Bad Movies From the 2000s I Loved Because Two Women Make Out
Here’s the thing about bad movies between 2004 and 2006: A lot of them featured women making out.
Here’s the thing about bad movies between 2004 and 2006: A lot of them featured women making out.
If you have yet to see Past Lives, you should watch it as soon as possible. But I think you should read the film, too.
Get ready for the Zendaya crossover nobody wanted!
The first time I heard people posing the question of whether or not Sandra killed her husband, I thought it was a joke. To me, it was obvious the court drama was just set dressing for something more complicated.
To understand the magnitude of Paul Giamatti’s warm, yet thorny performance in The Holdovers, you must go further back into his filmography where the seeds of his on-screen persona were sown.
Invest in a big-buckled belt and get ready to break some hearts!
The Oscars take place this weekend, and Jonathan Glazer’s acceptance speech for Best Foreign Language Film is likely the best chance at a mention of Israel’s genocide of Palestinians during the ceremony.
Channel the late-90s/early-2000s lesbian looks of Drive-Away Dolls!
“You deserve every good thing in this world,” that’s what Buddhakan says to Jackie Justice before they have sex.
The whole wedding somehow looks straighter than an Imagine Dragons fan guesting on The Joe Rogan Experience.
Aubrey Plaza is showing us why she’s our favorite bisexual cinephile.
There’s hope in seeing this joy from fifty years ago and recognizing our own joy and anger and hope and fear.
“I’ve certainly talked more about my personal life in the last six months than I have in my entire life. But, you know, I was always out as a lesbian to friends and family. I never thought it was of much interest until we made this movie.”
Ethan’s movies with his brother Joel have far fewer lesbians than Drive-Away Dolls, but they’re still worth checking out!
It’s a testament to how bad this movie is that nobody informed me of the sex scene.
The Lion King 1 ½ is a reminder that sometimes subtext is better — especially when it’s this texty.
Sex isn’t the only way to encourage people to be themselves. But, hey, it sure can be convincing.
“I was around the same age as young Ellie when ‘Contact’ came out. The way she so clearly carries her childhood self with her made adulthood legible; it made time seem like less of an unknowable straight line and something more like a circle. Watching it as an adult I have that same feeling.”
“The scene at the LGBTQIA+ meeting is very similar to what I experienced. I felt like an interloper in that space. It’s like, should I be here or should I not?”
Across these three scenes, queer sex is less about pleasure than power.