lookin’ she falls apaaaart” at the top of my lungs and feel it in my heart as well as my bones.

I’d say Holy Trinity of The Fame Monster is made up of: “Bad Romance”, “Monster”, and “Telephone”. I think my personal favorite at the moment is “Dance in the Dark” and I probably won’t listen to “Speechless” or “Teeth” ever again or for awhile. Just saying.

STEF: The genius of “The Fame Monster” is that it isn’t REALLY a whole new album; this is just Gaga cranking out a few more singles before she starts work on her actual second album. Lady Gaga has always been able to write a brilliant pop song, but when she’s given access to the world’s greatest songwriters and producers, she’s able to create increasingly bold and refreshingly strange music that pushes the envelope of what pop music can be. “The Fame Monster” is just a sampling of a thousand directions she could move in. In a world where most pop singers are merely bland, autotuned actresses who don’t write their own material, Gaga’s hands-on approach is completely refreshing. While uneven in places, “The Fame Monster” isn’t afraid to be weird.

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You can buy the regular edition mp3 version of The Fame Monster for $7.92. Also: The Fame Monster album (regular) The Fame Monster [Deluxe Edition] or the The Fame Monster Limited Edition, which has extras and comes out on December 15th.